Picture

J. G. Holland (1819–1881) · 1858

iambic pentameter · 79 lines · from Bitter-Sweet

Winter's wild birthnight! In the fretful EastThe uneasy wind moans with its sense of cold,And sends its sighs through gloomy mountain gorge,Along the valley, up the whitening hill,To tease the sighing spirits of the pines,And waste in dismal woods their chilly life.The sky is dark, and on the huddled leaves--The restless, rustling leaves--sifts down its sleet,Till the sharp crystals pin them to the earth,And they grow still beneath the rising storm.The roofless bullock hugs the sheltering stack,With cringing head and closely gathered feet,And waits with dumb endurance for the morn.Deep in a gusty cavern of the barnThe witless calf stands blatant at his chain;While the brute mother, pent within her stall,With the wild stress of instinct goes distraught,And frets her horns, and bellows through the night.The stream runs black; and the far waterfallThat sang so sweetly through the summer eyes,And swelled and swayed to Zephyr's softest breath,Leaps with a sullen roar the dark abyss,And howls its hoarse responses to the wind.The mill is still. The distant factory,That swarmed yestreen with many-fingered life,And bridged the river with a hundred barsOf molten light, is dark, and lifts its bulk,With dim, uncertain angles, to the sky.

Yet lower bows the storm. The leafless treesLash their lithe limbs, and, with majestic voice,Call to each other through the deepening gloom;And slender trunks that lean on burly boughsShriek with the sharp abrasion; and the oak,Mellowed in fiber by unnumbered frosts,Yields to the shoulder of the Titan Blast,Forsakes its poise, and, with a booming crash,Sweeps a fierce passage to the smothered rocks,And lies a shattered ruin.

Other scene:--Across the swale, half up the pine-capped hill,Stands the old farmhouse with its clump of barns--The old red farmhouse--dim and dun to-night,Save where the ruddy firelights from the hearthFlap their bright wings against the window panes,--A billowy swarm that beat their slender bars,Or seek the night to leave their track of flameUpon the sleet, or sit, with shifting feetAnd restless plumes, among the poplar boughs--The spectral poplars, standing at the gate.

And now a man, erect, and tall, and strong,Whose thin white hair, and cheeks of furrowed bronze,And ancient dress, betray the patriarch,Stands at the window, listening to the storm;And as the fire leaps with a wilder flame--Moved by the wind--it wraps and glorifiesHis stalwart frame, until it flares and glowsLike the old prophets, in transfigured guise,That shape the sunset for cathedral aisles.And now it passes, and a sweeter shapeStands in its place. O blest maternity!Hushed on her bosom, in a light embrace,Her baby sleeps, wrapped in its long white robe;And as the flame, with soft, auroral sweeps,Illuminates the pair, how like they seem,O Virgin Mother! to thyself and thine!Now Samuel comes with curls of burning goldTo hearken to the voice of God without:"Speak, mighty One! Thy little servant hears!"And Miriam, maiden, from her household caresComes to the window in her loosened robe,--Comes with the blazing timbrels in her hand,--And, as the noise of winds and waters swells,It shapes the song of triumph to her lips:"The horse and he who rode are overthrown!"And now a man of noble port and brow,And aspect of benignant majesty,Assumes the vacant niche, while either sidePress the fair forms of children, and I hear:"Suffer the little ones to come to me!"

Words in this poem 25
birthnight n.
The night in which a person is born; the anniversary of that night in succeeding years.
whitening n.
The act or process of making or becoming white.
dismal a.
Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]
sleet n.
The part of a mortar extending from the chamber to the trunnions.
roofless a.
Having no roof; as, a roofless house.
bullock n.
A young bull, or any male of the ox kind. [AS. bulluc a young bull. See Bull.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
gusty a.
Subject to, or characterized by, gusts or squalls; windy; stormy; tempestuous.
witless a.
Destitute of wit or understanding; wanting thought; hence, indiscreet; not under the guidance of judgment.
blatant a.
Bellowing, as a calf; bawling; brawling; clamoring; disagreeably clamorous; sounding loudly and harshly. [Cf. Bleat.]
pent p. p.
Penned or shut up; confined; -- often with up. [From Pen, v. t.]
distraught p. p.
Torn asunder; separated. [OE. distract, distrauht. See Distract, a.]
swayed a.
Bent down, and hollow in the back; sway-backed; -- said of a horse.
sullen a.
Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
yestreen n.
Yester-evening; yesternight; last night.
lithe v. i.
To listen or listen to; to hearken to. P. Plowman. [Icel Listen.]
unnumbered a.
Not numbered; not counted or estimated; innumerable.
swale n.
A valley or low place; a tract of low, and usually wet, land; a moor; a fen. [Cf. Icel. svalr cool, svala to cool.]
farmhouse n.
A dwelling house on a farm; a farmer's residence.
billowy a.
Of or pertaining to billows; swelling or swollen into large waves; full of billows or surges; resembling billows.
stalwart a.
Brave; bold; strong; redoubted; daring; vehement; violent. [OE. stalworth, AS. stælwyrth serviceable, probably originally, good at stealing, or worth stealing or taking, and afterwards extended to other causes of estimat]
maternity n.
The state of being a mother; the character or relation of a mother. [F. maternité, LL. maternitas.]
auroral a.
Belonging to, or resembling, the aurora (the dawn or the northern lights); rosy.
rode n.
Redness; complexion. [See Rud.]
benignant a.
Kind; gracious; favorable. [LL. benignans, p. pr. of benignare, from L. benignus. See Benign.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Picture is in the public domain. This text is taken from Bitter-Sweet: A Poem, Project Gutenberg ebook #6442; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: J. G. Holland, Picture, in Bitter-Sweet (1858), text of Project Gutenberg ebook #6442, Laurel, https://laurelpoetry.com/poem/holland-bitter-sweet/picture.html, id L23249.

Form and metre

Picture is 79 lines in 4 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -----A-B---B---C--C-----A--- east · cold · gorge · hill · pines · lifeA · leaves · sleetB · earth · storm · stack · feetB · morn · barn · chain · stallC · distraught · night · waterfallC · eyes · breath · abyss · wind · factory · lifeA · bars · bulk · sky
  2. 4 -----A-A----B-------B-------CC strong · bronze · patriarch · storm · flame · glorifiesA · glows · guiseA · aisles · shape · maternity · embrace · robeB · sweeps · seem · thine · gold · without · hears · cares · robeB · hand · swells · lips · overthrown · brow · majesty · side · hearC · meC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Winter's wild birthnight! In the fretful East10/˘·/˘··/˘·
The uneasy wind moans with its sense of cold,11·˘/˘·······
And sends its sighs through gloomy mountain gorge,10·····/˘/˘·
Along the valley, up the whitening hill,10˘/·/˘··/˘·
To tease the sighing spirits of the pines,10···/˘/˘···
And waste in dismal woods their chilly life.10···/˘··/˘·
The sky is dark, and on the huddled leaves--10·······/˘·
The restless, rustling leaves--sifts down its sleet,10·/˘/˘·····
Till the sharp crystals pin them to the earth,10···/˘·····
And they grow still beneath the rising storm.10·······/˘·
The roofless bullock hugs the sheltering stack,10·/˘/˘··/˘·
With cringing head and closely gathered feet,10·/˘··/˘/˘·
And waits with dumb endurance for the morn.10····/˘˘···
Deep in a gusty cavern of the barn10···/˘/˘···
The witless calf stands blatant at his chain;10·/˘··/˘···
While the brute mother, pent within her stall,10···/˘·····
With the wild stress of instinct goes distraught,10·····/˘·˘/
And frets her horns, and bellows through the night.10·····/˘···
The stream runs black; and the far waterfall10·······/˘·
That sang so sweetly through the summer eyes,10···/˘··/˘·
And swelled and swayed to Zephyr's softest breath,10·····/˘/˘·
Leaps with a sullen roar the dark abyss,10···/˘···˘/
And howls its hoarse responses to the wind.10····˘/˘···
The mill is still. The distant factory,10·····/˘/˘˘
That swarmed yestreen with many-fingered life,10·····/˘/˘·
And bridged the river with a hundred bars10···/˘··/˘·
Of molten light, is dark, and lifts its bulk,10·/˘·······
With dim, uncertain angles, to the sky.10··˘/˘/˘···
Yet lower bows the storm. The leafless trees10·/˘····/˘·
Lash their lithe limbs, and, with majestic voice,10······˘/˘·
Call to each other through the deepening gloom;10···/˘··/˘·
And slender trunks that lean on burly boughs10·/˘····/˘·
Shriek with the sharp abrasion; and the oak,10····˘/˘···
Mellowed in fiber by unnumbered frosts,10/˘·/˘·˘/˘·
Yields to the shoulder of the Titan Blast,10···/˘··/˘·
Forsakes its poise, and, with a booming crash,10˘/·····/˘·
Sweeps a fierce passage to the smothered rocks,10···/˘··/˘·
And lies a shattered ruin.7···/˘/˘
Other scene:--3/˘·
Across the swale, half up the pine-capped hill,11˘/·········
Stands the old farmhouse with its clump of barns--10···/······
The old red farmhouse--dim and dun to-night,10···/······
Save where the ruddy firelights from the hearth11···/˘······
Flap their bright wings against the window panes,--10·······/˘·
A billowy swarm that beat their slender bars,11·/˘˘····/˘·
Or seek the night to leave their track of flame10··········
Upon the sleet, or sit, with shifting feet10·······/˘·
And restless plumes, among the poplar boughs--10·/˘····/˘·
The spectral poplars, standing at the gate.10·/˘/˘/˘···
And now a man, erect, and tall, and strong,10····˘/····
Whose thin white hair, and cheeks of furrowed bronze,10·······/˘·
And ancient dress, betray the patriarch,10·/˘·˘/·/˘·
Stands at the window, listening to the storm;10···/˘/˘···
And as the fire leaps with a wilder flame--10···/···/˘·
Moved by the wind--it wraps and glorifies10·······/˘·
His stalwart frame, until it flares and glows10·/˘·······
Like the old prophets, in transfigured guise,10···/˘·····
That shape the sunset for cathedral aisles.10···/··˘/˘·
And now it passes, and a sweeter shape10···/˘··/˘·
Stands in its place. O blest maternity!10······˘/˘˘
Hushed on her bosom, in a light embrace,10···/˘···˘/
Her baby sleeps, wrapped in its long white robe;10·/˘·······
And as the flame, with soft, auroral sweeps,10······˘/˘·
Illuminates the pair, how like they seem,10˘/˘·······
O Virgin Mother! to thyself and thine!10·/˘/˘·˘/··
Now Samuel comes with curls of burning gold10·/˘····/˘·
To hearken to the voice of God without:10·/˘·······
"Speak, mighty One! Thy little servant hears!"10·/˘··/˘/˘·
And Miriam, maiden, from her household cares10·/˘/˘··/··
Comes to the window in her loosened robe,--10···/˘··/˘·
Comes with the blazing timbrels in her hand,--10···/˘·····
And, as the noise of winds and waters swells,10·······/˘·
It shapes the song of triumph to her lips:10·····/˘···
"The horse and he who rode are overthrown!"10········˘/
And now a man of noble port and brow,10·····/˘···
And aspect of benignant majesty,10·/··˘/˘/˘˘
Assumes the vacant niche, while either side10˘/·/˘··/˘·
Press the fair forms of children, and I hear:10·····/˘···
"Suffer the little ones to come to me!"10/˘·/˘·····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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