679. Cruelties

Robert Herrick (1591–1674) · 1648

iambic tetrameter · 2 lines · from Hesperides

Nero commanded; but withdrew his eyesFrom the beholding death and cruelties.

Words in this poem

nero n.
A Roman emperor notorius for debauchery and barbarous cruelty; hence, any profligate and cruel ruler or merciless tyrant.
beholding a.
Obliged; beholden.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

679. Cruelties is in the public domain. This text is taken from The Hesperides & Noble Numbers: Vol. 1 and 2, Project Gutenberg ebook #22421; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Herrick, 679. Cruelties, in Hesperides (1648), text of Project Gutenberg ebook #22421, Laurel, https://laurelpoetry.com/poem/herrick-hesperides/679-cruelties.html, id L05627.

Form and metre

679. Cruelties is 2 lines in a single stanza. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter. 86% of its stressed syllables fall where the metre puts the beat. The lines average 9.5 syllables. 1 line ends on an unstressed syllable, a feminine ending.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA eyesA · crueltiesA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Nero commanded; but withdrew his eyes10/˘˘/˘·˘/··
From the beholding death and cruelties.9··˘/˘··/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Robert Herrick