40. To God
Thou hast promis'd, Lord, to beWith me in my misery;Suffer me to be so boldAs to speak, Lord, say and hold.
Words in this poem
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
40. To God is in the public domain. This text is taken from The Hesperides & Noble Numbers: Vol. 1 and 2, Project Gutenberg ebook #22421; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Herrick, 40. To God, in Hesperides (1648), text of Project Gutenberg ebook #22421, Laurel, https://laurelpoetry.com/poem/herrick-hesperides/40-to-god.html, id L06051.
Form and metre
40. To God is 4 lines in a single stanza. It is in rhyming couplets, 50% of the lines: octosyllabic couplets. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter. 92% of its stressed syllables fall where the metre puts the beat. The lines average 7.0 syllables. 1 line ends on an unstressed syllable, a feminine ending.
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 --AA be · misery · boldA · holdA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Thou hast promis'd, Lord, to be | 7 | ··/˘··· |
| With me in my misery; | 7 | ····/˘˘ |
| Suffer me to be so bold | 7 | /˘····· |
| As to speak, Lord, say and hold. | 7 | ······· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.