143. Angels
Angels are called gods; yet of them, noneAre gods but by participation:As just men are entitled gods, yet noneAre gods of them but by adoption.
About this text
143. Angels is in the public domain. This text is taken from The Hesperides & Noble Numbers: Vol. 1 and 2, Project Gutenberg ebook #22421; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Herrick, 143. Angels, in Hesperides (1648), text of Project Gutenberg ebook #22421, Laurel, https://laurelpoetry.com/poem/herrick-hesperides/143-angels.html, id L06154.
Form and metre
143. Angels is 4 lines in a single stanza. It is in rhyming couplets: octosyllabic couplets. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter. 92% of its stressed syllables fall where the metre puts the beat. The lines average 9.5 syllables. 2 lines end on an unstressed syllable, a feminine ending.
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AAAA noneA · participationA · noneA · adoptionA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Angels are called gods; yet of them, none | 10 | /˘··˘····· |
| Are gods but by participation: | 9 | ····˘·˘/˘ |
| As just men are entitled gods, yet none | 10 | ····˘/˘··· |
| Are gods of them but by adoption. | 9 | ······˘/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.