Killing Time
The air was full of shouts and cries,Of shrill “Ha-ha’s,” and “Ho’s,” and “Hi’s,”And every kind of whistle,And the sky was dark with flying things--Golf-sticks, balls, engagement-rings,Novels, rackets, and billiard-cues,Cameras, fishing-rods, and shoes,And every sort of missile.
The ground was black with a seething massOf people of every kind and class--Matrons, men, and misses,Ladies and gentlemen, old and new,Lads and lasses, and children too,Elderly men with elderly wives--Hustling and bustling for their lives.“I wonder what all this is?”
Said I: “I fear that it may beAnother case for the S. P. C.’T will bear investigation.”I dropped my book and joined the race,And struggling into the foremost place,Behold, the object of the chaseWas an aged man with wrinkled face!I was filled with indignation.
His frame was bent and his knees aknock,His head was bald but for one lock,And I cried with anger thrilling,“This thing must stop; ’t is a disgraceAn aged gentleman to chase.”Then everybody laughed in my face.“This,” they cried, “is a different case;It’s only ‘Time’ we’re killing.”
Then it was I observed two thingsThat grew from his shoulders--two big wings!And I joined in the people’s laughter.Tho’ killing is often out of place,A circumstance may alter a case.So I took my pad and pencil-case,And for want of a missile, in its placeI tossed these verses after.
| The Mermaid Culture Club request || That you will kindly be || On such and such a day their guest || At something after three. |
I wrote at once that “I should beMost charmed,” and donn’d my bestDress diving-suit,--a joy to see,--And at their club-house ’neath the seaArrived at “something after three”Promptly (unpunctualityIs something I detest).The President, a mermaid fair,Sat by a coral table,And read an essay with an airIntelligent and ableUpon--but you will never guessThe subject--it was nothing lessThan sunshades and umbrellas.I really did my very bestTo keep from laughing--as their guest.That it was hard must be confessedWhen next the meeting was addressedOn shoes, and which would wear the best--Tan slippers or prunellas.Then came (it did look like a joke)Essays on bonnet, hat, and toque:Said I, “They must be mocking.”And when at length a mermaid rose,And read a thesis to exposeThe latest novelty in hose,I felt my reason rocking.But when at last the thing was o’er,And I was back again on shore,I fell to moralizing.And as remembrance came to meOf other clubs not in the sea,Of essays read by ladies fairUpon the “why” and “whence” and “where,”Said I, “It’s not surprising.”
Words in this poem
- bustling a.
- Agitated; noisy; tumultuous; characterized by confused activity; as, a bustling crowd.
- thrilling a.
- Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
- mermaid n.
- A fabled marine creature, typically represented as having the upper part like that of a woman, and the lower like a fish; a sea nymph, sea woman, or woman fish. [AS. mere lake, sea. See Mere lake, and maid.]
- wrote v. i.
- To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
- promptly adv.
- In a prompt manner.
- detest v. t.
- To witness against; to denounce; to condemn. [L. detestare, detestatum, and detestari, to curse while calling a deity to witness, to execrate, detest; de + testari to be a witness, testify, testis a witness]
- toque n.
- A kind of cap worn in the 16th century, and copied in modern fashions; -- called also toquet. [F. toque; of Celtic origin; cf. W.toc.]
- thesis n.
- A position or proposition which a person advances and offers to maintain, or which is actually maintained by argument. [L., fr. Gr. Do, and cf. Anathema, Apothecary, Epithet, Hypothesis, Parenthesis, Theme, Tick a cover.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Killing Time is in the public domain. This text is taken from The Bashful Earthquake, & Other Fables and Verses, Project Gutenberg ebook #56765; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Oliver Herford, Killing Time, in The Bashful Earthquake, and Other Fables and Verses (1898), text of Project Gutenberg ebook #56765, Laurel, https://laurelpoetry.com/poem/herford-bashful-earthquake/killing-time.html, id L22127.
Form and metre
Killing Time is 79 lines in 7 stanzas. The commonest rhyme scheme is AABCCCCB, in 3 of the 7 stanzas; the rest vary or could not be confirmed. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 85%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 --ABBCCA cries · hi's · whistleA · thingsB · ringsB · cuesC · shoesC · missileA
- 2 AA-BBCC- massA · classA · misses · newB · tooB · wivesC · livesC · is
- 3 AABCCCCB beA · cA · investigationB · raceC · placeC · chaseC · faceC · indignationB
- 4 AABCCCCB aknockA · lockA · thrillingB · disgraceC · chaseC · faceC · caseC · killingB
- 5 AABCCCCB thingsA · wingsA · laughterB · placeC · caseC · caseC · placeC · afterB
- 6 AAAA — · — · — · —
- 7 A-AAA--BCBCDD-EEEEEFGGHFFFH---IIJJ- beA · best · seeA · seaA · threeA · unpunctuality · detest · fairB · tableC · airB · ableC · guessD · lessD · umbrellas · bestE · guestE · confessedE · addressedE · bestE · prunellasF · jokeG · toqueG · mockingH · roseF · exposeF · hoseF · rockingH · o'er · shore · moralizing · meI · seaI · fairJ · whereJ · surprising
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The air was full of shouts and cries, | 8 | ········ |
| Of shrill “Ha-ha’s,” and “Ho’s,” and “Hi’s,” | 8 | ········ |
| And every kind of whistle, | 8 | ·/˘˘··/˘ |
| And the sky was dark with flying things-- | 9 | ······/˘· |
| Golf-sticks, balls, engagement-rings, | 7 | ···˘/˘· |
| Novels, rackets, and billiard-cues, | 8 | /˘/˘·/˘· |
| Cameras, fishing-rods, and shoes, | 8 | /˘˘/˘··· |
| And every sort of missile. | 8 | ·/˘˘··/˘ |
| The ground was black with a seething mass | 9 | ······/˘· |
| Of people of every kind and class-- | 9 | ·/˘·/˘··· |
| Matrons, men, and misses, | 6 | /˘··/˘ |
| Ladies and gentlemen, old and new, | 8 | /˘·/˘··· |
| Lads and lasses, and children too, | 8 | ··/˘·/˘· |
| Elderly men with elderly wives-- | 8 | /˘··/˘˘· |
| Hustling and bustling for their lives. | 8 | /˘·/˘··· |
| “I wonder what all this is?” | 7 | ·/˘···· |
| Said I: “I fear that it may be | 8 | ········ |
| Another case for the S. P. C. | 9 | ˘/˘······ |
| ’T will bear investigation.” | 8 | ···˘·˘/˘ |
| I dropped my book and joined the race, | 8 | ········ |
| And struggling into the foremost place, | 9 | ·/˘···/·· |
| Behold, the object of the chase | 8 | ˘/·/˘··· |
| Was an aged man with wrinkled face! | 8 | ·····/˘· |
| I was filled with indignation. | 8 | ·····˘/˘ |
| His frame was bent and his knees aknock, | 9 | ········· |
| His head was bald but for one lock, | 8 | ········ |
| And I cried with anger thrilling, | 8 | ····/˘/˘ |
| “This thing must stop; ’t is a disgrace | 9 | ·······˘/ |
| An aged gentleman to chase.” | 7 | ··/˘˘·· |
| Then everybody laughed in my face. | 9 | ·/˘·˘···· |
| “This,” they cried, “is a different case; | 8 | ·····/˘· |
| It’s only ‘Time’ we’re killing.” | 7 | ·/˘··/˘ |
| Then it was I observed two things | 8 | ····˘/·· |
| That grew from his shoulders--two big wings! | 9 | ····/˘··· |
| And I joined in the people’s laughter. | 9 | ·····/˘/˘ |
| Tho’ killing is often out of place, | 9 | ·/˘·/˘··· |
| A circumstance may alter a case. | 9 | ·/˘··/˘·· |
| So I took my pad and pencil-case, | 9 | ······/˘· |
| And for want of a missile, in its place | 10 | ·····/˘··· |
| I tossed these verses after. | 8 | ··˘·/˘·· |
| | The Mermaid Culture Club request | | 8 | ·/·/˘·˘/ |
| | That you will kindly be | | 6 | ···/˘· |
| | On such and such a day their guest | | 8 | ········ |
| | At something after three. | | 6 | ·/˘··· |
| I wrote at once that “I should be | 8 | ········ |
| Most charmed,” and donn’d my best | 7 | ··˘···· |
| Dress diving-suit,--a joy to see,-- | 8 | ·/˘····· |
| And at their club-house ’neath the sea | 8 | ········ |
| Arrived at “something after three” | 8 | ˘/·/˘··· |
| Promptly (unpunctuality | 7 | /˘····· |
| Is something I detest). | 6 | ·/˘·˘/ |
| The President, a mermaid fair, | 8 | ·/˘··/·· |
| Sat by a coral table, | 7 | ···/˘/˘ |
| And read an essay with an air | 8 | ···˘/··· |
| Intelligent and able | 7 | ˘/˘˘·/˘ |
| Upon--but you will never guess | 8 | ·····/˘· |
| The subject--it was nothing less | 8 | ·/˘··/˘· |
| Than sunshades and umbrellas. | 7 | ····˘/˘ |
| I really did my very best | 8 | ·/˘··/˘· |
| To keep from laughing--as their guest. | 8 | ···/˘··· |
| That it was hard must be confessed | 8 | ······˘/ |
| When next the meeting was addressed | 8 | ···/˘·˘/ |
| On shoes, and which would wear the best-- | 8 | ········ |
| Tan slippers or prunellas. | 7 | ·/˘·˘/˘ |
| Then came (it did look like a joke) | 8 | ········ |
| Essays on bonnet, hat, and toque: | 8 | ˘/·/˘··· |
| Said I, “They must be mocking.” | 7 | ·····/˘ |
| And when at length a mermaid rose, | 8 | ·····/·· |
| And read a thesis to expose | 8 | ···/˘·˘/ |
| The latest novelty in hose, | 8 | ·/˘/˘˘·· |
| I felt my reason rocking. | 7 | ···/˘/˘ |
| But when at last the thing was o’er, | 8 | ········ |
| And I was back again on shore, | 8 | ····˘/·· |
| I fell to moralizing. | 7 | ···/˘·˘ |
| And as remembrance came to me | 8 | ··˘/˘··· |
| Of other clubs not in the sea, | 8 | ·/˘····· |
| Of essays read by ladies fair | 8 | ·/···/˘· |
| Upon the “why” and “whence” and “where,” | 8 | ········ |
| Said I, “It’s not surprising.” | 7 | ····˘/˘ |
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