Scherzando

W. E. Henley (1849–1903) · 1898

iambic pentameter · 77 lines · from Poems

DOWN through the ancient StrandThe spirit of October, mild and boonAnd sauntering, takes his wayThis golden end of afternoon,As though the corn stood yellow in all the land,And the ripe apples dropped to the harvest-moon.

Lo! the round sun, half-down the western slope—Seen as along an unglazed telescope—Lingers and lolls, loth to be done with day:Gifting the long, lean, lanky streetAnd its abounding confluences of beingWith aspects generous and bland;Making a thousand harnesses to shineAs with new ore from some enchanted mine,And every horse’s coat so full of sheenHe looks new-tailored, and every ’bus feels clean,And never a hansom but is worth the feeing;And every jeweller within the paleOffers a real Arabian Night for sale;And even the roarOf the strong streams of toil, that pause and pourEastward and westward, sounds suffused—Seems as it were bemusedAnd blurred, and like the speechOf lazy seas on a lotus-haunted beach—With this enchanted lustrousness,This mellow magic, that (as a man’s caressBrings back to some faded face, beloved before,A heavenly shadow of the grace it woreEre the poor eyes were minded to beseech)Old things transfigures, and you hail and blessTheir looks of long-lapsed loveliness once more:Till Clement’s, angular and cold and staid,Gleams forth in glamour’s very stuffs arrayed;And Bride’s, her aëry, unsubstantial charmThrough flight on flight of springing, soaring stoneGrown flushed and warm,Laughs into life full-mooded and fresh-blown;And the high majesty of Paul’sUplifts a voice of living light, and calls—Calls to his millions to behold and seeHow goodly this his London Town can be!

For earth and sky and airAre golden everywhere,And golden with a gold so suave and fineThe looking on it lifts the heart like wine.Trafalgar Square(The fountains volleying golden glaze)Shines like an angel-market. High aloftOver his couchant Lions, in a hazeShimmering and bland and soft,A dust of chrysoprase,Our Sailor takes the golden gazeOf the saluting sun, and flames superb,As once he flamed it on his ocean round.The dingy dreariness of the picture-place,Turned very nearly bright,Takes on a luminous transiency of grace,And shows no more a scandal to the ground.The very blind man pottering on the kerb,Among the posies and the ostrich feathersAnd the rude voices touched with all the weathersOf the long, varying year,Shares in the universal alms of light.The windows, with their fleeting, flickering fires,The height and spread of frontage shining sheer,The quiring signs, the rejoicing roofs and spires—’Tis El Dorado—El Dorado plain,The Golden City! And when a girl goes by,Look! as she turns her glancing head,A call of gold is floated from her ear!Golden, all golden! In a golden glory,Long-lapsing down a golden coasted sky,The day, not dies but, seemsDispersed in wafts and drifts of gold, and shedUpon a past of golden song and storyAnd memories of gold and golden dreams.

Words in this poem 22
boon n.
A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
afternoon n.
The part of the day which follows noon, between noon and evening.
lanky a.
Somewhat lank. Thackeray.
generous a.
Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
sheen v. i.
To shine; to glisten.
hansom n.
A light, low, two-wheeled covered carriage with the driver's seat elevated behind, the reins being passed over the top. [From the name of the inventor.]
caress n.
An act of endearment; any act or expression of affection; an embracing, or touching, with tenderness. [F. caresse, It. carezza, LL. caritia dearness, fr. L. carus dear. See Charity.]
loveliness n.
The state or quality of being lovely. [From Lovely.]
glamour n.
A charm affecting the eye, making objects appear different from what they really are. [Scot. glamour, glamer; cf. Icel. glámeggdr one who is troubled with the glaucoma; or Icel. glam-s weakness of sight, glamour; glamr name of the moon, also of a ]
goodly a.
Pleasant; agreeable; desirable. [OE. godlich, AS. g. See Good, and Like.]
suave a.
Sweet; pleasant; delightful; gracious or agreeable in manner; bland. [L. suavis sweet, pleasant: cf. F. suave. See Sweet, and cf. Suasion.]
couchant a.
Lying down with head erect; squatting. [F., p. pr. of coucher. See Couch, v. t.]
shimmering n.
A gleam or glimmering.
chrysoprase n.
An apple-green variety of chalcedony, colored by nickel. It has a dull flinty luster, and is sometimes used in jewelry.
superb a.
Grand; magnificent; august; stately; as, a superb edifice; a superb colonnade. [F. superbe, L. superbus, fr. super over. See Super-.]
dreariness n.
Sorrow; wretchedness.
transiency n.
The quality of being transient; transientness.
scandal n.
Offense caused or experienced; reproach or reprobation called forth by what is regarded as wrong, criminal, heinous, or flagrant: opprobrium or disgrace. [F. scandale, fr. L. scandalum, Gr. scandle, OF. escandle. See Slander.]
frontage n.
The front part of an edifice or lot; extent of front.
dorado n.
A southern constellation, within which is the south pole of the ecliptic; -- called also sometimes Xiphias, or the Swordfish. [Sp. dorado gilt, fr. dorar to gild, fr. L. deaurare. See 1st Dory, and cf. Fl Dorado.]
glancing a.
Shooting, as light.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Scherzando is in the public domain. This text is taken from Poems, Project Gutenberg ebook #1568; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: W. E. Henley, Scherzando, in Poems (1898), text of Project Gutenberg ebook #1568, Laurel, https://laurelpoetry.com/poem/henley-poems/scherzando.html, id L12433.

Form and metre

Scherzando is 77 lines in 3 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 6 lines end on an unstressed syllable, a feminine ending. 39% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AB-BAB strandA · boonB · way · afternoonB · landA · moonB
  2. 2 AA----BBCC-DDEEFFGGHHII-HIJJ-K-KLLMM slopeA · telescopeA · day · street · being · bland · shineB · mineB · sheenC · cleanC · feeing · paleD · saleD · roarE · pourE · suffusedF · bemusedF · speechG · beachG · lustrousnessH · caressH · beforeI · woreI · beseech · blessH · moreI · staidJ · arrayedJ · charm · stoneK · warm · blownK · paul'sL · callsL · seeM · beM
  3. 3 AABBAC-C-CC-DE-ED-FFG--G--H--IHJ-IJ airA · everywhereA · fineB · wineB · squareA · glazeC · aloft · hazeC · soft · chrysopraseC · gazeC · superb · roundD · placeE · bright · graceE · groundD · kerb · feathersF · weathersF · yearG · light · fires · sheerG · spires · plain · byH · head · ear · gloryI · skyH · seemsJ · shed · storyI · dreamsJ
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
DOWN through the ancient Strand6···/˘·
The spirit of October, mild and boon9·/·˘/˘···
And sauntering, takes his way7·/˘˘···
This golden end of afternoon,8·/˘···˘/
As though the corn stood yellow in all the land,11·····/˘····
And the ripe apples dropped to the harvest-moon.11···/˘···/˘·
Lo! the round sun, half-down the western slope—10·······/˘·
Seen as along an unglazed telescope—10··˘/···/˘·
Lingers and lolls, loth to be done with day:10/˘········
Gifting the long, lean, lanky street8/˘···/˘·
And its abounding confluences of being9··˘/˘/˘·/
With aspects generous and bland;8·/·/˘˘··
Making a thousand harnesses to shine9/˘·/˘/˘··
As with new ore from some enchanted mine,10······˘/˘·
And every horse’s coat so full of sheen10·/˘/˘·····
He looks new-tailored, and every ’bus feels clean,11···/˘·/˘···
And never a hansom but is worth the feeing;10·/·/˘·····
And every jeweller within the pale10·/˘·······
Offers a real Arabian Night for sale;10/˘··˘/˘···
And even the roar5·/˘··
Of the strong streams of toil, that pause and pour10··········
Eastward and westward, sounds suffused—8/˘·/˘·˘/
Seems as it were bemused7····˘/˘
And blurred, and like the speech7··˘····
Of lazy seas on a lotus-haunted beach—11·/˘···/˘/˘·
With this enchanted lustrousness,8··˘/˘···
This mellow magic, that (as a man’s caress11·/˘/˘····˘/
Brings back to some faded face, beloved before,11····/˘·˘/··
A heavenly shadow of the grace it wore10·/˘/······
Ere the poor eyes were minded to beseech)10·····/˘·˘/
Old things transfigures, and you hail and bless10··········
Their looks of long-lapsed loveliness once more:10·····/˘˘··
Till Clement’s, angular and cold and staid,9·/˘/˘····
Gleams forth in glamour’s very stuffs arrayed;10···/˘/˘·˘/
And Bride’s, her aëry, unsubstantial charm10···/˘·····
Through flight on flight of springing, soaring stone10·····/˘/˘·
Grown flushed and warm,4····
Laughs into life full-mooded and fresh-blown;10·····/˘···
And the high majesty of Paul’s8···/˘˘··
Uplifts a voice of living light, and calls—10/˘···/˘···
Calls to his millions to behold and see10···/˘·˘/··
How goodly this his London Town can be!10·/˘··/˘···
For earth and sky and air6······
Are golden everywhere,6·/˘/˘·
And golden with a gold so suave and fine10·/˘·······
The looking on it lifts the heart like wine.10·/˘·······
Trafalgar Square4˘/˘·
(The fountains volleying golden glaze)8·/˘/˘/˘·
Shines like an angel-market. High aloft10···/˘/˘·˘/
Over his couchant Lions, in a haze9··/˘/˘···
Shimmering and bland and soft,7/˘˘····
A dust of chrysoprase,6···/˘˘
Our Sailor takes the golden gaze8//˘··/˘·
Of the saluting sun, and flames superb,10··˘/˘···˘/
As once he flamed it on his ocean round.9·······/·
The dingy dreariness of the picture-place,10·/˘/˘··/˘·
Turned very nearly bright,7·˘/˘/˘·
Takes on a luminous transiency of grace,10···/˘·····
And shows no more a scandal to the ground.10·····/˘···
The very blind man pottering on the kerb,10·/˘··/˘···
Among the posies and the ostrich feathers10······/˘/˘
And the rude voices touched with all the weathers11···/˘····/˘
Of the long, varying year,7···/˘˘·
Shares in the universal alms of light.10····˘/˘···
The windows, with their fleeting, flickering fires,10·/˘··/˘/˘/
The height and spread of frontage shining sheer,10·····/˘/˘·
The quiring signs, the rejoicing roofs and spires—11·/˘··˘/˘···
’Tis El Dorado—El Dorado plain,10··˘/˘·˘/˘·
The Golden City! And when a girl goes by,11·/˘/˘······
Look! as she turns her glancing head,8·····/˘·
A call of gold is floated from her ear!10·····/˘···
Golden, all golden! In a golden glory,11/˘·/˘··/˘/˘
Long-lapsing down a golden coasted sky,10·/˘··/˘/˘·
The day, not dies but, seems6······
Dispersed in wafts and drifts of gold, and shed10˘/········
Upon a past of golden song and story11·····/˘··/˘
And memories of gold and golden dreams.9·/˘···/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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