Forth from the dust and din

W. E. Henley (1849–1903) · 1898

iambic pentameter · 103 lines · from Poems

FORTH from the dust and din,The crush, the heat, the many-spotted glare,The odour and sense of life and lust aflare,The wrangle and jangle of unrests,Let us take horse, Dear Heart, take horse and win—As from swart August to the green lap of May—To quietness and the fresh and fragrant breastsOf the still, delicious night, not yet awareIn any of her innumerable nestsOf that first sudden plash of dawn,Clear, sapphirine, luminous, large,Which tells that soon the flowing springs of dayIn deep and ever deeper eddies drawnForward and up, in wider and wider way,Shall float the sands, and brim the shores,On this our lith of the World, as round it roarsAnd spins into the outlook of the Sun(The Lord’s first gift, the Lord’s especial charge),With light, with living light, from marge to margeUntil the course He set and staked be run.

Through street and square, through square and street,Each with his home-grown quality of darkAnd violated silence, loud and fleet,Waylaid by a merry ghost at every lamp,The hansom wheels and plunges. Hark, O, hark,Sweet, how the old mare’s bit and chainRing back a rough refrainUpon the marked and cheerful trampOf her four shoes! Here is the Park,And O, the languid midsummer wafts adust,The tired midsummer blooms!O, the mysterious distances, the gloomsRomantic, the augustAnd solemn shapes! At night this City of TreesTurns to a tryst of vague and strangeAnd monstrous Majesties,Let loose from some dim underworld to rangeThese terrene vistas till their twilight sets:When, dispossessed of wonderfulness, they standBeggared and common, plain to all the landFor stooks of leaves! And lo! the Wizard Hour,His silent, shining sorcery winged with power!Still, still the streets, between their carcanetsOf linking gold, are avenues of sleep.But see how gable ends and parapetsIn gradual beauty and significanceEmerge! And did you hearThat little twitter-and-cheep,Breaking inordinately loud and clearOn this still, spectral, exquisite atmosphere?’Tis a first nest at matins! And beholdA rakehell cat—how furtive and acold!A spent witch homing from some infamous dance—Obscene, quick-trotting, see her tip and fadeThrough shadowy railings into a pit of shade!And now! a little wind and shy,The smell of ships (that earnest of romance),A sense of space and water, and therebyA lamplit bridge ouching the troubled sky,And look, O, look! a tangle of silver gleamsAnd dusky lights, our River and all his dreams,His dreams that never save in our deaths can die.

What miracle is happening in the air,Charging the very texture of the grayWith something luminous and rare?The night goes out like an ill-parcelled fire,And, as one lights a candle, it is day.The extinguisher, that perks it like a spireOn the little formal church, is not yet greenAcross the water: but the house-tops nigher,The corner-lines, the chimneys—look how clean,How new, how naked! See the batch of boats,Here at the stairs, washed in the fresh-sprung beam!And those are barges that were goblin floats,Black, hag-steered, fraught with devilry and dream!And in the piles the water frolics clear,The ripples into loose rings wander and flee,And we—we can behold that could but hearThe ancient River singing as he goes,New-mailed in morning, to the ancient Sea.The gas burns lank and jaded in its glass:The old Ruffian soon shall yawn himself awake,And light his pipe, and shoulder his tools, and takeHis hobnailed way to work!

Let us too pass—Pass ere the sun leaps and your shadow shows—Through these long, blindfold rowsOf casements staring blind to right and left,Each with his gaze turned inward on some pieceOf life in death’s own likeness—Life bereftOf living looks as by the Great Release—Pass to an exquisite night’s more exquisite close!

Reach upon reach of burial—so they feel,These colonies of dreams! And as we stealHomeward together, but for the buxom breeze,Fitfully frolicking to heelWith news of dawn-drenched woods and tumbling seas,We might—thus awed, thus lonely that we are—Be wandering some dispeopled star,Some world of memories and unbroken graves,So broods the abounding Silence near and far:Till even your footfall cravesForgiveness of the majesty it braves.

Words in this poem 31
glare v. i.
To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
odour n.
Any smell, whether fragrant or offensive; scent; perfume. [OE. odor, odour, OF. odor, odour, F. odeur, fr. L. odor; akin to olere to smell, Gr. Olfactory, Osmium, Ozone, Redolent.]
lust v. i.
To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
jangle v. i.
To sound harshly or discordantly, as bells out of tune. [OE. janglen to quarrel, OF. jangler to rail, quarrel; of Dutch or German origin; cf. D. jangelen, janken, to whimper, chide, brawl, quarrel.]
sapphirine n.
Resembling sapphire; made of sapphire; having the color, or any quality of sapphire.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
lith
3d pers. sing. pres. of Lie, to recline, for lieth.
outlook v. t.
To face down; to outstare.
marge n.
Border; margin; edge; verge. [F. marge. See Margin.]
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
hansom n.
A light, low, two-wheeled covered carriage with the driver's seat elevated behind, the reins being passed over the top. [From the name of the inventor.]
midsummer n.
The middle of summer. Shak. Midsummer daisy (Bot.), the oxeye daisy. [AS. midsumor.]
adust a.
Inflamed or scorched; fiery. [L. adustus, p. p. of adurere: cf. F. aduste.]
tryst v. i.
To mutually agree to meet at a certain place.
underworld n.
The lower of inferior world; the world which is under the heavens; the earth.
terrene n.
A tureen. Walpole.
gable n.
A cable. Chapman.
rakehell a.
Dissolute; wild; lewd; rakish. Spenser. B. Jonson.
furtive a.
Stolen; obtained or characterized by stealth; sly; secret; stealthy; as, a furtive look. Prior. [L. furtivus, fr. furtum theft, fr. fur thief, akin to ferre to bear: cf. F. furtif. See Fertile.]
homing a.
Home-returning; -- used specifically of carrier pigeons.
tangle v. t.
To unite or knit together confusedly; to interweave or interlock, as threads, so as to make it difficult to unravel the knot; to entangle; to ravel. [A frequentative fr. tang seaweed; hence, to twist like seaweed. See Tang seaweed, and cf. Tangle, n.]
extinguisher n.
One who, or that which, extinguishes; esp., a hollow cone or other device for extinguishing a flame, as of a torch or candle.
batch n.
The quantity of bread baked at one time. [OE. bache, bacche, fr. AS. bacan to bake; cf. G. gebäck and D. baksel. See Bake, v. t.]
fraught n.
A freight; a cargo. [OE.fraight, fraght; akin to Dan. fragt, Sw. frakt, D. vracht, G. fracht, cf. OHG. fr merit, reward; perh. from corresponding to E. for + The root of E. own. Cf.]
devilry n.
Conduct suitable to the devil; extreme wickedness; deviltry.
mailed a.
Protected by an external coat, or covering, of scales or plates.
blindfold v. t.
To cover the eyes of, as with a bandage; to hinder from seeing. [OE. blindfolden, blindfelden, blindfellen; AS. blind blind + prob. fellan, fyllan, to fell, strike down.]
burial n.
A grave; a tomb; a place of sepulture. [OE. buriel, buriels, grave, tomb, AS. byrgels, fr. byrgan to bury, and akin to OS. burgisli sepulcher.]
homeward a.
Being in the direction of home; as, the homeward way.
buxom a.
Yielding; pliable or compliant; ready to obey; obedient; tractable; docile; meek; humble. [OE. buxum, boxom, buhsum, pliable, obedient, AS. bocsum, buhsum (akin to D. buigzaam blexible, G. biegsam); bugan to bow, bend + -sum, E. -some. See Bow to bend]
footfall n.
A setting down of the foot; a footstep; the sound of a footstep.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Forth from the dust and din is in the public domain. This text is taken from Poems, Project Gutenberg ebook #1568; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: W. E. Henley, Forth from the dust and din, in Poems (1898), text of Project Gutenberg ebook #1568, Laurel, https://laurelpoetry.com/poem/henley-poems/forth-from-the-dust-and-din.html, id L12432.

Form and metre

Forth from the dust and din is 103 lines in 5 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 83%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 9.4 syllables. 3 lines end on an unstressed syllable, a feminine ending. 38% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABB-ACDBDEFCECGGHFFH dinA · glareB · aflareB · unrests · winA · mayC · breastsD · awareB · nestsD · dawnE · largeF · dayC · drawnE · wayC · shoresG · roarsG · sunH · chargeF · margeF · runH
  2. 2 ABACBDDCBEFFEGHGH-IIJJKLK-MLMMNNOPPQOQQRRQ streetA · darkB · fleetA · lampC · harkB · chainD · refrainD · trampC · parkB · adustE · bloomsF · gloomsF · augustE · treesG · strangeH · majestiesG · rangeH · sets · standI · landI · hourJ · powerJ · carcanetsK · sleepL · parapetsK · significance · hearM · cheepL · clearM · atmosphereM · beholdN · acoldN · danceO · fadeP · shadeP · shyQ · romanceO · therebyQ · skyQ · gleamsR · dreamsR · dieQ
  3. 3 ABACBCDCDEFEFGHG-H-II- airA · grayB · rareA · fireC · dayB · spireC · greenD · nigherC · cleanD · boatsE · beamF · floatsE · dreamF · clearG · fleeH · hearG · goes · seaH · glass · awakeI · takeI · work
  4. 4 -AABCBCA pass · showsA · rowsA · leftB · pieceC · bereftB · releaseC · closeA
  5. 5 AABABCCDCDD feelA · stealA · breezeB · heelA · seasB · areC · starC · gravesD · farC · cravesD · bravesD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
FORTH from the dust and din,6······
The crush, the heat, the many-spotted glare,10·····/˘/˘·
The odour and sense of life and lust aflare,11·/˘········
The wrangle and jangle of unrests,9·/˘·/˘·˘/
Let us take horse, Dear Heart, take horse and win—10··········
As from swart August to the green lap of May—11···/˘······
To quietness and the fresh and fragrant breasts10·/˘····/˘·
Of the still, delicious night, not yet aware11···˘/˘···˘/
In any of her innumerable nests10·/˘··˘/˘˘·
Of that first sudden plash of dawn,8···/˘···
Clear, sapphirine, luminous, large,8·/˘˘/˘˘·
Which tells that soon the flowing springs of day10·····/˘···
In deep and ever deeper eddies drawn10···/˘/˘/˘·
Forward and up, in wider and wider way,10/˘···/·/˘·
Shall float the sands, and brim the shores,8········
On this our lith of the World, as round it roars11··/········
And spins into the outlook of the Sun10·····/····
(The Lord’s first gift, the Lord’s especial charge),10······˘/˘·
With light, with living light, from marge to marge10···/˘·····
Until the course He set and staked be run.10··········
Through street and square, through square and street,8········
Each with his home-grown quality of dark10·····/˘˘··
And violated silence, loud and fleet,10·/˘˘˘/˘···
Waylaid by a merry ghost at every lamp,11/···/˘··/˘·
The hansom wheels and plunges. Hark, O, hark,10·/˘··/˘···
Sweet, how the old mare’s bit and chain8········
Ring back a rough refrain6····˘/
Upon the marked and cheerful tramp9····˘·/˘·
Of her four shoes! Here is the Park,8········
And O, the languid midsummer wafts adust,11···/˘//˘·˘/
The tired midsummer blooms!7·/˘//˘·
O, the mysterious distances, the glooms10··˘/˘/˘˘··
Romantic, the august6˘/˘·/˘
And solemn shapes! At night this City of Trees11·/˘····/˘··
Turns to a tryst of vague and strange8········
And monstrous Majesties,6·/˘/˘˘
Let loose from some dim underworld to range10·····/˘···
These terrene vistas till their twilight sets:10·˘//˘··/··
When, dispossessed of wonderfulness, they stand10··˘/·/˘˘··
Beggared and common, plain to all the land10/˘·/˘·····
For stooks of leaves! And lo! the Wizard Hour,11·······/˘/˘
His silent, shining sorcery winged with power!10·/˘/˘/˘··/
Still, still the streets, between their carcanets10··········
Of linking gold, are avenues of sleep.10·/˘··/˘···
But see how gable ends and parapets10···/˘··/˘·
In gradual beauty and significance11·/˘˘/˘·˘/˘˘
Emerge! And did you hear6˘/····
That little twitter-and-cheep,7·/˘/˘··
Breaking inordinately loud and clear10/˘˘/˘˘˘···
On this still, spectral, exquisite atmosphere?10···/˘/˘/˘·
’Tis a first nest at matins! And behold10········˘/
A rakehell cat—how furtive and acold!10·/˘··/˘·˘/
A spent witch homing from some infamous dance—10···/˘··/˘·
Obscene, quick-trotting, see her tip and fade10˘/·/˘·····
Through shadowy railings into a pit of shade!11·/˘/˘······
And now! a little wind and shy,8···/˘···
The smell of ships (that earnest of romance),10·····/˘·˘/
A sense of space and water, and thereby10·····/˘···
A lamplit bridge ouching the troubled sky,10····/˘·/˘·
And look, O, look! a tangle of silver gleams11·····/˘·/˘·
And dusky lights, our River and all his dreams,11·/˘·//˘····
His dreams that never save in our deaths can die.10···/··/···
What miracle is happening in the air,10·/˘·/˘˘···
Charging the very texture of the gray10/˘·/˘/˘···
With something luminous and rare?8·/˘/˘˘··
The night goes out like an ill-parcelled fire,11·······˘//˘
And, as one lights a candle, it is day.10·····/˘···
The extinguisher, that perks it like a spire10·˘/˘······
On the little formal church, is not yet green11··/˘/˘·····
Across the water: but the house-tops nigher,11˘/·/˘······
The corner-lines, the chimneys—look how clean,10·/˘··/˘···
How new, how naked! See the batch of boats,10···/˘·····
Here at the stairs, washed in the fresh-sprung beam!10··········
And those are barges that were goblin floats,10···/˘··/˘·
Black, hag-steered, fraught with devilry and dream!10·····/˘˘··
And in the piles the water frolics clear,10·····/˘/˘·
The ripples into loose rings wander and flee,11·/˘····/˘··
And we—we can behold that could but hear10····˘/····
The ancient River singing as he goes,10·/˘/˘/˘···
New-mailed in morning, to the ancient Sea.10···/˘··/˘·
The gas burns lank and jaded in its glass:10·····/˘···
The old Ruffian soon shall yawn himself awake,11··/˘···˘/˘/
And light his pipe, and shoulder his tools, and take11·····/˘····
His hobnailed way to work!6·/····
Let us too pass—4····
Pass ere the sun leaps and your shadow shows—10·······/··
Through these long, blindfold rows6···/··
Of casements staring blind to right and left,11····/˘·····
Each with his gaze turned inward on some piece10·····/˘···
Of life in death’s own likeness—Life bereft10·····/˘·˘/
Of living looks as by the Great Release—10·/˘·····˘/
Pass to an exquisite night’s more exquisite close!10···/˘··/˘·
Reach upon reach of burial—so they feel,10·····/˘···
These colonies of dreams! And as we steal10·/˘˘······
Homeward together, but for the buxom breeze,11/˘˘/˘···/˘·
Fitfully frolicking to heel8/˘˘/˘˘··
With news of dawn-drenched woods and tumbling seas,10·······/˘·
We might—thus awed, thus lonely that we are—10·····/˘···
Be wandering some dispeopled star,9·/˘˘···˘·
Some world of memories and unbroken graves,10···/˘·˘/˘·
So broods the abounding Silence near and far:11···˘/˘/˘···
Till even your footfall craves7·/˘·/··
Forgiveness of the majesty it braves.10˘/˘··/˘˘··

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