The Song of Night
“O night,And storm, and darkness! ye are wondrous strong,Yet lovely in your strength!” Byron.
I come to thee, O Earth!With all my gifts!--for every flower sweet dewIn bell, and urn, and chalice, to renewThe glory of its birth.
Not one which glimmering liesFar amidst folding hills, or forest leaves,But, through its veins of beauty, so receivesA spirit of fresh dyes.
I come with every star;Making thy streams, that on their noon-day track,Give but the moss, the reed, the lily back,Mirrors of worlds afar.
I come with peace,--I shedSleep through thy wood-walks, o’er the honey-bee,The lark’s triumphant voice, the fawn’s young glee,The hyacinth’s meek head.
On my own heart I layThe weary babe; and sealing with a breathIts eyes of love, send fairy dreams, beneathThe shadowing lids to play.
I come with mightier things!Who calls me silent? I have many tones--The dark skies thrill with low mysterious moans,Borne on my sweeping wings.
I waft them not aloneFrom the deep organ of the forest shades,Or buried streams, unheard amidst their gladesTill the bright day is done;
But in the human breastA thousand still small voices I awake,Strong, in their sweetness, from the soul to shakeThe mantle of its rest.
I bring them from the past:From true hearts broken, gentle spirits torn,From crush’d affections, which, though long o’erborne,Make their tones heard at last.
I bring them from the tomb:O’er the sad couch of late repentant loveThey pass--though low as murmurs of a dove--Like trumpets through the gloom.
I come with all my train:Who calls me lonely? Hosts around me tread,The intensely bright, the beautiful, the dead--Phantoms of heart and brain!
Looks from departed eyes,These are my lightnings!--fill’d with anguish vain,Or tenderness too piercing to sustain,They smite with agonies.
I, that with soft control,Shut the dim violet, hush the woodland song,I am the avenging one!--the arm’d, the strong--The searcher of the soul!
I, that shower dewy lightThrough slumbering leaves, bring storms--the tempest birthOf memory, thought, remorse! Be holy, Earth!I am the solemn Night!
Words in this poem
- wondrous adv.
- In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
- chalice n.
- A cup or bowl; especially, the cup used in the sacrament of the Lord's Supper. [OR. chalis, calice, OF. chalice, calice, F. calice, fr. L. calix, akin to Gr. helmet. Cf. Calice, Calyx.]
- amidst prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- glee n.
- Music; minstrelsy; entertainment.
- babe n.
- An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
- shadowing n.
- Shade, or gradation of light and color; shading. Feltham.
- waft v. t.
- To give notice to by waving something; to wave the hand to; to beckon. [Prob. originally imp. & p. p. of wave, v. t. See Wave to waver.]
- unheard a.
- Not heard; not perceived by the ear; as, words unheard by those present.
- repentant a.
- Penitent; sorry for sin. [F. repentant.]
- trumpets n.
- A plant (Sarracenia flava) with long, hollow leaves.
- intensely adv.
- Intently. J. Spencer.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Song of Night is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Felicia Hemans, The Song of Night, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/the-song-of-night.html, id L19506.
Form and metre
The Song of Night is 59 lines in 15 stanzas. The rhyme scheme is ABBA, complete in 12 of its 15 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 ABBA earthA · dewB · renewB · birthA
- 3 ABBA liesA · leavesB · receivesB · dyesA
- 4 ABBA starA · trackB · backB · afarA
- 5 ABBA shedA · beeB · gleeB · headA
- 6 A--A layA · breath · beneath · playA
- 7 ABBA thingsA · tonesB · moansB · wingsA
- 8 -AA- alone · shadesA · gladesA · done
- 9 ABBA breastA · awakeB · shakeB · restA
- 10 ABBA pastA · tornB · o'erborneB · lastA
- 11 ABBA tombA · loveB · doveB · gloomA
- 12 ABBA trainA · treadB · deadB · brainA
- 13 ABBA eyesA · vainB · sustainB · agoniesA
- 14 ABBA controlA · songB · strongB · soulA
- 15 ABBA lightA · birthB · earthB · nightA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| “O night, | 2 | ·· |
| And storm, and darkness! ye are wondrous strong, | 10 | ···/˘··/˘· |
| Yet lovely in your strength!” Byron. | 8 | ·/˘···/˘ |
| I come to thee, O Earth! | 6 | ······ |
| With all my gifts!--for every flower sweet dew | 10 | ·····/˘/·· |
| In bell, and urn, and chalice, to renew | 10 | ·····/˘·˘/ |
| The glory of its birth. | 6 | ·/˘··· |
| Not one which glimmering lies | 7 | ···/˘˘· |
| Far amidst folding hills, or forest leaves, | 10 | ·˘//˘··/˘· |
| But, through its veins of beauty, so receives | 10 | ·····/˘·˘/ |
| A spirit of fresh dyes. | 6 | ·/˘··· |
| I come with every star; | 7 | ···/˘˘· |
| Making thy streams, that on their noon-day track, | 10 | /˘········ |
| Give but the moss, the reed, the lily back, | 10 | ·······/˘· |
| Mirrors of worlds afar. | 6 | /˘··˘/ |
| I come with peace,--I shed | 6 | ······ |
| Sleep through thy wood-walks, o’er the honey-bee, | 10 | ·······/˘· |
| The lark’s triumphant voice, the fawn’s young glee, | 10 | ··˘/˘····· |
| The hyacinth’s meek head. | 6 | ·/˘˘·· |
| On my own heart I lay | 6 | ······ |
| The weary babe; and sealing with a breath | 10 | ·/˘··/˘··· |
| Its eyes of love, send fairy dreams, beneath | 10 | ·····/˘··· |
| The shadowing lids to play. | 7 | ·/˘˘··· |
| I come with mightier things! | 7 | ···/˘˘· |
| Who calls me silent? I have many tones-- | 10 | ···/˘··/˘· |
| The dark skies thrill with low mysterious moans, | 10 | ······˘/˘· |
| Borne on my sweeping wings. | 6 | ···/˘· |
| I waft them not alone | 6 | ····˘/ |
| From the deep organ of the forest shades, | 10 | ···/˘··/˘· |
| Or buried streams, unheard amidst their glades | 10 | ·/˘·˘/˘/·· |
| Till the bright day is done; | 6 | ······ |
| But in the human breast | 6 | ···/˘· |
| A thousand still small voices I awake, | 10 | ·/˘··/˘·˘/ |
| Strong, in their sweetness, from the soul to shake | 10 | ···/˘····· |
| The mantle of its rest. | 6 | ·/˘··· |
| I bring them from the past: | 6 | ······ |
| From true hearts broken, gentle spirits torn, | 10 | ···/˘/˘/˘· |
| From crush’d affections, which, though long o’erborne, | 10 | ··˘/˘····· |
| Make their tones heard at last. | 6 | ······ |
| I bring them from the tomb: | 6 | ······ |
| O’er the sad couch of late repentant love | 10 | ······˘/˘· |
| They pass--though low as murmurs of a dove-- | 10 | ·····/˘··· |
| Like trumpets through the gloom. | 6 | ·/˘··· |
| I come with all my train: | 6 | ······ |
| Who calls me lonely? Hosts around me tread, | 10 | ···/˘····· |
| The intensely bright, the beautiful, the dead-- | 10 | ·˘/˘··/˘·· |
| Phantoms of heart and brain! | 6 | /˘···· |
| Looks from departed eyes, | 6 | ··˘/˘· |
| These are my lightnings!--fill’d with anguish vain, | 10 | ···/˘··/˘· |
| Or tenderness too piercing to sustain, | 10 | ·/˘˘·/˘·˘/ |
| They smite with agonies. | 6 | ···/˘˘ |
| I, that with soft control, | 6 | ····˘/ |
| Shut the dim violet, hush the woodland song, | 10 | ···/˘··/·· |
| I am the avenging one!--the arm’d, the strong-- | 11 | ···˘/˘····· |
| The searcher of the soul! | 6 | ·/˘··· |
| I, that shower dewy light | 7 | ··/˘/˘· |
| Through slumbering leaves, bring storms--the tempest birth | 10 | ·/˘····/˘· |
| Of memory, thought, remorse! Be holy, Earth! | 10 | ·/˘·˘/·/˘· |
| I am the solemn Night! | 6 | ···/˘· |
Notes from the edition 1
Notes from The Poems of Felicia Hemans (Project Gutenberg #66785), largely Mrs Hemans's own.
- Stanza 15, line 4 Pietro Mulier, called Il Tempesta, from his surprising pictures of storms. “His compositions,” says Lanzi, “inspire a real horror, presenting to our eyes death-devoted ships overtaken by tempests and darkness--fired by lightning--now rising on the mountain-wave, and again submerged in the abyss of ocean.” During an imprisonment of five years in Genoa, the pictures which he painted in his dungeon were marked by additional power and gloom.--See Lanzi’s History of Painting, translated by Roscoe.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.