The Bride of the Greek Isle
“Fear! I’m a Greek, and how should I fear death?A slave, and wherefore should I dread my freedom?I will not live degraded.” Sardanapalus.
Come from the woods with the citron-flowers,Come with your lyres for the festal hours,Maids of bright Scio! They came, and the breezeBore their sweet songs o’er the Grecian seas;They came, and Eudora stood robed and crown’d,The bride of the morn, with her train around.Jewels flash’d out from her braided hair,Like starry dews midst the roses there;Pearls on her bosom quivering shone,Heaved by her heart through its golden zone.But a brow, as those gems of the ocean pale,Gleam’d from beneath her transparent veil;Changeful and faint was her fair cheek’s hue,Though clear as a flower which the light looks through;And the glance of her dark resplendent eye,For the aspect of woman at times too high,Lay floating in mists, which the troubled streamOf the soul sent up o’er its fervid beam.
She look’d on the vine at her father’s door,Like one that is leaving his native shore;She hung o’er the myrtle once call’d her own,As it greenly waved by the threshold stone;She turn’d--and her mother’s gaze brought backEach hue of her childhood’s faded track.Oh! hush the song, and let her tearsFlow to the dream of her early years!Holy and pure are the drops that fallWhen the young bride goes from her father’s hall;She goes unto love yet untried and new,She parts from love which hath still been true:Mute be the song and the choral strain,Till her heart’s deep well-spring is clear again!She wept on her mother’s faithful breast,Like a babe that sobs itself to rest;She wept--yet laid her hand awhileIn his that waited her dawning smile--Her soul’s affianced, nor cherish’d lessFor the gush of nature’s tenderness!She lifted her graceful head at last--The choking swell of her heart was past;And her lovely thoughts from their cells found wayIn the sudden flow of a plaintive lay.
Words in this poem
- wherefore adv.
- For which reason; so; -- used relatively. [Where + for.]
- festal a.
- Of or pertaining to a holiday or a feast; joyous; festive. [L. festum holiday, feast. See feast.]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- starry a.
- Abounding with stars; adorned with stars.
- changeful a.
- Full of change; mutable; inconstant; fickle; uncertain.
- fervid a.
- Very hot; burning; boiling. [L. fervidus, fr. fervere. See Fervent.]
- greenly adv.
- With a green color; newly; freshly, immaturely.
- childhood n.
- The state of being a child; the time in which persons are children; the condition or time from infancy to puberty. [AS. cildhad; cild child + -had. See Child, and hood.]
- choral a.
- Of or pertaining to a choir or chorus; singing, sung, or adapted to be sung, in chorus or harmony. Choral service, a service of song. [LL. choralis, fr. L. chorus. See Chorus.]
- babe n.
- An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- choking a.
- That chokes; producing the feeling of strangulation.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Bride of the Greek Isle is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Felicia Hemans, The Bride of the Greek Isle, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/the-bride-of-the-greek-isle.html, id L19405.
Form and metre
The Bride of the Greek Isle is 45 lines in 3 verse paragraphs. It is in rhyming couplets, 93% of the lines. The metre is trochaic pentameter, measured from the stress the words themselves fix (confidence 72%).
See other poems in rhyming couplets, other poems in trochaic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 AABBCCDDEEFFGGHHII flowersA · hoursA · breezeB · seasB · crown'dC · aroundC · hairD · thereD · shoneE · zoneE · paleF · veilF · hueG · throughG · eyeH · highH · streamI · beamI
- 3 AABBCCDDEEFFGGHHIIJJKKLL doorA · shoreA · ownB · stoneB · backC · trackC · tearsD · yearsD · fallE · hallE · newF · trueF · strainG · againG · breastH · restH · awhileI · smileI · lessJ · tendernessJ · lastK · pastK · wayL · layL
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| “Fear! I’m a Greek, and how should I fear death? | 10 | ·········· |
| A slave, and wherefore should I dread my freedom? | 11 | ···/˘····/˘ |
| I will not live degraded.” Sardanapalus. | 12 | ····˘/˘····· |
| Come from the woods with the citron-flowers, | 10 | ······/˘/˘ |
| Come with your lyres for the festal hours, | 10 | ······/˘/˘ |
| Maids of bright Scio! They came, and the breeze | 9 | ········· |
| Bore their sweet songs o’er the Grecian seas; | 9 | ······/˘· |
| They came, and Eudora stood robed and crown’d, | 10 | ···˘/˘···· |
| The bride of the morn, with her train around. | 10 | ·········· |
| Jewels flash’d out from her braided hair, | 9 | /˘····/˘· |
| Like starry dews midst the roses there; | 9 | ·/˘···/˘· |
| Pearls on her bosom quivering shone, | 9 | ···/˘/˘˘· |
| Heaved by her heart through its golden zone. | 10 | ·˘·····/˘· |
| But a brow, as those gems of the ocean pale, | 10 | ········/· |
| Gleam’d from beneath her transparent veil; | 9 | ·····˘/˘· |
| Changeful and faint was her fair cheek’s hue, | 9 | /˘······· |
| Though clear as a flower which the light looks through; | 10 | ····/····· |
| And the glance of her dark resplendent eye, | 10 | ······˘/˘· |
| For the aspect of woman at times too high, | 11 | ··/··/˘···· |
| Lay floating in mists, which the troubled stream | 10 | ·/˘····/˘· |
| Of the soul sent up o’er its fervid beam. | 10 | ·······/˘· |
| She look’d on the vine at her father’s door, | 10 | ·······/˘· |
| Like one that is leaving his native shore; | 10 | ····/˘·/˘· |
| She hung o’er the myrtle once call’d her own, | 10 | ····/˘···· |
| As it greenly waved by the threshold stone; | 10 | ··/˘···/·· |
| She turn’d--and her mother’s gaze brought back | 9 | ····/˘··· |
| Each hue of her childhood’s faded track. | 9 | ····/·/˘· |
| Oh! hush the song, and let her tears | 8 | ········ |
| Flow to the dream of her early years! | 9 | ······/˘· |
| Holy and pure are the drops that fall | 9 | /˘······· |
| When the young bride goes from her father’s hall; | 10 | ·······/˘· |
| She goes unto love yet untried and new, | 10 | ······˘/·· |
| She parts from love which hath still been true: | 9 | ········· |
| Mute be the song and the choral strain, | 9 | ······/˘· |
| Till her heart’s deep well-spring is clear again! | 10 | ········˘/ |
| She wept on her mother’s faithful breast, | 9 | ····/˘/˘· |
| Like a babe that sobs itself to rest; | 9 | ·····˘/·· |
| She wept--yet laid her hand awhile | 8 | ······˘/ |
| In his that waited her dawning smile-- | 9 | ···/˘·/˘· |
| Her soul’s affianced, nor cherish’d less | 9 | ····˘·/˘· |
| For the gush of nature’s tenderness! | 9 | ····/˘/˘˘ |
| She lifted her graceful head at last-- | 9 | ·/˘·/˘··· |
| The choking swell of her heart was past; | 9 | ·/˘······ |
| And her lovely thoughts from their cells found way | 10 | ··/˘······ |
| In the sudden flow of a plaintive lay. | 10 | ··/˘···/˘· |
Notes from the edition 1
Notes from The Poems of Felicia Hemans (Project Gutenberg #66785), largely Mrs Hemans's own.
- Stanza 3, line 24 A Greek bride, on leaving her father’s house, takes leave of her friends and relatives frequently in extemporaneous verses.--See Fauriel’s Chants Populaires de la Grèce Moderne.
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