The Beings of the Mind

Felicia Hemans (1793–1835) · 1808–1835

iambic pentameter · 64 lines · from Poems

“The beings of the mind are not of clay;Essentially immortal, they createAnd multiply in us a brighter ray,And more beloved existence; that which FateProhibits to dull life, in this our stateOf mortal bondage.”Byron.

Come to me with your triumphs and your woes,Ye forms, to life by glorious poets brought!I sit alone with flowers, and vernal boughs,In the deep shadow of a voiceless thought;Midst the glad music of the spring alone,And sorrowful for visions that are gone!

Come to me! make your thrilling whispers heard,Ye, by those masters of the soul endow’dWith life, and love, and many a burning word,That bursts from grief like lightning from a cloud,And smites the heart, till all its chords reply,As leaves make answer when the wind sweeps by.

Come to me! visit my dim haunt!--the soundOf hidden springs is in the grass beneath;The stock-dove’s note above; and all around,The poesy that with the violet’s breathFloats through the air, in rich and sudden streams,Mingling, like music, with the soul’s deep dreams.

Friends, friends!--for such to my lone heart ye are--Unchanging ones! from whose immortal eyesThe glory melts not as a waning star,And the sweet kindness never, never dies;Bright children of the bard! o’er this green dellPass once again, and light it with your spell!

Imogen! fair Fidele! meekly blending,In patient grief, “a smiling with a sigh;”And thou, Cordelia! faithful daughter, tendingThat sire, an outcast to the bitter sky;Thou of the soft low voice!--thou art not gone!Still breathes for me its faint and flute-like tone.

And come to me!--sing me thy willow-strain,Sweet Desdemona! with the sad surpriseIn thy beseeching glance, where still, though vain,Undimm’d, unquenchable affection lies;Come, bowing thy young head to wrong and scorn,As a frail hyacinth by showers o’erborne.

And thou, too, fair Ophelia! flowers are here,That well might win thy footstep to the spot--Pale cowslips, meet for maiden’s early bier,And pansies for sad thoughts,--but needed not!Come with thy wreaths, and all the love and lightIn that wild eye still tremulously bright.

And Juliet, vision of the south! enshriningAll gifts that unto its rich heaven belong;The glow, the sweetness, in its rose combining,The soul its nightingales pour forth in song,Thou, making death deep joy!--but could’st thou die?No!--thy young love hath immortality!

From earth’s bright faces fades the light of morn,From earth’s glad voices drops the joyous tone;But ye, the children of the soul, were bornDeathless, and for undying love alone;And, O ye beautiful! ’tis well, how well,In the soul’s world, with you, where change is not, to dwell!

“Nobly he yokesA smiling with a sigh.”--Cymbeline.

“Here’s pansies for you--that’s for thoughts.” Hamlet.

Words in this poem 17
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
voiceless a.
Having no voice, utterance, or vote; silent; mute; dumb.
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
poesy n.
The art of composing poems; poetical skill or faculty; as, the heavenly gift of poesy. [F. poésie (cf. It. poesia), L. poesis, from Gr. Posy.]
lone n.
A lane. See Loanin.
waning n.
The act or process of waning, or decreasing.
dell n.
A small, retired valley; a ravine. [AS. del, akin to E. dale; cf. D. delle, del, low ground. See Dale.]
meekly adv.
In a meek manner.
blending n.
The act of mingling.
sire n.
A lord, master, or other person in authority. See Sir. [F. sire, originally, an older person. See Sir.]
outcast a.
Cast out; degraded. [Cf. Sw. utkasta to cast out.]
bier n.
A handbarrow or portable frame on which a corpse is placed or borne to the grave. [OE. bæe, beere, AS. b, b; akin to D. baar, OHG. bara, G. bahre, Icel barar, Dbaare, L. feretrum, Gr. , from the same bear to produce. See 1st Bear, and cf. Barr]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
deathless a.
Not subject to death, destruction, or extinction; immortal; undying; imperishable; as, deathless beings; deathless fame.
undying a.
Not dying; imperishable; unending; immortal; as, the undying souls of men.
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
nobly adv.
Of noble extraction; as, nobly born or descended.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Beings of the Mind is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Felicia Hemans, The Beings of the Mind, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/the-beings-of-the-mind.html, id L19516.

Form and metre

The Beings of the Mind is 64 lines in 12 stanzas. The commonest rhyme scheme is ABABCC, in 5 of the 12 stanzas; the rest vary or could not be confirmed. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABB-- clayA · createB · rayA · fateB · stateB · bondage · byron
  2. 2 -A-A-- woes · broughtA · boughs · thoughtA · alone · gone
  3. 3 ABABCC heardA · endow'dB · wordA · cloudB · replyC · byC
  4. 4 A-A-BB soundA · beneath · aroundA · breath · streamsB · dreamsB
  5. 5 ABABCC areA · eyesB · starA · diesB · dellC · spellC
  6. 6 ABAB-- blendingA · sighB · tendingA · skyB · gone · tone
  7. 7 ABABCC strainA · surpriseB · vainA · liesB · scornC · o'erborneC
  8. 8 ABABCC hereA · spotB · bierA · notB · lightC · brightC
  9. 9 ABAB-- enshriningA · belongB · combiningA · songB · die · immortality
  10. 10 ABABCC mornA · toneB · bornA · aloneB · wellC · dwellC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
“The beings of the mind are not of clay;10·/˘·······
Essentially immortal, they create10˘/˘˘˘/˘·˘/
And multiply in us a brighter ray,10·/˘····/˘·
And more beloved existence; that which Fate10··˘/˘/˘···
Prohibits to dull life, in this our state10˘/˘·····/·
Of mortal bondage.”5·/˘/˘
Byron.2/˘
Come to me with your triumphs and your woes,10·····/˘···
Ye forms, to life by glorious poets brought!10·····/˘/˘·
I sit alone with flowers, and vernal boughs,10··˘/·/·/˘·
In the deep shadow of a voiceless thought;10···/···/˘·
Midst the glad music of the spring alone,10···/˘···˘/
And sorrowful for visions that are gone!10·/˘˘·/˘···
Come to me! make your thrilling whispers heard,10·····/˘/˘·
Ye, by those masters of the soul endow’d10···/˘···˘/
With life, and love, and many a burning word,10·····/·/˘·
That bursts from grief like lightning from a cloud,10·····/˘···
And smites the heart, till all its chords reply,10········˘/
As leaves make answer when the wind sweeps by.10···/˘·····
Come to me! visit my dim haunt!--the sound10···/˘·····
Of hidden springs is in the grass beneath;10·/˘·······
The stock-dove’s note above; and all around,10··········
The poesy that with the violet’s breath10·/˘˘···/˘·
Floats through the air, in rich and sudden streams,10·······/˘·
Mingling, like music, with the soul’s deep dreams.10/˘·/˘·····
Friends, friends!--for such to my lone heart ye are--10··········
Unchanging ones! from whose immortal eyes10˘/˘···˘/˘·
The glory melts not as a waning star,10·/˘····/˘·
And the sweet kindness never, never dies;10···/˘/˘/˘·
Bright children of the bard! o’er this green dell10·/˘·······
Pass once again, and light it with your spell!10··˘/······
Imogen! fair Fidele! meekly blending,11/˘˘····/˘/˘
In patient grief, “a smiling with a sigh;”10·/˘··/˘···
And thou, Cordelia! faithful daughter, tending11·····/˘/˘/˘
That sire, an outcast to the bitter sky;10·/·/···/˘·
Thou of the soft low voice!--thou art not gone!10··········
Still breathes for me its faint and flute-like tone.10··········
And come to me!--sing me thy willow-strain,10·······/··
Sweet Desdemona! with the sad surprise10········˘/
In thy beseeching glance, where still, though vain,10··˘/˘·····
Undimm’d, unquenchable affection lies;10······˘/˘·
Come, bowing thy young head to wrong and scorn,10·/˘·······
As a frail hyacinth by showers o’erborne.10···/˘··/··
And thou, too, fair Ophelia! flowers are here,10····˘/˘/··
That well might win thy footstep to the spot--10·····/····
Pale cowslips, meet for maiden’s early bier,10·/˘··/˘/˘·
And pansies for sad thoughts,--but needed not!10·/˘····/˘·
Come with thy wreaths, and all the love and light10··········
In that wild eye still tremulously bright.10·····/˘˘˘·
And Juliet, vision of the south! enshrining12·/˘·/˘···˘/˘
All gifts that unto its rich heaven belong;10·······/˘/
The glow, the sweetness, in its rose combining,11···/˘···˘/˘
The soul its nightingales pour forth in song,10···/˘˘····
Thou, making death deep joy!--but could’st thou die?10·/˘·······
No!--thy young love hath immortality!10······˘/˘˘
From earth’s bright faces fades the light of morn,10···/˘·····
From earth’s glad voices drops the joyous tone;10···/˘··/˘·
But ye, the children of the soul, were born10···/˘·····
Deathless, and for undying love alone;10/˘··˘/˘·˘/
And, O ye beautiful! ’tis well, how well,10···/˘˘····
In the soul’s world, with you, where change is not, to dwell!12············
“Nobly he yokes4/˘··
A smiling with a sigh.”--Cymbeline.9·/˘······
“Here’s pansies for you--that’s for thoughts.” Hamlet.10·/˘·····/˘
Notes from the edition 2

Notes from The Poems of Felicia Hemans (Project Gutenberg #66785), largely Mrs Hemans's own.

  1. Stanza 6, line 2 “Nobly he yokes A smiling with a sigh.”--Cymbeline.
  2. Stanza 8, line 4 “Here’s pansies for you--that’s for thoughts.” Hamlet.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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