Pauline

Felicia Hemans (1793–1835) · 1808–1835

iambic pentameter · ABABCC · 96 lines · from Poems

To die for what we love! Oh! there is powerIn the true heart, and pride, and joy, for this:It is to live without the vanish’d lightThat strength is needed.

“Cosi trapassa al trapassar d’un GiornoDella vita mortal il fiore e’l verde.” Tasso.

Along the starlit Seine went music swelling,Till the air thrill’d with its exulting mirth;Proudly it floated, even as if no dwellingFor cares or stricken hearts were found on earth;And a glad sound the measure lightly beat,A happy chime of many dancing feet.

For in a palace of the land that night,Lamps, and fresh roses, and green leaves were hung;And from the painted walls, a stream of lightOn flying forms beneath soft splendour flung;But loveliest far amidst the revel’s prideWas one--the lady from the Danube side.

Pauline, the meekly bright! though now no moreHer clear eye flash’d with youth’s all-tameless glee,Yet something holier than its dayspring wore,There in soft rest lay beautiful to see;A charm with graver, tenderer, sweetness fraught--The blending of deep love and matron thought.

Through the gay throng she moved, serenely fair,And such calm joy as fills a moonlight skySat on her brow beneath its graceful hair,As her young daughter in the dance went by,With the fleet step of one that yet hath knownSmiles and kind voices in this world alone.

Lurk’d there no secret boding in her breast?Did no faint whisper warn of evil nigh?Such oft awake when most the heart seems blestMidst the light laughter of festivity.Whence come those tones? Alas! enough we knowTo mingle fear with all triumphal show!

Who spoke of evil when young feet were flyingIn fairy rings around the echoing hall?Soft airs through braided locks in perfume sighing,Glad pulses beating unto music’s call?Silence!--the minstrels pause--and hark! a sound,A strange quick rustling which their notes had drown’d!

And lo! a light upon the dancers breaking--Not such their clear and silvery lamps had shed!From the gay dream of revelry awaking,One moment holds them still in breathless dread.The wild fierce lustre grows: then bursts a cry--Fire! through the hall and round it gathering--fly!

And forth they rush, as chased by sword and spear,To the green coverts of the garden bowers--A gorgeous masque of pageantry and fear,Startling the birds and trampling down the flowers:While from the dome behind, red sparkles drivenPierce the dark stillness of the midnight heaven.

And where is she--Pauline? The hurrying throngHave swept her onward, as a stormy blastMight sweep some faint o’erwearied bird along--Till now the threshold of that death is past,And free she stands beneath the starry skies,Calling her child--but no sweet voice replies.

“Bertha! where art thou? Speak! oh! speak, my own!”Alas! unconscious of her pangs the while,The gentle girl, in fear’s cold grasp alone,Powerless had sunk within the blazing pile;A young bright form, deck’d gloriously for death,With flowers all shrinking from the flame’s fierce breath!

But oh! thy strength, deep love! There is no powerTo stay the mother from that rolling grave,Though fast on high the fiery volumes tower,And forth like banners from each lattice wave:Back, back she rushes through a host combined--Mighty is anguish, with affection twined!

And what bold step may follow, midst the roarOf the red billows, o’er their prey that rise?None!--Courage there stood still--and never moreDid those fair forms emerge on human eyes!Was one bright meeting theirs, one wild farewell?And died they heart to heart?--Oh! who can tell?

Freshly and cloudlessly the morning brokeOn that sad palace, midst its pleasure shades;Its painted roofs had sunk--yet black with smokeAnd lonely stood its marble colonnades:But yester eve their shafts with wreaths were bound,Now lay the scene one shrivell’d scroll around!

And bore the ruins no recording traceOf all that woman’s heart had dared and done?Yes! there were gems to mark its mortal place,That forth from dust and ashes dimly shone!Those had the mother, on her gentle breast,Worn round her child’s fair image, there at rest.

And they were all!--the tender and the trueLeft this alone her sacrifice to prove,Hallowing the spot where mirth once lightly flew,To deep lone chasten’d thoughts of grief and love.Oh! we have need of patient faith below,To clear away the mysteries of such woe!

Words in this poem 31
starlit a.
Lighted by the stars; starlight.
went n.
Course; way; path; journey; direction.
exulting a.
Rejoicing triumphantly or exceedingly; exultant.
stricken p. p.
Struck; smitten; wounded; as, the stricken deer.
chime n.
The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
splendour n.
Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
amidst prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
pauline a.
Of or pertaining to the apostle Paul, or his writings; resembling, or conforming to, the writings of Paul; as, the Pauline epistles; Pauline doctrine. [L. Paulinus, fr. Paulus Paul.]
meekly adv.
In a meek manner.
tameless a.
Incapable of being tamed; wild; untamed; untamable. Bp. Hall.
glee n.
Music; minstrelsy; entertainment.
dayspring n.
The beginning of the day, or first appearance of light; the dawn; hence, the beginning.
graver n.
One who graves; an engraver or a sculptor; one whose occupation is te cut letters or figures in stone or other hard material.
fraught n.
A freight; a cargo. [OE.fraight, fraght; akin to Dan. fragt, Sw. frakt, D. vracht, G. fracht, cf. OHG. fr merit, reward; perh. from corresponding to E. for + The root of E. own. Cf.]
blending n.
The act of mingling.
serenely adv.
In a serene manner; clearly.
boding a.
Foreshowing; presaging; ominous.
triumphal n.
A token of victory.
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
breathless a.
Spent with labor or violent action; out of breath.
lustre n.
A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
gorgeous a.
Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
masque n.
A mask; a masquerade.
pageantry n.
Scenic shows or spectacles, taken collectivelly; spectacular guality; splendor.
stillness n.
The quality or state of being still; quietness; silence; calmness; inactivity.
starry a.
Abounding with stars; adorned with stars.
bertha n.
A kind of collar or cape worn by ladies. [F. berthe, fr. Berthe, a woman's name.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
yester a.
Last; last past; next before; of or pertaining to yesterday. [See Yesterday.]
dimly adv.
In a dim or obscure manner; not brightly or clearly; with imperfect sight.
lone n.
A lane. See Loanin.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Pauline is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Felicia Hemans, Pauline, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/pauline.html, id L19420.

Form and metre

Pauline is 96 lines in 17 stanzas. The rhyme scheme is ABABCC, complete in 12 of its 17 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 3 ABABCC swellingA · mirthB · dwellingA · earthB · beatC · feetC
  2. 4 ABABCC nightA · hungB · lightA · flungB · prideC · sideC
  3. 5 ABABCC moreA · gleeB · woreA · seeB · fraughtC · thoughtC
  4. 6 ABABCC fairA · skyB · hairA · byB · knownC · aloneC
  5. 7 A-A-BB breastA · nigh · blestA · festivity · knowB · showB
  6. 8 ABABCC flyingA · hallB · sighingA · callB · soundC · drown'dC
  7. 9 ABABCC breakingA · shedB · awakingA · dreadB · cryC · flyC
  8. 10 ABAB-- spearA · bowersB · fearA · flowersB · driven · heaven
  9. 11 ABABCC throngA · blastB · alongA · pastB · skiesC · repliesC
  10. 12 ABABCC ownA · whileB · aloneA · pileB · deathC · breathC
  11. 13 ABABCC powerA · graveB · towerA · waveB · combinedC · twinedC
  12. 14 ABABCC roarA · riseB · moreA · eyesB · farewellC · tellC
  13. 15 ABABCC brokeA · shadesB · smokeA · colonnadesB · boundC · aroundC
  14. 16 A-A-BB traceA · done · placeA · shone · breastB · restB
  15. 17 ABABCC trueA · proveB · flewA · loveB · belowC · woeC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
To die for what we love! Oh! there is power11·········/˘
In the true heart, and pride, and joy, for this:10··········
It is to live without the vanish’d light10·······/˘·
That strength is needed.5···/˘
“Cosi trapassa al trapassar d’un Giorno12/˘··········
Della vita mortal il fiore e’l verde.” Tasso.15/˘/˘/˘·˘/˘·/˘/·
Along the starlit Seine went music swelling,12˘/·/˘/˘·/˘/˘
Till the air thrill’d with its exulting mirth;10······˘/˘·
Proudly it floated, even as if no dwelling11/˘·/˘/···/˘
For cares or stricken hearts were found on earth;10···/˘·····
And a glad sound the measure lightly beat,10·····/˘/˘·
A happy chime of many dancing feet.10·/˘··/˘/˘·
For in a palace of the land that night,10···/˘·····
Lamps, and fresh roses, and green leaves were hung;10···/˘·····
And from the painted walls, a stream of light10···/˘·····
On flying forms beneath soft splendour flung;10·/˘····/˘·
But loveliest far amidst the revel’s pride11·····˘/·/˘·
Was one--the lady from the Danube side.10···/˘··/˘·
Pauline, the meekly bright! though now no more10˘/·/˘·····
Her clear eye flash’d with youth’s all-tameless glee,10·······/˘·
Yet something holier than its dayspring wore,10·/˘/˘··/˘·
There in soft rest lay beautiful to see;10·····/˘˘··
A charm with graver, tenderer, sweetness fraught--11···/˘···/˘·
The blending of deep love and matron thought.10·/˘····/˘·
Through the gay throng she moved, serenely fair,10······˘/˘·
And such calm joy as fills a moonlight sky10·······/··
Sat on her brow beneath its graceful hair,10·······/˘·
As her young daughter in the dance went by,10···/˘·····
With the fleet step of one that yet hath known10··········
Smiles and kind voices in this world alone.10···/˘···˘/
Lurk’d there no secret boding in her breast?10···/˘/˘···
Did no faint whisper warn of evil nigh?10···/˘··/˘·
Such oft awake when most the heart seems blest10··˘/······
Midst the light laughter of festivity.10···/˘·˘/˘˘
Whence come those tones? Alas! enough we know10····˘/˘/··
To mingle fear with all triumphal show!10·/˘···˘/˘·
Who spoke of evil when young feet were flying11···/˘····/˘
In fairy rings around the echoing hall?10·/˘····/˘·
Soft airs through braided locks in perfume sighing,11···/˘··˘//˘
Glad pulses beating unto music’s call?10·/˘/˘··/˘·
Silence!--the minstrels pause--and hark! a sound,10/˘·/˘·····
A strange quick rustling which their notes had drown’d!10···/˘·····
And lo! a light upon the dancers breaking--11·······/˘/˘
Not such their clear and silvery lamps had shed!10·····/˘···
From the gay dream of revelry awaking,11·····/˘˘˘/˘
One moment holds them still in breathless dread.10·/˘····/˘·
The wild fierce lustre grows: then bursts a cry--10···/˘·····
Fire! through the hall and round it gathering--fly!10/······/˘·
And forth they rush, as chased by sword and spear,10··········
To the green coverts of the garden bowers--11···/˘··/˘/˘
A gorgeous masque of pageantry and fear,10·/˘··/˘˘··
Startling the birds and trampling down the flowers:11/˘···/˘··/˘
While from the dome behind, red sparkles driven11·······/˘/˘
Pierce the dark stillness of the midnight heaven.11···/˘··/·/˘
And where is she--Pauline? The hurrying throng10····˘/·/˘·
Have swept her onward, as a stormy blast10···/˘··/˘·
Might sweep some faint o’erwearied bird along--9·······˘/
Till now the threshold of that death is past,10···/······
And free she stands beneath the starry skies,10·······/˘·
Calling her child--but no sweet voice replies.10/˘······˘/
“Bertha! where art thou? Speak! oh! speak, my own!”10/˘········
Alas! unconscious of her pangs the while,10˘/·/˘·····
The gentle girl, in fear’s cold grasp alone,10·/˘·····˘/
Powerless had sunk within the blazing pile;10/˘·····/˘·
A young bright form, deck’d gloriously for death,10·····/˘˘··
With flowers all shrinking from the flame’s fierce breath!10·/·/˘·····
But oh! thy strength, deep love! There is no power11·········/˘
To stay the mother from that rolling grave,10···/˘··/˘·
Though fast on high the fiery volumes tower,10·····/˘/˘/
And forth like banners from each lattice wave:10···/˘··/˘·
Back, back she rushes through a host combined--10···/˘···˘/
Mighty is anguish, with affection twined!10/˘·/˘·˘/˘·
And what bold step may follow, midst the roar10·····/˘···
Of the red billows, o’er their prey that rise?10···/˘·····
None!--Courage there stood still--and never more10·/˘····/˘·
Did those fair forms emerge on human eyes!10····˘/·/˘·
Was one bright meeting theirs, one wild farewell?10···/˘····/
And died they heart to heart?--Oh! who can tell?10··········
Freshly and cloudlessly the morning broke10/˘·····/˘·
On that sad palace, midst its pleasure shades;10···/˘··/˘·
Its painted roofs had sunk--yet black with smoke10·/˘·······
And lonely stood its marble colonnades:10·/˘··/˘·˘/
But yester eve their shafts with wreaths were bound,10·/˘·······
Now lay the scene one shrivell’d scroll around!10··········
And bore the ruins no recording trace10···/˘·˘/˘·
Of all that woman’s heart had dared and done?10···/˘·····
Yes! there were gems to mark its mortal place,10·······/˘·
That forth from dust and ashes dimly shone!10·····/˘/˘·
Those had the mother, on her gentle breast,10···/˘··/˘·
Worn round her child’s fair image, there at rest.10·····/˘···
And they were all!--the tender and the true10·····/˘···
Left this alone her sacrifice to prove,10··˘/·/˘···
Hallowing the spot where mirth once lightly flew,10/˘·····/˘·
To deep lone chasten’d thoughts of grief and love.10···/˘·····
Oh! we have need of patient faith below,10·····/˘···
To clear away the mysteries of such woe!10··˘/·/˘···
Notes from the edition 1

Notes from The Poems of Felicia Hemans (Project Gutenberg #66785), largely Mrs Hemans's own.

  1. Stanza 4, line 6 The Princess Pauline Schwartzenberg. The story of her fate is beautifully related in L’Allemagne, vol. iii. p. 336.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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