Modern Greece
“O Greece! thou sapient nurse of finer arts,Which to bright Science blooming Fancy bore,Be this thy praise, that thou, and thou alone,In these hast led the way, in these excell’d,Crown’d with the laurel of assenting Time.”
Oh! who hath trod thy consecrated clime,Fair land of Phidias! theme of lofty strains!And traced each scene that, midst the wrecks of time,The print of Glory’s parting step retains;Nor for awhile, in high-wrought dreams, forgot,Musing on years gone by in brightness there,The hopes, the fears, the sorrows of his lot,The hues his fate hath worn, or yet may wear;As when, from mountain-heights, his ardent eyeOf sea and heaven hath track’d the blue infinity?
Is there who views with cold unalter’d mien,His frozen heart with proud indifference fraught,Each sacred haunt, each unforgotten scene,Where Freedom triumph’d, or where Wisdom taught?Souls that too deeply feel! oh, envy notThe sullen calm your fate hath never known:Through the dull twilight of that wintery lotGenius ne’er pierced, nor Fancy’s sunbeam shone,Nor those high thoughts that, hailing Glory’s trace,Glow with the generous flames of every age and race.
But blest the wanderer whose enthusiast mindEach muse of ancient days hath deep imbuedWith lofty lore, and all his thoughts refinedIn the calm school of silent solitude;Pour’d on his ear, midst groves and glens retired,The mighty strains of each illustrious clime,All that hath lived, while empires have expired,To float for ever on the winds of time;And on his soul indelibly portray’dFair visionary forms, to fill each classic shade.
Is not this mind, to meaner thoughts unknown,A sanctuary of beauty and of light?There he may dwell in regions all his own,A world of dreams, where all is pure and bright.For him the scenes of old renown possessRomantic charms, all veil’d from other eyes;There every form of nature’s lovelinessWakes in his breast a thousand sympathies;As music’s voice, in some lone mountain dell,From rocks and caves around calls forth each echo’s swell.
For him Italia’s brilliant skies illumeThe bard’s lone haunts, the warrior’s combat-plains,And the wild rose yet lives to breath and bloomRound Doric Pæstum’s solitary fanes.But most, fair Greece! on thy majestic shoreHe feels the fervours of his spirit rise;Thou birth-place of the Muse! whose voice of yoreBreathed in thy groves immortal harmonies;And lingers still around the well-known coast,Murmuring a wild farewell to fame and freedom lost.
By seas that flow in brightness as they laveThy rocks, th’ enthusiast rapt in thought may stray,While roves his eye o’er that deserted wave,Once the proud scene of battle’s dread array.--O ye blue waters! ye, of old that boreThe free, the conquering, hymn’d by choral strains,How sleep ye now around the silent shore,The lonely realm of ruins and of chains!How are the mighty vanish’d in their pride!E’en as their barks have left no traces on your tide.
Hush’d are the Pæans whose exulting toneSwell’d o’er that tide--the sons of battle sleep--The wind’s wild sigh, the halcyon’s voice aloneBlend with the plaintive murmur of the deep.Yet when those waves have caught the splendid huesOf morn’s rich firmament, serenely bright,Or setting suns the lovely shore suffuseWith all their purple mellowness of light,Oh! who could view the scene, so calmly fair,Nor dream that peace, and joy, and liberty were there?
Where soft the sunbeams play, the zephyrs blow,’Tis hard to deem that misery can be nigh;Where the clear heavens in blue transparence glow,Life should be calm and cloudless as the sky;--Yet o’er the low, dark dwellings of the dead,Verdure and flowers in summer-bloom may smile,And ivy-boughs their graceful drapery spreadIn green luxuriance o’er the ruin’d pile;And mantling woodbine veil the wither’d tree;--And thus it is, fair land! forsaken Greece, with thee.
For all the loveliness, and light, and bloomThat yet are thine, surviving many a storm,Are but as heaven’s warm radiance on the tomb,The rose’s blush that masks the canker-worm.And thou art desolate--thy morn hath pass’d!So dazzling in the splendour of its sway,That the dark shades the night hath o’er thee castThrow tenfold gloom around thy deep decay.Once proud in freedom, still in ruin fair,Thy fate hath been unmatch’d--in glory and despair.
For thee, lost land! the hero’s blood hath flow’d,The high in soul have brightly lived and died;For thee the light of soaring genius glow’dO’er the fair arts it form’d and glorified.Thine were the minds whose energies sublimeSo distanced ages in their lightning-race,The task they left the sons of later timeWas but to follow their illumined trace.--Now, bow’d to earth, thy children, to be free,Must break each link that binds their filial hearts to thee.
Lo! to the scenes of fiction’s wildest tales,Her own bright East, thy son, Morea! flies,To seek repose midst rich, romantic vales,Whose incense mounts to Asia’s vivid skies.There shall he rest?--Alas! his hopes in vainGuide to the sun-clad regions of the palm:Peace dwells not now on oriental plain,Though earth is fruitfulness, and air is balm;And the sad wanderer finds but lawless foes,Where patriarchs reign’d of old in pastoral repose.
Where Syria’s mountains rise, or Yemen’s groves,Or Tigris rolls his genii-haunted wave,Life to his eye, as wearily it roves,Wears but two forms--the tyrant and the slave!There the fierce Arab leads his daring hordeWhere sweeps the sand-storm o’er the burning wild;There stern Oppression waves the wasting swordO’er plains that smile as ancient Eden smiled;And the vale’s bosom, and the desert’s gloom,Yield to the injured there no shelter save the tomb.
But thou, fair world! whose fresh unsullied charmsWelcomed Columbus from the western wave,Wilt thou receive the wanderer to thine arms,The lost descendant of the immortal brave?Amidst the wild magnificence of shadesThat o’er thy floods their twilight-grandeur cast,In the green depth of thine untrodden gladesShall he not rear his bower of peace at last?Yes! thou hast many a lone, majestic scene,Shrined in primeval woods, where despot ne’er hath been.
There by some lake, whose blue expansive breastBright from afar, an inland ocean, gleams,Girt with vast solitudes, profusely dress’dIn tints like those that float o’er poet’s dreams;Or where some flood from pine-clad mountain poursIts might of waters, glittering in their foam,Midst the rich verdure of its wooded shores,The exiled Greek hath fix’d his sylvan home:So deeply lone, that round the wild retreatScarce have the paths been trod by Indian huntsman’s feet.
The forests are around him in their pride,The green savannas, and the mighty waves;And isles of flowers, bright-floating o’er the tide,That images the fairy worlds it laves,And stillness, and luxuriance. O’er his headThe ancient cedars wave their peopled bowers,On high the palms their graceful foliage spread,Cinctured with roses the magnolia towers;And from those green arcades a thousand tonesWake with each breeze, whose voice through Nature’s temple moans.
And there, no traces left by brighter daysFor glory lost may wake a sigh of grief;Some grassy mound, perchance, may meet his gaze,The lone memorial of an Indian chief.There man not yet hath mark’d the boundless plainWith marble records of his fame and power;The forest is his everlasting fane,The palm his monument, the rock his tower:Th’ eternal torrent and the giant treeRemind him but that they, like him, are wildly free.
But doth the exile’s heart serenely thereIn sunshine dwell?--Ah! when was exile blest?When did bright scenes, clear heavens, or summer air,Chase from his soul the fever of unrest?--There is a heart-sick weariness of mood,That like slow poison wastes the vital glow,And shrines itself in mental solitude,An uncomplaining and a nameless woe.That coldly smiles midst pleasure’s brightest ray,As the chill glacier’s peak reflects the flush of day.
Such grief is theirs, who, fix’d on foreign shore,Sigh for the spirit of their native gales,As pines the seaman, midst the ocean’s roar,For the green earth, with all its woods and vales.Thus feels thy child, whose memory dwells with thee,Loved Greece! all sunk and blighted as thou artThough thought and step in western wilds be free,Yet thine are still the daydreams of his heart:The deserts spread between, the billows foam,Thou, distant and in chains, are yet his spirit’s home.
In vain for him the gay liannes entwine,Or the green fire-fly sparkles through the brakes,Or summer-winds waft odours from the pine,As eve’s last blush is dying on the lakes.Through thy fair vales his fancy roves the while,Or breathes the freshness of Cithæron’s height,Or dreams how softly Athens’ towers would smile,Or Sunium’s ruins, in the fading light;On Corinth’s cliff what sunset hues may sleep,Or, at that placid hour, how calm th’ Ægean deep!
What scenes, what sunbeams, are to him like thine?(The all of thine no tyrant could destroy!)E’en to the stranger’s roving eye, they shineSoft as a vision of remember’d joy.And he who comes, the pilgrim of a day,A passing wanderer o’er each Attic hill,Sighs as his footsteps turn from thy decay,To laughing climes, where all is splendour still;And views with fond regret thy lessening shore,As he would watch a star that sets to rise no more.
Realm of sad beauty! thou art as a shrineThat Fancy visits with Devotion’s zeal,To catch high thoughts and impulses divine,And all the glow of soul enthusiasts feelAmidst the tombs of heroes--for the braveWhose dust, so many an age, hath been thy soil,Foremost in honour’s phalanx, died to saveThe land redeem’d and hallow’d by their toil;And there is language in thy lightest gale,That o’er the plains they won seems murmuring yet their tale.
And he, whose heart is weary of the strifeOf meaner spirits, and whose mental gazeWould shun the dull cold littleness of life,Awhile to dwell amidst sublimer days,Must turn to thee, whose every valley teemsWith proud remembrances that cannot die.Thy glens are peopled with inspiring dreams,Thy winds, the voice of oracles gone by;And midst thy laurel shades the wanderer hearsThe sound of mighty names, the hymns of vanish’d years.
Through that deep solitude be his to stray,By Faun and Oread loved in ages past,Where clear Peneus winds his rapid wayThough the cleft heights, in antique grandeur vast.Romantic Tempe! thou art yet the same--Wild, as when sung by bards of elder time:Years, that have changed thy river’s classic name,Have left thee still in savage pomp sublime;And from thine Alpine clefts and marble caves,In living lustre still break forth the fountain waves.
Beneath thy mountain battlements and towers,Where the rich arbute’s coral berries glow,Or midst th’ exuberance of thy forest bowers,Casting deep shadows o’er the current’s flow,Oft shall the pilgrim pause, in lone recess,As rock and stream some glancing light have caught,And gaze, till Nature’s mighty forms impressHis soul with deep sublimity of thought;And linger oft, recalling many a tale,That breeze, and wave, and wood seem whispering through thy dale.
He, thought-entranced, may wander where of oldFrom Delphi’s chasm the mystic vapour rose,And trembling nations heard their doom foretoldBy the dread spirit throned midst rocks and snows.Though its rich fanes be blended with the dust,And silence now the hallow’d haunt possess,Still is the scene of ancient rites august,Magnificent in mountain loneliness;Still inspiration hovel’s o’er the ground,Where Greece her councils held, her Pythian victors crown’d.
Or let his steps the rude gray cliffs exploreOf that wild pass, once dyed with Spartan blood,When by the waves that break on Œta’s shore,The few, the fearless, the devoted, stood!Or rove where, shadowing Mantinea’s plain,Bloom the wild laurels o’er the warlike dead,Or lone Platæa’s ruins yet remainTo mark the battle-field of ages fled:Still o’er such scenes presides a sacred power,Though Fiction’s gods have fled from fountain, grot, and bower.
Oh! still unblamed may fancy fondly deemThat, lingering yet, benignant genii dwellWhere mortal worth has hallow’d grove or stream,To sway the heart with some ennobling spell;For mightiest minds have felt their blest controlIn the wood’s murmur, in the zephyr’s sigh,And these are dreams that lend a voice and soul,And a high power, to Nature’s majesty!And who can rove o’er Grecian shores, nor feel,Soft o’er his inmost heart, their secret magic steal?
Yet many a sad reality is there,That Fancy’s bright illusions cannot veil.Pure laughs the light, and balmy breathes the air,But Slavery’s mien will tell its bitter tale;And there, not Peace, but Desolation, throwsDelusive quiet o’er full many a scene--Deep as the brooding torpor of reposeThat follows where the earthquake’s track hath been;Or solemn calm on Ocean’s breast that lies,When sinks the storm, and death has hush’d the seamen’s cries.
Hast thou beheld some sovereign spirit, hurl’dBy Fate’s rude tempest from its radiant sphere,Doom’d to resign the homage of a world,For Pity’s deepest sigh and saddest tear?Oh! hast thou watch’d the awful wreck of mindThat weareth still a glory in decay?Seen all that dazzles and delights mankind--Thought, science, genius--to the storm a prey;And o’er the blasted tree, the wither’d ground,Despair’s wild nightshade spread, and darkly flourish round?
So mayst thou gaze, in sad and awe-struck thought,On the deep fall of that yet lovely clime:Such there the ruin Time and Fate have wrought,So changed the bright, the splendid, the sublime.There the proud monuments of Valour’s name,The mighty works Ambition piled on high,The rich remains by Art bequeath’d to Fame--Grace, beauty, grandeur, strength, and symmetry,Blend in decay; while all that yet is fairSeems only spared to tell how much hath perish’d there!
There, while around lie mingling in the dustThe column’s graceful shaft, with weeds o’er grown,The mouldering torso, the forgotten bust.The warrior’s urn, the altar’s mossy stone--Amidst the loneliness of shatter’d fanes,Still matchless monuments of other years--O’er cypress groves or solitary plains,Its eastern form the minaret proudly rears:As on some captive city’s ruin’d wallThe victor’s banner waves, exulting o’er its fall.
Still, where that column of the mosque aspires,Landmark of slavery, towering o’er the waste,There science droops, the Muses hush their lyresAnd o’er the blooms of fancy and of tasteSpreads the chill blight;--as in that orient isleWhere the dark upas taints the gale around,Within its precincts not a flower may smile,Nor dew nor sunshine fertilise the ground;Nor wild birds’ music float on zephyr’s breath,But all is silence round, and solitude, and death.
Far other influence pour’d the Crescent’s lightO’er conquer’d realms, in ages pass’d away;Full and alone it beam’d, intensely bright,While distant climes in midnight darkness lay.Then rose th’ Alhambra, with its founts and shades,Fair marble halls, alcoves, and orange bowers:Its sculptured lions, richly wrought arcades,Aërial pillars, and enchanted towers;Light, splendid, wild, as some Arabian taleWould picture fairy domes that fleet before the gale.
Then foster’d genius lent each caliph’s throneLustre barbaric pomp could ne’er attain;And stars unnumber’d o’er the orient shone,Bright as that Pleïad, sphered in Mecca’s fane.From Bagdat’s palaces the choral strainsRose and re-echoed to the desert’s bound,And Science, woo’d on Egypt’s burning plains,Rear’d her majestic head with glory crown’d;And the wild Muses breathed romantic loreFrom Syria’s palmy groves to Andalusia’s shore.
Those years have past in radiance--they have past,As sinks the daystar in the tropic main;His parting beams no soft reflection cast,They burn--are quench’d--and deepest shadows reign.And Fame and Science have not left a traceIn the vast regions of the Moslem’s power,--Regions, to intellect a desert space,A wild without a fountain or a flower,Where towers Oppression midst the deepening glooms,As dark and lone ascends the cypress midst the tombs.
Alas for thee, fair Greece! when Asia pour’dHer fierce fanatics to Byzantium’s wall;When Europe sheath’d, in apathy, her sword,And heard unmoved the fated city’s call.No bold crusaders ranged their serried lineOf spears and banners round a falling throne;And thou, O last and noblest Constantine!Didst meet the storm unshrinking and alone.Oh! blest to die in freedom, though in vain--Thine empire’s proud exchange the grave, and not the chain!
Hush’d is Byzantium--’tis the dead of night--The closing night of that imperial race!And all is vigil--but the eye of lightShall soon unfold, a wilder scene to trace:There is a murmuring stillness on the trainThronging the midnight streets, at morn to die;And to the cross, in fair Sophia’s fane,For the last time is raised Devotion’s eye;And, in his heart while faith’s bright visions rise,There kneels the high-soul’d prince, the summon’d of the skies.
Day breaks in light and glory--’tis the hourOf conflict and of fate--the war-note calls--Despair hath lent a stern, delirious powerTo the brave few that guard the rampart walls.Far over Marmora’s waves th’ artillery’s pealProclaims an empire’s doom in every note;Tambour and trumpet swell the clash of steel,Round spire and dome the clouds of battle float;From camp and wave rush on the Crescent’s host,And the Seven Towers are scaled, and all is won and lost.
Then, Greece! the tempest rose that burst on thee,Land of the bard, the warrior, and the sage!Oh! where were then thy sons, the great, the free,Whose deeds are guiding stars from age to age?Though firm thy battlements of crags and snows,And bright the memory of thy days of pride,In mountain might though Corinth’s fortress rose,On, unresisted, roll’d th’ invading tide!Oh! vain the rock, the rampart, and the tower,If Freedom guard them not with Mind’s unconquer’d power.
Where were th’ avengers then, whose viewless mightPreserved inviolate their awful fane,When through the steep defiles, to Delphi’s height,In martial splendour pour’d the Persian’s train?Then did those mighty and mysterious Powers,Arm’d with the elements, to vengeance wake,Call the dread storms to darken round their towers,Hurl down the rocks, and bid the thunders break;Till far around, with deep and fearful clang,Sounds of unearthly war through wild Parnassus rang.
Where was the spirit of the victor-throngWhose tombs are glorious by Scamander’s tide,Whose names are bright in everlasting song,The lords of war, the praised, the deified?Where he, the hero of a thousand lays,Who from the dead at Marathon aroseAll arm’d; and beaming on the Athenians’ gaze,A battle-meteor, guided to their foes?Or they whose forms to Alaric’s awe-struck eye,Hovering o’er Athens, blazed in airy panoply?
Ye slept, O heroes! chief ones of the earth!High demigods of ancient days! ye slept:There lived no spark of your ascendant worthWhen o’er your land the victor Moslem swept.No patriot then the sons of freedom led,In mountain pass devotedly to die;The martyr-spirit of resolve was fled,And the high soul’s unconquer’d buoyancy;And by your graves, and on your battle-plains,Warriors! your children knelt to wear the stranger’s chains.
Now have your trophies vanish’d, and your homesAre moulder’d from the earth, while scarce remainE’en the faint traces of the ancient tombsThat mark where sleep the slayers or the slain.Your deeds are with the days of glory flown,The lyres are hush’d that swell’d your fame afar,The halls that echo’d to their sounds are gone,Perish’d the conquering weapons of your war;And if a mossy stone your names retain,’Tis but to tell your sons, for them ye died in vain.
Yet, where some lone sepulchral relic stands,That with those names tradition hallows yet,Oft shall the wandering son of other landsLinger in solemn thought and hush’d regret.And still have legends mark’d the lonely spotWhere low the dust of Agamemnon lies;And shades of kings and leaders unforgot,Hovering around, to fancy’s vision rise.Souls of the heroes! seek your rest again,Nor mark how changed the realms that saw your glory’s reign.
Lo, where th’ Albanian spreads his despot swayO’er Thessaly’s rich vales and glowing plains,Whose sons in sullen abjectness obey,Nor lift the hand indignant at its chains:Oh! doth the land that gave Achilles birth,And many a chief of old illustrious line,Yield not one spirit of unconquer’d worthTo kindle those that now in bondage pine?No! on its mountain-air is slavery’s breath,And terror chills the hearts whose utter’d plaints were death.
Yet if thy light, fair Freedom, rested there,How rich in charms were that romantic clime,With streams, and woods, and pastoral valleys fair,And wall’d with mountains, haughtily sublime!Heights that might well be deem’d the Muses’ reign,Since, claiming proud alliance with the skies,They lose in loftier spheres their wild domain--Meet home for those retired divinitiesThat love, where nought of earth may e’er intrude,Brightly to dwell on high, in lonely sanctitude.
There in rude grandeur daringly ascendsStern Pindus, rearing many a pine-clad height;He with the clouds his bleak dominion blends,Frowning o’er vales in woodland verdure bright.Wild and august in consecrated pride,There through the deep-blue heaven Olympus towers,Girdled with mists, light-floating as to hideThe rock-built palace of immortal powers;Where far on high the sunbeam finds repose,Amidst th’ eternal pomp of forests and of snows.
Those savage cliffs and solitudes might seemThe chosen haunts where Freedom’s foot would roam;She loves to dwell by glen and torrent-stream,And make the rocky fastnesses her home.And in the rushing of the mountain flood,In the wild eagle’s solitary cry,In sweeping winds that peal through cave and wood,There is a voice of stern sublimity,That swells her spirit to a loftier moodOf solemn joy severe, of power, of fortitude.
But from those hills the radiance of her smileHath vanish’d long, her step hath fled afar;O’er Suli’s frowning rocks she paused a while,Kindling the watch-fires of the mountain war.And brightly glow’d her ardent spirit there,Still brightest midst privation: o’er distressIt cast romantic splendour, and despairBut fann’d that beacon of the wilderness;And rude ravine, and precipice, and dellSent their deep echoes forth, her rallying voice to swell.
Dark children of the hills! ’twas then ye wroughtDeeds of fierce daring, rudely, sternly grand;As midst your craggy citadels ye fought,And women mingled with your warrior band.Then on the cliff the frantic mother stoodHigh o’er the river’s darkly-rolling wave,And hurl’d, in dread delirium, to the floodHer free-born infant, ne’er to be a slave.For all was lost--all, save the power to dieThe wild indignant death of savage liberty.
Now is that strife a tale of vanish’d days,With mightier things forgotten soon to lie;Yet oft hath minstrel sung, in lofty lays,Deeds less adventurous, energies less high.And the dread struggle’s fearful memory stillO’er each wild rock a wilder aspect throws;Sheds darker shadows o’er the frowning hill,More solemn quiet o’er the glen’s repose;Lends to the rustling pines a deeper moan,And the hoarse river’s voice a murmur not its own.
For stillness now--the stillness of the dead--Hath wrapt that conflict’s lone and awful scene;And man’s forsaken homes, in ruin spread,Tell where the storming of the cliffs hath been.And there, o’er wastes magnificently rude,What race may rove, unconscious of the chain?Those realms have now no desert unsubdued,Where Freedom’s banner may be rear’d again:Sunk are the ancient dwellings of her fame,The children of her sons inherit but their name.
Go, seek proud Sparta’s monuments and fanes!In scatter’d fragments o’er the vale they lie;Of all they were not e’en enough remainsTo lend their fall a mournful majesty.Birth-place of those whose names we first reveredIn song and story--temple of the free!O thou, the stern, the haughty, and the fear’d,Are such thy relics, and can this be thee?Thou shouldst have left a giant wreck behind,And e’en in ruin claim’d the wonder of mankind.
For thine were spirits cast in other mouldThan all beside--and proved by ruder test;They stood alone--the proud, the firm, the bold,With the same seal indelibly imprest.Theirs were no bright varieties of mind,One image stamp’d the rough, colossal race,In rugged grandeur frowning o’er mankind,Stern, and disdainful of each milder grace;As to the sky some mighty rock may tower,Whose front can brave the storm, but will not rear the flower.
Such were thy sons--their life a battle-day!Their youth one lesson how for thee to die!Closed is that task, and they have passed awayLike softer beings train’d to aims less high.Yet bright on earth their fame who proudly fell,True to their shields, the champions of thy cause,Whose funeral column bade the stranger tellHow died the brave, obedient to thy laws!O lofty mother of heroic worth,How couldst thou live to bring a meaner offspring forth?
Hadst thou but perish’d with the free, nor knownA second race, when glory’s noon went by,Then had thy name in single brightness shoneA watchword on the helm of liberty!Thou shouldst have pass’d with all the light of fame,And proudly sunk in ruins, not in chains.But slowly set thy star midst clouds of shame,And tyrants rose amidst thy falling fanes;And thou, surrounded by thy warriors’ graves,Hast drain’d the bitter cup once mingled for thy slaves.
Now all is o’er--for thee alike are flownFreedom’s bright noon and slavery’s twilight cloud;And in thy fall, as in thy pride, alone,Deep solitude is round thee as a shroud.Home of Leonidas! thy halls are low;From their cold altars have thy Lares fled;O’er thee, unmark’d, the sunbeams fade or glow,And wild-flowers wave, unbent by human tread;And midst thy silence, as the grave’s profound,A voice, a step, would seem as some unearthly sound.
Taÿgetus still lifts his awful browHigh o’er the mouldering city of the dead,Sternly sublime; while o’er his robe of snowHeaven’s floating tints their warm suffusions spread.And yet his rippling wave Eurotas leadsBy tombs and ruins o’er the silent plain;While, whispering there, his own wild graceful reedsRise as of old, when hail’d by classic strain;There the rose-laurels still in beauty wave,And a frail shrub survives to bloom o’er Sparta’s grave.
Oh, thus it is with man! A tree, a flower,While nations perish, still renews its race,And o’er the fallen records of his powerSpreads in wild pomp, or smiles in fairy grace.The laurel shoots when those have pass’d away,Once rivals for its crown, the brave, the free;The rose is flourishing o’er beauty’s clay,The myrtle blows when love hath ceased to be;Green waves the bay when song and bard are fled,And all that round us blooms is blooming o’er the dead.
And still the olive spreads its foliage roundMorea’s fallen sanctuaries and towers.Once its green boughs Minerva’s votaries crown’d,Deem’d a meet offering for celestial powers.The suppliant’s hand its holy branches bore;They waved around the Olympic victor’s head;And, sanctified by many a rite of yore,Its leaves the Spartan’s honour’d bier o’erspread.Those rites have vanish’d--but o’er vale and hillIts fruitful groves arise, revered and hallow’d still.
Where now thy shrines, Eleusis! where thy faneOf fearful visions, mysteries wild and high?The pomp of rites, the sacrificial train,The long procession’s awful pageantry?Quench’d is the torch of Ceres--all aroundDecay hath spread the stillness of her reign;There never more shall choral hymns resoundO’er the hush’d earth and solitary main,Whose wave from Salamis deserted flows,To bathe a silent shore of desolate repose.
And oh, ye secret and terrific powers!Dark oracles! in depth of groves that dwelt,How are they sunk, the altars of your bowers,Where Superstition trembled as she knelt!Ye, the unknown, the viewless ones! that madeThe elements your voice, the wind and wave;Spirits! whose influence darken’d many a shade,Mysterious visitants of fount and cave!How long your power the awe-struck nations sway’d,How long earth dreamt of you, and shudderingly obey’d!
And say, what marvel, in those early days,While yet the light of heaven-born truth was not,If man around him cast a fearful gaze,Peopling with shadowy powers each dell and grot?Awful is nature in her savage forms,Her solemn voice commanding in its might,And mystery then was in the rush of storms,The gloom of woods, the majesty of night;And mortals heard Fate’s language in the blast,And rear’d your forest-shrines, ye phantoms of the past!
Then through the foliage not a breeze might sighBut with prophetic sound--a waving tree,A meteor flashing o’er the summer sky,A bird’s wild flight reveal’d the things to be.All spoke of unseen natures, and convey’dTheir inspiration; still they hover’d round,Hallow’d the temple, whisper’d through the shade,Pervaded loneliness, gave soul to sound;Of them the fount, the forest, murmur’d still,Their voice was in the stream, their footstep on the hill.
Now is the train of Superstition flown!Unearthly beings walk on earth no more;The deep wind swells with no portentous tone,The rustling wood breathes no fatidic lore.Fled are the phantoms of Livadia’s cave,There dwell no shadows, but of crag and steep;Fount of Oblivion! in thy gushing wave,That murmurs nigh, those powers of terror sleep.Oh that such dreams alone had fled that clime!But Greece is changed in all that could be changed by time!
Her skies are those whence many a mighty bardCaught inspiration, glorious as their beams;Her hills the same that heroes died to guard,Her vales, that foster’d Art’s divinest dreams!But that bright spirit o’er the land that shone,And all around pervading influence pour’d,That lent the harp of Æschylus its tone,And proudly hallow’d Lacedæmon’s sword,And guided Phidias o’er the yielding stone,With them its ardours lived--with them its light is flown.
Thebes, Corinth, Argos!--ye renown’d of old,Where are your chiefs of high romantic name?How soon the tale of ages may be told!A page, a verse, records the fall of fame,The work of centuries. We gaze on you,O cities! once the glorious and the free,The lofty tales that charm’d our youth renew,And wondering ask, if these their scenes could be?Search for the classic fane, the regal tomb,And find the mosque alone--a record of their doom!
How oft hath war his host of spoilers pour’d,Fair Elis! o’er thy consecrated vales?There have the sunbeams glanced on spear and sword,And banners floated on the balmy gales.Once didst thou smile, secure in sanctitude,As some enchanted isle mid stormy seas;On thee no hostile footstep might intrude,And pastoral sounds alone were on thy breeze.Forsaken home of peace! that spell is broke:Thou too hast heard the storm, and bow’d beneath the yoke.
And through Arcadia’s wild and lone retreatsFar other sounds have echo’d than the strainOf faun and dryad, from their woodland seats,Or ancient reed of peaceful mountain-swain!There, though at times Alpheus yet surveys,On his green banks renew’d, the classic dance,And nymph-like forms, and wild melodious lays,Revive the sylvan scenes of old romance;Yet brooding fear and dark suspicion dwellMidst Pan’s deserted haunts, by fountain, cave, and dell.
But thou, fair Attica! whose rocky boundAll art and nature’s richest gifts enshrined,Thou little sphere, whose soul-illumined roundConcentrated each sunbeam of the mind;Who, as the summit of some Alpine heightGlows earliest, latest, with the blush of day,Didst first imbibe the splendours of the light,And smile the longest in its lingering ray;Oh! let us gaze on thee, and fondly deemThe past awhile restored, the present but a dream.
Let Fancy’s vivid hues awhile prevail--Wake at her call--be all thou wert once more!Hark! hymns of triumph swell on every gale--Lo! bright processions move along thy shore;Again thy temples, midst the olive-shade,Lovely in chaste simplicity arise;And graceful monuments, in grove and glade,Catch the warm tints of thy resplendent skies;And sculptured forms, of high and heavenly mien,In their calm beauty smile around the sun-bright scene.
Again renew’d by Thought’s creative spells,In all her pomp thy city, Theseus! towers:Within, around, the light of glory dwellsOn art’s fair fabrics, wisdom’s holy bowers.There marble fanes in finish’d grace ascend,The pencil’s world of life and beauty glows;Shrines, pillars, porticoes, in grandeur blend,Rich with the trophies of barbaric foes;And groves of platane wave in verdant pride,The sage’s blest retreats, by calm Ilissus’ tide.
Bright as that fairy vision of the wave,Raised by the magic of Morgana’s wand,On summer seas that undulating laveRomantic Sicily’s Arcadian strand;That pictured scene of airy colonnades,Light palaces, in shadowy glory drest,Enchanted groves, and temples, and arcades,Gleaming and floating on the ocean’s breast;Athens! thus fair the dream of thee appears,As Fancy’s eye pervades the veiling cloud of years.
Still be that cloud withdrawn--oh! mark on high,Crowning yon hill, with temples richly graced,That fane, august in perfect symmetry,The purest model of Athenian taste.Fair Parthenon! thy Doric pillars riseIn simple dignity, thy marble’s hueUnsullied shines, relieved by brilliant skies,That round thee spread their deep ethereal blue;And art o’er all thy light proportions throwsThe harmony of grace, the beauty of repose.
And lovely o’er thee sleeps the sunny glow,When morn and eve in tranquil splendour reign,And on thy sculptures, as they smile, bestowHues that the pencil emulates in vain.Then the fair forms by Phidias wrought, unfoldEach latent grace, developing in light;Catch, from soft clouds of purple and of gold,Each tint that passes, tremulously bright;And seem indeed whate’er devotion deems,While so suffused with heaven, so mingling with its beams.
But oh! what words the vision may portray,The form of sanctitude that guards thy shrine?There stands thy goddess, robed in war’s array,Supremely glorious, awfully divine!With spear and helm she stands, and flowing vest,And sculptured ægis, to perfection wrought;And on each heavenly lineament imprest,Calmly sublime, the majesty of thought--The pure intelligence, the chaste repose--All that a poet’s dream around Minerva throws.
Bright age of Pericles! let fancy stillThrough time’s deep shadows all thy splendour trace,And in each work of art’s consummate skillHail the free spirit of thy lofty race:That spirit, roused by every proud rewardThat hope could picture, glory could bestow,Foster’d by all the sculptor and the bardCould give of immortality below.Thus were thy heroes form’d, and o’er their name,Thus did thy genius shed imperishable fame.
Mark in the throng’d Ceramicus, the trainOf mourners weeping o’er the martyr’d brave:Proud be the tears devoted to the slain,Holy the amaranth strew’d upon their grave!And hark! unrivall’d eloquence proclaimsTheir deeds, their trophies, with triumphant voice!Hark! Pericles records their honour’d names!Sons of the fallen, in their lot rejoice:What hath life brighter than so bright a doom?What power hath fate to soil the garlands of the tomb?
Praise to the valiant dead! for them doth artExhaust her skill, their triumphs bodying forth;Theirs are enshrinèd names, and every heartShall bear the blazon’d impress of their worth.Bright on the dreams of youth their fame shall rise,Their fields of fight shall epic song record;And, when the voice of battle rends the skies,Their name shall be their country’s rallying word!While fane and column rise august to tellHow Athens honours those for her who proudly fell.
City of Theseus! bursting on the mind,Thus dost thou rise, in all thy glory fled!Thus guarded by the mighty of mankind,Thus hallow’d by the memory of the dead:Alone in beauty and renown--a sceneWhose tints are drawn from freedom’s loveliest ray.’Tis but a vision now--yet thou hast beenMore than the brightest vision might portray;And every stone, with but a vestige fraughtOf thee, hath latent power to wake some lofty thought.
Fall’n are thy fabrics, that so oft have rungTo choral melodies and tragic lore;Now is the lyre of Sophocles unstrung,The song that hail’d Harmodius peals no more.Thy proud Piræus is a desert strand,Thy stately shrines are mouldering on their hill,Closed are the triumphs of the sculptor’s hand,The magic voice of eloquence is still;Minerva’s veil is rent--her image gone;Silent the sage’s bower--the warrior’s tomb o’erthrown.
Yet in decay thine exquisite remainsWondering we view, and silently revere,As traces left on earth’s forsaken plainsBy vanish’d beings of a nobler sphere!Not all the old magnificence of Rome,All that dominion there hath left to time--Proud Coliseum, or commanding dome,Triumphal arch, or obelisk sublime,Can bid such reverence o’er the spirit steal,As aught by thee imprest with beauty’s plastic seal.
Though still the empress of the sunburnt waste,Palmyra rises, desolately grand--Though with rich gold and massy sculpture graced,Commanding still, Persepolis may standIn haughty solitude--though sacred NileThe first-born temples of the world surveys,And many an awful and stupendous pileThebes of the hundred gates e’en yet displays;City of Pericles! oh who, like thee,Can teach how fair the works of mortal hand may be?
Thou led’st the way to that illumined sphereWhere sovereign beauty dwells; and thence didst bear,Oh, still triumphant in that high career!Bright archetypes of all the grand and fair.And still to thee th’ enlighten’d mind hath flownAs to her country,--thou hast been to earthA cynosure,--and, e’en from victory’s throne,Imperial Rome gave homage to thy worth;And nations, rising to their fame afar,Still to thy model turn, as seamen to their star.
Glory to those whose relics thus arrestThe gaze of ages! Glory to the free!For they, they only, could have thus imprestTheir mighty image on the years to be!Empires and cities in oblivion lie,Grandeur may vanish, conquest be forgot,--To leave on earth renown that cannot die,Of high-soul’d genius is th’ unrivall’d lot.Honour to thee, O Athens! thou hast shownWhat mortals may attain, and seized the palm alone.
Oh! live there those who view with scornful eyesAll that attests the brightness of thy prime?Yes; they who dwell beneath thy lovely skies,And breathe th’ inspiring ether of thy clime!Their path is o’er the mightiest of the dead,Their homes are midst the works of noblest arts;Yet all around their gaze, beneath their tread,Not one proud thrill of loftier thought imparts.Such are the conquerors of Minerva’s land,Where Genius first reveal’d the triumphs of his hand!
For them in vain the glowing light may smileO’er the pale marble, colouring’s warmth to shed,And in chaste beauty many a sculptured pileStill o’er the dust of heroes lift its head.No patriot feeling binds them to the soil,Whose tombs and shrines their fathers have not rear’d;Their glance is cold indifference, and their toilBut to destroy what ages have revered--As if exulting sternly to eraseWhate’er might prove that land had nursed a nobler race.
And who may grieve that, rescued from their hands,Spoilers of excellence and foes to art,Thy relics, Athens! borne to other lands,Claim homage still to thee from every heartThough now no more th’ exploring stranger’s sight,Fix’d in deep reverence on Minerva’s fane,Shall hail, beneath their native heaven of light,All that remain’d of forms adored in vain;A few short years--and, vanish’d from the scene,To blend with classic dust their proudest lot had been.
Fair Parthenon! yet still must Fancy weepFor thee, thou work of nobler spirits flown.Bright, as of old, the sunbeams o’er thee sleepIn all their beauty still--and thine is gone!Empires have sunk since thou wert first revered,And varying rights have sanctified thy shrine.The dust is round thee of the race that rear’dThy walls; and thou--their fate must soon be thine!But when shall earth again exult to seeVisions divine like theirs renew’d in aught like thee?
Lone are thy pillars now--each passing galeSighs o’er them as a spirit’s voice, which moan’dThat loneliness, and told the plaintive taleOf the bright synod once above them throned.Mourn, graceful ruin! on thy sacred hill,Thy gods, thy rites, a kindred fate have shared:Yet art thou honour’d in each fragment stillThat wasting years and barbarous hands had spared;Each hallow’d stone, from rapine’s fury borne,Shall wake bright dreams of thee in ages yet unborn.
Yes! in those fragments, though by time defacedAnd rude insensate conquerors, yet remainsAll that may charm th’ enlighten’d eye of taste,On shores where still inspiring freedom reigns.As vital fragrance breathes from every partOf the crush’d myrtle, or the bruisèd rose,E’en thus th’ essential energy of artThere in each wreck imperishably glows!The soul of Athens lives in every line,Pervading brightly still the ruins of her shrine.
Mark on the storied frieze the graceful train,The holy festival’s triumphal throng,In fair procession to Minerva’s fane,With many a sacred symbol, move along.There every shade of bright existence trace,The fire of youth, the dignity of age;The matron’s calm austerity of grace,The ardent warrior, the benignant sage;The nymph’s light symmetry, the chief’s proud mien--Each ray of beauty caught and mingled in the scene.
Art unobtrusive there ennobles form,Each pure chaste outline exquisitely flows;There e’en the steed, withhold expression warm,Is clothed with majesty, with being glows.One mighty mind hath harmonised the whole;Those varied groups the same bright impress bear;One beam and essence of exalting soulLives in the grand, the delicate, the fair;And well that pageant of the glorious deadBlends us with nobler days, and loftier spirits fled.
O conquering Genius! that couldst thus detainThe subtle graces, fading as they rise,Eternalise expression’s fleeting reign,Arrest warm life in all its energies,And fix them on the stone--thy glorious lotMight wake ambition’s envy, and createPowers half divine: while nations are forgot,A thought, a dream of thine hath vanquish’d fate!And when thy hand first gave its wonders birth,The realms that hail them now scarce claim’d a name on earth.
Wert thou some spirit of a purer sphereBut once beheld, and never to return?No--we may hail again thy bright career,Again on earth a kindred fire shall burn!Though thy least relics, e’en in ruin, bearA stamp of heaven, that ne’er hath been renew’d--A light inherent--let not man despair:Still be hope ardent, patience unsubdued;For still is nature fair, and thought divine,And art hath won a world in models pure as thine.
Gaze on yon forms, corroded and defaced--Yet there the germ of future glory lies!Their virtual grandeur could not be erased;It clothes them still, though veil’d from common eyes.They once were gods and heroes--and beheldAs the blest guardians of their native scene;And hearts of warriors, sages, bards, have swell’dWith awe that own’d their sovereignty of mien.Ages have vanish’d since those hearts were cold,And still those shatter’d forms retain their godlike mould.
Midst their bright kindred, from their marble throneThey have look’d down on thousand storms of time;Surviving power, and fame, and freedom flown,They still remain’d, still tranquilly sublime!Till mortal hands the heavenly conclave marr’d.The Olympian groups have sunk, and are forgot--Not e’en their dust could weeping Athens guard;But these were destined to a nobler lot!And they have borne, to light another land,The quenchless ray that soon shall gloriously expand.
Phidias! supreme in thought! what hand but thine,In human works thus blending earth and heaven,O’er nature’s truth had spread that grace divine,To mortal form immortal grandeur given?What soul but thine, infusing all its powerIn these last monuments of matchless days,Could from their ruins bid young Genius tower,And Hope aspire to more exalted praise;And guide deep Thought to that secluded heightWhere excellence is throned in purity of light?
And who can tell how pure, how bright a flame,Caught from these models, may illume the west?What British Angelo may rise to fame,On the free isle what beams of art may rest?Deem not, O England! that by climes confined,Genius and taste diffuse a partial ray;Deem not the eternal energies of mindSway’d by that sun whose doom is but decay!Shall thought be foster’d but by skies serene?No! thou hast power to be what Athens e’er hath been.
But thine are treasures oft unprized, unknown,And cold neglect hath blighted many a mind,O’er whose young ardours had thy smile but shone,Their soaring flight had left a world behind!And many a gifted hand, that might have wroughtTo Grecian excellence the breathing stone,Or each pure grace of Raphael’s pencil caught,Leaving no record of its power, is gone!While thou hast fondly sought, on distant coast,Gems far less rich than those, thus precious, and thus lost
Yet rise, O Land, in all but art alone!Bid the sole wreath that is not thine be won!Fame dwells around thee--Genius is thine own;Call his rich blooms to life--be thou their sun!So, should dark ages o’er thy glory sweep,Should thine e’er be as now are Grecian plains,Nations unborn shall track thine own blue deepTo hail thy shore, to worship thy remains;Thy mighty monuments with reverence trace,And cry, “This ancient soil hath nursed a glorious race!”
The emigration of the natives of the Morea to different parts ofAsia is thus mentioned by Châteaubriand in his Itinéraire de Paris àJérusalem--“Parvenu au dernier degré du malheur, le Moraïte s’arrachede son pays, et va chercher en Asie un sort moins rigoureux. Vainespoir! il retrouve des cadis et des pachas jusques dans les sables duJourdain et dans les déserts de Palmyre.”
In the same work, Châteaubriand also relates his having met withseveral Greek emigrants who had established themselves in the woods ofFlorida.
The Amphictyonic Council was convened in spring and autumn atDelphi or Thermopylæ, and presided at the Pythian games which werecelebrated at Delphi every fifth year.
For the accounts of the upas or poison tree of Java, now generallybelieved to be fabulous, or greatly exaggerated, see the notes toDarwin’s Botanic Garden.
See the description of the night previous to the taking ofConstantinople by Mahomet II.--Gibbon’s Decline and Fall, &c. vol.xii. p. 225.
See the account from Herodotus of the supernatural defence ofDelphi.--Mitford’s Greece, vol. i. p. 396-7.
The gilding amidst the ruins of Persepolis is still, according toWinckelmann, in high preservation.
Words in this poem 186
- sapient a.
- Wise; sage; discerning; -- often in irony or contempt. [L. sapiens, -entis, p.pr. of sapere to taste to have sense, to know. See Sage, a.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- assenting a.
- Giving or implying assent.
- clime n.
- A climate; a tract or region of the earth. See Climate. [L. clima. See Climate.]
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- fraught n.
- A freight; a cargo. [OE.fraight, fraght; akin to Dan. fragt, Sw. frakt, D. vracht, G. fracht, cf. OHG. fr merit, reward; perh. from corresponding to E. for + The root of E. own. Cf.]
- sullen a.
- Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
- sunbeam n.
- A beam or ray of the sun. [AS. sunnebeam.]
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- classic a.
- Of or relating to the first class or rank, especially in literature or art. [L. classicus relating to the classes of the Roman people, and especially to the frist class; hence, of the first rank, superior, from classis class: cf. F. clas]
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
- lone n.
- A lane. See Loanin.
- dell n.
- A small, retired valley; a ravine. [AS. del, akin to E. dale; cf. D. delle, del, low ground. See Dale.]
- illume v. t.
- To throw or spread light upon; to make light or bright; to illuminate; to illumine. [Cf. F. illuminer. See Illuminate.]
- yore adv.
- In time long past; in old time; long since. [OE. , yare, , AS. geára;akin to geár a year, E. year. Year.]
- lave v. t.
- To lade, dip, or pour out. [OE. laven. See Lavish.]
- rapt n.
- An ecstasy; a trance. Bp. Morton. [From F. rapt abduction, rape, L. raptus, fr. rapere to seize and carry off, to transport; or fr. E. rapt, a. See Rapt, a., and Rapid.]
- choral a.
- Of or pertaining to a choir or chorus; singing, sung, or adapted to be sung, in chorus or harmony. Choral service, a service of song. [LL. choralis, fr. L. chorus. See Chorus.]
- exulting a.
- Rejoicing triumphantly or exceedingly; exultant.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- firmament n.
- Fixed foundation; established basis. [L. firmamentum, fr. firmare to make firm: cf. F. firmament. See Firm, v. & a.]
- serenely adv.
- In a serene manner; clearly.
- suffuse v. t.
- To overspread, as with a fluid or tincture; to fill or cover, as with something fluid; as, eyes suffused with tears; cheeks suffused with blushes. [L. suffusus, p.p. of suffundere to overspread; sub under + fundere to pour. See Fuse to melt.]
- mellowness n.
- Quality or state of being mellow.
- deem v. t.
- To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
- transparence n.
- The quality or state of being transparent; transparency. [Cf. F. transparence.]
- cloudless a.
- Without a cloud; clear; bright.
- luxuriance n.
- The state or quality of being luxuriant; rank, vigorous growth; excessive abundance produced by rank growth. [Cf. F. luxuriance.]
- mantling n.
- The representation of a mantle, or the drapery behind and around a coat of arms: -- called also lambrequin.
- surviving a.
- Remaining alive; yet living or existing; as, surviving friends; surviving customs.
- splendour n.
- Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
- filial a.
- Of or pertaining to a son or daughter; becoming to a child in relation to his parents; as, filial obedience. [L. filialis, fr. filius son, filia daughter; akin to e. female, feminine. Cf. Fitz.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- clad v.
- To clothe. Holland.
- haunted a.
- Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
- wearily adv.
- In a weary manner.
- horde n.
- A wandering troop or gang; especially, a clan or tribe of a nomadic people migrating from place to place for the sake of pasturage, plunder, etc.; a predatory multitude. Thomson. [F. horde (cf. G. horde), fr. Turk. ord, ordi, camp; of Tartar origin.]
- eden n.
- The garden where Adam and Eve first dwelt; hence, a delightful region or residence. [Heb. eden delight, pleasure; also, a place of pleasure, Eden.]
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- amidst prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- magnificence n.
- The act of doing what magnificent; the state or quality of being magnificent. Acts xix. 27. [F. magnificence, L. magnificentia. See Magnific.]
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- girt v. t.
- To gird; to encircle; to invest by means of a girdle; to measure the girth of; as, to girt a tree. [From Girt, n., cf. Girth, v.]
- profusely adv.
- In a profuse manner.
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- huntsman n.
- One who hunts, or who practices hunting.
- stillness n.
- The quality or state of being still; quietness; silence; calmness; inactivity.
- peopled a.
- Stocked with, or as with, people; inhabited.
- cinctured n.
- Having or wearing a cincture or gridle.
- fane n.
- A temple; a place consecrated to religion; a church. [L. fanum a place dedicated to some deity, a sanctuary, fr. fari to speak. See Fame.]
- remind v. t.
- To put (one) in mind of something; to bring to the remembrance of; to bring to the notice or consideration of (a person).
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- unrest n.
- Want of rest or repose; unquietness; sleeplessness; uneasiness; disquietude.
- nameless a.
- Without a name; not having been given a name; as, a nameless star.
- coldly adv.
- In a cold manner; without warmth, animation, or feeling; with indifference; calmly.
- entwine v. t.
- To twine, twist, or wreathe together or round. [Pref. en- + twine. Cf. Intwine.]
- waft v. t.
- To give notice to by waving something; to wave the hand to; to beckon. [Prob. originally imp. & p. p. of wave, v. t. See Wave to waver.]
- fading n.
- An Irish dance; also, the burden of a song.
- placid a.
- Pleased; contented; unruffied; undisturbed; serene; peaceful; tranquil; quiet; gentle. [L. placidus, originally, pleasing, mild, from placere to please: cf. F. placide. See Please.]
- honour n.
- Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
- hallow v. t.
- To make holy; to set apart for holy or religious use; to consecrate; to treat or keep as sacred; to reverence. [OE. halowen, halwien, halgien, AS. halgian, fr. halig holy. See Holy.]
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- faun n.
- A god of fields and shipherds, diddering little from the satyr. [L. Faunus, fr. favere to be favorable. See Favor.]
- oread n.
- One of the nymphs of mountains and grottoes. [L. Oreas, -adis, Gr. oréade.]
- lustre n.
- A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
- glancing a.
- Shooting, as light.
- sublimity n.
- The quality or state of being sublime (in any sense of the adjective). [L. sublimitas: cf. F. sublimité.]
- vapour n.
- Any substance in the gaseous, or aëriform, state, the condition of which is ordinarily that of a liquid or solid. [OE. vapour, OF. vapour, vapor, vapeur, F. vapeur, L. vapor; probably for cvapor, and akin to Gr. kvepti to breathe, smell, Russ. kopote fine soot. Cf. Vapid.]
- loneliness n.
- The condition of being lonely; solitude; seclusion.
- explore v. t.
- To seek for or after; to strive to attain by search; to look wisely and carefully for. [L. explorare to explore; ex out+plorare to cry out aloud,prob. orig., to cause to flow; perh. akin to E. flow: cf. F. explorer.]
- shadowing n.
- Shade, or gradation of light and color; shading. Feltham.
- fondly adv.
- Foolishly. Verstegan (1673).
- benignant a.
- Kind; gracious; favorable. [LL. benignans, p. pr. of benignare, from L. benignus. See Benign.]
- zephyr n.
- The west wind; poetically, any soft, gentle breeze. [L. zephyrus, Gr. zéphyr.]
- inmost a.
- Deepest within; farthest from the surface or external part; innermost. [OE. innemest, AS. innemest, a double superlative form fr. inne within, fr. in in. The modern form is due to confusion with most. See In, and cf. Aftermost, Fore]
- balmy a.
- Having the qualities of balm; odoriferous; aromatic; assuaging; soothing; refreshing; mild.
- desolation n.
- The act of desolating or laying waste; destruction of inhabitants; depopulation. [F. désolation, L. desolatio.]
- blasted a.
- Blighted; withered.
- piled a.
- Having a pile or point; pointed. [From 2d Pile.]
- bequeath v. t.
- To give or leave by will; to give by testament; -- said especially of personal property. [OE. biquethen, AS. becwe to say, affirm, bequeath; pref. be- + cwe to say, speak. See Quoth.]
- torso n.
- The human body, as distinguished from the head and limbs; in sculpture, the trunk of a statue, mutilated of head and limbs; as, the torso of Hercules. [It. torso, probably fr. L. thyrsus a stalk, stem, thyrsus, Gr. torso, turso, a stalk, stem, G. dorsche a cabbage stalk. Cf. Thyrsus, Truss.]
- minaret n.
- A slender, lofty tower attached to a mosque and surrounded by one or more projecting balconies, from which the summon to prayer is cried by the muezzin. [Sp. minarete, Ar. manarat lamp, lantern, lighthouse, turret, fr. nar to shine.]
- towering a.
- Very high; elevated; rising aloft; as, a towering height.
- isle v. t.
- To cause to become an island, or like an island; to surround or encompass; to island.
- fertilise v. t.
- To make fertile or enrich; to supply with nourishment for plants; to make fruitful or productive; as, to fertilize land, soil, ground, and meadows. [Cf. F. fertiliser.]
- intensely adv.
- Intently. J. Spencer.
- alhambra n.
- The palace of the Moorish kings at Granada. [Ultimately fr. Ar. al the + hamra red; i. e., the red (sc. house).]
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
- barbaric a.
- Of, or from, barbarian nations; foreign; -- often with reference to barbarous nations of east. [L. barbaricus foreign, barbaric, Gr. .]
- palmy a.
- Bearing palms; abounding in palms; derived from palms; as, a palmy shore.
- unmoved a.
- Not moved; fixed; firm; unshaken; calm; apathetic.
- serried a.
- Crowded; compact; dense; pressed together. [See Serry.]
- didst
- , the 2d pers. sing. imp. of Do.
- vigil n.
- Abstinence from sleep, whether at a time when sleep is customary or not; the act of keeping awake, or the state of being awake, or the state of being awake; sleeplessness; wakefulness; watch. [OE. vigile, L. vigilia, from vigil awake, watchful, probably akin to E. wake: cf. F. vigile. See Wake, v. i., and cf. Reveille, Surveillance, Vedette, Vegetable]
- peal v. i.
- To appeal. Spencer.
- tambour n.
- A kind of small flat drum; a tambourine.
- scaled a.
- Covered with scales, or scalelike structures; -- said of a fish, a reptile, a moth, etc.
- unresisted a.
- Not resisted; unopposed. Bentley.
- viewless a.
- Not perceivable by the eye; invisible; unseen.
- inviolate a.
- Not violated; uninjured; unhurt; unbroken. [L. inviolatus. See In- not, and Violate.]
- clang v. t.
- To strike together so as to produce a ringing metallic sound. [L. clangere; akin to Gr. clank.]
- unearthly a.
- Not terrestrial; supernatural; preternatural; hence, weird; appalling; terrific; as, an unearthly sight or sound.
- parnassus n.
- A mountain in Greece, sacred to Apollo and the Muses, and famous for a temple of Apollo and for the Castalian spring. Grass of Parnassus. (Bot.) See under Grass, and Parnassia.
- glorious a.
- Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
- panoply n.
- Defensive armor in general; a full suit of defensive armor.
- ascendant n.
- Ascent; height; elevation. [F. ascendant, L. ascendens; p. pr. of ascendere.]
- flown a.
- Flushed, inflated.
- albanian a.
- Of or pertaining to Albania, a province of Turkey.
- abjectness n.
- The state of being abject; abasement; meanness; servility.
- indignant a.
- Affected with indignation; wrathful; passionate; irate; feeling wrath, as when a person is exasperated by unworthy or unjust treatment, by a mean action, or by a degrading accusation. [L. indignans, -antis, p. pr. of indignari to be indignant, disdain. See Indign.]
- haughtily adv.
- In a haughty manner; arrogantly. [From Haughty.]
- sanctitude a.
- Holiness; sacredness; sanctity. milton. [L. sanctitudo.]
- fortitude n.
- Power to resist attack; strength; firmness. [L. fortitudo, fr. fortis strong. See Fort.]
- precipice n.
- A sudden or headlong fall. Fuller. [F. précipice, L. praecipitium, fr. praeceps, - cipitis, headlong; prae before + caput, capitis, the head. See Pre-, and Chief.]
- sternly adv.
- In a stern manner.
- storming a.
- from Storm, v. Storming party (Mil.), a party assigned to the duty of making the first assault in storming a fortress.
- magnificently adv.
- In a Magnificent manner.
- haughty a.
- High; lofty; bold. [OE. hautein, F. hautain, fr. haut high, OF. also halt, fr. L. altus. See Altitude.]
- mould n.
- Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
- imprest v. t.
- To advance on loan. Burke. [Pref. im- + prest: cf. It. imprestare. See Prest, n.]
- colossal a.
- Of enormous size; gigantic; huge; as, a colossal statue. [Cf. F. cossal, L. colosseus. See Colossus.]
- bade
- A form of the pat tense of Bid.
- went n.
- Course; way; path; journey; direction.
- minerva n.
- The goddess of wisdom, of war, of the arts and sciences, of poetry, and of spinning and weaving; -- identified with the Grecian Pallas Athene. [L.]
- suppliant a.
- Asking earnestly and submissively; entreating; beseeching; supplicating. [F., p.pr. of supplier to entreat, L. supplicare. See Supplicate, and cf. Supplicant.]
- sanctified a.
- Made holy; also, made to have the air of sanctity; sanctimonious.
- bier n.
- A handbarrow or portable frame on which a corpse is placed or borne to the grave. [OE. bæe, beere, AS. b, b; akin to D. baar, OHG. bara, G. bahre, Icel barar, Dbaare, L. feretrum, Gr. , from the same bear to produce. See 1st Bear, and cf. Barr]
- sacrificial a.
- Of or pertaining to sacrifice or sacrifices; consisting in sacrifice; performing sacrifice.
- pageantry n.
- Scenic shows or spectacles, taken collectivelly; spectacular guality; splendor.
- ceres n.
- The daughter of Saturn and Ops or Rhea, the goddess of corn and tillage. [L., Ceres, also corn, grain, akin to E. create.]
- shudderingly adv.
- In a shuddering manner.
- spoke n.
- The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
- unseen a.
- Not seen or discovered.
- hover n.
- A cover; a shelter; a protection. Carew. C. Kingsley. [Etymol. doubtful.]
- portentous a.
- Of the nature of a portent; containing portents; foreschadowing, esp. foreschadowing ill; ominous. [L. portentosus.]
- crag n.
- The neck or throat [A form of craw: cf. D. kraag neck, collar, G. kragen. See Craw.]
- oblivion n.
- The act of forgetting, or the state of being forgotten; cessation of remembrance; forgetfulness. [L. oblivio, akin to oblivisci to forget: cf. OF. oblivion.]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- dryad n.
- A wood nymph; a nymph whose life was bound up with that of her tree. [L. dryas, pl. dryades, Gr. Tree.]
- glade n.
- An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
- arcadian a.
- Of or pertaining to Arcadia; pastoral; ideally rural; as, Arcadian simplicity or scenery. [L. Arcadius, Arcadicus, fr. Arcadia: cf. F. Arcadien, Arcadique.]
- pictured a.
- Furnished with pictures; represented by a picture or pictures; as, a pictured scene.
- veiling n.
- A veil; a thin covering; also, material for making veils.
- graced a.
- Endowed with grace; beautiful; full of graces; honorable.
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- supremely adv.
- In a supreme manner.
- awfully adv.
- In an awful manner; in a manner to fill with terror or awe; fearfully; reverently.
- vest n.
- An article of clothing covering the person; an outer garment; a vestment; a dress; a vesture; a robe. [L. vestis a garment, vesture; akin to Goth. wasti, and E. wear: cf. F. veste. See Wear to carry on the person, and cf. Divest, Invest, Travesty.]
- lineament n.
- One of the outlines, exterior features, or distinctive marks, of a body or figure, particularly of the face; feature; form; mark; - - usually in the plural. [L. lineamentum, fr. linea line: cf. F. linéament. See 3d Line.]
- sculptor n.
- One who sculptures; one whose occupation is to carve statues, or works of sculpture. [L. sculptor, fr. sculpere, sculptum, to carve; cf. scalpere to cut, carve, scratch, and Gr. sculpteur.]
- amaranth n.
- An imaginary flower supposed never to fade.
- valiant a.
- Vigorous in body; strong; powerful; as, a valiant fencer. [OE. valiant, F. vaillant, OF. vaillant, valant, originally p. pr. of OF. & F. valoir to be worth, L. valere to be strong. See Wield, and cf. Avail, Convalesce, ]
- blazon v. t.
- To depict in colors; to display; to exhibit conspicuously; to publish or make public far and wide. [From blazon, n.; confused with 4th blaze: cf. F. blasonner.]
- rung n.
- A floor timber in a ship. [OE. ronge, AS. hrung, a staff, rod, pole; akin to G. runge a short, thick piece of iron or wood, OD. ronghe a prop, support, Icel. röng a rib in a ship, Goth. H]
- revere v. t.
- To regard with reverence, or profound respect and affection, mingled with awe or fear; to venerate; to reverence; to honor in estimation. [L. revereri; pref. re- re- + vereri to fear, perh. akin to E. wary: cf. F. révérer.]
- coliseum n.
- The amphitheater of Vespasian at Rome, the largest in the world. [Written also Colosseum.] [NL. (cf. It. coliseo, colosseo), fr. L. colosseus colossal, fr. colossus a colossus. See Colossus, and cf. Colosseum.]
- triumphal n.
- A token of victory.
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- desolately adv.
- In a desolate manner.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913; the first 160 of 186 words.
About this text
Modern Greece is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Felicia Hemans, Modern Greece, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/modern-greece.html, id L13430.
Form and metre
Modern Greece is 1037 lines in 109 stanzas. The rhyme scheme is ABABCDCDEE, complete in 65 of its 109 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.3 syllables. 53 lines end on an unstressed syllable, a feminine ending. 21% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 ABABCDCD-- climeA · strainsB · timeA · retainsB · forgotC · thereD · lotC · wearD · eye · infinity
- 3 ABABBCBCDD mienA · fraughtB · sceneA · taughtB · notB · knownC · lotB · shoneC · traceD · raceD
- 4 ABABCDCDEE mindA · imbuedB · refinedA · solitudeB · retiredC · climeD · expiredC · timeD · portray'dE · shadeE
- 5 ABABCDCDEE unknownA · lightB · ownA · brightB · possessC · eyesD · lovelinessC · sympathiesD · dellE · swellE
- 6 ABABCDCD-- illumeA · plainsB · bloomA · fanesB · shoreC · riseD · yoreC · harmoniesD · coast · lost
- 7 ABABCDCDEE laveA · strayB · waveA · arrayB · boreC · strainsD · shoreC · chainsD · prideE · tideE
- 8 ABABCDCDEE toneA · sleepB · aloneA · deepB · huesC · brightD · suffuseC · lightD · fairE · thereE
- 9 ABABCDCDEE blowA · nighB · glowA · skyB · deadC · smileD · spreadC · pileD · treeE · theeE
- 10 A-A-BCBCDD bloomA · storm · tombA · worm · pass'dB · swayC · castB · decayC · fairD · despairD
- 11 ABABCDCDEE flow'dA · diedB · glow'dA · glorifiedB · sublimeC · raceD · timeC · traceD · freeE · theeE
- 12 ABABCDCDEE talesA · fliesB · valesA · skiesB · vainC · palmD · plainC · balmD · foesE · reposeE
- 13 ABABCDCDEE grovesA · waveB · rovesA · slaveB · hordeC · wildD · swordC · smiledD · gloomE · tombE
- 14 ABABCDCD-- charmsA · waveB · armsA · braveB · shadesC · castD · gladesC · lastD · scene · been
- 15 ABABCDCDEE breastA · gleamsB · dress'dA · dreamsB · poursC · foamD · shoresC · homeD · retreatE · feetE
- 16 ABABCDCDEE prideA · wavesB · tideA · lavesB · headC · bowersD · spreadC · towersD · tonesE · moansE
- 17 ABABCDCDEE daysA · griefB · gazeA · chiefB · plainC · powerD · faneC · towerD · treeE · freeE
- 18 ABABCDCDEE thereA · blestB · airA · unrestB · moodC · glowD · solitudeC · woeD · rayE · dayE
- 19 ABABCDCDEE shoreA · galesB · roarA · valesB · theeC · artD · freeC · heartD · foamE · homeE
- 20 ABABCDCDEE entwineA · brakesB · pineA · lakesB · whileC · heightD · smileC · lightD · sleepE · deepE
- 21 ABABCDCDEE thineA · destroyB · shineA · joyB · dayC · hillD · decayC · stillD · shoreE · moreE
- 22 ABABCDCDEE shrineA · zealB · divineA · feelB · braveC · soilD · saveC · toilD · galeE · taleE
- 23 ABABCDCDEE strifeA · gazeB · lifeA · daysB · teemsC · dieD · dreamsC · byD · hearsE · yearsE
- 24 ABABCDCDEE strayA · pastB · wayA · vastB · sameC · timeD · nameC · sublimeD · cavesE · wavesE
- 25 ABABCDCDEE towersA · glowB · bowersA · flowB · recessC · caughtD · impressC · thoughtD · taleE · daleE
- 26 ABABCDCDEE oldA · roseB · foretoldA · snowsB · dustC · possessD · augustC · lonelinessD · groundE · crown'dE
- 27 ABABCDCDEE exploreA · bloodB · shoreA · stoodB · plainC · deadD · remainC · fledD · powerE · bowerE
- 28 ABABC-C-DD deemA · dwellB · streamA · spellB · controlC · sigh · soulC · majesty · feelD · stealD
- 29 ABABC-C-DD thereA · veilB · airA · taleB · throwsC · scene · reposeC · been · liesD · criesD
- 30 ABABCDCDEE hurl'dA · sphereB · worldA · tearB · mindC · decayD · mankindC · preyD · groundE · roundE
- 31 ABABC-C-DD thoughtA · climeB · wroughtA · sublimeB · nameC · high · fameC · symmetry · fairD · thereD
- 32 ABABCDCDEE dustA · grownB · bustA · stoneB · fanesC · yearsD · plainsC · rearsD · wallE · fallE
- 33 -A-ABCBCDD aspires · wasteA · lyres · tasteA · isleB · aroundC · smileB · groundC · breathD · deathD
- 34 ABABCDCDEE lightA · awayB · brightA · layB · shadesC · bowersD · arcadesC · towersD · taleE · galeE
- 35 ABABCDCDEE throneA · attainB · shoneA · faneB · strainsC · boundD · plainsC · crown'dD · loreE · shoreE
- 36 ABABCDCDEE pastA · mainB · castA · reignB · traceC · powerD · spaceC · flowerD · gloomsE · tombsE
- 37 ABABCDCDEE pour'dA · wallB · swordA · callB · lineC · throneD · constantineC · aloneD · vainE · chainE
- 38 ABABCDCDEE nightA · raceB · lightA · traceB · trainC · dieD · faneC · eyeD · riseE · skiesE
- 39 ABABCDCD-- hourA · callsB · powerA · wallsB · pealC · noteD · steelC · floatD · host · lost
- 40 ABABCDCDEE theeA · sageB · freeA · ageB · snowsC · prideD · roseC · tideD · towerE · powerE
- 41 ABABCDCDEE mightA · faneB · heightA · trainB · powersC · wakeD · towersC · breakD · clangE · rangE
- 42 ABABCDCD-- throngA · tideB · songA · deifiedB · laysC · aroseD · gazeC · foesD · eye · panoply
- 43 ABABC-C-DD earthA · sleptB · worthA · sweptB · ledC · die · fledC · buoyancy · plainsD · chainsD
- 44 -A-A----AA homes · remainA · tombs · slainA · flown · afar · gone · war · retainA · vainA
- 45 ABABCDCDEE standsA · yetB · landsA · regretB · spotC · liesD · unforgotC · riseD · againE · reignE
- 46 ABABCDCDEE swayA · plainsB · obeyA · chainsB · birthC · lineD · worthC · pineD · breathE · deathE
- 47 ABABCDCDEE thereA · climeB · fairA · sublimeB · reignC · skiesD · domainC · divinitiesD · intrudeE · sanctitudeE
- 48 ABABCDCDEE ascendsA · heightB · blendsA · brightB · prideC · towersD · hideC · powersD · reposeE · snowsE
- 49 ABABC-C-DD seemA · roamB · streamA · homeB · floodC · cry · woodC · sublimity · moodD · fortitudeD
- 50 A-A-BCBCDD smileA · afar · whileA · war · thereB · distressC · despairB · wildernessC · dellD · swellD
- 51 ABABCDCD-- wroughtA · grandB · foughtA · bandB · stoodC · waveD · floodC · slaveD · die · liberty
- 52 ABABCDCDEE daysA · lieB · laysA · highB · stillC · throwsD · hillC · reposeD · moanE · ownE
- 53 A-A-BCBCDD deadA · scene · spreadA · been · rudeB · chainC · unsubduedB · againC · fameD · nameD
- 54 ABA-CBCBDD fanesA · lieB · remainsA · majesty · reveredC · freeB · fear'dC · theeB · behindD · mankindD
- 55 ABABCDCDEE mouldA · testB · boldA · imprestB · mindC · raceD · mankindC · graceD · towerE · flowerE
- 56 ABABCDCD-- dayA · dieB · awayA · highB · fellC · causeD · tellC · lawsD · worth · forth
- 57 A-A-BCBCDD knownA · by · shoneA · liberty · fameB · chainsC · shameB · fanesC · gravesD · slavesD
- 58 ABABCDCDEE flownA · cloudB · aloneA · shroudB · lowC · fledD · glowC · treadD · profoundE · soundE
- 59 -A-ABCBCDD brow · deadA · snow · spreadA · leadsB · plainC · reedsB · strainC · waveD · graveD
- 60 ABABCDCDEE flowerA · raceB · powerA · graceB · awayC · freeD · clayC · beD · fledE · deadE
- 61 ABABCDCDEE roundA · towersB · crown'dA · powersB · boreC · headD · yoreC · o'erspreadD · hillE · stillE
- 62 A-A-BABACC faneA · high · trainA · pageantry · aroundB · reignA · resoundB · mainA · flowsC · reposeC
- 63 ABABCDCDCC powersA · dweltB · bowersA · kneltB · madeC · waveD · shadeC · caveD · sway'dC · obey'dC
- 64 A-A-BCBCDD daysA · not · gazeA · grot · formsB · mightC · stormsB · nightC · blastD · pastD
- 65 ABABCDCDEE sighA · treeB · skyA · beB · convey'dC · roundD · shadeC · soundD · stillE · hillE
- 66 ABABCDCDEE flownA · moreB · toneA · loreB · caveC · steepD · waveC · sleepD · climeE · timeE
- 67 ABABCDCDCC bardA · beamsB · guardA · dreamsB · shoneC · pour'dD · toneC · swordD · stoneC · flownC
- 68 ABABCDCDEE oldA · nameB · toldA · fameB · youC · freeD · renewC · beD · tombE · doomE
- 69 ABABCDCDEE pour'dA · valesB · swordA · galesB · sanctitudeC · seasD · intrudeC · breezeD · brokeE · yokeE
- 70 ABABCDCDEE retreatsA · strainB · seatsA · swainB · surveysC · danceD · laysC · romanceD · dwellE · dellE
- 71 ABABCDCDEE boundA · enshrinedB · roundA · mindB · heightC · dayD · lightC · rayD · deemE · dreamE
- 72 ABABCDCDEE prevailA · moreB · galeA · shoreB · shadeC · ariseD · gladeC · skiesD · mienE · sceneE
- 73 ABABCDCDEE spellsA · towersB · dwellsA · bowersB · ascendC · glowsD · blendC · foesD · prideE · tideE
- 74 A-A-BCBCDD waveA · wand · laveA · strand · colonnadesB · drestC · arcadesB · breastC · appearsD · yearsD
- 75 -A-ABCBCDD high · gracedA · symmetry · tasteA · riseB · hueC · skiesB · blueC · throwsD · reposeD
- 76 ABABCDCDEE glowA · reignB · bestowA · vainB · unfoldC · lightD · goldC · brightD · deemsE · beamsE
- 77 ABABCDCDEE portrayA · shrineB · arrayA · divineB · vestC · wroughtD · imprestC · thoughtD · reposeE · throwsE
- 78 ABAB-C-CDD stillA · traceB · skillA · raceB · reward · bestowC · bard · belowC · nameD · fameD
- 79 ABABCDCDEE trainA · braveB · slainA · graveB · proclaimsC · voiceD · namesC · rejoiceD · doomE · tombE
- 80 A-A-B-B-CC artA · forth · heartA · worth · riseB · record · skiesB · word · tellC · fellC
- 81 ABAB-C-CDD mindA · fledB · mankindA · deadB · scene · rayC · been · portrayC · fraughtD · thoughtD
- 82 ABABCDCD-- rungA · loreB · unstrungA · moreB · strandC · hillD · handC · stillD · gone · o'erthrown
- 83 ABABCDCDEE remainsA · revereB · plainsA · sphereB · romeC · timeD · domeC · sublimeD · stealE · sealE
- 84 ABABCDCDEE wasteA · grandB · gracedA · standB · nileC · surveysD · pileC · displaysD · theeE · beE
- 85 ABABCDCDEE sphereA · bearB · careerA · fairB · flownC · earthD · throneC · worthD · afarE · starE
- 86 ABABCDCDEE arrestA · freeB · imprestA · beB · lieC · forgotD · dieC · lotD · shownE · aloneE
- 87 ABABCDCDEE eyesA · primeB · skiesA · climeB · deadC · artsD · treadC · impartsD · landE · handE
- 88 ABABCDCDEE smileA · shedB · pileA · headB · soilC · rear'dD · toilC · reveredD · eraseE · raceE
- 89 ABABCDCD-- handsA · artB · landsA · heartB · sightC · faneD · lightC · vainD · scene · been
- 90 A-A-BCBCDD weepA · flown · sleepA · gone · reveredB · shrineC · rear'dB · thineC · seeD · theeD
- 91 ABABCDCDEE galeA · moan'dB · taleA · thronedB · hillC · sharedD · stillC · sparedD · borneE · unbornE
- 92 ABABCDCDEE defacedA · remainsB · tasteA · reignsB · partC · roseD · artC · glowsD · lineE · shrineE
- 93 ABABCDCDEE trainA · throngB · faneA · alongB · traceC · ageD · graceC · sageD · mienE · sceneE
- 94 ABABCDCDEE formA · flowsB · warmA · glowsB · wholeC · bearD · soulC · fairD · deadE · fledE
- 95 ABABCDCDEE detainA · riseB · reignA · energiesB · lotC · createD · forgotC · fateD · birthE · earthE
- 96 ABABCDCDEE sphereA · returnB · careerA · burnB · bearC · renew'dD · despairC · unsubduedD · divineE · thineE
- 97 ABABCDCDEE defacedA · liesB · erasedA · eyesB · beheldC · sceneD · swell'dC · mienD · coldE · mouldE
- 98 ABABCDCDEE throneA · timeB · flownA · sublimeB · marr'dC · forgotD · guardC · lotD · landE · expandE
- 99 AAAABCBCDD thineA · heavenA · divineA · givenA · powerB · daysC · towerB · praiseC · heightD · lightD
- 100 ABABCDCD-- flameA · westB · fameA · restB · confinedC · rayD · mindC · decayD · serene · been
- 101 ABABCAC--- unknownA · mindB · shoneA · behindB · wroughtC · stoneA · caughtC · gone · coast · lost
- 102 ABABCDCDEE aloneA · wonB · ownA · sunB · sweepC · plainsD · deepC · remainsD · traceE · raceE
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| “O Greece! thou sapient nurse of finer arts, | 10 | ···/˘˘··/· |
| Which to bright Science blooming Fancy bore, | 10 | ···/˘/˘/˘· |
| Be this thy praise, that thou, and thou alone, | 10 | ········˘/ |
| In these hast led the way, in these excell’d, | 10 | ········˘/ |
| Crown’d with the laurel of assenting Time.” | 10 | ···/˘·˘/˘· |
| Oh! who hath trod thy consecrated clime, | 10 | ·····/˘·˘· |
| Fair land of Phidias! theme of lofty strains! | 10 | ·······/˘· |
| And traced each scene that, midst the wrecks of time, | 10 | ·········· |
| The print of Glory’s parting step retains; | 10 | ···/˘/˘·˘/ |
| Nor for awhile, in high-wrought dreams, forgot, | 10 | ··˘/····˘/ |
| Musing on years gone by in brightness there, | 10 | /˘·····/˘· |
| The hopes, the fears, the sorrows of his lot, | 10 | ·····/˘··· |
| The hues his fate hath worn, or yet may wear; | 10 | ·········· |
| As when, from mountain-heights, his ardent eye | 10 | ···/˘··/˘· |
| Of sea and heaven hath track’d the blue infinity? | 11 | ···/····˘/˘ |
| Is there who views with cold unalter’d mien, | 10 | ······˘/˘· |
| His frozen heart with proud indifference fraught, | 10 | ·/˘···˘/˘· |
| Each sacred haunt, each unforgotten scene, | 10 | ·/˘······· |
| Where Freedom triumph’d, or where Wisdom taught? | 10 | ·/˘/˘··/˘· |
| Souls that too deeply feel! oh, envy not | 10 | ···/˘··/˘· |
| The sullen calm your fate hath never known: | 10 | ·/˘····/˘· |
| Through the dull twilight of that wintery lot | 11 | ···/···/˘˘· |
| Genius ne’er pierced, nor Fancy’s sunbeam shone, | 10 | /˘···/˘/·· |
| Nor those high thoughts that, hailing Glory’s trace, | 10 | ·····/˘/˘· |
| Glow with the generous flames of every age and race. | 12 | ···/˘··/˘··· |
| But blest the wanderer whose enthusiast mind | 11 | ···/˘·˘/˘·· |
| Each muse of ancient days hath deep imbued | 10 | ···/˘···˘/ |
| With lofty lore, and all his thoughts refined | 10 | ·/˘·····˘/ |
| In the calm school of silent solitude; | 10 | ·····/˘/˘· |
| Pour’d on his ear, midst groves and glens retired, | 10 | ········˘/ |
| The mighty strains of each illustrious clime, | 10 | ·/˘···˘/˘· |
| All that hath lived, while empires have expired, | 10 | ·····/˘·˘/ |
| To float for ever on the winds of time; | 10 | ···/˘····· |
| And on his soul indelibly portray’d | 10 | ····˘/˘˘˘/ |
| Fair visionary forms, to fill each classic shade. | 12 | ·/˘·˘····/˘· |
| Is not this mind, to meaner thoughts unknown, | 10 | ·····/˘·˘/ |
| A sanctuary of beauty and of light? | 11 | ·/˘·˘·/˘··· |
| There he may dwell in regions all his own, | 10 | ·····/˘··· |
| A world of dreams, where all is pure and bright. | 10 | ·········· |
| For him the scenes of old renown possess | 10 | ······˘/˘/ |
| Romantic charms, all veil’d from other eyes; | 10 | ˘/˘····/˘· |
| There every form of nature’s loveliness | 11 | ·/˘˘··/˘/˘˘ |
| Wakes in his breast a thousand sympathies; | 10 | ·····/˘/˘˘ |
| As music’s voice, in some lone mountain dell, | 10 | ·/˘····/˘· |
| From rocks and caves around calls forth each echo’s swell. | 12 | ·········/˘· |
| For him Italia’s brilliant skies illume | 10 | ··˘/˘/˘·˘/ |
| The bard’s lone haunts, the warrior’s combat-plains, | 10 | ·····/˘/˘· |
| And the wild rose yet lives to breath and bloom | 10 | ·········· |
| Round Doric Pæstum’s solitary fanes. | 10 | ·/˘··/˘·˘· |
| But most, fair Greece! on thy majestic shore | 10 | ······˘/˘· |
| He feels the fervours of his spirit rise; | 10 | ···/˘··/˘· |
| Thou birth-place of the Muse! whose voice of yore | 10 | ·········· |
| Breathed in thy groves immortal harmonies; | 10 | ····˘/˘/˘˘ |
| And lingers still around the well-known coast, | 10 | ·/˘······· |
| Murmuring a wild farewell to fame and freedom lost. | 12 | /˘···/···/˘· |
| By seas that flow in brightness as they lave | 10 | ·····/˘··· |
| Thy rocks, th’ enthusiast rapt in thought may stray, | 11 | ··˘/˘······ |
| While roves his eye o’er that deserted wave, | 10 | ······˘/˘· |
| Once the proud scene of battle’s dread array. | 10 | ·····/˘·˘/ |
| --O ye blue waters! ye, of old that bore | 10 | ···/˘····· |
| The free, the conquering, hymn’d by choral strains, | 10 | ···/˘··/˘· |
| How sleep ye now around the silent shore, | 10 | ·······/˘· |
| The lonely realm of ruins and of chains! | 10 | ·/˘··/˘··· |
| How are the mighty vanish’d in their pride! | 10 | ···/˘/˘··· |
| E’en as their barks have left no traces on your tide. | 12 | ·······/˘··· |
| Hush’d are the Pæans whose exulting tone | 9 | ·····˘/˘· |
| Swell’d o’er that tide--the sons of battle sleep-- | 10 | ·······/˘· |
| The wind’s wild sigh, the halcyon’s voice alone | 10 | ·····/˘·˘/ |
| Blend with the plaintive murmur of the deep. | 10 | ···/˘/˘··· |
| Yet when those waves have caught the splendid hues | 10 | ·······/˘· |
| Of morn’s rich firmament, serenely bright, | 10 | ···/˘˘˘/˘· |
| Or setting suns the lovely shore suffuse | 10 | ·/˘··/˘·˘/ |
| With all their purple mellowness of light, | 10 | ···/˘/˘˘·· |
| Oh! who could view the scene, so calmly fair, | 10 | ·······/˘· |
| Nor dream that peace, and joy, and liberty were there? | 11 | ·······/˘·· |
| Where soft the sunbeams play, the zephyrs blow, | 10 | ···/···/˘· |
| ’Tis hard to deem that misery can be nigh; | 10 | ·····/˘··· |
| Where the clear heavens in blue transparence glow, | 11 | ···/˘··˘/˘· |
| Life should be calm and cloudless as the sky; | 10 | ·····/˘··· |
| --Yet o’er the low, dark dwellings of the dead, | 10 | ·····/˘··· |
| Verdure and flowers in summer-bloom may smile, | 10 | /˘·/·/˘··· |
| And ivy-boughs their graceful drapery spread | 10 | ·/˘··/˘/˘· |
| In green luxuriance o’er the ruin’d pile; | 11 | ··˘/˘˘··/˘· |
| And mantling woodbine veil the wither’d tree;-- | 10 | ·/˘/˘··/˘· |
| And thus it is, fair land! forsaken Greece, with thee. | 12 | ······˘/˘··· |
| For all the loveliness, and light, and bloom | 10 | ···/˘˘···· |
| That yet are thine, surviving many a storm, | 10 | ····˘/˘/·· |
| Are but as heaven’s warm radiance on the tomb, | 11 | ···/˘·/˘··· |
| The rose’s blush that masks the canker-worm. | 10 | ·/˘····/˘· |
| And thou art desolate--thy morn hath pass’d! | 10 | ···/˘····· |
| So dazzling in the splendour of its sway, | 10 | ·/˘··/˘··· |
| That the dark shades the night hath o’er thee cast | 10 | ·········· |
| Throw tenfold gloom around thy deep decay. | 10 | ·/······˘/ |
| Once proud in freedom, still in ruin fair, | 10 | ···/˘··/˘· |
| Thy fate hath been unmatch’d--in glory and despair. | 12 | ····˘/·/˘·˘/ |
| For thee, lost land! the hero’s blood hath flow’d, | 10 | ·····/˘··· |
| The high in soul have brightly lived and died; | 10 | ·····/˘··· |
| For thee the light of soaring genius glow’d | 10 | ·····/˘/˘· |
| O’er the fair arts it form’d and glorified. | 10 | ·······/˘· |
| Thine were the minds whose energies sublime | 10 | ·····/˘˘˘/ |
| So distanced ages in their lightning-race, | 10 | ·/˘/˘··/˘· |
| The task they left the sons of later time | 10 | ·······/˘· |
| Was but to follow their illumined trace. | 10 | ···/˘·˘/˘· |
| --Now, bow’d to earth, thy children, to be free, | 10 | ·····/˘··· |
| Must break each link that binds their filial hearts to thee. | 12 | ·······/˘··· |
| Lo! to the scenes of fiction’s wildest tales, | 10 | ·····/˘/˘· |
| Her own bright East, thy son, Morea! flies, | 10 | ······/˘˘· |
| To seek repose midst rich, romantic vales, | 10 | ··˘/··˘/˘· |
| Whose incense mounts to Asia’s vivid skies. | 10 | ·/···/˘/˘· |
| There shall he rest?--Alas! his hopes in vain | 10 | ····˘/···· |
| Guide to the sun-clad regions of the palm: | 10 | ·····/˘··· |
| Peace dwells not now on oriental plain, | 10 | ······˘/˘· |
| Though earth is fruitfulness, and air is balm; | 10 | ·········· |
| And the sad wanderer finds but lawless foes, | 10 | ···/˘··/˘· |
| Where patriarchs reign’d of old in pastoral repose. | 12 | ·/˘·····/˘˘/ |
| Where Syria’s mountains rise, or Yemen’s groves, | 10 | ·/˘/˘··/˘· |
| Or Tigris rolls his genii-haunted wave, | 10 | ·/˘····/˘· |
| Life to his eye, as wearily it roves, | 10 | ·····/˘˘·· |
| Wears but two forms--the tyrant and the slave! | 10 | ·····/˘··· |
| There the fierce Arab leads his daring horde | 10 | ···/˘··/˘· |
| Where sweeps the sand-storm o’er the burning wild; | 10 | ·······/˘· |
| There stern Oppression waves the wasting sword | 10 | ··˘/˘··/˘· |
| O’er plains that smile as ancient Eden smiled; | 10 | ·····/˘/˘· |
| And the vale’s bosom, and the desert’s gloom, | 10 | ···/˘··/˘· |
| Yield to the injured there no shelter save the tomb. | 12 | ···/˘··/˘··· |
| But thou, fair world! whose fresh unsullied charms | 10 | ······˘/˘· |
| Welcomed Columbus from the western wave, | 10 | /˘˘/˘··/˘· |
| Wilt thou receive the wanderer to thine arms, | 10 | ··˘/·/˘··· |
| The lost descendant of the immortal brave? | 11 | ··˘/˘··˘/˘· |
| Amidst the wild magnificence of shades | 10 | ˘/··˘/˘˘·· |
| That o’er thy floods their twilight-grandeur cast, | 10 | ·····/·˘/· |
| In the green depth of thine untrodden glades | 10 | ·········· |
| Shall he not rear his bower of peace at last? | 10 | ·····/···· |
| Yes! thou hast many a lone, majestic scene, | 10 | ···/··˘/˘· |
| Shrined in primeval woods, where despot ne’er hath been. | 12 | ··˘/˘··/˘··· |
| There by some lake, whose blue expansive breast | 10 | ······˘/˘· |
| Bright from afar, an inland ocean, gleams, | 10 | ··˘/·/·/˘· |
| Girt with vast solitudes, profusely dress’d | 10 | ···/˘·˘/˘· |
| In tints like those that float o’er poet’s dreams; | 10 | ·······/˘· |
| Or where some flood from pine-clad mountain pours | 10 | ·······/˘· |
| Its might of waters, glittering in their foam, | 10 | ···/˘/˘··· |
| Midst the rich verdure of its wooded shores, | 10 | ···/˘··/˘· |
| The exiled Greek hath fix’d his sylvan home: | 10 | ·/·····/˘· |
| So deeply lone, that round the wild retreat | 10 | ·/˘·····˘/ |
| Scarce have the paths been trod by Indian huntsman’s feet. | 12 | ·······/˘/˘· |
| The forests are around him in their pride, | 10 | ·/˘······· |
| The green savannas, and the mighty waves; | 10 | ··˘/˘··/˘· |
| And isles of flowers, bright-floating o’er the tide, | 10 | ···/·/˘··· |
| That images the fairy worlds it laves, | 10 | ·/˘˘·/˘··· |
| And stillness, and luxuriance. O’er his head | 11 | ·/˘·˘/˘˘··· |
| The ancient cedars wave their peopled bowers, | 11 | ·/˘/˘··/˘/˘ |
| On high the palms their graceful foliage spread, | 10 | ·····/˘/˘· |
| Cinctured with roses the magnolia towers; | 11 | /˘·/˘·˘/˘/˘ |
| And from those green arcades a thousand tones | 10 | ····˘/·/˘· |
| Wake with each breeze, whose voice through Nature’s temple moans. | 12 | ·······/˘/˘· |
| And there, no traces left by brighter days | 10 | ···/˘··/˘· |
| For glory lost may wake a sigh of grief; | 10 | ·/˘······· |
| Some grassy mound, perchance, may meet his gaze, | 10 | ·/˘·˘/···· |
| The lone memorial of an Indian chief. | 10 | ··˘/˘··/˘· |
| There man not yet hath mark’d the boundless plain | 10 | ·······/˘· |
| With marble records of his fame and power; | 11 | ·/˘/˘····/˘ |
| The forest is his everlasting fane, | 10 | ·/˘···˘/˘· |
| The palm his monument, the rock his tower: | 11 | ···/˘˘···/˘ |
| Th’ eternal torrent and the giant tree | 10 | ˘/˘/˘··/˘· |
| Remind him but that they, like him, are wildly free. | 12 | ˘/·······/˘· |
| But doth the exile’s heart serenely there | 10 | ···/··˘/˘· |
| In sunshine dwell?--Ah! when was exile blest? | 10 | ·/·····/·· |
| When did bright scenes, clear heavens, or summer air, | 11 | ·····/˘·/˘· |
| Chase from his soul the fever of unrest? | 10 | ·····/˘·˘/ |
| --There is a heart-sick weariness of mood, | 10 | ·····/˘˘·· |
| That like slow poison wastes the vital glow, | 10 | ···/˘··/˘· |
| And shrines itself in mental solitude, | 10 | ··˘/·/˘/˘· |
| An uncomplaining and a nameless woe. | 10 | ·······/˘· |
| That coldly smiles midst pleasure’s brightest ray, | 10 | ·/˘··/˘/˘· |
| As the chill glacier’s peak reflects the flush of day. | 12 | ···/˘·˘/···· |
| Such grief is theirs, who, fix’d on foreign shore, | 10 | ·······/˘· |
| Sigh for the spirit of their native gales, | 10 | ···/˘··/˘· |
| As pines the seaman, midst the ocean’s roar, | 10 | ···/˘··/˘· |
| For the green earth, with all its woods and vales. | 10 | ·········· |
| Thus feels thy child, whose memory dwells with thee, | 10 | ·····/˘··· |
| Loved Greece! all sunk and blighted as thou art | 10 | ·····/˘··· |
| Though thought and step in western wilds be free, | 10 | ·····/˘··· |
| Yet thine are still the daydreams of his heart: | 10 | ·····/···· |
| The deserts spread between, the billows foam, | 10 | ·/˘····/˘· |
| Thou, distant and in chains, are yet his spirit’s home. | 12 | ·/˘······/˘· |
| In vain for him the gay liannes entwine, | 9 | ·······˘/ |
| Or the green fire-fly sparkles through the brakes, | 10 | ···/·/˘··· |
| Or summer-winds waft odours from the pine, | 10 | ·/˘··/˘··· |
| As eve’s last blush is dying on the lakes. | 10 | ·····/˘··· |
| Through thy fair vales his fancy roves the while, | 10 | ·····/˘··· |
| Or breathes the freshness of Cithæron’s height, | 10 | ···/˘····· |
| Or dreams how softly Athens’ towers would smile, | 10 | ···/˘/˘/·· |
| Or Sunium’s ruins, in the fading light; | 10 | ···/˘··/˘· |
| On Corinth’s cliff what sunset hues may sleep, | 10 | ·/˘··/···· |
| Or, at that placid hour, how calm th’ Ægean deep! | 10 | ···/˘/···· |
| What scenes, what sunbeams, are to him like thine? | 10 | ···/······ |
| (The all of thine no tyrant could destroy!) | 10 | ·····/˘·˘/ |
| E’en to the stranger’s roving eye, they shine | 10 | ···/˘/˘··· |
| Soft as a vision of remember’d joy. | 10 | ···/˘·˘/˘· |
| And he who comes, the pilgrim of a day, | 10 | ·····/˘··· |
| A passing wanderer o’er each Attic hill, | 10 | ·/˘/˘··/˘· |
| Sighs as his footsteps turn from thy decay, | 10 | ···/····˘/ |
| To laughing climes, where all is splendour still; | 10 | ·/˘····/˘· |
| And views with fond regret thy lessening shore, | 10 | ····˘/·/˘· |
| As he would watch a star that sets to rise no more. | 12 | ············ |
| Realm of sad beauty! thou art as a shrine | 10 | ···/˘····· |
| That Fancy visits with Devotion’s zeal, | 10 | ·/˘/˘·˘/˘· |
| To catch high thoughts and impulses divine, | 10 | ·····/˘˘˘/ |
| And all the glow of soul enthusiasts feel | 11 | ······˘/˘·· |
| Amidst the tombs of heroes--for the brave | 10 | ˘/···/˘··· |
| Whose dust, so many an age, hath been thy soil, | 10 | ···/······ |
| Foremost in honour’s phalanx, died to save | 10 | /··/˘/˘··· |
| The land redeem’d and hallow’d by their toil; | 10 | ··˘/·/˘··· |
| And there is language in thy lightest gale, | 10 | ···/˘··/˘· |
| That o’er the plains they won seems murmuring yet their tale. | 12 | ·······/˘··· |
| And he, whose heart is weary of the strife | 10 | ·····/˘··· |
| Of meaner spirits, and whose mental gaze | 10 | ·/˘/˘··/˘· |
| Would shun the dull cold littleness of life, | 10 | ·····/˘˘·· |
| Awhile to dwell amidst sublimer days, | 10 | ˘/··˘/···· |
| Must turn to thee, whose every valley teems | 10 | ·····/˘/˘· |
| With proud remembrances that cannot die. | 10 | ··˘/˘˘·/˘· |
| Thy glens are peopled with inspiring dreams, | 10 | ···/˘·˘/˘· |
| Thy winds, the voice of oracles gone by; | 10 | ·····/˘˘·· |
| And midst thy laurel shades the wanderer hears | 10 | ···/˘··/˘· |
| The sound of mighty names, the hymns of vanish’d years. | 12 | ···/˘····/˘· |
| Through that deep solitude be his to stray, | 10 | ···/˘····· |
| By Faun and Oread loved in ages past, | 11 | ···/˘˘··/˘· |
| Where clear Peneus winds his rapid way | 9 | ······/˘· |
| Though the cleft heights, in antique grandeur vast. | 10 | ·····˘/˘/· |
| Romantic Tempe! thou art yet the same-- | 10 | ˘/˘/˘····· |
| Wild, as when sung by bards of elder time: | 10 | ·······/˘· |
| Years, that have changed thy river’s classic name, | 10 | ·····/˘/˘· |
| Have left thee still in savage pomp sublime; | 10 | ·····/˘·˘/ |
| And from thine Alpine clefts and marble caves, | 10 | ···/···/˘· |
| In living lustre still break forth the fountain waves. | 12 | ·/˘/˘····/˘· |
| Beneath thy mountain battlements and towers, | 11 | ···/˘/˘˘·/˘ |
| Where the rich arbute’s coral berries glow, | 10 | ·····/˘/˘· |
| Or midst th’ exuberance of thy forest bowers, | 10 | ··˘/˘··/˘/ |
| Casting deep shadows o’er the current’s flow, | 10 | /˘·/···/˘· |
| Oft shall the pilgrim pause, in lone recess, | 10 | ···/˘···˘/ |
| As rock and stream some glancing light have caught, | 10 | ·····/˘··· |
| And gaze, till Nature’s mighty forms impress | 10 | ···/˘/˘·˘/ |
| His soul with deep sublimity of thought; | 10 | ····˘/˘˘·· |
| And linger oft, recalling many a tale, | 10 | ·/˘·˘/˘/·· |
| That breeze, and wave, and wood seem whispering through thy dale. | 12 | ·······/˘··· |
| He, thought-entranced, may wander where of old | 10 | ··˘/·/˘··· |
| From Delphi’s chasm the mystic vapour rose, | 11 | ·/˘/˘·/˘/˘· |
| And trembling nations heard their doom foretold | 10 | ·/˘/˘···˘/ |
| By the dread spirit throned midst rocks and snows. | 10 | ···/˘····· |
| Though its rich fanes be blended with the dust, | 10 | ·····/˘··· |
| And silence now the hallow’d haunt possess, | 10 | ·/˘··/˘·˘/ |
| Still is the scene of ancient rites august, | 10 | ·····/˘·/˘ |
| Magnificent in mountain loneliness; | 10 | ˘/˘˘·/˘/˘˘ |
| Still inspiration hovel’s o’er the ground, | 10 | ··˘/˘/˘··· |
| Where Greece her councils held, her Pythian victors crown’d. | 13 | ···/˘··/˘˘/˘· |
| Or let his steps the rude gray cliffs explore | 10 | ········˘/ |
| Of that wild pass, once dyed with Spartan blood, | 10 | ·······/˘· |
| When by the waves that break on Œta’s shore, | 9 | ········· |
| The few, the fearless, the devoted, stood! | 10 | ···/˘·˘/˘· |
| Or rove where, shadowing Mantinea’s plain, | 10 | ···/˘˘···· |
| Bloom the wild laurels o’er the warlike dead, | 10 | ···/˘··/·· |
| Or lone Platæa’s ruins yet remain | 9 | ··/˘/˘·˘/ |
| To mark the battle-field of ages fled: | 10 | ···/˘··/˘· |
| Still o’er such scenes presides a sacred power, | 11 | ····˘/·/˘/˘ |
| Though Fiction’s gods have fled from fountain, grot, and bower. | 12 | ·/˘····/˘··/ |
| Oh! still unblamed may fancy fondly deem | 10 | ·····/˘/˘· |
| That, lingering yet, benignant genii dwell | 10 | ·/˘·˘/˘··· |
| Where mortal worth has hallow’d grove or stream, | 10 | ·/˘··/˘··· |
| To sway the heart with some ennobling spell; | 10 | ······˘/˘· |
| For mightiest minds have felt their blest control | 10 | ·/˘·····˘/ |
| In the wood’s murmur, in the zephyr’s sigh, | 10 | ···/˘··/˘· |
| And these are dreams that lend a voice and soul, | 10 | ·········· |
| And a high power, to Nature’s majesty! | 11 | ···/˘·/˘/˘˘ |
| And who can rove o’er Grecian shores, nor feel, | 10 | ·····/˘··· |
| Soft o’er his inmost heart, their secret magic steal? | 12 | ···/˘··/˘/˘· |
| Yet many a sad reality is there, | 10 | ·/··˘/˘˘·· |
| That Fancy’s bright illusions cannot veil. | 10 | ·/˘·˘/˘/˘· |
| Pure laughs the light, and balmy breathes the air, | 10 | ·····/˘··· |
| But Slavery’s mien will tell its bitter tale; | 10 | ·/˘····/˘· |
| And there, not Peace, but Desolation, throws | 10 | ······˘/˘· |
| Delusive quiet o’er full many a scene-- | 10 | ˘/˘/··/˘·· |
| Deep as the brooding torpor of repose | 10 | ···/˘/˘·˘/ |
| That follows where the earthquake’s track hath been; | 10 | ·/˘··/···· |
| Or solemn calm on Ocean’s breast that lies, | 10 | ·/˘··/˘··· |
| When sinks the storm, and death has hush’d the seamen’s cries. | 12 | ·········/˘· |
| Hast thou beheld some sovereign spirit, hurl’d | 10 | ··˘/·/˘/˘· |
| By Fate’s rude tempest from its radiant sphere, | 10 | ···/˘··/˘· |
| Doom’d to resign the homage of a world, | 10 | ··˘/·/˘··· |
| For Pity’s deepest sigh and saddest tear? | 10 | ·/˘/˘··/˘· |
| Oh! hast thou watch’d the awful wreck of mind | 10 | ·····/˘··· |
| That weareth still a glory in decay? | 10 | ·/˘··/˘·˘/ |
| Seen all that dazzles and delights mankind-- | 10 | ···/˘·˘/// |
| Thought, science, genius--to the storm a prey; | 10 | ·/˘/˘····· |
| And o’er the blasted tree, the wither’d ground, | 10 | ···/˘··/˘· |
| Despair’s wild nightshade spread, and darkly flourish round? | 12 | ˘/·/···/˘/˘· |
| So mayst thou gaze, in sad and awe-struck thought, | 10 | ·········· |
| On the deep fall of that yet lovely clime: | 10 | ·······/˘· |
| Such there the ruin Time and Fate have wrought, | 10 | ···/˘····· |
| So changed the bright, the splendid, the sublime. | 10 | ·····/˘·˘/ |
| There the proud monuments of Valour’s name, | 10 | ···/˘˘·/˘· |
| The mighty works Ambition piled on high, | 10 | ·/˘·˘/˘··· |
| The rich remains by Art bequeath’d to Fame-- | 10 | ··˘/··˘/·· |
| Grace, beauty, grandeur, strength, and symmetry, | 10 | ·/˘˘/··/˘˘ |
| Blend in decay; while all that yet is fair | 10 | ··˘/······ |
| Seems only spared to tell how much hath perish’d there! | 12 | ·/˘······/˘· |
| There, while around lie mingling in the dust | 10 | ·····/˘··· |
| The column’s graceful shaft, with weeds o’er grown, | 10 | ·/˘/˘····· |
| The mouldering torso, the forgotten bust. | 10 | ·/˘/··˘/˘· |
| The warrior’s urn, the altar’s mossy stone-- | 10 | ·/˘··/˘/˘· |
| Amidst the loneliness of shatter’d fanes, | 10 | ˘/·/˘˘·/˘· |
| Still matchless monuments of other years-- | 10 | ·/˘/˘˘·/˘· |
| O’er cypress groves or solitary plains, | 10 | ·/˘··/˘·˘· |
| Its eastern form the minaret proudly rears: | 11 | ·/˘···˘//˘· |
| As on some captive city’s ruin’d wall | 10 | ···/˘/˘/˘· |
| The victor’s banner waves, exulting o’er its fall. | 12 | ·/˘/˘·˘/˘··· |
| Still, where that column of the mosque aspires, | 11 | ···/˘···˘/˘ |
| Landmark of slavery, towering o’er the waste, | 10 | /··/˘/˘··· |
| There science droops, the Muses hush their lyres | 10 | ·/˘··/˘··· |
| And o’er the blooms of fancy and of taste | 10 | ·····/˘··· |
| Spreads the chill blight;--as in that orient isle | 11 | ·······/˘·· |
| Where the dark upas taints the gale around, | 10 | ···/˘····· |
| Within its precincts not a flower may smile, | 10 | ···/···/·· |
| Nor dew nor sunshine fertilise the ground; | 10 | ···/·/˘··· |
| Nor wild birds’ music float on zephyr’s breath, | 10 | ···/˘··/˘· |
| But all is silence round, and solitude, and death. | 12 | ···/˘··/˘··· |
| Far other influence pour’d the Crescent’s light | 10 | ·/˘/˘··/˘· |
| O’er conquer’d realms, in ages pass’d away; | 10 | ·/˘··/˘·˘/ |
| Full and alone it beam’d, intensely bright, | 10 | ··˘/··˘/˘· |
| While distant climes in midnight darkness lay. | 10 | ·/˘··/·/˘· |
| Then rose th’ Alhambra, with its founts and shades, | 10 | ··˘/˘····· |
| Fair marble halls, alcoves, and orange bowers: | 11 | ·/˘·/··/˘/˘ |
| Its sculptured lions, richly wrought arcades, | 10 | ·/˘/˘/˘·˘/ |
| Aërial pillars, and enchanted towers; | 10 | ··/˘·˘/˘/˘ |
| Light, splendid, wild, as some Arabian tale | 10 | ·/˘···˘/˘· |
| Would picture fairy domes that fleet before the gale. | 12 | ·/˘/˘······· |
| Then foster’d genius lent each caliph’s throne | 10 | ·/˘/˘··/˘· |
| Lustre barbaric pomp could ne’er attain; | 10 | /˘˘/˘···˘/ |
| And stars unnumber’d o’er the orient shone, | 11 | ·······/˘·· |
| Bright as that Pleïad, sphered in Mecca’s fane. | 10 | ·····˘·/˘· |
| From Bagdat’s palaces the choral strains | 10 | ···/˘˘·/˘· |
| Rose and re-echoed to the desert’s bound, | 10 | ···/˘··/˘· |
| And Science, woo’d on Egypt’s burning plains, | 10 | ·/˘··/˘/˘· |
| Rear’d her majestic head with glory crown’d; | 10 | ··˘/˘··/˘· |
| And the wild Muses breathed romantic lore | 10 | ···/˘·˘/˘· |
| From Syria’s palmy groves to Andalusia’s shore. | 12 | ·/˘/˘···˘/˘· |
| Those years have past in radiance--they have past, | 10 | ·····/˘··· |
| As sinks the daystar in the tropic main; | 10 | ···/˘··/˘· |
| His parting beams no soft reflection cast, | 10 | ·/˘···˘/˘· |
| They burn--are quench’d--and deepest shadows reign. | 10 | ·····/˘/·· |
| And Fame and Science have not left a trace | 10 | ···/˘····· |
| In the vast regions of the Moslem’s power,-- | 11 | ···/˘··/˘/˘ |
| Regions, to intellect a desert space, | 10 | /˘·/˘··/˘· |
| A wild without a fountain or a flower, | 11 | ·····/˘··/˘ |
| Where towers Oppression midst the deepening glooms, | 10 | ·/˘/˘··/˘· |
| As dark and lone ascends the cypress midst the tombs. | 12 | ····˘/·/˘··· |
| Alas for thee, fair Greece! when Asia pour’d | 10 | ˘/·····/˘· |
| Her fierce fanatics to Byzantium’s wall; | 10 | ··˘/˘·˘/˘· |
| When Europe sheath’d, in apathy, her sword, | 10 | ·/˘··/˘˘·· |
| And heard unmoved the fated city’s call. | 10 | ··˘/·/˘/˘· |
| No bold crusaders ranged their serried line | 10 | ··˘/˘··/˘· |
| Of spears and banners round a falling throne; | 10 | ···/˘··/˘· |
| And thou, O last and noblest Constantine! | 10 | ·····/˘/˘· |
| Didst meet the storm unshrinking and alone. | 10 | ········˘/ |
| Oh! blest to die in freedom, though in vain-- | 10 | ·····/˘··· |
| Thine empire’s proud exchange the grave, and not the chain! | 12 | ·/˘·˘/······ |
| Hush’d is Byzantium--’tis the dead of night-- | 10 | ··˘/˘····· |
| The closing night of that imperial race! | 10 | ·/˘···˘/˘· |
| And all is vigil--but the eye of light | 10 | ···/˘····· |
| Shall soon unfold, a wilder scene to trace: | 10 | ··˘/·/˘··· |
| There is a murmuring stillness on the train | 10 | ···/˘/˘··· |
| Thronging the midnight streets, at morn to die; | 10 | /˘·/······ |
| And to the cross, in fair Sophia’s fane, | 10 | ······˘/˘· |
| For the last time is raised Devotion’s eye; | 10 | ······˘/˘· |
| And, in his heart while faith’s bright visions rise, | 10 | ·······/˘· |
| There kneels the high-soul’d prince, the summon’d of the skies. | 12 | ·······/˘··· |
| Day breaks in light and glory--’tis the hour | 11 | ·····/˘··/˘ |
| Of conflict and of fate--the war-note calls-- | 10 | ·/˘······· |
| Despair hath lent a stern, delirious power | 10 | ˘/····˘/˘/ |
| To the brave few that guard the rampart walls. | 10 | ·······/˘· |
| Far over Marmora’s waves th’ artillery’s peal | 10 | ······˘/˘· |
| Proclaims an empire’s doom in every note; | 10 | ˘/·/˘··/˘· |
| Tambour and trumpet swell the clash of steel, | 10 | /˘·/˘····· |
| Round spire and dome the clouds of battle float; | 10 | ·······/˘· |
| From camp and wave rush on the Crescent’s host, | 10 | ·······/˘· |
| And the Seven Towers are scaled, and all is won and lost. | 12 | ··//········ |
| Then, Greece! the tempest rose that burst on thee, | 10 | ···/˘····· |
| Land of the bard, the warrior, and the sage! | 10 | ·····/˘··· |
| Oh! where were then thy sons, the great, the free, | 10 | ·········· |
| Whose deeds are guiding stars from age to age? | 10 | ···/˘····· |
| Though firm thy battlements of crags and snows, | 10 | ···/˘˘···· |
| And bright the memory of thy days of pride, | 10 | ···/˘····· |
| In mountain might though Corinth’s fortress rose, | 10 | ·/˘··/˘/˘· |
| On, unresisted, roll’d th’ invading tide! | 10 | ······˘/˘· |
| Oh! vain the rock, the rampart, and the tower, | 11 | ·····/˘··/˘ |
| If Freedom guard them not with Mind’s unconquer’d power. | 12 | ·/˘········/ |
| Where were th’ avengers then, whose viewless might | 10 | ··˘/˘··/˘· |
| Preserved inviolate their awful fane, | 10 | ˘/˘/˘˘·/˘· |
| When through the steep defiles, to Delphi’s height, | 10 | ·······/˘· |
| In martial splendour pour’d the Persian’s train? | 10 | ·/˘/˘··/˘· |
| Then did those mighty and mysterious Powers, | 10 | ···/˘·˘/˘/ |
The first 400 of 1037 lines; the reader marks them all.
Notes from the edition 44
Notes from The Poems of Felicia Hemans (Project Gutenberg #66785), largely Mrs Hemans's own.
- Stanza 6, line 4 “The Pæstan rose, from its peculiar fragrance and the singularity of blooming twice a-year, is often mentioned by the classic poets. The wild rose, which now shoots up among the ruins, is of the small single damask kind, with a very high perfume; as a farmer assured me on the spot, it flowers both in spring and autumn.”--Swinburne’s Travels in the Two Sicilies.
- Stanza 8, line 2 In the naval engagements of the Greeks, “it was usual for the soldiers before the fight to sing a pæan, or hymn, to Mars, and after the fight another to Apollo.”--See Potter’s Antiquities of Greece, vol. ii. p. 155.
- Stanza 12, line 2 The emigration of the natives of the Morea to different parts of Asia is thus mentioned by Châteaubriand in his Itinéraire de Paris à Jérusalem--“Parvenu au dernier degré du malheur, le Moraïte s’arrache de son pays, et va chercher en Asie un sort moins rigoureux. Vain espoir! il retrouve des cadis et des pachas jusques dans les sables du Jourdain et dans les déserts de Palmyre.”
- Stanza 14, line 3 In the same work, Châteaubriand also relates his having met with several Greek emigrants who had established themselves in the woods of Florida.
- Stanza 16, line 3 “La grâce est toujours unie à la magnificence dans les scènes de la nature: et tandis que le courant du milieu entraine vers la mer les cadavres des pins et des chênes, on voit sur les deux courants latéraux, remonter, le long des rivages des îles flottantes de Pistia et de Nénuphar, dont les roses jaunes s’élèvent comme de petits papillons.”--Description of the Banks of the Mississippi, Chateaubriand’s Atala.
- Stanza 24, line 6 “Looking generally at the narrowness and abruptness of this mountain-channel, (Tempe,) and contrasting it with the course of the Peneus through the plains of Thessaly, the imagination instantly recurs to the tradition that these plains were once covered with water, for which some convulsion of nature had subsequently opened this narrow passage. The term vale, in our language, is usually employed to describe scenery in which the predominant features are breadth, beauty, and repose. The reader has already perceived that the term is wholly inapplicable to the scenery at this spot, and that the phrase, vale of Tempe, is one that depends on poetic fiction.... The real character of Tempe, though it perhaps be less beautiful, yet possesses more of magnificence than is implied in the epithet given to it.... To those who have visited St Vincent’s rocks, below Bristol, I cannot convey a more sufficient idea of Tempe, than by saying that its scenery resembles, though on a much larger scale, that of the former place. The Peneus, indeed, as it flows through the valley, is not greatly wider than the Avon; and the channel between the cliffs is equally contracted in its dimensions: but these cliffs themselves are much loftier and more precipitous, and project their vast masses of rock with still more extraordinary abruptness over the hollow beneath.”--Holland’s Travels in Albania, &c.
- Stanza 24, line 7 The modern name of the Peneus is Salympria.
- Stanza 25, line 2 “Towards the lower part of Tempe, these cliffs are peaked in a very singular manner, and form projecting angles on the vast perpendicular faces of rock which they present towards the chasm; where the surface renders it possible, the summits and ledges of the rocks are for the most part covered with small wood, chiefly oak, with the arbutus and other shrubs. On the banks of the river, wherever there is a small interval between the water and the cliffs, it is covered by the rich and widely spreading foliage of the plane, the oak, and other forest trees, which in these situations have attained a remarkable size, and in various places extend their shadow far over the channel of the stream.... The rocks on each side of the vale of Tempe are evidently the same; what may be called, I believe, a coarse bluish-gray marble, with veins and portions of the rock in which the marble is of finer quality.”--Holland’s Travels in Albania, &c.
- Stanza 26, line 10 The Amphictyonic Council was convened in spring and autumn at Delphi or Thermopylæ, and presided at the Pythian games which were celebrated at Delphi every fifth year.
- Stanza 27, line 6 “This spot, (the field of Mantinea,) on which so many brave men were laid to rest, is now covered with rosemary and laurels.”--Pouqueville’s Travels in the Morea.
- Stanza 33, line 6 For the accounts of the upas or poison tree of Java, now generally believed to be fabulous, or greatly exaggerated, see the notes to Darwin’s Botanic Garden.
- Stanza 34, line 7 “The court most to be admired of the Alhambra is that called the court of the Lions; it is ornamented with sixty elegant pillars of an architecture which bears not the least resemblance to any of the known orders, and might be called the Arabian order.... But its principal ornament, and that from which it took its name, is an alabaster cup, six feet in diameter, supported by twelve lions, which is said to have been made in imitation of the Brazen Sea of Solomon’s temple.”--Burgoanne’s Travels in Spain.
- Stanza 35, line 4 “Sept des plus fameux parmi les anciens poëtes Arabiques sont désignés par les écrivains orientaux sous le nom de Pleïade Arabique, et leurs ouvrages étaient suspendus autour de la Caaba, ou Mosque de la Mecque.”--Sismondi, Littérature du Midi.
- Stanza 37, line 7 “The distress and fall of the last Constantine are more glorious than the long prosperity of the Byzantine Cæsars.”--Gibbon’s Decline and Fall, &c. vol. xii. p. 226.
- Stanza 38, line 2 See the description of the night previous to the taking of Constantinople by Mahomet II.--Gibbon’s Decline and Fall, &c. vol. xii. p. 225.
- Stanza 39, line 10 “This building (the Castle of the Seven Towers) is mentioned as early as the sixth century of the Christian era, as a spot which contributed to the defence of Constantinople; and it was the principal bulwark of the town on the coast of the Propontis, in the last periods of the empire.”--Pouqueville’s Travels in the Morea.
- Stanza 41, line 2 See the account from Herodotus of the supernatural defence of Delphi.--Mitford’s Greece, vol. i. p. 396-7.
- Stanza 42, line 6 “In succeeding ages the Athenians honoured Theseus as a demigod, induced to it as well by other reasons as because, when they were fighting the Medes at Marathon, a considerable part of the army thought they saw the apparition of Theseus completely armed, and bearing down before them upon the barbarians.”--Langhorne’s Plutarch, Life of Theseus.
- Stanza 42, line 9 “From Thermopylæ to Sparta, the leader of the Goths (Alaric) pursued his victorious march without encountering any mortal antagonist; but one of the advocates of expiring paganism has confidently asserted that the walls of Athens were guarded by the goddess Minerva, with her formidable ægis, and by the angry phantom of Achilles, and that the conqueror was dismayed by the presence of the hostile deities of Greece.”--Gibbon’s Decline and Fall, &c. vol. v. p. 183.
- Stanza 43, line 1 “Even all the chief ones of the earth.”--Isaiah, xiv.
- Stanza 44, line 8 “How are the mighty fallen, and the weapons of war perished!”--Samuel, book ii. chap. i.
- Stanza 50, line 3 For several interesting particulars relative to the Suliote warfare with Ali Pasha, see Holland’s Travels in Albania.
- Stanza 51, line 5 “It is related, as an authentic story, that a group of Suliote women assembled on one of the precipices adjoining the modern seraglio, and threw their infants into the chasm below, that they might not become the slaves of the enemy.”--Holland’s Travels, &c.
- Stanza 54, line 4 The ruins of Sparta, near the modern town of Mistra, are very inconsiderable, and only sufficient to mark the site of the ancient city. The scenery around them is described by travellers as very striking.
- Stanza 56, line 8 The inscription composed by Simonides for the Spartan monument in the pass of Thermopylæ has been thus translated:--“Stranger, go tell the Lacedemonians that we have obeyed their laws, and that we lie here.”
- Stanza 59, line 9 “In the Eurotas I observed abundance of those famous reeds which were known in the earliest ages; and all the rivers and marshes of Greece are replete with rose-laurels, while the springs and rivulets are covered with lilies, tuberoses, hyacinths, and narcissus orientalis.”--Pouqueville’s Travels in the Morea.
- Stanza 61, line 5 It was usual for suppliants to carry an olive branch bound with wool.
- Stanza 61, line 10 The olive, according to Pouqueville, is still regarded with veneration by the people of the Morea.
- Stanza 62, line 5 It was customary at Eleusis, on the fifth day of the festival, for men and women to run about with torches in their hands, and also to dedicate torches to Ceres, and to contend who should present the largest. This was done in memory of the journey of Ceres in search of Proserpine, during which she was lighted by a torch kindled in the flames of Etna.--Porter’s Antiquities of Greece, vol. i. p. 392.
- Stanza 66, line 7 The fountains of Oblivion and Memory, with the Hercynian fountain, are still to be seen amongst the rocks near Livadia, though the situation of the cave of Trophonius, in their vicinity, cannot be exactly ascertained.--See Holland’s Travels.
- Stanza 69, line 2 Elis was anciently a sacred territory, its inhabitants being considered as consecrated to the service of Jupiter. All armies marching through it delivered up their weapons, and received them again when they had passed its boundary.
- Stanza 71, line 7 “We are assured by Thucydides that Attica was the province of Greece in which population first became settled, and where the earliest progress was made toward civilisation.”--Mitford’s Greece, vol. i. p. 35.
- Stanza 74, line 2 Fata Morgana. This remarkable aërial phenomenon, which is thought by the lower order of Sicilians to be the work of a fairy, is thus described by Father Angelucci, whose account is quoted by Swinburne:-- “On the 15th August 1643, I was surprised, as I stood at my window, with a most wonderful spectacle: the sea that washes the Sicilian shore swelled up, and became, for ten miles in length, like a chain of dark mountains, while the waters near our Calabrian coast grew quite smooth, and in an instant appeared like one clear polished mirror. On this glass was depicted, in chiaro-scuro, a string of several thousands of pilasters, all equal in height, distance, and degrees of light and shade. In a moment they bent into arcades, like Roman aqueducts. A long cornice was next formed at the top, and above it rose innumerable castles, all perfectly alike; these again changed into towers, which were shortly after lost in colonnades, then windows, and at last ended in pines, cypresses, and other trees.”--Swinburne’s Travels in the Two Sicilies.
- Stanza 79, line 4 All sorts of purple and white flowers were supposed by the Greeks to be acceptable to the dead, and used in adorning tombs; as amaranth, with which the Thessalians decorated the tomb of Achilles.--Potter’s Antiquities of Greece, vol. ii. p. 232.
- Stanza 79, line 7 Pericles, on his return to Athens after the reduction of Samos, celebrated in a splendid manner the obsequies of his countrymen who fell in that war, and pronounced himself the funeral oration usual on such occasions. This gained him great applause; and when he came down from the rostrum the women paid their respects to him, and presented him with crowns and chaplets, like a champion just returned victorious from the lists.--Langhorne’s Plutarch, Life of Pericles.
- Stanza 82, line 9 The peplus, which is supposed to have been suspended as an awning over the statue of Minerva in the Parthenon, was a principal ornament of the Panathenaic festival; and it was embroidered with various colours, representing the battle of the gods and Titans, and the exploits of Athenian heroes. When the festival was celebrated, the peplus was brought from the Acropolis, and suspended as a sail to the vessel, which on that day was conducted through the Ceramicus and principal streets of Athens, till it had made the circuit of the Acropolis. The peplus was then carried to the Parthenon, and consecrated to Minerva.--See Chandler’s Travels, Stuart’s Athens, &c.
- Stanza 84, line 3 The gilding amidst the ruins of Persepolis is still, according to Winckelmann, in high preservation.
- Stanza 92, line 8 “In the most broken fragment, the same great principle of life can be proved to exist, as in the most perfect figure,” is one of the observations of Mr Haydon on the Elgin Marbles.
- Stanza 94, line 1 “Every thing here breathes life, with a veracity, with an exquisite knowledge of art, but without the least ostentation or parade of it, which is concealed by consummate and masterly skill.”--Canova’s Letter to the Earl of Elgin.
- Stanza 94, line 3 Mr West, after expressing his admiration of the horse’s head in Lord Elgin’s collection of Athenian sculpture, thus proceeds:--“We feel the same, when we view the young equestrian Athenians, and, in observing them, we are insensibly carried on with the impression that they and their horses actually existed, as we see them, at the instant when they were converted into marble.”--West’s Second Letter to Lord Elgin.
- Stanza 96, line 10 Mr Flaxman thinks that sculpture has very greatly improved within these last twenty years, and that his opinion is not singular--because works of such prime importance as the Elgin Marbles could not remain in any country without a consequent improvement of the public taste, and the talents of the artist.--See the Evidence given in reply to Interrogatories from the Committee on the Elgin Marbles.
- Stanza 97, line 5 The Theseus and Ilissus, which are considered by Sir T. Lawrence, Mr Westmacott, and other distinguished artists, to be of a higher class than the Apollo Belvidere, “because there is in them a union of very grand form, with a more true and natural expression of the effect of action upon the human frame than there is in the Apollo, or any of the other more celebrated statues.”--See The Evidence, &c.
- Stanza 100, line 3 “Let us suppose a young man at this time in London, endowed with powers such as enabled Michael Angelo to advance the arts, as he did, by the aid of one mutilated specimen of Grecian excellence in sculpture, to what an eminence might not such a genius carry art, by the opportunity of studying those sculptures, in the aggregate, which adorned the temple of Minerva at Athens?”--West’s Second Letter to Lord Elgin.
- Stanza 100, line 6 In allusion to the theories of Du Bos, Winckelmann, Montesquieu, &c., with regard to the inherent obstacles in the climate of England to the progress of genius and the arts.--See Hoare’s Epochs of the Arts, p. 84, 85. EXTRACTS FROM CONTEMPORARY REVIEWS. Blackwood’s Magazine.--“In our reviews of poetical productions, the better efforts of genius hold out to us a task at once more useful and delightful than those of inferior merit. In the former the beautiful predominate, and expose while they excuse the blemishes. But the public taste would receive no benefit from a detail of mediocrity, relieved only by the censure of faults uncompensated by excellencies. We have great pleasure in calling the attention of our readers to the beautiful poem before us, which we believe to be the work of the same lady who last year put her name to the second edition of another poem on a kindred subject, ‘The Restoration of the Works of Art to Italy’--namely, Mrs Hemans of North Wales. That the author’s fame has not altogether kept pace with her merit, we are inclined to think is a reproach to the public. Poetry is at present experiencing the fickleness of fashion, and may be said to have had its day. Very recently, the reading public, as the phrase is, was immersed in poetry, but seems to have had enough; and, excepting always that portion of it who are found to relish genuine poetry on its own intrinsic account, and will never tire of the exquisite enjoyment which it affords, the said public seldom read poetry at all. * * * * * “But so little is that excitement which the bulk of readers covet necessarily connected with poetry, that these readers have tired even of romances in a metrical form, and are regarding all their late rhythmical favourites alike, with that sort of ingratitude with which repletion would lead them to regard a banquet when the dishes are removing from the table. But this is no proof that these great poets have forfeited their title to be admired. They are fixed orbs, which stand just where they did, and shine just as they were wont, although they seem to decline to the world, which revolves the opposite way. But if the world will turn from the poet, whatever be his merit, there is an end of his popularity, inasmuch as the most approved conductor of the latter is the multitude, as essentially as is the air of the sound of his voice. Profit will also fail from the lack of purchasers; and poetry, high as it may intrinsically seem, mu …
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