Imelda
“SometimesThe young forgot the lessons they had learnt,And loved when they should hate--like thee, Imelda!”Italy; a Poem.
We have the myrtle’s breath around us here,Amidst the fallen pillars: this hath beenSome Naiad’s fane of old. How brightly clear,Flinging a vein of silver o’er the scene,Up through the shadowy grass the fountain wells,And music with it, gushing from beneathThe ivied altar! That sweet murmur tellsThe rich wild-flowers no tale of woe or death;Yet once the wave was darken’d, and a stainLay deep, and heavy drops--but not of rain--On the dim violets by its marble bed,And the pale-shining water-lily’s head.
Sad is that legend’s truth.--A fair girl metOne whom she loved, by this lone temple’s spring.Just as the sun behind the pine-grove set,And eve’s low voice in whispers woke, to bringAll wanderers home. They stood, that gentle pair,With the blue heaven of Italy above,And citron-odours dying on the air,And light leaves trembling round, and early loveDeep in each breast. What reck’d their souls of strifeBetween their fathers? Unto them young lifeSpread out the treasures of its vernal years;And if they wept, they wept far other tearsThan the cold world brings forth. They stood, that hour,Speaking of hope; while tree, and fount, and flower,And star, just gleaming through the cypress boughs,Seem’d holy things, as records of their vows.
But change came o’er the scene. A hurrying treadBroke on the whispery shades. Imelda knewThe footstep of her brother’s wrath, and fledUp where the cedars make yon avenueDim with green twilight: pausing there, she caught--Was it the clash of swords? A swift dark thoughtStruck down her lip’s rich crimson as it pass’d,And from her eye the sunny sparkle tookOne moment with its fearfulness, and shookHer slight frame fiercely, as a stormy blastMight rock the rose. Once more, and yet once more,She still’d her heart to listen--all was o’er;Sweet summer winds alone were heard to sigh,Bearing the nightingale’s deep spirit by.
That night Imelda’s voice was in the song--Lovely it floated through the festive throngPeopling her father’s halls. That fatal nightHer eye look’d starry in its dazzling light,And her cheek glow’d with beauty’s flushing dyes,Like a rich cloud of eve in southern skies--A burning, ruby cloud. There were, whose gazeFollow’d her form beneath the clear lamp’s blaze,And marvell’d at its radiance. But a fewBeheld the brightness of that feverish hueWith something of dim fear; and in that glanceFound strange and sudden tokens of unrest,Startling to meet amidst the mazy dance,Where Thought, if present, an unbidden guest,Comes not unmask’d. Howe’er this were, the timeSped as it speeds with joy, and grief, and crimeAlike: and when the banquet’s hall was leftUnto its garlands of their bloom bereft;When trembling stars look’d silvery in their wane,And heavy flowers yet slumber’d, once againThere stole a footstep, fleet, and light, and lone,Through the dim cedar shade--the step of oneThat started at a leaf, of one that fled,Of one that panted with some secret dread.What did Imelda there? She sought the sceneWhere love so late with youth and hope had been.Bodings were on her soul; a shuddering thrillRan through each vein, when first the Naiad’s rillMet her with melody--sweet sounds and low:We hear them yet, they live along its flow--Her voice is music lost! The fountain-sideShe gain’d--the wave flash’d forth--’twas darkly dyedEven as from warrior-hearts; and on its edge,Amidst the fern, and flowers, and moss-tufts deep,There lay, as lull’d by stream and rustling sedge,A youth, a graceful youth. “Oh! dost thou sleep?Azzo!” she cried, “my Azzo! is this rest?”But then her low tones falter’d:--“On thy breastIs the stain--yes, ’tis blood! And that cold cheek--That moveless lip!--thou dost not slumber?--speak,Speak, Azzo, my beloved! No sound--no breath--What hath come thus between our spirits? Death!Death?--I but dream--I dream!” And there she stood,A faint fair trembler, gazing first on blood,With her fair arm around yon cypress thrown,Her form sustain’d by that dark stem alone,And fading fast, like spell-struck maid of old,Into white waves dissolving, clear and cold;When from the grass her dimm’d eye caught a gleam--’Twas where a sword lay shiver’d by the stream--Her brother’s sword!--she knew it; and she knew’Twas with a venom’d point that weapon slew!Woe for young love! But love is strong. There cameStrength upon woman’s fragile heart and frame;There came swift courage! On the dewy groundShe knelt, with all her dark hair floating roundLike a long silken stole; she knelt, and press’dHer lips of glowing life to Azzo’s breast,Drawing the poison forth. A strange, sad sight!Pale death, and fearless love, and solemn night!--So the moon saw them last.The morn came singingThrough the green forests of the Apennines,With all her joyous birds their free flight winging,And steps and voices out amongst the vines.What found that dayspring here? Two fair forms laidLike sculptured sleepers; from the myrtle shadeCasting a gleam of beauty o’er the wave,Still, mournful, sweet. Were such things for the grave?Could it be so indeed? That radiant girl,Deck’d as for bridal hours!--long braids of pearlAmidst her shadowy locks were faintly shining,As tears might shine, with melancholy light;And there was gold her slender waist entwining;And her pale graceful arms--how sadly bright;And fiery gems upon her breast were lying,And round her marble brow red roses dying.But she died first!--the violet’s hue had spreadO’er her sweet eyelids with repose oppress’d;She had bow’d heavily her gentle head,And on the youth’s hush’d bosom sunk to rest.So slept they well!--the poison’s work was done;Love with true heart had striven--but Death had won.
The tale of Imelda is related in Sismondi’s Histoire desRépubliques Italiennes, vol. iii. p. 443.
Words in this poem 25
- amidst prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- fane n.
- A temple; a place consecrated to religion; a church. [L. fanum a place dedicated to some deity, a sanctuary, fr. fari to speak. See Fame.]
- ivied a.
- Overgrown with ivy. [From Ivy.]
- lone n.
- A lane. See Loanin.
- reck v. t.
- To make account of; to care for; to heed; to regard. [AS. reccan, remccan, to care for; akin to OS. rokian, OHG. ruochan, G. geruhen, Icel. rækja, also to E. reckon, rake an implement. See Rake, and cf. Reckon.]
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- avenue n.
- A way or opening for entrance into a place; a passage by which a place may by reached; a way of approach or of exit. [F. avenue, fr. avenir to come to, L. advenire. See Advene.]
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- fearfulness n.
- The state of being fearful.
- shook v. t.
- To pack, as staves, in a shook.
- starry a.
- Abounding with stars; adorned with stars.
- unrest n.
- Want of rest or repose; unquietness; sleeplessness; uneasiness; disquietude.
- unbidden a.
- Not bidden; not commanded.
- stole n.
- A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
- rill n.
- A very small brook; a streamlet. [Cf. LG. rille a small channel or brook, a furrow, a chamfer, OE. rigol a small brook, F. rigole a trench or furrow for water, W. rhill a row, rhigol a little di]
- lull v. t.
- To cause to rest by soothing influences; to compose; to calm; to soothe; to quiet. [Akin to OD. lullen to sing to sleep, G. lullen, Dan. lulle, Sw. lulla; all of imitative origin. Cf. Loll, Lollard.]
- falter v. t.
- To thrash in the chaff; also, to cleanse or sift, as barley.
- moveless a.
- Motionless; fixed.
- trembler n.
- One who trembles.
- fading n.
- An Irish dance; also, the burden of a song.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- amongst prep.
- Mixed or mingled; surrounded by. [OE. amongist, amonges, amonge, among, AS. onmang, ongemang, gemang, in a crowd or mixture. For the ending -st see Amidst. See Mingle.]
- dayspring n.
- The beginning of the day, or first appearance of light; the dawn; hence, the beginning.
- sadly adv.
- Wearily; heavily; firmly.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Imelda is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Felicia Hemans, Imelda, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/imelda.html, id L19412.
Form and metre
Imelda is 131 lines in 6 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 A-A-B-B-CCDD hereA · been · clearA · scene · wellsB · beneath · tellsB · death · stainC · rainC · bedD · headD
- 3 ABABCDCDEEFFGGHH metA · springB · setA · bringB · pairC · aboveD · airC · loveD · strifeE · lifeE · yearsF · tearsF · hourG · flowerG · boughsH · vowsH
- 4 ABABCCDEED--FF treadA · knewB · fledA · avenueB · caughtC · thoughtC · pass'dD · tookE · shookE · blastD · more · o'er · sighF · byF
- 5 AABBCCDDEEFGFGHHII----JJ--KKLLMMNONOPPQQRRSSTTUUVVWWXXYYZZaa-b-b-ccddeefgfghhijijkk songA · throngA · nightB · lightB · dyesC · skiesC · gazeD · blazeD · fewE · hueE · glanceF · unrestG · danceF · guestG · timeH · crimeH · leftI · bereftI · wane · again · lone · one · fledJ · dreadJ · scene · been · thrillK · rillK · lowL · flowL · sideM · dyedM · edgeN · deepO · sedgeN · sleepO · restP · breastP · cheekQ · speakQ · breathR · deathR · stoodS · bloodS · thrownT · aloneT · oldU · coldU · gleamV · streamV · knewW · slewW · cameX · frameX · groundY · roundY · press'dZ · breastZ · sighta · nighta · last · singingb · apennines · wingingb · vines · laidc · shadec · waved · graved · girle · pearle · shiningf · lightg · entwiningf · brightg · lyingh · dyingh · spreadi · oppress'dj · headi · restj · donek · wonk
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| “Sometimes | 2 | ˘/ |
| The young forgot the lessons they had learnt, | 10 | ··˘/·/˘··· |
| And loved when they should hate--like thee, Imelda!” | 11 | ········˘/˘ |
| Italy; a Poem. | 6 | /˘˘·/˘ |
| We have the myrtle’s breath around us here, | 10 | ···/˘····· |
| Amidst the fallen pillars: this hath been | 10 | ˘/·/˘/˘··· |
| Some Naiad’s fane of old. How brightly clear, | 9 | ······/˘· |
| Flinging a vein of silver o’er the scene, | 10 | /˘···/˘··· |
| Up through the shadowy grass the fountain wells, | 10 | ···/˘··/˘· |
| And music with it, gushing from beneath | 10 | ·/˘··/˘··· |
| The ivied altar! That sweet murmur tells | 10 | ·/˘/˘··/˘· |
| The rich wild-flowers no tale of woe or death; | 10 | ···/······ |
| Yet once the wave was darken’d, and a stain | 10 | ·····/˘··· |
| Lay deep, and heavy drops--but not of rain-- | 10 | ···/˘····· |
| On the dim violets by its marble bed, | 10 | ···/˘··/˘· |
| And the pale-shining water-lily’s head. | 10 | ···/˘/˘/·· |
| Sad is that legend’s truth.--A fair girl met | 10 | ···/˘····· |
| One whom she loved, by this lone temple’s spring. | 10 | ·······/˘· |
| Just as the sun behind the pine-grove set, | 10 | ·········· |
| And eve’s low voice in whispers woke, to bring | 10 | ·····/˘··· |
| All wanderers home. They stood, that gentle pair, | 10 | ·/˘····/˘· |
| With the blue heaven of Italy above, | 10 | ···/·/˘˘·· |
| And citron-odours dying on the air, | 10 | ·/˘/˘/˘··· |
| And light leaves trembling round, and early love | 10 | ···/˘··/˘· |
| Deep in each breast. What reck’d their souls of strife | 10 | ·········· |
| Between their fathers? Unto them young life | 10 | ···/˘····· |
| Spread out the treasures of its vernal years; | 10 | ···/˘··/˘· |
| And if they wept, they wept far other tears | 10 | ·······/˘· |
| Than the cold world brings forth. They stood, that hour, | 11 | ·········/˘ |
| Speaking of hope; while tree, and fount, and flower, | 11 | /˘·······/˘ |
| And star, just gleaming through the cypress boughs, | 10 | ···/˘··/˘· |
| Seem’d holy things, as records of their vows. | 10 | ·/˘··/˘··· |
| But change came o’er the scene. A hurrying tread | 10 | ·······/˘· |
| Broke on the whispery shades. Imelda knew | 11 | ·······˘/˘· |
| The footstep of her brother’s wrath, and fled | 10 | ·/···/˘··· |
| Up where the cedars make yon avenue | 10 | ···/˘··/˘· |
| Dim with green twilight: pausing there, she caught-- | 10 | ···/·/˘··· |
| Was it the clash of swords? A swift dark thought | 10 | ·········· |
| Struck down her lip’s rich crimson as it pass’d, | 10 | ·····/˘··· |
| And from her eye the sunny sparkle took | 10 | ·····/˘/˘· |
| One moment with its fearfulness, and shook | 10 | ·/˘··/˘˘·· |
| Her slight frame fiercely, as a stormy blast | 10 | ···/˘··/˘· |
| Might rock the rose. Once more, and yet once more, | 10 | ·········· |
| She still’d her heart to listen--all was o’er; | 10 | ·····/˘··· |
| Sweet summer winds alone were heard to sigh, | 10 | ·/˘·˘/···· |
| Bearing the nightingale’s deep spirit by. | 10 | /˘·/˘˘·/˘· |
| That night Imelda’s voice was in the song-- | 10 | ··˘/˘····· |
| Lovely it floated through the festive throng | 10 | /˘·/˘··/˘· |
| Peopling her father’s halls. That fatal night | 10 | /˘·/˘··/˘· |
| Her eye look’d starry in its dazzling light, | 10 | ···/˘··/˘· |
| And her cheek glow’d with beauty’s flushing dyes, | 10 | ·····/˘/˘· |
| Like a rich cloud of eve in southern skies-- | 10 | ·······/˘· |
| A burning, ruby cloud. There were, whose gaze | 10 | ·/˘/˘····· |
| Follow’d her form beneath the clear lamp’s blaze, | 10 | /˘········ |
| And marvell’d at its radiance. But a few | 10 | ·····/˘··· |
| Beheld the brightness of that feverish hue | 10 | ˘/·/˘··/˘· |
| With something of dim fear; and in that glance | 10 | ·/˘······· |
| Found strange and sudden tokens of unrest, | 10 | ···/˘/˘·˘/ |
| Startling to meet amidst the mazy dance, | 10 | /˘··˘/·/˘· |
| Where Thought, if present, an unbidden guest, | 10 | ···/˘····· |
| Comes not unmask’d. Howe’er this were, the time | 10 | ··˘/······ |
| Sped as it speeds with joy, and grief, and crime | 10 | ·········· |
| Alike: and when the banquet’s hall was left | 10 | ˘/···/˘··· |
| Unto its garlands of their bloom bereft; | 10 | ···/˘···˘/ |
| When trembling stars look’d silvery in their wane, | 10 | ·/˘··/˘··· |
| And heavy flowers yet slumber’d, once again | 10 | ·/˘/····˘/ |
| There stole a footstep, fleet, and light, and lone, | 10 | ···/······ |
| Through the dim cedar shade--the step of one | 10 | ···/˘····· |
| That started at a leaf, of one that fled, | 10 | ·/˘······· |
| Of one that panted with some secret dread. | 10 | ···/˘··/˘· |
| What did Imelda there? She sought the scene | 10 | ··˘/˘····· |
| Where love so late with youth and hope had been. | 10 | ·········· |
| Bodings were on her soul; a shuddering thrill | 10 | ·······/˘· |
| Ran through each vein, when first the Naiad’s rill | 9 | ········· |
| Met her with melody--sweet sounds and low: | 10 | ···/˘˘···· |
| We hear them yet, they live along its flow-- | 10 | ······˘/·· |
| Her voice is music lost! The fountain-side | 10 | ···/˘··/˘· |
| She gain’d--the wave flash’d forth--’twas darkly dyed | 10 | ·······/˘· |
| Even as from warrior-hearts; and on its edge, | 10 | /··/˘····· |
| Amidst the fern, and flowers, and moss-tufts deep, | 10 | ˘/···/···· |
| There lay, as lull’d by stream and rustling sedge, | 10 | ·······/˘· |
| A youth, a graceful youth. “Oh! dost thou sleep? | 10 | ···/˘····· |
| Azzo!” she cried, “my Azzo! is this rest?” | 10 | ·········· |
| But then her low tones falter’d:--“On thy breast | 10 | ·····/˘··· |
| Is the stain--yes, ’tis blood! And that cold cheek-- | 10 | ·········· |
| That moveless lip!--thou dost not slumber?--speak, | 11 | ········/˘· |
| Speak, Azzo, my beloved! No sound--no breath-- | 10 | ····˘/···· |
| What hath come thus between our spirits? Death! | 10 | ······//˘· |
| Death?--I but dream--I dream!” And there she stood, | 10 | ·········· |
| A faint fair trembler, gazing first on blood, | 10 | ···/˘/˘··· |
| With her fair arm around yon cypress thrown, | 10 | ·······/˘· |
| Her form sustain’d by that dark stem alone, | 10 | ··˘/····˘/ |
| And fading fast, like spell-struck maid of old, | 10 | ·/˘······· |
| Into white waves dissolving, clear and cold; | 10 | ····˘/˘··· |
| When from the grass her dimm’d eye caught a gleam-- | 10 | ·········· |
| ’Twas where a sword lay shiver’d by the stream-- | 10 | ·····/˘··· |
| Her brother’s sword!--she knew it; and she knew | 10 | ·/˘······· |
| ’Twas with a venom’d point that weapon slew! | 10 | ·······/˘· |
| Woe for young love! But love is strong. There came | 10 | ·········· |
| Strength upon woman’s fragile heart and frame; | 10 | ···/˘/˘··· |
| There came swift courage! On the dewy ground | 10 | ···/˘··/˘· |
| She knelt, with all her dark hair floating round | 10 | ·······/˘· |
| Like a long silken stole; she knelt, and press’d | 10 | ···/˘····· |
| Her lips of glowing life to Azzo’s breast, | 10 | ···/˘····· |
| Drawing the poison forth. A strange, sad sight! | 10 | /˘·/˘····· |
| Pale death, and fearless love, and solemn night! | 10 | ···/˘··/˘· |
| --So the moon saw them last. | 6 | ······ |
| The morn came singing | 5 | ···/˘ |
| Through the green forests of the Apennines, | 10 | ···/˘··/˘· |
| With all her joyous birds their free flight winging, | 11 | ···/˘····/˘ |
| And steps and voices out amongst the vines. | 10 | ···/˘····· |
| What found that dayspring here? Two fair forms laid | 10 | ···/˘····· |
| Like sculptured sleepers; from the myrtle shade | 10 | ·/˘/˘··/˘· |
| Casting a gleam of beauty o’er the wave, | 10 | /˘···/˘··· |
| Still, mournful, sweet. Were such things for the grave? | 10 | ·/˘······· |
| Could it be so indeed? That radiant girl, | 10 | ····˘/·/˘· |
| Deck’d as for bridal hours!--long braids of pearl | 10 | ···/˘/···· |
| Amidst her shadowy locks were faintly shining, | 11 | ˘/·/˘··/˘/˘ |
| As tears might shine, with melancholy light; | 10 | ·····/˘·˘· |
| And there was gold her slender waist entwining; | 11 | ·····/˘·˘/˘ |
| And her pale graceful arms--how sadly bright; | 10 | ···/˘··/˘· |
| And fiery gems upon her breast were lying, | 11 | ·/˘······/˘ |
| And round her marble brow red roses dying. | 11 | ···/˘··/˘/˘ |
| But she died first!--the violet’s hue had spread | 10 | ·····/˘··· |
| O’er her sweet eyelids with repose oppress’d; | 10 | ···/··˘/˘/ |
| She had bow’d heavily her gentle head, | 10 | ···/˘˘·/˘· |
| And on the youth’s hush’d bosom sunk to rest. | 10 | ·····/˘··· |
| So slept they well!--the poison’s work was done; | 10 | ·····/˘··· |
| Love with true heart had striven--but Death had won. | 11 | ·····/˘···· |
| The tale of Imelda is related in Sismondi’s Histoire des | 17 | ···˘/˘·˘/˘······· |
| Républiques Italiennes, vol. iii. p. 443. | 9 | ········· |
Notes from the edition 1
Notes from The Poems of Felicia Hemans (Project Gutenberg #66785), largely Mrs Hemans's own.
- Stanza 1, line 3 The tale of Imelda is related in Sismondi’s Histoire des Républiques Italiennes, vol. iii. p. 443.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.