Greek Funeral Chant, or Myriologue

Felicia Hemans (1793–1835) · 1808–1835

iambic heptameter · rhyming couplets · 71 lines · from Poems

A wail was heard around the bed, the deathbed of the young--Amidst her tears the Funeral Chant a mournful mother sung:--“Ianthis! dost thou sleep? Thou sleep’st--but this is not the rest,The breathing and the rosy calm, I have pillow’d on my breast:I lull’d thee not to this repose, Ianthis! my sweet son!As, in thy glowing childhood’s time, by twilight I have done.How is it that I bear to stand and look upon thee now?And that I die not, seeking death on thy pale glorious brow?

“I look upon thee, thou that wert of all most fair and brave!I see thee wearing still too much of beauty for the grave.Though mournfully thy smile is fix’d, and heavily thine eyeHath shut above the falcon-glance that in it loved to lie;And fast is bound the springing step, that seem’d on breezes borne,When to thy couch I came and said,--‘Wake, hunter, wake! ’tis morn!’Yet art thou lovely still, my flower! untouch’d by slow decay,--And I, the wither’d stem, remain. I would that grief might slay!

“Oh! ever, when I met thy look, I knew that this would be!I knew too well that length of days was not a gift for thee!I saw it in thy kindling cheek, and in thy bearing high;--A voice came whispering to my soul, and told me thou must die!That thou must die, my fearless one! where swords were flashingred.--Why doth a mother live to say--My first-born and my dead!They tell me of thy youthful fame, they talk of victory won:Speak thou, and I will hear, my child! Ianthis! my sweet son!”

A wail was heard around the bed, the deathbed of the young--A fair-hair’d bride the Funeral Chant amidst her weeping sung:--“Ianthis! look’st thou not on me? Can love indeed be fled?When was it woe before to gaze upon thy stately head?I would that I had follow’d thee, Ianthis, my beloved!And stood as woman oft hath stood where faithful hearts are proved;That I had bound a breastplate on, and battled at thy side!--It would have been a blessed thing together had we died!

“But where was I when thou didst fall beneath the fatal sword?Was I beside the sparkling fount, or at the peaceful board?Or singing some sweet song of old, in the shadow of the vine,Or praying to the saints for thee, before the holy shrine?And thou wert lying low the while, the life-drops from thy heartFast gushing, like a mountain-spring! And couldst thou thus depart?Couldst thou depart, nor on my lips pour out thy fleeting breath?--Oh! I was with thee but in joy, that should have been in death!

“Yes! I was with thee when the dance through mazy rings was led,And when the lyre and voice were tuned, and when the feast wasspread;But not where noble blood flow’d forth, where sounding javelinsflew--Why did I hear love’s first sweet words, and not its last adieu?What now can breathe of gladness more,--what scene, what hour,what tone?The blue skies fade with all their lights; they fade, since thouart gone!Even that must leave me, that still face, by all my tears unmoved:Take me from this dark world with thee, Ianthis! my beloved!”

A wail was heard around the bed, the deathbed of the young--Amidst her tears the Funeral Chant a mournful sister sung:--“Ianthis! brother of my soul!--oh! where are now the daysThat laugh’d among the deep-green hills, on all our infant plays?When we two sported by the streams, or track’d them to their source,And like a stag’s, the rocks along, was thy fleet, fearlesscourse!--I see the pines there waving yet, I see the rills descend,But see thy bounding step no more--my brother and my friend!

“I come with flowers--for spring is come! Ianthis! art thou here?I bring the garlands she hath brought, I cast them on thy bier.Thou shouldst be crown’d with victory’s crown--but oh! more meetthey seem,The first faint violets of the wood, and lilies of the stream--More meet for one so fondly loved, and laid thus early low.Alas! how sadly sleeps thy face amidst the sunshine’s glow--The golden glow that through thy heart was wont such joy to send:Woe! that it smiles, and not for thee!--my brother and my friend!”

Words in this poem

deathbed n.
The bed in which a person dies; hence, the closing hours of life of one who dies by sickness or the like; the last sickness.
amidst prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
lull v. t.
To cause to rest by soothing influences; to compose; to calm; to soothe; to quiet. [Akin to OD. lullen to sing to sleep, G. lullen, Dan. lulle, Sw. lulla; all of imitative origin. Cf. Loll, Lollard.]
childhood n.
The state of being a child; the time in which persons are children; the condition or time from infancy to puberty. [AS. cildhad; cild child + -had. See Child, and hood.]
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
didst
, the 2d pers. sing. imp. of Do.
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
unmoved a.
Not moved; fixed; firm; unshaken; calm; apathetic.
bier n.
A handbarrow or portable frame on which a corpse is placed or borne to the grave. [OE. bæe, beere, AS. b, b; akin to D. baar, OHG. bara, G. bahre, Icel barar, Dbaare, L. feretrum, Gr. , from the same bear to produce. See 1st Bear, and cf. Barr]
fondly adv.
Foolishly. Verstegan (1673).
sadly adv.
Wearily; heavily; firmly.
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Greek Funeral Chant, or Myriologue is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Felicia Hemans, Greek Funeral Chant, or Myriologue, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/greek-funeral-chant-or-myriologue.html, id L19344.

Form and metre

Greek Funeral Chant, or Myriologue is 71 lines in 8 verse paragraphs. It is in rhyming couplets, 65% of the lines. The metre is iambic heptameter, measured from the stress the words themselves fix (confidence 88%).

See other poems in rhyming couplets, other poems in iambic heptameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDD youngA · sungA · restB · breastB · sonC · doneC · nowD · browD
  2. 2 AABBCCDD braveA · graveA · eyeB · lieB · borneC · mornC · decayD · slayD
  3. 3 AABB-CCDD beA · theeA · highB · dieB · flashing · redC · deadC · wonD · sonD
  4. 4 AABB--CC youngA · sungA · fledB · headB · beloved · proved · sideC · diedC
  5. 5 AABBCCDD swordA · boardA · vineB · shrineB · heartC · departC · breathD · deathD
  6. 6 A-A-BB------ ledA · was · spreadA · javelins · flewB · adieuB · hour · tone · thou · gone · unmoved · beloved
  7. 7 AABBC-CDD youngA · sungA · daysB · playsB · sourceC · fearless · courseC · descendD · friendD
  8. 8 AA-BBCCDD hereA · bierA · meet · seemB · streamB · lowC · glowC · sendD · friendD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic heptameter. How this is done.

LineSyl.Stress
A wail was heard around the bed, the deathbed of the young--14·········/····
Amidst her tears the Funeral Chant a mournful mother sung:--14˘/···/˘··/˘/˘·
“Ianthis! dost thou sleep? Thou sleep’st--but this is not the rest,13·············
The breathing and the rosy calm, I have pillow’d on my breast:15·/˘··/˘········
I lull’d thee not to this repose, Ianthis! my sweet son!13······˘/·····
As, in thy glowing childhood’s time, by twilight I have done.14···/˘/···/····
How is it that I bear to stand and look upon thee now?14··············
And that I die not, seeking death on thy pale glorious brow?14·····/˘····/˘·
“I look upon thee, thou that wert of all most fair and brave!14··············
I see thee wearing still too much of beauty for the grave.14···/˘····/˘···
Though mournfully thy smile is fix’d, and heavily thine eye14·········/˘˘··
Hath shut above the falcon-glance that in it loved to lie;14·····/˘·······
And fast is bound the springing step, that seem’d on breezes borne,14·····/˘····/˘·
When to thy couch I came and said,--‘Wake, hunter, wake! ’tis morn!’14·········/˘···
Yet art thou lovely still, my flower! untouch’d by slow decay,--14···/˘··/˘/··˘/
And I, the wither’d stem, remain. I would that grief might slay!14···/˘·˘/······
“Oh! ever, when I met thy look, I knew that this would be!14·/˘···········
I knew too well that length of days was not a gift for thee!14··············
I saw it in thy kindling cheek, and in thy bearing high;--14·····/˘····/˘·
A voice came whispering to my soul, and told me thou must die!14···/˘·········
That thou must die, my fearless one! where swords were flashing13·····/˘····/˘
red.--1·
Why doth a mother live to say--My first-born and my dead!14···/˘·········
They tell me of thy youthful fame, they talk of victory won:14·····/˘····/˘·
Speak thou, and I will hear, my child! Ianthis! my sweet son!”13·············
A wail was heard around the bed, the deathbed of the young--14·········/····
A fair-hair’d bride the Funeral Chant amidst her weeping sung:--14·····/˘·˘/·/˘·
“Ianthis! look’st thou not on me? Can love indeed be fled?13·········˘/··
When was it woe before to gaze upon thy stately head?14···········/˘·
I would that I had follow’d thee, Ianthis, my beloved!14·····/˘····˘/˘
And stood as woman oft hath stood where faithful hearts are proved;14···/˘····/˘···
That I had bound a breastplate on, and battled at thy side!--14·····/···/˘···
It would have been a blessed thing together had we died!14······˘·˘/˘···
“But where was I when thou didst fall beneath the fatal sword?14···········/˘·
Was I beside the sparkling fount, or at the peaceful board?14··˘/·/˘····/˘·
Or singing some sweet song of old, in the shadow of the vine,15·/˘·······/····
Or praying to the saints for thee, before the holy shrine?14·/˘········/˘·
And thou wert lying low the while, the life-drops from thy heart14···/˘·········
Fast gushing, like a mountain-spring! And couldst thou thus depart?14·/˘··/˘·····˘/
Couldst thou depart, nor on my lips pour out thy fleeting breath?--14··˘/·······/˘·
Oh! I was with thee but in joy, that should have been in death!14··············
“Yes! I was with thee when the dance through mazy rings was led,14·········/˘···
And when the lyre and voice were tuned, and when the feast was14········˘·····
spread;1·
But not where noble blood flow’d forth, where sounding javelins14···/˘····/˘/˘˘
flew--1·
Why did I hear love’s first sweet words, and not its last adieu?14············˘/
What now can breathe of gladness more,--what scene, what hour,13·····/˘····/˘
what tone?2··
The blue skies fade with all their lights; they fade, since thou12············
art gone!2··
Even that must leave me, that still face, by all my tears unmoved:14/···········˘/
Take me from this dark world with thee, Ianthis! my beloved!”14···········˘/˘
A wail was heard around the bed, the deathbed of the young--14·········/····
Amidst her tears the Funeral Chant a mournful sister sung:--14˘/···/˘··/˘/˘·
“Ianthis! brother of my soul!--oh! where are now the days13··/˘·········
That laugh’d among the deep-green hills, on all our infant plays?14··········//˘·
When we two sported by the streams, or track’d them to their source,14···/˘·········
And like a stag’s, the rocks along, was thy fleet, fearless13······˘/···/˘
course!--1·
I see the pines there waving yet, I see the rills descend,14·····/˘·····˘/
But see thy bounding step no more--my brother and my friend!14···/˘····/˘···
“I come with flowers--for spring is come! Ianthis! art thou here?14···/˘·········
I bring the garlands she hath brought, I cast them on thy bier.14···/˘·········
Thou shouldst be crown’d with victory’s crown--but oh! more meet13·····/˘˘·····
they seem,2··
The first faint violets of the wood, and lilies of the stream--14···/˘····/˘···
More meet for one so fondly loved, and laid thus early low.14·····/˘····/˘·
Alas! how sadly sleeps thy face amidst the sunshine’s glow--14˘/·/˘···˘/·/··
The golden glow that through thy heart was wont such joy to send:14·/˘···········
Woe! that it smiles, and not for thee!--my brother and my friend!”14·········/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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