Francesco Maria De Conti: The Shore of Africa

Felicia Hemans (1793–1835) · 1808–1835

iambic pentameter · 14 lines · from Poems

Pilgrim! whose steps those desert sands explore,Where verdure never spreads its bright array;Know, ’twas on this inhospitable shoreFrom Pompey’s heart the life-blood ebb’d away.Twas here betray’d he fell, neglected lay;Nor found his relics a sepulchral stone,Whose life, so long a bright triumphal day,O’er Tiber’s wave supreme in glory shone!Thou, stranger! if from barbarous climes thy birth,Look round exultingly, and bless the earthWhere Rome, with him, saw power and virtue die;But if ’tis Roman blood that fills thy veins,Then, son of heroes! think upon thy chains,And bathe with tears the grave of liberty.

Words in this poem

explore v. t.
To seek for or after; to strive to attain by search; to look wisely and carefully for. [L. explorare to explore; ex out+plorare to cry out aloud,prob. orig., to cause to flow; perh. akin to E. flow: cf. F. explorer.]
inhospitable a.
Not hospitable; not disposed to show hospitality to strangers or guests; as, an inhospitable person or people. [Pref. in- not + hospitable: cf. L. inhospitalis.]
triumphal n.
A token of victory.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Francesco Maria De Conti: The Shore of Africa is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Felicia Hemans, Francesco Maria De Conti: The Shore of Africa, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/francesco-maria-de-conti-the-shore-of-africa.html, id L13507.

Form and metre

Francesco Maria De Conti: The Shore of Africa is 14 lines in a single stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 1 line ends on an unstressed syllable, a feminine ending. 14% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABBCBCDD-EE- exploreA · arrayB · shoreA · awayB · layB · stoneC · dayB · shoneC · birthD · earthD · die · veinsE · chainsE · liberty
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Pilgrim! whose steps those desert sands explore,10/˘···/˘·˘/
Where verdure never spreads its bright array;10·/˘/˘···˘/
Know, ’twas on this inhospitable shore10····˘/˘˘˘·
From Pompey’s heart the life-blood ebb’d away.11·/˘····/˘˘/
Twas here betray’d he fell, neglected lay;10··˘/··˘/˘·
Nor found his relics a sepulchral stone,10···/˘·˘/˘·
Whose life, so long a bright triumphal day,10······˘/˘·
O’er Tiber’s wave supreme in glory shone!10·/˘·˘/·/˘·
Thou, stranger! if from barbarous climes thy birth,10·/˘··/˘···
Look round exultingly, and bless the earth10··········
Where Rome, with him, saw power and virtue die;10·····/·/˘·
But if ’tis Roman blood that fills thy veins,10···/˘·····
Then, son of heroes! think upon thy chains,10···/˘·····
And bathe with tears the grave of liberty.10·······/˘˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Felicia Hemans