Dramatic Scene Between Bronwylfa and Rhyllon
You ugliest of fabrics! you horrible eyesore!I wish you would vanish, or put on a visor!In the face of the sun, without covering or rag on,You stand and outstare me, like any red dragon.With your great green-eyed windows, in boldness a host,(The only green things which, indeed, you can boast,)With your forehead as high, and as bare as the pateWhich an eagle once took for a stone or a slate,You lift yourself up, o’er the country afar,As who would say, “Look at me!--here stands great R!”I plant--I rear forest trees--shrubs great and small,To wrap myself up in--you peer through them all!With your lean scraggy neck o’er my poplars you rise;You watch all my guests with your wide saucer eyes.
You monster! I would I could waken some morning,And find you had taken French leave without warning;You should never be sought like Aladdin’s famed palace.You spoil my sweet temper--you make me bear malice:For it is a hard fate, I will say it and sing,Which has fix’d me to gaze on so frightful a thing.
Rhyllon--(with dignified equanimity.)Content thee, Bronwylfa, what means all this rage?This sudden attack on my quiet old age?I am no parvenu: you and I, my good brother,Have stood here this century facing each other;And I can remember the days that are gone,When your sides were no better array’d than my own.Nay, the truth shall be told--since you flout me, restoreThe tall scarlet woodbine you took from my door!Since my baldness is mocked, and I’m forced to explain,Pray give me my large laurustinus again.
Bronwylfa! Bronwylfa! thus insolent grown,Your pride and your poplars alike must come down!I look through the future (and far I can see,As St Asaph and Denbigh will answer for me,)And in spite of thy scorn, and of all thou hast done,From my kind heart’s brick bottom, I pity thee, Bron!The end of thy toiling and planting will be,That thou wilt want sunshine, and ask it of me.Thou wilt say, when thou wakest, looking out for the light,“I suppose it is morning, for Rhyllon looks bright;”While I--my green eyes with their tears overflow.(Tenderly.)Come!--let us be friends, as we were long ago.”
“Clothing the palpable and the familiarWith golden exhalations of the dawn.”
“There were thick leaves above me and around,And low sweet sighs, like those of childhood’s sleep,Amidst their dimness, and a fitful soundAs of soft showers on water. Dark and deepLay the oak shadows o’er the turf--so stillThey seem’d but pictured glooms; a hidden rillMade music--such as haunts us in a dream--Under the fern-tufts; and a tender gleamOf soft green light, as by the glow-worm shed,Came pouring through the woven beech-boughs down.”
“Still are the cowslips from thy bosom springing,O far-off grassy dell!”
TO
“Mightier farThan strength of nerve and sinew, or the swayOf magic, potent over sun and star,Is love, though oft to agony distrest,And though his favourite seat be feeble woman’s breast.” Wordsworth.
Words in this poem 20
- eyesore n.
- Something offensive to the eye or sight; a blemish.
- outstare v. t.
- To excel or overcome in staring; to face down.
- pate n.
- A pie. See Patty. [F. pâté.]
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- saucer n.
- A small pan or vessel in which sauce was set on a table. [F. saucière, from sauce. see Sauce.]
- waken v. i.
- To wake; to cease to sleep; to be awakened. [OE. waknen, AS. wæcnan; akin to Goth. gawaknan. See Wake, v. i.]
- frightful a.
- Full of fright; affrighted; frightened.
- equanimity n.
- Evenness of mind; that calm temper or firmness of mind which is not easily elated or depressed; patience; calmness; composure; as, to bear misfortunes with equanimity. [L. aequanimitas, fr. aequanimus: cf. F. équanimité. See Equanimous.]
- parvenu n.
- An upstart; a man newly risen into notice. [F., prop. p.p. of parvenir to attain to, to succeed, to rise to high station, L. pervenire to come to; per through + venire to come. See Par, prep., and Come.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- tenderly adv.
- In a tender manner; with tenderness; mildly; gently; softly; in a manner not to injure or give pain; with pity or affection; kindly.
- childhood n.
- The state of being a child; the time in which persons are children; the condition or time from infancy to puberty. [AS. cildhad; cild child + -had. See Child, and hood.]
- amidst prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- fitful a.
- Full of fits; irregularly variable; impulsive and unstable. [From 7th Fit.]
- pictured a.
- Furnished with pictures; represented by a picture or pictures; as, a pictured scene.
- rill n.
- A very small brook; a streamlet. [Cf. LG. rille a small channel or brook, a furrow, a chamfer, OE. rigol a small brook, F. rigole a trench or furrow for water, W. rhill a row, rhigol a little di]
- dell n.
- A small, retired valley; a ravine. [AS. del, akin to E. dale; cf. D. delle, del, low ground. See Dale.]
- sinew n.
- A tendon or tendonous tissue. See Tendon. [OE. sinewe, senewe, AS. sinu, seonu; akin to D. zenuw, OHG. senawa, G. sehne, Icel. sin, Sw. sena, Dan. sene; cf. Skr. snava. sq. root290.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Dramatic Scene Between Bronwylfa and Rhyllon is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Felicia Hemans, Dramatic Scene Between Bronwylfa and Rhyllon, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/dramatic-scene-between-bronwylfa-and-rhyllon.html, id L19403.
Form and metre
Dramatic Scene Between Bronwylfa and Rhyllon is 64 lines in 9 verse paragraphs. It is in rhyming couplets, 56% of the lines. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 79%).
See other poems in rhyming couplets, other poems in anapaestic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 --AABBCCDDEEFF eyesore · visor · onA · dragonA · hostB · boastB · pateC · slateC · afarD · rD · smallE · allE · riseF · eyesF
- 2 AABBCC morningA · warningA · palaceB · maliceB · singC · thingC
- 3 -AABB--CCDD equanimity · rageA · ageA · brotherB · otherB · gone · own · restoreC · doorC · explainD · againD
- 4 --AA--AABBC-C grown · down · seeA · meA · done · bron · beA · meA · lightB · brightB · overflowC · tenderly · agoC
- 6 ABABCCDD-- aroundA · sleepB · soundA · deepB · stillC · rillC · dreamD · gleamD · shed · down
- 9 A-A-- farA · sway · starA · distrest · wordsworth
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| You ugliest of fabrics! you horrible eyesore! | 11 | ·/˘·/˘·/˘/· |
| I wish you would vanish, or put on a visor! | 11 | ····/˘····/ |
| In the face of the sun, without covering or rag on, | 13 | ········/˘··· |
| You stand and outstare me, like any red dragon. | 12 | ···˘/··/˘·/˘ |
| With your great green-eyed windows, in boldness a host, | 12 | ·····/˘·/˘·· |
| (The only green things which, indeed, you can boast,) | 11 | ·/˘···˘/··· |
| With your forehead as high, and as bare as the pate | 12 | ··/˘········ |
| Which an eagle once took for a stone or a slate, | 12 | ··/˘········ |
| You lift yourself up, o’er the country afar, | 11 | ··˘/···/˘˘/ |
| As who would say, “Look at me!--here stands great R!” | 11 | ··········· |
| I plant--I rear forest trees--shrubs great and small, | 11 | ····/˘····· |
| To wrap myself up in--you peer through them all! | 11 | ···/······· |
| With your lean scraggy neck o’er my poplars you rise; | 12 | ···/˘···/˘·· |
| You watch all my guests with your wide saucer eyes. | 11 | ········/˘· |
| You monster! I would I could waken some morning, | 12 | ·/˘····/˘·/˘ |
| And find you had taken French leave without warning; | 12 | ····/˘····/˘ |
| You should never be sought like Aladdin’s famed palace. | 12 | ··/···˘/˘·/˘ |
| You spoil my sweet temper--you make me bear malice: | 12 | ····/˘····/˘ |
| For it is a hard fate, I will say it and sing, | 12 | ············ |
| Which has fix’d me to gaze on so frightful a thing. | 12 | ········/˘·· |
| Rhyllon--(with dignified equanimity.) | 11 | ···/˘··˘/˘˘ |
| Content thee, Bronwylfa, what means all this rage? | 11 | /˘········· |
| This sudden attack on my quiet old age? | 10 | ·/˘˘/··/·· |
| I am no parvenu: you and I, my good brother, | 13 | ···/˘˘·····/˘ |
| Have stood here this century facing each other; | 11 | ····/˘/˘·/˘ |
| And I can remember the days that are gone, | 11 | ···˘/˘····· |
| When your sides were no better array’d than my own. | 12 | ·····/˘˘/··· |
| Nay, the truth shall be told--since you flout me, restore | 12 | ··········˘/ |
| The tall scarlet woodbine you took from my door! | 11 | ··/˘/˘····· |
| Since my baldness is mocked, and I’m forced to explain, | 12 | ··/˘······˘/ |
| Pray give me my large laurustinus again. | 11 | ·········˘/ |
| Bronwylfa! Bronwylfa! thus insolent grown, | 10 | ·······/˘· |
| Your pride and your poplars alike must come down! | 11 | ····/˘˘/··· |
| I look through the future (and far I can see, | 11 | ····/˘····· |
| As St Asaph and Denbigh will answer for me,) | 12 | ········/˘·· |
| And in spite of thy scorn, and of all thou hast done, | 12 | ············ |
| From my kind heart’s brick bottom, I pity thee, Bron! | 12 | ·····/˘·/˘·· |
| The end of thy toiling and planting will be, | 11 | ····/˘·/˘·· |
| That thou wilt want sunshine, and ask it of me. | 11 | ····/······ |
| Thou wilt say, when thou wakest, looking out for the light, | 13 | ·······/˘···· |
| “I suppose it is morning, for Rhyllon looks bright;” | 12 | ·˘/··/˘····· |
| While I--my green eyes with their tears overflow. | 11 | ········/˘· |
| (Tenderly.) | 3 | /˘˘ |
| Come!--let us be friends, as we were long ago.” | 11 | ·········˘/ |
| “Clothing the palpable and the familiar | 11 | /˘·/˘˘··˘/˘ |
| With golden exhalations of the dawn.” | 10 | ·/˘·˘/˘··· |
| “There were thick leaves above me and around, | 10 | ·········· |
| And low sweet sighs, like those of childhood’s sleep, | 10 | ·······/·· |
| Amidst their dimness, and a fitful sound | 10 | ˘/·/˘··/˘· |
| As of soft showers on water. Dark and deep | 10 | ···/·/˘··· |
| Lay the oak shadows o’er the turf--so still | 10 | ···/······ |
| They seem’d but pictured glooms; a hidden rill | 10 | ···/˘··/˘· |
| Made music--such as haunts us in a dream-- | 10 | ·/˘······· |
| Under the fern-tufts; and a tender gleam | 10 | ·······/˘· |
| Of soft green light, as by the glow-worm shed, | 10 | ·········· |
| Came pouring through the woven beech-boughs down.” | 10 | ·/˘··/˘··· |
| “Still are the cowslips from thy bosom springing, | 11 | ···/˘··/˘/˘ |
| O far-off grassy dell!” | 6 | ···/˘· |
| TO | 1 | · |
| “Mightier far | 4 | /˘˘· |
| Than strength of nerve and sinew, or the sway | 10 | ·····/˘··· |
| Of magic, potent over sun and star, | 10 | ·/˘/˘····· |
| Is love, though oft to agony distrest, | 10 | ·····/˘˘·· |
| And though his favourite seat be feeble woman’s breast.” Wordsworth. | 15 | ········/˘/˘·/˘ |
Notes from the edition 1
Notes from The Poems of Felicia Hemans (Project Gutenberg #66785), largely Mrs Hemans's own.
- Stanza 1, line 8 Bronwylfa is here supposed to allude to the pate of Æschylus, upon which an eagle dropped a tortoise to crack the shell. [In spite, however, of the unromantic exterior of her new abode, the earlier part of Mrs Hemans’s residence at Rhyllon may, perhaps, be considered as the happiest of her life; as far, at least, as the term happiness could ever be fitly applied to any period of it later than childhood. The house, with all its ugliness, was large and convenient, the view from its windows beautiful and extensive, and its situation, on a fine green slope, terminating in a pretty woodland dingle, peculiarly healthy and cheerful. Never, perhaps, had she more thorough enjoyment of her boys than in witnessing, and often joining in, their sports in those pleasant breezy fields, where the kites soared so triumphantly, and the hoops trundled so merrily, and where the cowslips grew as cowslips had never grown before. An atmosphere of home soon gathered round the dwelling; roses were planted and honeysuckles trained, and the rustling of the solitary poplar near her window was taken to her heart like the voice of a friend. The dingle became a favourite haunt, where she would pass many dreamlike hours of enjoyment with her books, and her own sweet fancies, and her children playing around her. Every tree and flower, and tuft of moss that sprang amidst its green recesses, was invested with some individual charm by that rich imagination, so skilled in “Clothing the palpable and the familiar With golden exhalations of the dawn.” Here, on what the boys would call ‘mamma’s sofa’--a little grassy mound under her favourite beech-tree--she first read The Talisman, and has described the scene with a loving minuteness in her Hour of Romance:-- “There were thick leaves above me and around, And low sweet sighs, like those of childhood’s sleep, Amidst their dimness, and a fitful sound As of soft showers on water. Dark and deep Lay the oak shadows o’er the turf--so still They seem’d but pictured glooms; a hidden rill Made music--such as haunts us in a dream-- Under the fern-tufts; and a tender gleam Of soft green light, as by the glow-worm shed, Came pouring through the woven beech-boughs down.” Many years after, in the sonnet “To a Distant Scene,” she addresses, with a fond yearning, this well-remembered haunt:-- “Still are the cowslips from thy bosom springing, O far-off grassy dell!” How many precious memories has she hung round the thought of the cowslip--that flowe …
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