A Thought of the Sea
My earliest memories to thy shores are bound,Thy solemn shores, thou ever-chanting main!The first rich sunsets, kindling thought profoundIn my lone being, made thy restless plainAs the vast, shining floor of some dread fane,All paved with glass and fire. Yet, O blue deep!Thou that no trace of human hearts dost keep,Never to thee did love with silvery chainDraw my soul’s dream, which through all naturesoughtWhat waves deny,--some bower of steadfast bliss,A home to twine with fancy, feeling, thought,As with sweet flowers. But chasten’d hope for thisNow turns from earth’s green valleys, as from thee,To that sole changeless world, where “there is no more sea.”
“Doubt, and something dark.Of the old sea some reverential fear;”
----“The vile strength he wieldsFor earth’s destruction, thou dost all despise,Spurning him from thy bosom to the skies,And send’st him, shivering in thy playful spray,And howling, to his Gods, where haply liesHis petty hope in some near port or bay,And dashest him again to earth--there let them lay.”
Words in this poem
- lone n.
- A lane. See Loanin.
- fane n.
- A temple; a place consecrated to religion; a church. [L. fanum a place dedicated to some deity, a sanctuary, fr. fari to speak. See Fame.]
- changeless a.
- That can not be changed; constant; as, a changeless purpose.
- despise v. t.
- To look down upon with disfavor or contempt; to contemn; to scorn; to disdain; to have a low opinion or contemptuous dislike of. [OF. despis-, in some forms of despire to despise, fr. L. despicere, despectum, to look down upon, despise; de- + spicere, specere, to look. See Spy, and cf. Des]
- haply adv.
- By hap, chance, luck, or accident; perhaps; it may be.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Thought of the Sea is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Felicia Hemans, A Thought of the Sea, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/a-thought-of-the-sea.html, id L19798.
Form and metre
A Thought of the Sea is 24 lines in 3 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABBCCB-DEDEFF boundA · mainB · profoundA · plainB · faneB · deepC · keepC · chainB · nature · soughtD · blissE · thoughtD · thisE · theeF · seaF
- 3 -AABABB wields · despiseA · skiesA · sprayB · liesA · bayB · layB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| My earliest memories to thy shores are bound, | 10 | ·/˘/˘····· |
| Thy solemn shores, thou ever-chanting main! | 10 | ·/˘··/˘/˘· |
| The first rich sunsets, kindling thought profound | 10 | ···/·/˘·˘/ |
| In my lone being, made thy restless plain | 10 | ···/˘··/˘· |
| As the vast, shining floor of some dread fane, | 10 | ···/˘····· |
| All paved with glass and fire. Yet, O blue deep! | 10 | ·····/···· |
| Thou that no trace of human hearts dost keep, | 10 | ·····/˘··· |
| Never to thee did love with silvery chain | 10 | /·····/˘˘· |
| Draw my soul’s dream, which through all nature | 9 | ·······/˘ |
| sought | 1 | · |
| What waves deny,--some bower of steadfast bliss, | 10 | ··˘/·/·/·· |
| A home to twine with fancy, feeling, thought, | 10 | ·····/˘/˘· |
| As with sweet flowers. But chasten’d hope for this | 10 | ···/·/˘··· |
| Now turns from earth’s green valleys, as from thee, | 10 | ·····/˘··· |
| To that sole changeless world, where “there is no more sea.” | 12 | ···/˘······· |
| “Doubt, and something dark. | 5 | ··/˘· |
| Of the old sea some reverential fear;” | 10 | ······˘/˘· |
| ----“The vile strength he wields | 5 | ····· |
| For earth’s destruction, thou dost all despise, | 10 | ··˘/˘···˘/ |
| Spurning him from thy bosom to the skies, | 10 | /˘···/˘··· |
| And send’st him, shivering in thy playful spray, | 10 | ···/˘··/˘· |
| And howling, to his Gods, where haply lies | 10 | ·/˘····/˘· |
| His petty hope in some near port or bay, | 10 | ·/˘······· |
| And dashest him again to earth--there let them lay.” | 12 | ·/˘·˘/······ |
Notes from the edition 1
Notes from The Poems of Felicia Hemans (Project Gutenberg #66785), largely Mrs Hemans's own.
- Stanza 1, line 15 [The sight and sound of the sea were always connected in her mind with melancholy associations; with “Doubt, and something dark. Of the old sea some reverential fear;” with images of storm and desolation, of shipwreck and sea-burial: the last, indeed, was so often present to her imagination, and has so frequently been introduced into her poetry, that any one inclined to superstitious presentiments might almost have been disposed to fancy it a foreshadowing of some such dark fate in store either for herself or for some one dear to her. These associations, like those awakened by the wind, were perfectly distinct from any thing of personal timidity, and were the more indefinable, as she had never suffered any calamity at all connected with the sea: none of those she loved had been consigned to its reckless waters, nor had she ever seen it in all its terrors, for the coast on which her early years were passed is by no means a rugged or dangerous one, and is seldom visited by disaster. “Are all these notes in thee, wild wind! these many notes in thee? Far in our own unfathom’d souls their fount must surely be; Yes! buried, but unsleeping there, thought watches, memory lies, From whose deep urn the tones are poured through all earth’s harmonies.” In one of her later sonnets on this subject, a chord is struck which may perhaps find an echo in other bosoms:-- ----“Yet, O blue deep!” etc. The same feeling is expressed in one of her letters:--“Did you ever observe how strangely sounds and images of waters--rushing torrents, and troubled ocean-waves, are mingled with the visionary distresses of dreams and delirium? To me there is no more perfect emblem of peace than that expressed by the Scriptural phrase, ‘There shall be no more sea.’” How forcible is the contrast between the essential womanliness of these associations, so full of “the still, sad music of humanity,” and the “stern delight” with which Lord Byron, in his magnificent apostrophe to the Sea, exults in its ministry of wrath, and recounts, as with a fierce joy, its dealings with its victim, man! ----“The vile strength he wields For earth’s destruction, thou dost all despise, Spurning him from thy bosom to the skies, And send’st him, shivering in thy playful spray, And howling, to his Gods, where haply lies His petty hope in some near port or bay, And dashest him again to earth--there let them lay.” Childe Harold.
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