Don Ramiro
"Donna Clara! Donna Clara!Hotly-loved through years of passion!Thou hast wrought me mine undoing,And hast wrought it without mercy!
"Donna Clara! Donna Clara!Still the gift of life is pleasant.But beneath the earth 'tis frightful,In the grave so cold and darksome.
"Donna Clara! Laugh, be merry,For to-morrow shall FernandoGreet thee at the nuptial altar.Wilt thou bid me to the wedding?"
"Don Ramiro! Don Ramiro!Very bitter sounds thy language,Bitterer than the stars' decrees are,Which bemock my heart's desire.
"Don Ramiro! Don Ramiro!Cast aside thy gloomy temper.In the world are many maidens,But us twain the Lord hath parted.
"Don Ramiro, thou who bravelyMany and many a man hast conquered,Conquer now thyself,--to-morrowCome and greet me at my wedding."
"Donna Clara! Donna Clara!Yes, I swear it. I am coming.I will dance with thee the measure.Now good-night! I come to-morrow."
"So good-night!" The casement rattled,Sighing neath it, stood Ramiro.Long he stood a stony statue,Then amidst the darkness vanished.
After long and weary struggling,Night must yield unto the daylight.Like a many-colored garden,Lies the city of Toledo.
Palaces and stately fabricsShimmer in the morning sunshine.And the lofty domes of churchesGlitter as with gold incrusted.
Humming like a swarm of insects,Ring the bells their festal carol.With sweet tones the sacred anthemFrom each house of God ascendeth.
But behold, behold! beyond there,Yonder from the market-chapel,With a billowing and a swaying,Streams the motley throng of people.
Gallant knights and noble ladies,In their holiday apparel;While the pealing bells ring clearly,And the deep-voiced organ murmurs.
But a reverential passageIn the people's midst is opened,For the richly-clad young couple,Donna Clara, Don Fernando.
To the bridegroom's palace-threshold,Wind the waving throngs of people;There the wedding feast beginneth,Pompous in the olden fashion.
Knightly games and open table,Interspersed with joyous laughter,Quickly flying, speed the hours,Till the night again hath fallen.
And the wedding-guests assembleFor the dance within the palace,And their many-colored raimentGlitters in the light of tapers.
Seated on a lofty dais,Side by side, are bride and bridegroom,Donna Clara, Don Fernando,--And they murmur sweet love-whispers.
And within the hall wave brightlyAll the gay-decked streams of dancers;And the rolling drums are beaten.Shrill the clamorous trumpet soundeth.
"Wherefore, wherefore, beauteous lady,Are thy lovely glances fastenedYonder in the hall's far corner?"In amazement asked Fernando.
"See'st thou not, oh Don Fernando,Yonder man in sable mantle?"And the knight spake, kindly smiling,"Why, 'tis nothing but a shadow."
But the shadow drew anear them,'Twas a man in sable mantle.Clara knows at once Ramiro,And she greets him, blushing crimson.
And the dance begins already,Gaily whirl around the dancersIn the waltz's reckless circles,Till the firm floor creaks and trembles.
"Yes, with pleasure, Don Ramiro,I will dance with thee the measure;But in such a night-black mantleThou shouldst never have come hither."
With fixed, piercing eyes, RamiroGazes on the lovely lady.Then embracing her, speaks strangely,--"At thy bidding I came hither."
In the wild whirl of the measure,Press and turn the dancing couple,And the rolling drums are beaten,Shrill the clamorous trumpet soundeth.
"White as driven snow thy cheeks are!"Whispers Clara, inly trembling."At thy bidding I came hither,"Hollow ring Ramiro's accents.
In the hall the tapers flicker,With the eddying stream of dancers,And the rolling drums are beaten,Shrill the clamorous trumpet soundeth.
"Cold as ice I feel thy fingers,"Whispers Clara, thrilled with terror."At thy bidding I came hither."And they rush on in the vortex.
"Leave me, leave me, Don Ramiro!Like a corpse's scent thy breath is."Once again the gloomy sentence,"At thy bidding I came hither."
And the firm floor glows and rustles,Merry sound the horns and fiddles;Like a woof of strange enchantment,All within the hall is whirling.
"Leave me, leave me, Don Ramiro!"All is waving and revolving.Don Ramiro still repeateth,"At thy bidding I came hither."
"In the name of God, begone then!"Clara shrieked, with steadfast accent.And the word was scarcely spoken,When Ramiro had evanished.
Clara stiffens! deathly pallid,Numb with cold, with night encompassed.In a swoon the lovely creatureTo the shadowy realm is wafted.
But the misty slumber passes,And at last she lifts her eyelids.Then again from sheer amazementHer fair eyes at once she closes.
For she sees she hath not risen,Since the dance's first beginning.Still she sits beside the bridegroom,And he speaks with anxious question.
"Say, why waxed thy cheek so pallid?Wherefore filled thine eyes with shadows?""And Ramiro?" stammers Clara,And her tongue is glued with horror.
But with deep and serious furrowsIs the bridegroom's forehead wrinkled."Lady, ask not bloody tidings--Don Ramiro died this morning."
Words in this poem 34
- donna n.
- A lady; madam; mistress; -- the title given a lady in Italy. [It. donna, L. domina. See Don, Dame.]
- hotly adv.
- In a hot or fiery manner; ardently; vehemently; violently; hastily; as, a hotly pursued. [From Hot, a.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- undoing n.
- The reversal of what has been done.
- frightful a.
- Full of fright; affrighted; frightened.
- darksome a.
- Dark; gloomy; obscure; shaded; cheerless.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- bemock v. t.
- To mock; to ridicule.
- twain a.
- Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
- bravely adv.
- In a brave manner; courageously; gallantly; valiantly; splendidly; nobly.
- casement n.
- A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
- amidst prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- daylight n.
- The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
- toledo n.
- A sword or sword blade made at Toledo in Spain, which city was famous in the 16th and 17th centuries for the excellence of its weapons.
- shimmer v. i.
- To shine with a tremulous or intermittent light; to shine faintly; to gleam; to glisten; to glimmer. [OE. schimeren, AS. scimerian; akin to scimian, sciman, to glitter, D. schemeren, G. schimmern, Dan. skimre, Sw. skimra, AS. scima a light, brightness, Icel. ski]
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- festal a.
- Of or pertaining to a holiday or a feast; joyous; festive. [L. festum holiday, feast. See feast.]
- carol v. t.
- To praise or celebrate in song.
- anthem v. t.
- To celebrate with anthems.
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- clad v.
- To clothe. Holland.
- olden a.
- Old; ancient; as, the olden time.
- knightly a.
- Of or pertaining to a knight; becoming a knight; chivalrous; as, a knightly combat; a knightly spirit. [AS. cnihtlic boyish.]
- bridegroom n.
- A man newly married, or just about to be married. [OE. bridegome, brudgume, AS. br (akin to OS. br, D. bruidegom, bruigom, OHG. pr, MHG. briutegome, G. bräutigam); AS. br bride + guma man, akin to Goth. guma, Ic]
- wherefore adv.
- For which reason; so; -- used relatively. [Where + for.]
- beauteous a.
- Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
- amazement n.
- The condition of being amazed; bewilderment ; overwhelming wonder, as from surprise, sudden fear, horror, or admiration.
- sable n.
- A carnivorous animal of the Weasel family (Mustela zibellina) native of the northern latitudes of Europe, Asia, and America, -- noted for its fine, soft, and valuable fur. [OF. sable, F. zibeline sable (in sense 4), LL. sabellum; cf. D. sabel, Dan. sabel, zobel, Sw. sabel, sobel, G. zobel; all fr. Russ. sóbole.]
- anear v. t.
- To near; to approach.
- gaily adv.
- Merrily; showily. See gaily. [From Gay.]
- strangely adv.
- As something foreign, or not one's own; in a manner adapted to something foreign and strange.
- inly a.
- Internal; interior; secret. [OE. inlich, AS. inlic. See In.]
- flicker v. i.
- To flutter; to flap the wings without flying. [OE. flikeren, flekeren, to flutter, AS. flicerian, flicorian, cf. D. flikkeren to sparkle. Flacker.]
- deathly a.
- Deadly; fatal; mortal; destructive.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Don Ramiro is in the public domain. This text is taken from Poems and Ballads, Project Gutenberg ebook #31726, the Emma Lazarus translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Heinrich Heine, Don Ramiro, in Poems and Ballads (1881), text of Project Gutenberg ebook #31726, Laurel, https://laurelpoetry.com/poem/heine-poems-ballads/don-ramiro.html, id L15315.
Form and metre
Don Ramiro is 152 lines in 38 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 94%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 133 lines end on an unstressed syllable, a feminine ending. 11% of the lines run on without a stop at the line end.
See other poems in trochaic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 18 A--A daisA · bridegroom · fernando · whispersA
- 33 A-A- thenA · accent · spokenA · evanished
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| "Donna Clara! Donna Clara! | 8 | /˘/˘/˘/˘ |
| Hotly-loved through years of passion! | 8 | /˘····/˘ |
| Thou hast wrought me mine undoing, | 8 | ·····˘/˘ |
| And hast wrought it without mercy! | 8 | ······/˘ |
| "Donna Clara! Donna Clara! | 8 | /˘/˘/˘/˘ |
| Still the gift of life is pleasant. | 8 | ······/˘ |
| But beneath the earth 'tis frightful, | 8 | ······/˘ |
| In the grave so cold and darksome. | 8 | ······/˘ |
| "Donna Clara! Laugh, be merry, | 8 | /˘/˘··/˘ |
| For to-morrow shall Fernando | 8 | ··/˘·˘/˘ |
| Greet thee at the nuptial altar. | 8 | ····/˘/˘ |
| Wilt thou bid me to the wedding?" | 8 | ······/˘ |
| "Don Ramiro! Don Ramiro! | 8 | ·˘/˘·˘/˘ |
| Very bitter sounds thy language, | 8 | /˘/˘··/˘ |
| Bitterer than the stars' decrees are, | 9 | ······˘/· |
| Which bemock my heart's desire. | 8 | ·˘/··˘/˘ |
| "Don Ramiro! Don Ramiro! | 8 | ·˘/˘·˘/˘ |
| Cast aside thy gloomy temper. | 8 | ·˘/·/˘/˘ |
| In the world are many maidens, | 8 | ····/˘/˘ |
| But us twain the Lord hath parted. | 8 | ······/˘ |
| "Don Ramiro, thou who bravely | 8 | ·˘/˘··/˘ |
| Many and many a man hast conquered, | 9 | /·/˘···/˘ |
| Conquer now thyself,--to-morrow | 8 | /˘·˘/·/˘ |
| Come and greet me at my wedding." | 8 | ······/˘ |
| "Donna Clara! Donna Clara! | 8 | /˘/˘/˘/˘ |
| Yes, I swear it. I am coming. | 8 | ······/˘ |
| I will dance with thee the measure. | 8 | ······/˘ |
| Now good-night! I come to-morrow." | 8 | ······/˘ |
| "So good-night!" The casement rattled, | 8 | ····/˘/˘ |
| Sighing neath it, stood Ramiro. | 8 | /˘···˘/˘ |
| Long he stood a stony statue, | 8 | ····/˘/· |
| Then amidst the darkness vanished. | 8 | ·˘/·/˘/˘ |
| After long and weary struggling, | 9 | ····/˘/˘˘ |
| Night must yield unto the daylight. | 8 | ······/· |
| Like a many-colored garden, | 8 | ··/˘/˘/˘ |
| Lies the city of Toledo. | 8 | ··/˘·˘/˘ |
| Palaces and stately fabrics | 8 | /˘˘·/˘/˘ |
| Shimmer in the morning sunshine. | 8 | /˘··/˘/· |
| And the lofty domes of churches | 8 | ··/˘··/˘ |
| Glitter as with gold incrusted. | 8 | /˘···˘/˘ |
| Humming like a swarm of insects, | 8 | /˘····/· |
| Ring the bells their festal carol. | 8 | ····/˘/˘ |
| With sweet tones the sacred anthem | 8 | ····/˘/˘ |
| From each house of God ascendeth. | 8 | ·····˘/˘ |
| But behold, behold! beyond there, | 8 | ·˘/˘/··· |
| Yonder from the market-chapel, | 8 | /˘··/˘/˘ |
| With a billowing and a swaying, | 9 | ··/˘˘··/˘ |
| Streams the motley throng of people. | 8 | ··/˘··/˘ |
| Gallant knights and noble ladies, | 8 | /˘··/˘/˘ |
| In their holiday apparel; | 8 | ··/˘·˘/˘ |
| While the pealing bells ring clearly, | 8 | ··/˘··/˘ |
| And the deep-voiced organ murmurs. | 8 | ····/˘/˘ |
| But a reverential passage | 8 | ···˘/˘/˘ |
| In the people's midst is opened, | 8 | ··/˘··/˘ |
| For the richly-clad young couple, | 8 | ··/˘··/˘ |
| Donna Clara, Don Fernando. | 8 | /˘/˘·˘/˘ |
| To the bridegroom's palace-threshold, | 8 | ··/·/˘/· |
| Wind the waving throngs of people; | 8 | ··/˘··/˘ |
| There the wedding feast beginneth, | 8 | ··/˘·˘/˘ |
| Pompous in the olden fashion. | 8 | /˘··/˘/˘ |
| Knightly games and open table, | 8 | /˘··/˘/˘ |
| Interspersed with joyous laughter, | 8 | ·˘/·/˘/˘ |
| Quickly flying, speed the hours, | 8 | /˘/˘··/˘ |
| Till the night again hath fallen. | 8 | ···˘/·/˘ |
| And the wedding-guests assemble | 8 | ··/˘·˘/˘ |
| For the dance within the palace, | 8 | ······/˘ |
| And their many-colored raiment | 8 | ··/˘/˘/˘ |
| Glitters in the light of tapers. | 8 | /˘····/˘ |
| Seated on a lofty dais, | 7 | /˘··/˘· |
| Side by side, are bride and bridegroom, | 8 | ······/· |
| Donna Clara, Don Fernando,-- | 8 | /˘/˘·˘/˘ |
| And they murmur sweet love-whispers. | 8 | ··/˘··/˘ |
| And within the hall wave brightly | 8 | ······/˘ |
| All the gay-decked streams of dancers; | 8 | ······/˘ |
| And the rolling drums are beaten. | 8 | ··/˘··/˘ |
| Shrill the clamorous trumpet soundeth. | 9 | ··/˘˘/˘/˘ |
| "Wherefore, wherefore, beauteous lady, | 9 | /˘/˘/˘˘/˘ |
| Are thy lovely glances fastened | 8 | ··/˘/˘/˘ |
| Yonder in the hall's far corner?" | 8 | /˘····/˘ |
| In amazement asked Fernando. | 8 | ·˘/˘·˘/˘ |
| "See'st thou not, oh Don Fernando, | 8 | ·····˘/˘ |
| Yonder man in sable mantle?" | 8 | /˘··/˘/˘ |
| And the knight spake, kindly smiling, | 8 | ····/˘/˘ |
| "Why, 'tis nothing but a shadow." | 8 | ··/˘··/· |
| But the shadow drew anear them, | 8 | ··/··˘/· |
| 'Twas a man in sable mantle. | 8 | ····/˘/˘ |
| Clara knows at once Ramiro, | 8 | /˘···˘/˘ |
| And she greets him, blushing crimson. | 8 | ····/˘/˘ |
| And the dance begins already, | 8 | ···˘/˘/˘ |
| Gaily whirl around the dancers | 8 | /˘····/˘ |
| In the waltz's reckless circles, | 8 | ··/˘/˘/˘ |
| Till the firm floor creaks and trembles. | 8 | ······/˘ |
| "Yes, with pleasure, Don Ramiro, | 8 | ··/˘·˘/˘ |
| I will dance with thee the measure; | 8 | ······/˘ |
| But in such a night-black mantle | 8 | ······/˘ |
| Thou shouldst never have come hither." | 8 | ··/˘··/˘ |
| With fixed, piercing eyes, Ramiro | 8 | ··/˘·˘/˘ |
| Gazes on the lovely lady. | 8 | /˘··/˘/˘ |
| Then embracing her, speaks strangely,-- | 8 | ·˘/˘··/˘ |
| "At thy bidding I came hither." | 8 | ··/˘··/˘ |
| In the wild whirl of the measure, | 8 | ······/˘ |
| Press and turn the dancing couple, | 8 | ····/˘/˘ |
| And the rolling drums are beaten, | 8 | ··/˘··/˘ |
| Shrill the clamorous trumpet soundeth. | 9 | ··/˘˘/˘/˘ |
| "White as driven snow thy cheeks are!" | 8 | ··/˘···· |
| Whispers Clara, inly trembling. | 9 | /˘/˘/˘/˘˘ |
| "At thy bidding I came hither," | 8 | ··/˘··/˘ |
| Hollow ring Ramiro's accents. | 8 | /˘·˘/˘/˘ |
| In the hall the tapers flicker, | 8 | ····/˘/˘ |
| With the eddying stream of dancers, | 9 | ··/˘˘··/˘ |
| And the rolling drums are beaten, | 8 | ··/˘··/˘ |
| Shrill the clamorous trumpet soundeth. | 9 | ··/˘˘/˘/˘ |
| "Cold as ice I feel thy fingers," | 8 | ······/˘ |
| Whispers Clara, thrilled with terror. | 8 | /˘/˘··/˘ |
| "At thy bidding I came hither." | 8 | ··/˘··/˘ |
| And they rush on in the vortex. | 8 | ······/˘ |
| "Leave me, leave me, Don Ramiro! | 8 | ·····˘/˘ |
| Like a corpse's scent thy breath is." | 8 | ··/˘···· |
| Once again the gloomy sentence, | 8 | ·˘/·/˘/˘ |
| "At thy bidding I came hither." | 8 | ··/˘··/˘ |
| And the firm floor glows and rustles, | 8 | ······/˘ |
| Merry sound the horns and fiddles; | 8 | /˘····/˘ |
| Like a woof of strange enchantment, | 8 | ·····˘/˘ |
| All within the hall is whirling. | 8 | ······/˘ |
| "Leave me, leave me, Don Ramiro!" | 8 | ·····˘/˘ |
| All is waving and revolving. | 8 | ··/˘·˘/˘ |
| Don Ramiro still repeateth, | 8 | ·˘/˘·˘/˘ |
| "At thy bidding I came hither." | 8 | ··/˘··/˘ |
| "In the name of God, begone then!" | 8 | ·····˘/· |
| Clara shrieked, with steadfast accent. | 8 | /˘··/·/· |
| And the word was scarcely spoken, | 8 | ····/˘/˘ |
| When Ramiro had evanished. | 8 | ·˘/˘···· |
| Clara stiffens! deathly pallid, | 8 | /˘/˘/˘/˘ |
| Numb with cold, with night encompassed. | 8 | ·····˘/˘ |
| In a swoon the lovely creature | 8 | ····/˘/˘ |
| To the shadowy realm is wafted. | 9 | ··/˘˘··/˘ |
| But the misty slumber passes, | 8 | ··/˘/˘/˘ |
| And at last she lifts her eyelids. | 8 | ······/· |
| Then again from sheer amazement | 8 | ·˘/··˘/˘ |
| Her fair eyes at once she closes. | 8 | ······/˘ |
| For she sees she hath not risen, | 8 | ······/˘ |
| Since the dance's first beginning. | 8 | ··/˘·˘/˘ |
| Still she sits beside the bridegroom, | 8 | ···˘/·/· |
| And he speaks with anxious question. | 8 | ····/˘/˘ |
| "Say, why waxed thy cheek so pallid? | 8 | ······/˘ |
| Wherefore filled thine eyes with shadows?" | 8 | /˘····/· |
| "And Ramiro?" stammers Clara, | 8 | ·˘/˘/˘/˘ |
| And her tongue is glued with horror. | 8 | ······/˘ |
| But with deep and serious furrows | 9 | ····/˘˘/˘ |
| Is the bridegroom's forehead wrinkled. | 8 | ··/·/˘/˘ |
| "Lady, ask not bloody tidings-- | 8 | /˘··/˘/˘ |
| Don Ramiro died this morning." | 8 | ·˘/˘··/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.