A Dream of Bric-A-Brac
I dreamed I was in fair Niphon.Amid tea-fields I journeyed on,Reclined in my jinrikishaw;Across the rolling plains I sawThe lordly Fusi-yama rise,His blue cone lost in bluer skies.
At last I bade my bearers stopBefore what seemed a china-shop.I roused myself and entered in.A fearful joy, like some sweet sin,Pierced through my bosom as I gazed,Entranced, transported, and amazed.
For all the house was but one room,And in its clear and grateful gloom,Filled with all odours strange and strongThat to the wondrous East belong,I saw above, around, below,A sight to make the warm heart glow,And leave the eager soul no lack,--An endless wealth of bric-a-brac.
I saw bronze statues, old and rare,Fashioned by no mere mortal skill,With robes that fluttered in the air,Blown out by Art's eternal will;And delicate ivory netsukes,Richer in tone than Cheddar cheese,Of saints and hermits, cats and dogs,Grim warriors and ecstatic frogs.
And here and there those wondrous masks,More living flesh than sandal-wood,Where the full soul in pleasure basksAnd dreams of love, the only good.The walls were all with pictures hung:Gay villas bright in rain-washed air,Trees to whose boughs brown monkeys clung,Outlineless dabs of fuzzy hair.And all about the opulent shelvesLittered with porcelain beyond price:Imari pots arrayed themselvesBeside Ming dishes; grain-of-riceVied with the Royal Satsuma,Proud of its sallow ivory beam;And Kaga's Thousand Hermits layTranced in some punch-bowl's golden gleam.Over bronze censers, black with age,The five-clawed dragons strife engage;A curled and insolent Dog of FooSniffs at the smoke aspiring through.
In what old days, in what far lands,What busy brains, what cunning hands,With what quaint speech, what alien thought,Strange fellow-men these marvels wrought!
As thus I mused, I was awareThere grew before my eager eyesA little maid too bright and fair,Too strangely lovely for surprise.It seemed the beauty of the placeHad suddenly become concrete,So full was she of Orient grace,From her slant eyes and burnished faceDown to her little gold-bronzed feet.She was a girl of old Japan;Her small hand held a gilded fan,Which scattered fragrance through the room;Her cheek was rich with pallid bloom,Her eye was dark with languid fire,Her red lips breathed a vague desire;Her teeth, of pearl inviolate,Sweetly proclaimed her maiden state.Her garb was stiff with broidered goldTwined with mysterious fold on fold,That gave no hint where, hidden well,Her dainty form might warmly dwell,--A pearl within too large a shell.So quaint, so short, so lissome, she,It seemed as if it well might beSome jocose god, with sportive whirl,Had taken up a long lithe girlAnd tied a graceful knot in her.I tried to speak, and found, oh, bliss!I needed no interpreter;I knew the Japanese for kiss,--I had no other thought but this;And she, with smile and blush divine,Kind to my stammering prayer did seem;My thought was hers, and hers was mine,In the swift logic of my dream.My arms clung round her slender waist,Through gold and silk the form I traced,And glad as rain that follows drouth,I kissed and kissed her bright red mouth.
What ailed the girl? No loving sighHeaved the round bosom; in her eyeTrembled no tear; from her dear throatBubbled a sweet and silvery noteOf girlish laughter, shrill and clear,That all the statues seemed to hear.The bronzes tinkled laughter fine;I heard a chuckle argentineRing from the silver images;Even the ivory netsukesUttered in every silent pauseDry, bony laughs from tiny jaws;The painted monkeys on the wallWaked up with chatter impudent;Pottery, porcelain, bronze, and allBroke out in ghostly merriment,--Faint as rain pattering on dry leaves,Or cricket's chirp on summer eves.
And suddenly upon my sightThere grew a portent: left and right,On every side, as if the airHad taken substance then and there,In every sort of form and face,A throng of tourists filled the place.I saw a Frenchman's sneering shrug;A German countess, in one handA sky-blue string which held a pug,With the other a fiery face she fanned;A Yankee with a soft felt hat;A Coptic priest from Ararat;An English girl with cheeks of rose;A Nihilist with Socratic nose;Paddy from Cork with baggage lightAnd pockets stuffed with dynamite;A haughty Southern Readjuster,Wrapped in his pride and linen duster;Two noisy New York stockbrokers,And twenty British globe-trotters.To my disgust and vast surprise,They turned on me lack-lustre eyes,And each with dropped and wagging jawBurst out into a wild guffaw:They laughed with huge mouths opened wide;They roared till each one held his side;They screamed and writhed with brutal glee,With fingers rudely stretched to me,--Till lo! at once the laughter died,The tourists faded into air;None but my fair maid lingered there,Who stood demurely by my side."Who were your friends?" I asked the maid,Taking a tea-cup from its shelf."This audience is disclosed," she said,"Whenever a man makes a fool of himself."
Words in this poem 37
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- reclined a.
- Falling or turned downward; reclinate.
- bade
- A form of the pat tense of Bid.
- wondrous adv.
- In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
- wealth n.
- Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
- cheddar a.
- Of or pertaining to, or made at, Cheddar, in England; as, Cheddar cheese.
- clung a.
- Wasted away; shrunken. [Prop. p. p. fr. OE. clingen to wither. See Cling, v. i.]
- fuzzy a.
- Not firmly woven; that ravels. [See Fuzz, n.]
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- aspiring a.
- That aspires; as, an Aspiring mind.
- quaint a.
- Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
- strangely adv.
- As something foreign, or not one's own; in a manner adapted to something foreign and strange.
- inviolate a.
- Not violated; uninjured; unhurt; unbroken. [L. inviolatus. See In- not, and Violate.]
- garb n.
- External appearance, as expressive of the feelings or character; looks; fashion or manner, as of speech. [OF. garbe looks, countenance, grace, ornament, fr. OHG. garawi, garwi, ornament, dress. akin to E. gear. See Gear, n.]
- dainty n.
- Value; estimation; the gratification or pleasure taken in anything. [OE. deinie, dainte, deintie, deyntee, OF. deintié delicacy, orig., dignity, honor, fr. L. dignitas, fr. dignus worthy. See Deign, and cf. Dignity.]
- warmly adv.
- In a warm manner; ardently.
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- lissome a.
- Limber; supple; flexible; lithe; lithesome. [For lithesome.]
- lithe v. i.
- To listen or listen to; to hearken to. P. Plowman. [Icel Listen.]
- girlish a.
- Like, or characteristic of, a girl; of or pertaining to girlhood; innocent; artless; immature; weak; as, girlish ways; girlish grief.
- chuckle v. t.
- To call, as a hen her chickens; to cluck. [From lst Chuck.]
- argentine a.
- Pertaining to, or resembling, silver; made of, or sounding like, silver; silvery.
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- ghostly a.
- Relating to the soul; not carnal or secular; spiritual; as, a ghostly confessor. [OE. gastlich, gostlich, AS. gastlic. See Ghost.]
- portent n.
- That which portends, or foretoken; esp., that which portends evil; a sign of coming calamity; an omen; a sign. [L. portentum. See Portend.]
- shrug v. t.
- To draw up or contract (the shoulders), especially by way of expressing dislike, dread, doubt, or the like. [Probably akin to shrink, p. p. shrunk; cf. Dan. skrugge, skrukke, to stoop, dial. Sw. skrukka, skruga, to crouch.]
- countess n.
- The wife of an earl in the British peerage, or of a count in the Continental nobility; also, a lady possessed of the same dignity in her own right. See the Note under Count. [F. comtesse. See Count a nobleman.]
- coptic a.
- Of or pertaining to the Copts. [Abbrev. from L. Aegyptius an Egyprian, Gr. kibti, pl. kibt.]
- nihilist n.
- One who advocates the doctrine of nihilism; one who believes or teaches that nothing can be known, or asserted to exist. [Cf. F. nihiliste. See Nihilism.]
- socratic a.
- Of or pertaining to Socrates, the Grecian sage and teacher. (b.
- paddy a.
- Low; mean; boorish; vagabond. [Prov. E. paddy worm-eaten.]
- haughty a.
- High; lofty; bold. [OE. hautein, F. hautain, fr. haut high, OF. also halt, fr. L. altus. See Altitude.]
- duster n.
- One who, or that which, dusts; a utensil that frees from dust.
- lustre n.
- A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
- guffaw n.
- A loud burst of laughter, a horse laugh.
- glee n.
- Music; minstrelsy; entertainment.
- demurely adv.
- In a demure manner; soberly; gravely; -- now, commonly, with a mere show of gravity or modesty.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Dream of Bric-A-Brac is in the public domain. This text is taken from Pike County Ballads and Other Poems, Project Gutenberg ebook #6062; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: John Hay, A Dream of Bric-A-Brac, in Pike County Ballads and Other Poems (1871), text of Project Gutenberg ebook #6062, Laurel, https://laurelpoetry.com/poem/hay-pike-county/a-dream-of-bric-a-brac.html, id L21606.
Form and metre
A Dream of Bric-A-Brac is 145 lines in 9 verse paragraphs. It is in rhyming couplets, 55% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 89%).
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCC niphonA · onA · jinrikishawB · sawB · riseC · skiesC
- 2 AABBCC stopA · shopA · inB · sinB · gazedC · amazedC
- 3 AABBCCDD roomA · gloomA · strongB · belongB · belowC · glowC · lackD · bracD
- 4 ABAB--CC rareA · skillB · airA · willB · netsukes · cheese · dogsC · frogsC
- 5 ABABCDCDEFEF-G-GHHII masksA · woodB · basksA · goodB · hungC · airD · clungC · hairD · shelvesE · priceF · themselvesE · riceF · satsuma · beamG · lay · gleamG · ageH · engageH · fooI · throughI
- 6 AABB landsA · handsA · thoughtB · wroughtB
- 7 ABABCDCCDEEFFGGHHIIJJJKKLL-M-MMNONOPPQQ awareA · eyesB · fairA · surpriseB · placeC · concreteD · graceC · faceC · feetD · japanE · fanE · roomF · bloomF · fireG · desireG · inviolateH · stateH · goldI · foldI · wellJ · dwellJ · shellJ · sheK · beK · whirlL · girlL · her · blissM · interpreter · kissM · thisM · divineN · seemO · mineN · dreamO · waistP · tracedP · drouthQ · mouthQ
- 8 AABBCC--D-DDEFEFGG sighA · eyeA · throatB · noteB · clearC · hearC · fine · argentine · imagesD · netsukes · pauseD · jawsD · wallE · impudentF · allE · merrimentF · leavesG · evesG
- 9 AABBCCDEDE--FFGGHHIIIIJJKKLLKMMK-N-N sightA · rightA · airB · thereB · faceC · placeC · shrugD · handE · pugD · fannedE · hat · ararat · roseF · noseF · lightG · dynamiteG · readjusterH · dusterH · stockbrokersI · trottersI · surpriseI · eyesI · jawJ · guffawJ · wideK · sideK · gleeL · meL · diedK · airM · thereM · sideK · maid · shelfN · said · himselfN
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I dreamed I was in fair Niphon. | 8 | ········ |
| Amid tea-fields I journeyed on, | 8 | ˘/···/˘· |
| Reclined in my jinrikishaw; | 8 | ˘/······ |
| Across the rolling plains I saw | 8 | ˘/·/˘··· |
| The lordly Fusi-yama rise, | 8 | ·/˘··/˘· |
| His blue cone lost in bluer skies. | 8 | ·····/˘· |
| At last I bade my bearers stop | 8 | ·····/˘· |
| Before what seemed a china-shop. | 8 | ·····/˘· |
| I roused myself and entered in. | 8 | ···/·/˘· |
| A fearful joy, like some sweet sin, | 8 | ·/˘····· |
| Pierced through my bosom as I gazed, | 8 | ···/˘··· |
| Entranced, transported, and amazed. | 8 | ˘/˘/˘·˘/ |
| For all the house was but one room, | 8 | ········ |
| And in its clear and grateful gloom, | 8 | ·····/˘· |
| Filled with all odours strange and strong | 8 | ···/˘··· |
| That to the wondrous East belong, | 8 | ···/˘·˘/ |
| I saw above, around, below, | 8 | ········ |
| A sight to make the warm heart glow, | 8 | ········ |
| And leave the eager soul no lack,-- | 8 | ···/˘··· |
| An endless wealth of bric-a-brac. | 8 | ·/˘····· |
| I saw bronze statues, old and rare, | 8 | ···/···· |
| Fashioned by no mere mortal skill, | 8 | /˘···/˘· |
| With robes that fluttered in the air, | 8 | ···/˘··· |
| Blown out by Art's eternal will; | 8 | ····˘/˘· |
| And delicate ivory netsukes, | 8 | ·/˘/˘˘·· |
| Richer in tone than Cheddar cheese, | 8 | /˘···/˘· |
| Of saints and hermits, cats and dogs, | 8 | ···/˘··· |
| Grim warriors and ecstatic frogs. | 8 | ·/˘·˘/˘· |
| And here and there those wondrous masks, | 8 | ·····/˘· |
| More living flesh than sandal-wood, | 8 | ·/˘··/˘· |
| Where the full soul in pleasure basks | 8 | ·····/˘· |
| And dreams of love, the only good. | 8 | ·····/˘· |
| The walls were all with pictures hung: | 8 | ·····/˘· |
| Gay villas bright in rain-washed air, | 8 | ·/˘····· |
| Trees to whose boughs brown monkeys clung, | 8 | ·····/˘· |
| Outlineless dabs of fuzzy hair. | 9 | ······/˘· |
| And all about the opulent shelves | 8 | ·····/˘· |
| Littered with porcelain beyond price: | 8 | /˘·/˘··· |
| Imari pots arrayed themselves | 8 | ˘/˘·˘/˘/ |
| Beside Ming dishes; grain-of-rice | 8 | ˘/·/˘··· |
| Vied with the Royal Satsuma, | 8 | ···/˘··· |
| Proud of its sallow ivory beam; | 8 | ···/˘/˘· |
| And Kaga's Thousand Hermits lay | 8 | ···/˘/˘· |
| Tranced in some punch-bowl's golden gleam. | 8 | ·····/˘· |
| Over bronze censers, black with age, | 8 | ···/˘··· |
| The five-clawed dragons strife engage; | 8 | ···/˘·˘/ |
| A curled and insolent Dog of Foo | 8 | ···/˘··· |
| Sniffs at the smoke aspiring through. | 8 | ····˘/˘· |
| In what old days, in what far lands, | 8 | ········ |
| What busy brains, what cunning hands, | 8 | ·/˘··/˘· |
| With what quaint speech, what alien thought, | 8 | ·····/˘· |
| Strange fellow-men these marvels wrought! | 8 | ·/˘··/˘· |
| As thus I mused, I was aware | 8 | ······˘/ |
| There grew before my eager eyes | 8 | ·····/˘· |
| A little maid too bright and fair, | 8 | ·/˘····· |
| Too strangely lovely for surprise. | 8 | ·/˘/˘·˘/ |
| It seemed the beauty of the place | 8 | ···/˘··· |
| Had suddenly become concrete, | 8 | ·/˘˘˘/˘/ |
| So full was she of Orient grace, | 9 | ·····/˘·· |
| From her slant eyes and burnished face | 8 | ·····/˘· |
| Down to her little gold-bronzed feet. | 8 | ···/˘··· |
| She was a girl of old Japan; | 8 | ······˘/ |
| Her small hand held a gilded fan, | 8 | ·····/˘· |
| Which scattered fragrance through the room; | 8 | ·/˘/˘··· |
| Her cheek was rich with pallid bloom, | 8 | ·····/˘· |
| Her eye was dark with languid fire, | 9 | ·····/˘/˘ |
| Her red lips breathed a vague desire; | 9 | ······˘/˘ |
| Her teeth, of pearl inviolate, | 8 | ····˘/˘˘ |
| Sweetly proclaimed her maiden state. | 8 | /˘˘/·/˘· |
| Her garb was stiff with broidered gold | 8 | ········ |
| Twined with mysterious fold on fold, | 8 | ··˘/˘··· |
| That gave no hint where, hidden well, | 8 | ·····/˘· |
| Her dainty form might warmly dwell,-- | 8 | ·/˘··/˘· |
| A pearl within too large a shell. | 8 | ········ |
| So quaint, so short, so lissome, she, | 8 | ········ |
| It seemed as if it well might be | 8 | ········ |
| Some jocose god, with sportive whirl, | 8 | ·˘/··/˘· |
| Had taken up a long lithe girl | 8 | ·/˘····· |
| And tied a graceful knot in her. | 8 | ···/˘··· |
| I tried to speak, and found, oh, bliss! | 8 | ········ |
| I needed no interpreter; | 8 | ·/˘·˘/˘˘ |
| I knew the Japanese for kiss,-- | 8 | ····˘/·· |
| I had no other thought but this; | 8 | ···/˘··· |
| And she, with smile and blush divine, | 8 | ······˘/ |
| Kind to my stammering prayer did seem; | 8 | ···/˘··· |
| My thought was hers, and hers was mine, | 8 | ········ |
| In the swift logic of my dream. | 8 | ···/˘··· |
| My arms clung round her slender waist, | 8 | ·····/˘· |
| Through gold and silk the form I traced, | 8 | ········ |
| And glad as rain that follows drouth, | 8 | ·····/˘· |
| I kissed and kissed her bright red mouth. | 8 | ········ |
| What ailed the girl? No loving sigh | 8 | ·····/˘· |
| Heaved the round bosom; in her eye | 8 | ···/˘··· |
| Trembled no tear; from her dear throat | 8 | /˘······ |
| Bubbled a sweet and silvery note | 8 | /˘···/˘· |
| Of girlish laughter, shrill and clear, | 8 | ·/˘/˘··· |
| That all the statues seemed to hear. | 8 | ···/···· |
| The bronzes tinkled laughter fine; | 8 | ·/˘/˘/˘· |
| I heard a chuckle argentine | 8 | ···/˘/˘· |
| Ring from the silver images; | 8 | ···/˘/˘˘ |
| Even the ivory netsukes | 8 | /˘·/˘˘·· |
| Uttered in every silent pause | 8 | /˘·/˘/˘· |
| Dry, bony laughs from tiny jaws; | 8 | ·/˘··/˘· |
| The painted monkeys on the wall | 8 | ·/˘/˘··· |
| Waked up with chatter impudent; | 8 | ···/˘/˘˘ |
| Pottery, porcelain, bronze, and all | 8 | /˘/˘˘··· |
| Broke out in ghostly merriment,-- | 8 | ···/˘/˘˘ |
| Faint as rain pattering on dry leaves, | 8 | ···/˘··· |
| Or cricket's chirp on summer eves. | 8 | ·/˘··/˘· |
| And suddenly upon my sight | 8 | ·/˘˘···· |
| There grew a portent: left and right, | 8 | ···/˘··· |
| On every side, as if the air | 8 | ·/˘····· |
| Had taken substance then and there, | 8 | ·/˘/˘··· |
| In every sort of form and face, | 8 | ·/˘····· |
| A throng of tourists filled the place. | 8 | ···/˘··· |
| I saw a Frenchman's sneering shrug; | 8 | ···/˘/˘· |
| A German countess, in one hand | 8 | ·/˘/˘··· |
| A sky-blue string which held a pug, | 8 | ········ |
| With the other a fiery face she fanned; | 10 | ··/˘·/˘··· |
| A Yankee with a soft felt hat; | 8 | ·/˘····· |
| A Coptic priest from Ararat; | 8 | ·/˘··/˘· |
| An English girl with cheeks of rose; | 8 | ·/˘····· |
| A Nihilist with Socratic nose; | 9 | ·/˘˘·˘/˘· |
| Paddy from Cork with baggage light | 8 | /˘···/˘· |
| And pockets stuffed with dynamite; | 8 | ·/˘··/˘· |
| A haughty Southern Readjuster, | 8 | ·/˘/˘··· |
| Wrapped in his pride and linen duster; | 9 | ·····/˘/˘ |
| Two noisy New York stockbrokers, | 8 | ·/˘··/·˘ |
| And twenty British globe-trotters. | 8 | ·/˘/˘·/˘ |
| To my disgust and vast surprise, | 8 | ··˘/··˘/ |
| They turned on me lack-lustre eyes, | 8 | ·····/˘· |
| And each with dropped and wagging jaw | 8 | ·····/˘· |
| Burst out into a wild guffaw: | 8 | ······˘/ |
| They laughed with huge mouths opened wide; | 8 | ·····/˘· |
| They roared till each one held his side; | 8 | ········ |
| They screamed and writhed with brutal glee, | 8 | ·····/˘· |
| With fingers rudely stretched to me,-- | 8 | ·/˘/˘··· |
| Till lo! at once the laughter died, | 8 | ·····/˘· |
| The tourists faded into air; | 8 | ·/˘/˘··· |
| None but my fair maid lingered there, | 8 | ·····/˘· |
| Who stood demurely by my side. | 8 | ··˘/˘··· |
| "Who were your friends?" I asked the maid, | 8 | ········ |
| Taking a tea-cup from its shelf. | 8 | /˘······ |
| "This audience is disclosed," she said, | 8 | ·/˘·˘/·· |
| "Whenever a man makes a fool of himself." | 11 | ˘/˘······˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.