Under the Waterfall
“WHENEVER I plunge my arm, like this,In a basin of water, I never missThe sweet sharp sense of a fugitive dayFetched back from its thickening shroud of gray.Hence the only primeAnd real love-rhymeThat I know by heart,And that leaves no smart,Is the purl of a little valley fallAbout three spans wide and two spans tallOver a table of solid rock,And into a scoop of the self-same block;The purl of a runlet that never ceasesIn stir of kingdoms, in wars, in peaces;With a hollow boiling voice it speaksAnd has spoken since hills were turfless peaks.”
“And why gives this the only primeIdea to you of a real love-rhyme?And why does plunging your arm in a bowlFull of spring water, bring throbs to your soul?”
“Well, under the fall, in a crease of the stone,Though where precisely none ever has known,Jammed darkly, nothing to show how prized,And by now with its smoothness opalized,Is a drinking-glass:For, down that passMy lover and IWalked under a skyOf blue with a leaf-woven awning of green,In the burn of August, to paint the scene,And we placed our basket of fruit and wineBy the runlet’s rim, where we sat to dine;And when we had drunk from the glass together,Arched by the oak-copse from the weather,I held the vessel to rinse in the fall,Where it slipped, and sank, and was past recall,Though we stooped and plumbed the little abyssWith long bared arms. There the glass still is.And, as said, if I thrust my arm belowCold water in basin or bowl, a throeFrom the past awakens a sense of that time,And the glass both used, and the cascade’s rhyme.The basin seems the pool, and its edgeThe hard smooth face of the brook-side ledge,And the leafy pattern of china-wareThe hanging plants that were bathing there.By night, by day, when it shines or lours,There lies intact that chalice of ours,And its presence adds to the rhyme of lovePersistently sung by the fall above.No lip has touched it since his and mineIn turns therefrom sipped lovers’ wine.”
Words in this poem
- purl v. t.
- To decorate with fringe or embroidery. [Contr. fr. purfile, purfle. See Purfle.]
- runlet n.
- A little run or stream; a streamlet; a brook. [Run + -let.]
- turfless a.
- Destitute of turf.
- awning n.
- A rooflike cover, usually of canvas, extended over or before any place as a shelter from the sun, rain, or wind. [Origin uncertain: cf. F. auvent awing, or Pers. awan, awang, anything suspended, or LG. havening a place sheltered from wind and weather, E. haven.]
- dine v. i.
- To eat the principal regular meal of the day; to take dinner. [F. dîner, OF. disner, LL. disnare, contr. fr. an assumed disjunare; dis- + an assumed junare (OF. juner) to fast, for L. jejunare, fr. jejunus fasting. See Jeju]
- rinse v. t.
- To wash lightly; to cleanse with a second or repeated application of water after washing. [OE., fr. OF. rincer, rimser, reinser, raïncier, F. rincer; of uncertain origin.]
- throe n.
- Extreme pain; violent pang; anguish; agony; especially, one of the pangs of travail in childbirth, or purturition. [OE. , , AS. a threatening, oppression, suffering, perhaps influenced by Icel. a throe, a pang, a longing; cf. AS. to suffer.]
- intact a.
- Untouched, especially by anything that harms, defiles, or the like; uninjured; undefiled; left complete or entire. Buckle. [L. intactus; pref. in- not + tactus, p. p. of tangere to touch: cf. F. intact. See In- not, and Tact, Tangent.]
- chalice n.
- A cup or bowl; especially, the cup used in the sacrament of the Lord's Supper. [OR. chalis, calice, OF. chalice, calice, F. calice, fr. L. calix, akin to Gr. helmet. Cf. Calice, Calyx.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Under the Waterfall is in the public domain. This text is taken from Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces, Project Gutenberg ebook #2863; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Hardy, Under the Waterfall, in Satires of Circumstance, Lyrics and Reveries (1914), text of Project Gutenberg ebook #2863, Laurel, https://laurelpoetry.com/poem/hardy-satires/under-the-waterfall.html, id L24041.
Form and metre
Under the Waterfall is 52 lines in 3 verse paragraphs. It is in rhyming couplets, 92% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 76%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHH thisA · missA · dayB · grayB · primeC · rhymeC · heartD · smartD · fallE · tallE · rockF · blockF · ceasesG · peacesG · speaksH · peaksH
- 2 AABB primeA · rhymeA · bowlB · soulB
- 3 AABBCCDDEEFFGGHH--IIJJKKLL--MMNN stoneA · knownA · prizedB · opalizedB · glassC · passC · iD · skyD · greenE · sceneE · wineF · dineF · togetherG · weatherG · fallH · recallH · abyss · is · belowI · throeI · timeJ · rhymeJ · edgeK · ledgeK · wareL · thereL · lours · ours · loveM · aboveM · mineN · wineN
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| “WHENEVER I plunge my arm, like this, | 9 | ˘/˘······ |
| In a basin of water, I never miss | 10 | ··/˘·/˘·/· |
| The sweet sharp sense of a fugitive day | 10 | ······/˘˘· |
| Fetched back from its thickening shroud of gray. | 10 | ····/˘˘··· |
| Hence the only prime | 5 | ··/˘· |
| And real love-rhyme | 4 | ···· |
| That I know by heart, | 5 | ····· |
| And that leaves no smart, | 5 | ····· |
| Is the purl of a little valley fall | 10 | ·····/˘/˘· |
| About three spans wide and two spans tall | 9 | ········· |
| Over a table of solid rock, | 9 | ···/˘·/˘· |
| And into a scoop of the self-same block; | 10 | ·········· |
| The purl of a runlet that never ceases | 11 | ····/˘·/˘/˘ |
| In stir of kingdoms, in wars, in peaces; | 10 | ···/˘···/˘ |
| With a hollow boiling voice it speaks | 9 | ··/˘/˘··· |
| And has spoken since hills were turfless peaks.” | 10 | ··/˘···/˘· |
| “And why gives this the only prime | 8 | ·····/˘· |
| Idea to you of a real love-rhyme? | 10 | ˘/˘······· |
| And why does plunging your arm in a bowl | 10 | ···/˘····· |
| Full of spring water, bring throbs to your soul?” | 10 | ···/˘····· |
| “Well, under the fall, in a crease of the stone, | 11 | ··········· |
| Though where precisely none ever has known, | 10 | ··˘/˘·/˘·· |
| Jammed darkly, nothing to show how prized, | 10 | ·˘/˘/˘···· |
| And by now with its smoothness opalized, | 10 | ·····/˘··· |
| Is a drinking-glass: | 5 | ··/˘· |
| For, down that pass | 4 | ···· |
| My lover and I | 5 | ·/˘·· |
| Walked under a sky | 5 | ····· |
| Of blue with a leaf-woven awning of green, | 11 | ·····/˘/˘·· |
| In the burn of August, to paint the scene, | 10 | ····/˘···· |
| And we placed our basket of fruit and wine | 10 | ···//˘···· |
| By the runlet’s rim, where we sat to dine; | 10 | ·········· |
| And when we had drunk from the glass together, | 11 | ········˘/˘ |
| Arched by the oak-copse from the weather, | 10 | ·˘······/˘ |
| I held the vessel to rinse in the fall, | 10 | ···/˘····· |
| Where it slipped, and sank, and was past recall, | 10 | ········/· |
| Though we stooped and plumbed the little abyss | 10 | ······/˘˘/ |
| With long bared arms. There the glass still is. | 10 | ···˘······ |
| And, as said, if I thrust my arm below | 10 | ·········· |
| Cold water in basin or bowl, a throe | 10 | ·/˘·/˘···· |
| From the past awakens a sense of that time, | 11 | ···˘/˘····· |
| And the glass both used, and the cascade’s rhyme. | 10 | ·······˘/· |
| The basin seems the pool, and its edge | 9 | ·/˘······ |
| The hard smooth face of the brook-side ledge, | 9 | ········· |
| And the leafy pattern of china-ware | 10 | ··/˘/˘·/˘· |
| The hanging plants that were bathing there. | 9 | ·/˘···/˘· |
| By night, by day, when it shines or lours, | 9 | ········· |
| There lies intact that chalice of ours, | 10 | ··˘/·/˘·/˘ |
| And its presence adds to the rhyme of love | 10 | ··/˘······ |
| Persistently sung by the fall above. | 10 | ˘/˘˘······ |
| No lip has touched it since his and mine | 10 | ····˘····· |
| In turns therefrom sipped lovers’ wine.” | 9 | ··˘/·˘/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.