The Telegram

Thomas Hardy (1840–1928) · 1914

iambic tetrameter · ABAB · 61 lines · from Satires of Circumstance, Lyrics and Reveries

“O HE’S suffering—maybe dying—and I not there to aid,And smooth his bed and whisper to him! Can I nohow go?Only the nurse’s brief twelve words thus hurriedly conveyed,As by stealth, to let me know.

“He was the best and brightest!—candour shone upon his brow,And I shall never meet again a soldier such as he,And I loved him ere I knew it, and perhaps he’s sinking now,Far, far removed from me!”

—The yachts ride mute at anchor and the fulling moon is fair,And the giddy folk are strutting up and down the smooth parade,And in her wild distraction she seems not to be awareThat she lives no more a maid,

But has vowed and wived herself to one who blessed the ground she trodTo and from his scene of ministry, and thought her history knownIn its last particular to him—aye, almost as to God,And believed her quite his own.

So great her absentmindedness she droops as in a swoon,And a movement of aversion mars her recent spousal grace,And in silence we two sit here in our waning honeymoonAt this idle watering-place . . .

What now I see before me is a long lane overhungWith lovelessness, and stretching from the present to the grave.And I would I were away from this, with friends I knew when young,Ere a woman held me slave.

(On Egdon Heath)

“WHAT are you still, still thinking,”He asked in vague surmise,“That stare at the wick unblinkingWith those great lost luminous eyes?”

“O, I see a poor moth burningIn the candle-flame,” said she,“Its wings and legs are turningTo a cinder rapidly.”

“Moths fly in from the heather,”He said, “now the days decline.”“I know,” said she. “The weather,I hope, will at last be fine.

“I think,” she added lightly,“I’ll look out at the door.The ring the moon wears nightlyMay be visible now no more.”

She rose, and, little heeding,Her husband then went onWith his attentive readingIn the annals of ages gone.

Outside the house a figureCame from the tumulus near,And speedily waxed bigger,And clasped and called her Dear.

“I saw the pale-winged tokenYou sent through the crack,” sighed she.“That moth is burnt and brokenWith which you lured out me.

“And were I as the moth isIt might be better farFor one whose marriage troth isShattered as potsherds are!”

Then grinned the Ancient BritonFrom the tumulus treed with pine:“So, hearts are thwartly smittenIn these days as in mine!”

Words in this poem 19
maybe adv.
Perhaps; possibly; peradventure. [For it may be.]
stealth n.
The act of stealing; theft. [OE. staple. See Steal, v. t.]
candour n.
Whiteness; brightness; (as applied to moral conditions) usullied purity; innocence. [L. candor, fr. candëre; cf. F. candeur. See candid.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
folk n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
distraction n.
The act of distracting; a drawing apart; separation. [L. distractio: cf. F. distraction.]
aversion n.
A turning away. [L. aversio: cf. F. aversion. See Avert.]
spousal a.
Of or pertaining to a spouse or marriage; nuptial; matrimonial; conjugal; bridal; as, spousal rites; spousal ornaments. [See Espousal, Sponsal, and Spouse.]
waning n.
The act or process of waning, or decreasing.
honeymoon n.
The first month after marriage.
overhung a.
Covered over; ornamented with hangings. Carlyle.
cinder n.
Partly burned or vitrified coal, or other combustible, in which fire is extinct. [AS. sinder slag, dross; akin to Icel. sindr dross, Sw. sinder, G. sinter, D. sintel; perh. influenced by F. cendre ashes, fr. L. cinis. Cf. Sinter.]
nightly a.
Of or pertaining to the night, or to every night; happening or done by night, or every night; as, nightly shades; he kept nightly vigils.
went n.
Course; way; path; journey; direction.
annals n.
A relation of events in chronological order, each event being recorded under the year in which it happened. [L. annalis (sc. liber), and more frequently in the pl. annales (sc. libri), chronicles, fr. annus year. Cf. Annual.]
tumulus n.
An artificial hillock, especially one raised over a grave, particularly over the graves of persons buried in ancient times; a barrow. [L., a mound, a sepulchral mound, probably from tumere to swell. Cf. Tumid.]
bigger a.
, compar. of Big.
troth n.
Belief; faith; fidelity. [A variant of truth. See Truth.]
thwartly adv.
Transversely; obliquely.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Telegram is in the public domain. This text is taken from Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces, Project Gutenberg ebook #2863; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Thomas Hardy, The Telegram, in Satires of Circumstance, Lyrics and Reveries (1914), text of Project Gutenberg ebook #2863, Laurel, https://laurelpoetry.com/poem/hardy-satires/the-telegram.html, id L24087.

Form and metre

The Telegram is 61 lines in 16 stanzas. The rhyme scheme is ABAB, complete in 13 of its 16 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 84%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB aidA · goB · conveyedA · knowB
  2. 2 ABAB browA · heB · nowA · meB
  3. 3 ABAB fairA · paradeB · awareA · maidB
  4. 4 ABAB trodA · knownB · godA · ownB
  5. 5 ABAB swoonA · graceB · honeymoonA · placeB
  6. 6 ABAB overhungA · graveB · youngA · slaveB
  7. 8 ABAB thinkingA · surmiseB · unblinkingA · eyesB
  8. 9 A-A- burningA · she · turningA · rapidly
  9. 10 ABAB heatherA · declineB · weatherA · fineB
  10. 11 ABAB lightlyA · doorB · nightlyA · moreB
  11. 12 ABAB heedingA · onB · readingA · goneB
  12. 13 -A-A figure · nearA · bigger · dearA
  13. 14 ABAB tokenA · sheB · brokenA · meB
  14. 15 ABAB isA · farB · isA · areB
  15. 16 ABAB britonA · pineB · smittenA · mineB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
“O HE’S suffering—maybe dying—and I not there to aid,14··/˘/˘/˘······
And smooth his bed and whisper to him! Can I nohow go?14·····/˘·······
Only the nurse’s brief twelve words thus hurriedly conveyed,13/˘·/˘····/˘˘/
As by stealth, to let me know.7·······
“He was the best and brightest!—candour shone upon his brow,14·····/˘/˘·····
And I shall never meet again a soldier such as he,13···/·˘/·/˘···
And I loved him ere I knew it, and perhaps he’s sinking now,15·········˘/·/˘·
Far, far removed from me!”7··˘/˘··
—The yachts ride mute at anchor and the fulling moon is fair,14·····/˘··/˘···
And the giddy folk are strutting up and down the smooth parade,15··/˘··/˘·····˘/
And in her wild distraction she seems not to be aware14····˘/˘·····˘/
That she lives no more a maid,7·······
But has vowed and wived herself to one who blessed the ground she trod15·····˘/········
To and from his scene of ministry, and thought her history known14······/˘···/˘·
In its last particular to him—aye, almost as to God,14···˘/˘···/····
And believed her quite his own.8·˘/˘····
So great her absentmindedness she droops as in a swoon,14··············
And a movement of aversion mars her recent spousal grace,15··/˘·˘/˘··/˘/˘·
And in silence we two sit here in our waning honeymoon15··/˘·····//˘/˘·
At this idle watering-place . . .8··/˘/˘˘·
What now I see before me is a long lane overhung13···········˘/
With lovelessness, and stretching from the present to the grave.15······/˘··/˘···
And I would I were away from this, with friends I knew when young,15·····˘/········
Ere a woman held me slave.7··/˘···
(On Egdon Heath)4····
“WHAT are you still, still thinking,”7·····/˘
He asked in vague surmise,7··˘··˘/
“That stare at the wick unblinking8········
With those great lost luminous eyes?”8····/˘˘·
“O, I see a poor moth burning8······/˘
In the candle-flame,” said she,7··/˘···
“Its wings and legs are turning7·····/˘
To a cinder rapidly.”7··/˘/˘˘
“Moths fly in from the heather,”7·····/˘
He said, “now the days decline.”7·····˘/
“I know,” said she. “The weather,7·····/˘
I hope, will at last be fine.7·······
“I think,” she added lightly,7···/˘/˘
“I’ll look out at the door.6······
The ring the moon wears nightly7·····/˘
May be visible now no more.”8··/˘˘···
She rose, and, little heeding,7···/˘/˘
Her husband then went on6·/˘···
With his attentive reading7··˘/˘/˘
In the annals of ages gone.8··/˘·/˘·
Outside the house a figure7//···/˘
Came from the tumulus near,7···/˘˘·
And speedily waxed bigger,8·/˘˘·˘/˘
And clasped and called her Dear.8··˘··˘··
“I saw the pale-winged token8·····˘/˘
You sent through the crack,” sighed she.8······˘·
“That moth is burnt and broken7·····/˘
With which you lured out me.7····˘··
“And were I as the moth is7·······
It might be better far6···/˘·
For one whose marriage troth is7···/˘··
Shattered as potsherds are!”7/˘˘····
Then grinned the Ancient Briton8··˘·/˘/˘
From the tumulus treed with pine:8··/˘˘···
“So, hearts are thwartly smitten7···/˘/˘
In these days as in mine!”6······

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