The Re-Enactment
BETWEEN the folding sea-downs,In the gloomOf a wailful wintry nightfall,When the boomOf the ocean, like a hammering in a hollow tomb,
Throbbed up the copse-clothed valleyFrom the shoreTo the chamber where I darkled,Sunk and soreWith gray ponderings why my Loved one had not come before
To salute me in the dwellingThat of lateI had hired to waste a while in—Vague of date,Quaint, and remote—wherein I now expectant sate;
On the solitude, unsignalled,Broke a manWho, in air as if at home there,Seemed to scanEvery fire-flecked nook of the apartment span by span.
A stranger’s and no lover’sEyes were these,Eyes of a man who measuresWhat he seesBut vaguely, as if wrapt in filmy phantasies.
Yea, his bearing was so absentAs he stood,It bespoke a chord so plaintiveIn his mood,That soon I judged he would not wrong my quietude.
“Ah—the supper is just ready,”Then he said,“And the years’-long binned MadeiraFlashes red!”(There was no wine, no food, no supper-table spread.)
“You will forgive my coming,Lady fair?I see you as at that timeRising there,The self-same curious querying in your eyes and air.
“Yet no. How so? You wear notThe same gown,Your locks show woful difference,Are not brown:What, is it not as when I hither came from town?
“And the place . . . But you seem other—Can it be?What’s this that Time is doingUnto me?You dwell here, unknown woman? . . . Whereabouts, then, is she?
“And the house—things are much shifted.—Put them whereThey stood on this night’s fellow;Shift her chair:Here was the couch: and the piano should be there.”
I indulged him, verily nerve-strainedBeing alone,And I moved the things as bidden,One by one,And feigned to push the old piano where he had shown.
“Aha—now I can see her!Stand aside:Don’t thrust her from the tableWhere, meek-eyed,She makes attempt with matron-manners to preside.
“She serves me: now she rises,Goes to play . . .But you obstruct her, fill herWith dismay,And embarrassed, scared, she vanishes away!”
And, as ’twere useless longerTo persist,He sighed, and sought the entryEre I wist,And retreated, disappearing soundless in the mist.
That here some mighty passionOnce had burned,Which still the walls enghosted,I discerned,And that by its strong spell mine might be overturned.
I sat depressed; till, later,My Love came;But something in the chamberDimmed our flame,—An emanation, making our due words fall tame,
As if the intenser dramaShown me thereOf what the walls had witnessedFilled the air,And left no room for later passion anywhere.
So came it that our fervoursDid quite failOf future consummation—Being made quailBy the weird witchery of the parlour’s hidden tale,
Which I, as years passed, faintlyLearnt to trace,—One of sad love, born full-wingedIn that placeWhere the predestined sorrowers first stood face to face.
And as that month of winterCircles round,And the evening of the date-dayGrows embrowned,I am conscious of those presences, and sit spellbound.
There, often—lone, forsaken—Queries breedWithin me; whether a phantomHad my heedOn that strange night, or was it some wrecked heart indeed?
Words in this poem 19
- wailful a.
- Sorrowful; mournful.
- wintry a.
- Suitable to winter; resembling winter, or what belongs to winter; brumal; hyemal; cold; stormy; wintery. [AS. wintrig.]
- nightfall n.
- The close of the day.
- quaint a.
- Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
- sate v. t.
- To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- scan v. t.
- To mount by steps; to go through with step by step. [L. scandere, scansum, to climb, to scan, akin to Skr. skand to spring, leap: cf. F. scander. Cf. Ascend, Descend, Scale a ladder.]
- nook n.
- A narrow place formed by an angle in bodies or between bodies; a corner; a recess; a secluded retreat. [OE. nok; cf. Gael. & Ir. niuc.]
- filmy a.
- Composed of film or films.
- quietude n.
- Rest; repose; quiet; tranquillity. Shelley. [L. quietudo: cf. F. quiétude.]
- curious a.
- Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
- woful a.
- Full of woe; sorrowful; distressed with grief or calamity; afflicted; wretched; unhappy; sad.
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- whereabouts adv.
- About where; near what or which place; -- used interrogatively and relatively; as, whereabouts did you meet him
- soundless a.
- Not capable of being sounded or fathomed; unfathomable.
- consummation n.
- The act of consummating, or the state of being consummated; completed; completion; perfection; termination; end (as of the world or of life). [L. consummatio.]
- witchery
- Sorcery; enchantment; witchcraft.
- spellbound a.
- Bound by, or as by, a spell.
- lone n.
- A lane. See Loanin.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Re-Enactment is in the public domain. This text is taken from Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces, Project Gutenberg ebook #2863; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Hardy, The Re-Enactment, in Satires of Circumstance, Lyrics and Reveries (1914), text of Project Gutenberg ebook #2863, Laurel, https://laurelpoetry.com/poem/hardy-satires/the-re-enactment.html, id L24064.
Form and metre
The Re-Enactment is 110 lines in 22 stanzas of 5 lines each. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-AA downs · gloomA · nightfall · boomA · tombA
- 2 -A-AA valley · shoreA · darkled · soreA · beforeA
- 3 -A-AA dwelling · lateA · in · dateA · sateA
- 4 -A-AA unsignalled · manA · there · scanA · spanA
- 5 AAAA- lover'sA · theseA · measuresA · seesA · phantasies
- 6 ---AA absent · stood · plaintive · moodA · quietudeA
- 7 -A-AA ready · saidA · madeira · redA · spreadA
- 8 -A-AA coming · fairA · time · thereA · airA
- 9 -A-AA not · gownA · difference · brownA · townA
- 10 -A-AA other · beA · doing · meA · sheA
- 11 -A-AA shifted · whereA · fellow · chairA · thereA
- 12 -AAAA strained · aloneA · biddenA · oneA · shownA
- 13 -A-AA her · asideA · table · eyedA · presideA
- 14 -A-AA rises · playA · her · dismayA · awayA
- 15 -A-AA longer · persistA · entry · wistA · mistA
- 16 -A-AA passion · burnedA · enghosted · discernedA · overturnedA
- 17 -A-AA later · cameA · chamber · flameA · tameA
- 18 -A-AA drama · thereA · witnessed · airA · anywhereA
- 19 -A-AA fervours · failA · consummation · quailA · taleA
- 20 -A-AA faintly · traceA · winged · placeA · faceA
- 21 -A-AA winter · roundA · day · embrownedA · spellboundA
- 22 -A-AA forsaken · breedA · phantom · heedA · indeedA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| BETWEEN the folding sea-downs, | 7 | ···/˘·· |
| In the gloom | 3 | ··· |
| Of a wailful wintry nightfall, | 8 | ··/˘/˘/· |
| When the boom | 3 | ··· |
| Of the ocean, like a hammering in a hollow tomb, | 12 | ··/··/˘··/˘· |
| Throbbed up the copse-clothed valley | 8 | ·˘····/˘ |
| From the shore | 3 | ··· |
| To the chamber where I darkled, | 8 | ··/˘···˘ |
| Sunk and sore | 3 | ··· |
| With gray ponderings why my Loved one had not come before | 13 | ··/˘········· |
| To salute me in the dwelling | 8 | ·˘/···/˘ |
| That of late | 3 | ··· |
| I had hired to waste a while in— | 8 | ··/····· |
| Vague of date, | 3 | ··· |
| Quaint, and remote—wherein I now expectant sate; | 12 | ··˘/····˘/˘· |
| On the solitude, unsignalled, | 8 | ··/˘···· |
| Broke a man | 3 | ··· |
| Who, in air as if at home there, | 8 | ········ |
| Seemed to scan | 3 | ··· |
| Every fire-flecked nook of the apartment span by span. | 13 | /˘/····˘/˘··· |
| A stranger’s and no lover’s | 7 | ·/˘··/˘ |
| Eyes were these, | 3 | ··· |
| Eyes of a man who measures | 7 | ·····/˘ |
| What he sees | 3 | ··· |
| But vaguely, as if wrapt in filmy phantasies. | 11 | ·/˘····/˘·· |
| Yea, his bearing was so absent | 8 | ··/˘··/˘ |
| As he stood, | 3 | ··· |
| It bespoke a chord so plaintive | 8 | ·˘/···/˘ |
| In his mood, | 3 | ··· |
| That soon I judged he would not wrong my quietude. | 12 | ·········/˘˘ |
| “Ah—the supper is just ready,” | 8 | ··/˘··/˘ |
| Then he said, | 3 | ··· |
| “And the years’-long binned Madeira | 8 | ·····˘/˘ |
| Flashes red!” | 3 | /˘· |
| (There was no wine, no food, no supper-table spread.) | 12 | ·······/˘/˘· |
| “You will forgive my coming, | 7 | ··˘/·/˘ |
| Lady fair? | 3 | /˘· |
| I see you as at that time | 7 | ······· |
| Rising there, | 3 | /˘· |
| The self-same curious querying in your eyes and air. | 12 | ···/˘/˘····· |
| “Yet no. How so? You wear not | 7 | ······· |
| The same gown, | 3 | ··· |
| Your locks show woful difference, | 8 | ·····/˘˘ |
| Are not brown: | 3 | ··· |
| What, is it not as when I hither came from town? | 12 | ·······/˘··· |
| “And the place . . . But you seem other— | 8 | ······/˘ |
| Can it be? | 3 | ··· |
| What’s this that Time is doing | 7 | ·····/˘ |
| Unto me? | 3 | ··· |
| You dwell here, unknown woman? . . . Whereabouts, then, is she? | 13 | ···˘//˘/˘···· |
| “And the house—things are much shifted.— | 8 | ······/˘ |
| Put them where | 3 | ··· |
| They stood on this night’s fellow; | 7 | ·····/˘ |
| Shift her chair: | 3 | ··· |
| Here was the couch: and the piano should be there.” | 12 | ······˘/˘··· |
| I indulged him, verily nerve-strained | 9 | ·˘/·/˘˘·· |
| Being alone, | 4 | /˘˘/ |
| And I moved the things as bidden, | 8 | ······/˘ |
| One by one, | 3 | ··· |
| And feigned to push the old piano where he had shown. | 13 | ······˘/˘···· |
| “Aha—now I can see her! | 7 | ·/····· |
| Stand aside: | 3 | ·˘/ |
| Don’t thrust her from the table | 7 | ·····/˘ |
| Where, meek-eyed, | 3 | ··· |
| She makes attempt with matron-manners to preside. | 12 | ··˘/·/˘/˘·˘/ |
| “She serves me: now she rises, | 7 | ·····/˘ |
| Goes to play . . . | 3 | ··· |
| But you obstruct her, fill her | 7 | ··˘/··· |
| With dismay, | 3 | ·˘/ |
| And embarrassed, scared, she vanishes away!” | 10 | ·˘/˘··/˘˘/ |
| And, as ’twere useless longer | 7 | ···/˘/˘ |
| To persist, | 3 | ·˘/ |
| He sighed, and sought the entry | 8 | ··˘···/˘ |
| Ere I wist, | 3 | ··· |
| And retreated, disappearing soundless in the mist. | 13 | ·˘/˘·˘/˘/˘··· |
| That here some mighty passion | 7 | ···/˘/˘ |
| Once had burned, | 3 | ··· |
| Which still the walls enghosted, | 7 | ······· |
| I discerned, | 3 | ·˘/ |
| And that by its strong spell mine might be overturned. | 12 | ·········/˘· |
| I sat depressed; till, later, | 8 | ··˘/˘·/˘ |
| My Love came; | 3 | ··· |
| But something in the chamber | 7 | ·/˘··/˘ |
| Dimmed our flame,— | 4 | ·/˘· |
| An emanation, making our due words fall tame, | 12 | ··˘/˘/˘/···· |
| As if the intenser drama | 8 | ······/˘ |
| Shown me there | 3 | ··· |
| Of what the walls had witnessed | 8 | ·····/˘˘ |
| Filled the air, | 3 | ··· |
| And left no room for later passion anywhere. | 12 | ·····/˘/˘/˘· |
| So came it that our fervours | 8 | ····/˘/˘ |
| Did quite fail | 3 | ··· |
| Of future consummation— | 7 | ·/˘·˘/˘ |
| Being made quail | 4 | /˘·· |
| By the weird witchery of the parlour’s hidden tale, | 13 | ···/˘˘··/˘/˘· |
| Which I, as years passed, faintly | 8 | ·····˘/˘ |
| Learnt to trace,— | 3 | ··· |
| One of sad love, born full-winged | 8 | ·······˘ |
| In that place | 3 | ··· |
| Where the predestined sorrowers first stood face to face. | 13 | ···/˘········ |
| And as that month of winter | 7 | ·····/˘ |
| Circles round, | 3 | /˘· |
| And the evening of the date-day | 8 | ··/˘···· |
| Grows embrowned, | 3 | ··· |
| I am conscious of those presences, and sit spellbound. | 12 | ··/˘··/˘··/· |
| There, often—lone, forsaken— | 7 | ·/˘·˘/˘ |
| Queries breed | 3 | /˘· |
| Within me; whether a phantom | 8 | ······/˘ |
| Had my heed | 3 | ··· |
| On that strange night, or was it some wrecked heart indeed? | 12 | ··········˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.