The Re-Enactment

Thomas Hardy (1840–1928) · 1914

iambic tetrameter · 110 lines · from Satires of Circumstance, Lyrics and Reveries

BETWEEN the folding sea-downs,In the gloomOf a wailful wintry nightfall,When the boomOf the ocean, like a hammering in a hollow tomb,

Throbbed up the copse-clothed valleyFrom the shoreTo the chamber where I darkled,Sunk and soreWith gray ponderings why my Loved one had not come before

To salute me in the dwellingThat of lateI had hired to waste a while in—Vague of date,Quaint, and remote—wherein I now expectant sate;

On the solitude, unsignalled,Broke a manWho, in air as if at home there,Seemed to scanEvery fire-flecked nook of the apartment span by span.

A stranger’s and no lover’sEyes were these,Eyes of a man who measuresWhat he seesBut vaguely, as if wrapt in filmy phantasies.

Yea, his bearing was so absentAs he stood,It bespoke a chord so plaintiveIn his mood,That soon I judged he would not wrong my quietude.

“Ah—the supper is just ready,”Then he said,“And the years’-long binned MadeiraFlashes red!”(There was no wine, no food, no supper-table spread.)

“You will forgive my coming,Lady fair?I see you as at that timeRising there,The self-same curious querying in your eyes and air.

“Yet no. How so? You wear notThe same gown,Your locks show woful difference,Are not brown:What, is it not as when I hither came from town?

“And the place . . . But you seem other—Can it be?What’s this that Time is doingUnto me?You dwell here, unknown woman? . . . Whereabouts, then, is she?

“And the house—things are much shifted.—Put them whereThey stood on this night’s fellow;Shift her chair:Here was the couch: and the piano should be there.”

I indulged him, verily nerve-strainedBeing alone,And I moved the things as bidden,One by one,And feigned to push the old piano where he had shown.

“Aha—now I can see her!Stand aside:Don’t thrust her from the tableWhere, meek-eyed,She makes attempt with matron-manners to preside.

“She serves me: now she rises,Goes to play . . .But you obstruct her, fill herWith dismay,And embarrassed, scared, she vanishes away!”

And, as ’twere useless longerTo persist,He sighed, and sought the entryEre I wist,And retreated, disappearing soundless in the mist.

That here some mighty passionOnce had burned,Which still the walls enghosted,I discerned,And that by its strong spell mine might be overturned.

I sat depressed; till, later,My Love came;But something in the chamberDimmed our flame,—An emanation, making our due words fall tame,

As if the intenser dramaShown me thereOf what the walls had witnessedFilled the air,And left no room for later passion anywhere.

So came it that our fervoursDid quite failOf future consummation—Being made quailBy the weird witchery of the parlour’s hidden tale,

Which I, as years passed, faintlyLearnt to trace,—One of sad love, born full-wingedIn that placeWhere the predestined sorrowers first stood face to face.

And as that month of winterCircles round,And the evening of the date-dayGrows embrowned,I am conscious of those presences, and sit spellbound.

There, often—lone, forsaken—Queries breedWithin me; whether a phantomHad my heedOn that strange night, or was it some wrecked heart indeed?

Words in this poem 19
wailful a.
Sorrowful; mournful.
wintry a.
Suitable to winter; resembling winter, or what belongs to winter; brumal; hyemal; cold; stormy; wintery. [AS. wintrig.]
nightfall n.
The close of the day.
quaint a.
Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
sate v. t.
To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
scan v. t.
To mount by steps; to go through with step by step. [L. scandere, scansum, to climb, to scan, akin to Skr. skand to spring, leap: cf. F. scander. Cf. Ascend, Descend, Scale a ladder.]
nook n.
A narrow place formed by an angle in bodies or between bodies; a corner; a recess; a secluded retreat. [OE. nok; cf. Gael. & Ir. niuc.]
filmy a.
Composed of film or films.
quietude n.
Rest; repose; quiet; tranquillity. Shelley. [L. quietudo: cf. F. quiétude.]
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
woful a.
Full of woe; sorrowful; distressed with grief or calamity; afflicted; wretched; unhappy; sad.
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
whereabouts adv.
About where; near what or which place; -- used interrogatively and relatively; as, whereabouts did you meet him
soundless a.
Not capable of being sounded or fathomed; unfathomable.
consummation n.
The act of consummating, or the state of being consummated; completed; completion; perfection; termination; end (as of the world or of life). [L. consummatio.]
witchery
Sorcery; enchantment; witchcraft.
spellbound a.
Bound by, or as by, a spell.
lone n.
A lane. See Loanin.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Re-Enactment is in the public domain. This text is taken from Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces, Project Gutenberg ebook #2863; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Thomas Hardy, The Re-Enactment, in Satires of Circumstance, Lyrics and Reveries (1914), text of Project Gutenberg ebook #2863, Laurel, https://laurelpoetry.com/poem/hardy-satires/the-re-enactment.html, id L24064.

Form and metre

The Re-Enactment is 110 lines in 22 stanzas of 5 lines each. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-AA downs · gloomA · nightfall · boomA · tombA
  2. 2 -A-AA valley · shoreA · darkled · soreA · beforeA
  3. 3 -A-AA dwelling · lateA · in · dateA · sateA
  4. 4 -A-AA unsignalled · manA · there · scanA · spanA
  5. 5 AAAA- lover'sA · theseA · measuresA · seesA · phantasies
  6. 6 ---AA absent · stood · plaintive · moodA · quietudeA
  7. 7 -A-AA ready · saidA · madeira · redA · spreadA
  8. 8 -A-AA coming · fairA · time · thereA · airA
  9. 9 -A-AA not · gownA · difference · brownA · townA
  10. 10 -A-AA other · beA · doing · meA · sheA
  11. 11 -A-AA shifted · whereA · fellow · chairA · thereA
  12. 12 -AAAA strained · aloneA · biddenA · oneA · shownA
  13. 13 -A-AA her · asideA · table · eyedA · presideA
  14. 14 -A-AA rises · playA · her · dismayA · awayA
  15. 15 -A-AA longer · persistA · entry · wistA · mistA
  16. 16 -A-AA passion · burnedA · enghosted · discernedA · overturnedA
  17. 17 -A-AA later · cameA · chamber · flameA · tameA
  18. 18 -A-AA drama · thereA · witnessed · airA · anywhereA
  19. 19 -A-AA fervours · failA · consummation · quailA · taleA
  20. 20 -A-AA faintly · traceA · winged · placeA · faceA
  21. 21 -A-AA winter · roundA · day · embrownedA · spellboundA
  22. 22 -A-AA forsaken · breedA · phantom · heedA · indeedA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
BETWEEN the folding sea-downs,7···/˘··
In the gloom3···
Of a wailful wintry nightfall,8··/˘/˘/·
When the boom3···
Of the ocean, like a hammering in a hollow tomb,12··/··/˘··/˘·
Throbbed up the copse-clothed valley8·˘····/˘
From the shore3···
To the chamber where I darkled,8··/˘···˘
Sunk and sore3···
With gray ponderings why my Loved one had not come before13··/˘·········
To salute me in the dwelling8·˘/···/˘
That of late3···
I had hired to waste a while in—8··/·····
Vague of date,3···
Quaint, and remote—wherein I now expectant sate;12··˘/····˘/˘·
On the solitude, unsignalled,8··/˘····
Broke a man3···
Who, in air as if at home there,8········
Seemed to scan3···
Every fire-flecked nook of the apartment span by span.13/˘/····˘/˘···
A stranger’s and no lover’s7·/˘··/˘
Eyes were these,3···
Eyes of a man who measures7·····/˘
What he sees3···
But vaguely, as if wrapt in filmy phantasies.11·/˘····/˘··
Yea, his bearing was so absent8··/˘··/˘
As he stood,3···
It bespoke a chord so plaintive8·˘/···/˘
In his mood,3···
That soon I judged he would not wrong my quietude.12·········/˘˘
“Ah—the supper is just ready,”8··/˘··/˘
Then he said,3···
“And the years’-long binned Madeira8·····˘/˘
Flashes red!”3/˘·
(There was no wine, no food, no supper-table spread.)12·······/˘/˘·
“You will forgive my coming,7··˘/·/˘
Lady fair?3/˘·
I see you as at that time7·······
Rising there,3/˘·
The self-same curious querying in your eyes and air.12···/˘/˘·····
“Yet no. How so? You wear not7·······
The same gown,3···
Your locks show woful difference,8·····/˘˘
Are not brown:3···
What, is it not as when I hither came from town?12·······/˘···
“And the place . . . But you seem other—8······/˘
Can it be?3···
What’s this that Time is doing7·····/˘
Unto me?3···
You dwell here, unknown woman? . . . Whereabouts, then, is she?13···˘//˘/˘····
“And the house—things are much shifted.—8······/˘
Put them where3···
They stood on this night’s fellow;7·····/˘
Shift her chair:3···
Here was the couch: and the piano should be there.”12······˘/˘···
I indulged him, verily nerve-strained9·˘/·/˘˘··
Being alone,4/˘˘/
And I moved the things as bidden,8······/˘
One by one,3···
And feigned to push the old piano where he had shown.13······˘/˘····
“Aha—now I can see her!7·/·····
Stand aside:3·˘/
Don’t thrust her from the table7·····/˘
Where, meek-eyed,3···
She makes attempt with matron-manners to preside.12··˘/·/˘/˘·˘/
“She serves me: now she rises,7·····/˘
Goes to play . . .3···
But you obstruct her, fill her7··˘/···
With dismay,3·˘/
And embarrassed, scared, she vanishes away!”10·˘/˘··/˘˘/
And, as ’twere useless longer7···/˘/˘
To persist,3·˘/
He sighed, and sought the entry8··˘···/˘
Ere I wist,3···
And retreated, disappearing soundless in the mist.13·˘/˘·˘/˘/˘···
That here some mighty passion7···/˘/˘
Once had burned,3···
Which still the walls enghosted,7·······
I discerned,3·˘/
And that by its strong spell mine might be overturned.12·········/˘·
I sat depressed; till, later,8··˘/˘·/˘
My Love came;3···
But something in the chamber7·/˘··/˘
Dimmed our flame,—4·/˘·
An emanation, making our due words fall tame,12··˘/˘/˘/····
As if the intenser drama8······/˘
Shown me there3···
Of what the walls had witnessed8·····/˘˘
Filled the air,3···
And left no room for later passion anywhere.12·····/˘/˘/˘·
So came it that our fervours8····/˘/˘
Did quite fail3···
Of future consummation—7·/˘·˘/˘
Being made quail4/˘··
By the weird witchery of the parlour’s hidden tale,13···/˘˘··/˘/˘·
Which I, as years passed, faintly8·····˘/˘
Learnt to trace,—3···
One of sad love, born full-winged8·······˘
In that place3···
Where the predestined sorrowers first stood face to face.13···/˘········
And as that month of winter7·····/˘
Circles round,3/˘·
And the evening of the date-day8··/˘····
Grows embrowned,3···
I am conscious of those presences, and sit spellbound.12··/˘··/˘··/·
There, often—lone, forsaken—7·/˘·˘/˘
Queries breed3/˘·
Within me; whether a phantom8······/˘
Had my heed3···
On that strange night, or was it some wrecked heart indeed?12··········˘/

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