The Change

Thomas Hardy (1840–1928) · 1917

iambic tetrameter · 80 lines · from Moments of Vision and Miscellaneous Verses

OUT of the past there rises a week—Who shall read the years O!—Out of the past there rises a weekEnringed with a purple zone.Out of the past there rises a weekWhen thoughts were strung too thick to speak,And the magic of its lineaments remains with me alone.

In that week there was heard a singing—Who shall spell the years, the years!—In that week there was heard a singing,And the white owl wondered why.In that week, yea, a voice was ringing,And forth from the casement were candles flingingRadiance that fell on the deodar and lit up the path thereby.

Could that song have a mocking note?—Who shall unroll the years O!—Could that song have a mocking noteTo the white owl’s sense as it fell?Could that song have a mocking noteAs it trilled out warm from the singer’s throat,And who was the mocker and who the mocked when two felt all was well?

In a tedious trampling crowd yet later—Who shall bare the years, the years!—In a tedious trampling crowd yet later,When silvery singings were dumb;In a crowd uncaring what time might fate her,Mid murks of night I stood to await her,And the twanging of iron wheels gave out the signal that she was come.

She said with a travel-tired smile—Who shall lift the years O!—She said with a travel-tired smile,Half scared by scene so strange;She said, outworn by mile on mile,The blurred lamps wanning her face the while,“O Love, I am here; I am with you!” . . . Ah, that there should havecome a change!

O the doom by someone spoken—Who shall unseal the years, the years!—O the doom that gave no token,When nothing of bale saw we:O the doom by someone spoken,O the heart by someone broken,The heart whose sweet reverberances are all time leaves to me.

(Echo of an old song)

SITTING on the bridgePast the barracks, town and ridge,At once the spirit seized usTo sing a song that pleased us—As “The Fifth” were much in rumour;It was “Whilst I’m in the humour,Take me, Paddy, will you now?”And a lancer soon drew nigh,And his Royal Irish eyeSaid, “Willing, faith, am I,O, to take you anyhow, dears,To take you anyhow.”

But, lo!—dad walking by,Cried, “What, you lightheels! Fie!Is this the way you roamAnd mock the sunset gleam?”And he marched us straightway home,Though we said, “We are only, daddy,Singing, ‘Will you take me, Paddy?’”—Well, we never saw from thenIf we sang there anywhen,The soldier dear again,Except at night in dream-time,Except at night in dream.

Perhaps that soldier’s fightingIn a land that’s far away,Or he may be idly plightingSome foreign hussy gay;Or perhaps his bones are whitingIn the wind to their decay! . . .Ah!—does he mind him howThe girls he saw that dayOn the bridge, were sitting singingAt the time of curfew-ringing,“Take me, Paddy; will you now, dear?Paddy, will you now?”

Words in this poem 15
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
wondered a.
Having performed wonders; able to perform wonderful things.
casement n.
A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
deodar n.
A kind of cedar (Cedrus Deodara), growing in India, highly valued for its size and beauty as well as for its timber, and also grown in England as an ornamental tree. [Native name, fr. Skr. d, prop., timber of the gods.]
unroll v. t.
To open, as what is rolled or convolved; as, to unroll cloth; to unroll a banner. [1st pref. un- + roll.]
await v. t.
To watch for; to look out for. [OF. awaitier, agaitier; (L. ad) + waitier, gaitier to watch, F. guetter. See Wait.]
unseal v. t.
To break or remove the seal of; to open, as what is sealed; as, to unseal a letter. [1st pref. un- + seal.]
rumour n.
A flying or popular report; the common talk; hence, public fame; notoriety. [F. rumeur, L. rumor; cf. rumificare, rumitare to rumor, Skr. ru to cry.]
humour n.
Moisture, especially, the moisture or fluid of animal bodies, as the chyle, lymph, etc.; as, the humors of the eye, etc. [OE. humour, OF. humor, umor, F. humeur, L. humor, umor, moisture, fluid, fr. humere, umere, to be moist. See Humid.]
paddy a.
Low; mean; boorish; vagabond. [Prov. E. paddy worm-eaten.]
lancer n.
One who lances; one who carries a lance; especially, a member of a mounted body of men armed with lances, attached to the cavalry service of some nations. Wilhelm. [Cf. F. lancier.]
anyhow adv.
In any way or manner whatever; at any rate; in any event.
straightway adv.
Immediately; without loss of time; without delay.
daddy n.
Diminutive of Dad.
hussy n.
A housewife or housekeeper. [Contr. fr. huswife.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Change is in the public domain. This text is taken from Moments of Vision and Miscellaneous Verses, Project Gutenberg ebook #3255; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Thomas Hardy, The Change, in Moments of Vision and Miscellaneous Verses (1917), text of Project Gutenberg ebook #3255, Laurel, https://laurelpoetry.com/poem/hardy-moments-of-vision/the-change.html, id L24129.

Form and metre

The Change is 80 lines in 10 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 81%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A-ABAAB weekA · o · weekA · zoneB · weekA · speakA · aloneB
  2. 2 A-ABAAB singingA · years · singingA · whyB · ringingA · flingingA · therebyB
  3. 3 A-ABAAB noteA · o · noteA · fellB · noteA · throatA · wellB
  4. 4 A-ABCCB laterA · years · laterA · dumbB · herC · herC · comeB
  5. 5 A-ABAA-B smileA · o · smileA · strangeB · mileA · whileA · have · changeB
  6. 6 A-ABAAB spokenA · years · tokenA · weB · spokenA · brokenA · meB
  7. 8 AABBCCDEEE-D bridgeA · ridgeA · usB · usB · rumourC · humourC · nowD · nighE · eyeE · iE · dears · anyhowD
  8. 9 --ABACCDDD-B by · fie · roamA · gleamB · homeA · daddyC · paddyC · thenD · anywhenD · againD · time · dreamB
  9. 10 ABABABCBDD-C fightingA · awayB · plightingA · gayB · whitingA · decayB · howC · dayB · singingD · ringingD · dear · nowC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
OUT of the past there rises a week—9·····/˘··
Who shall read the years O!—6······
Out of the past there rises a week9·····/˘··
Enringed with a purple zone.8··˘··/˘·
Out of the past there rises a week9·····/˘··
When thoughts were strung too thick to speak,8········
And the magic of its lineaments remains with me alone.15··/˘·····˘/··˘/
In that week there was heard a singing—9·······/˘
Who shall spell the years, the years!—7·······
In that week there was heard a singing,9·······/˘
And the white owl wondered why.8····/˘˘·
In that week, yea, a voice was ringing,9·······/˘
And forth from the casement were candles flinging11····/˘·/˘/˘
Radiance that fell on the deodar and lit up the path thereby.15/˘·············
Could that song have a mocking note?—8·····/˘·
Who shall unroll the years O!—7··˘/···
Could that song have a mocking note8·····/˘·
To the white owl’s sense as it fell?8········
Could that song have a mocking note8·····/˘·
As it trilled out warm from the singer’s throat,10·······/˘·
And who was the mocker and who the mocked when two felt all was well?16····/˘··········
In a tedious trampling crowd yet later—10··/˘/˘··/˘
Who shall bare the years, the years!—7·······
In a tedious trampling crowd yet later,10··/˘/˘··/˘
When silvery singings were dumb;8·/˘˘/˘··
In a crowd uncaring what time might fate her,11···˘/˘·····
Mid murks of night I stood to await her,10·······˘/·
And the twanging of iron wheels gave out the signal that she was come.16··/˘·/····/˘····
She said with a travel-tired smile—8····/˘/·
Who shall lift the years O!—6······
She said with a travel-tired smile,8····/˘/·
Half scared by scene so strange;7··˘····
She said, outworn by mile on mile,8········
The blurred lamps wanning her face the while,9···/˘····
“O Love, I am here; I am with you!” . . . Ah, that there should have14··············
come a change!3···
O the doom by someone spoken—8····/·/˘
Who shall unseal the years, the years!—8··˘/····
O the doom that gave no token,8······/˘
When nothing of bale saw we:7·/˘····
O the doom by someone spoken,8····/·/˘
O the heart by someone broken,8····/·/˘
The heart whose sweet reverberances are all time leaves to me.15···············
(Echo of an old song)6/˘····
SITTING on the bridge5/˘···
Past the barracks, town and ridge,7··/˘···
At once the spirit seized us8···/˘·˘·
To sing a song that pleased us—8······˘·
As “The Fifth” were much in rumour;8·······˘
It was “Whilst I’m in the humour,8······/˘
Take me, Paddy, will you now?”7··/˘···
And a lancer soon drew nigh,7··/˘···
And his Royal Irish eye7··/˘/˘·
Said, “Willing, faith, am I,6·/˘···
O, to take you anyhow, dears,8····/˘··
To take you anyhow.”6···/˘·
But, lo!—dad walking by,6···/˘·
Cried, “What, you lightheels! Fie!6······
Is this the way you roam6······
And mock the sunset gleam?”6···/··
And he marched us straightway home,8···˘·/˘·
Though we said, “We are only, daddy,9·····/˘/˘
Singing, ‘Will you take me, Paddy?’”8/˘····/˘
—Well, we never saw from then7··/˘···
If we sang there anywhen,7·······
The soldier dear again,6·/˘·˘/
Except at night in dream-time,7·······
Except at night in dream.6······
Perhaps that soldier’s fighting7˘/·/˘/˘
In a land that’s far away,7·····˘/
Or he may be idly plighting8····/˘/˘
Some foreign hussy gay;6·/˘/˘·
Or perhaps his bones are whiting8·˘/···/˘
In the wind to their decay! . . .7·····˘/
Ah!—does he mind him how6······
The girls he saw that day6······
On the bridge, were sitting singing8····/˘/˘
At the time of curfew-ringing,8····/˘/˘
“Take me, Paddy; will you now, dear?8··/˘····
Paddy, will you now?”5/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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