Aftword
'Tis done! We reach the final pageWith feelings of relief, I'm certain;And there arrives, at such a stage,The moment to ring down the Curtain.(This metaphor is freely takenFrom Shakespeare,--or perhaps from Bacon.)
The Book perused, our Future bringsA plethora of blank to-morrows,When memories of Happier ThingsWill be our Sorrow's Crown of Sorrows.(I trust you recognise this lineAs being Tennyson's, not mine.)
My verses may indeed be few,But are they not, to quote the poet,'The sweetest things that ever grewBeside a human door'? I know it!(What an inhuman door would be,Enquire of Wordsworth, please, not me.)
'Twas one of my most cherished dreamsTo write a Moral Book some day;--What says the Bard? 'The best laid schemesOf Mice and Men gang aft agley!'(The Bard here mentioned, by the bye,Is Robbie Burns, of course,--not I.)
And tho' my pen records each thoughtAs swift as the phonetic Pitman,Morality is not my 'forte,'O Camarados! (vide Whitman).And, like the Porcupine, I stillAm forced to ply a fretful quill.
We may be Masters of our Fate,(As Henley was inspired to mention),Yet am I but the Second MateUpon the s.s. 'Good Intention';For me the course direct is lacking,--I have to do a deal of tacking.
To seek for Morals here's a taskOf which you well may be despairing;'What has become of them?' you ask.They've given me the slip,--like Waring.'Look East!' said Browning once, and IWould make a similar reply.
Look East, where in a garret drear,The Author works, without cessation,Composing verses for a mere-Ly nominal remuneration;And, while he has the strength to write 'em,Will do so still--ad infinitum!
Words in this poem
- recognise v. t.
- To know again; to perceive the identity of, with a person or thing previously known; to recover or recall knowledge of. [From Recognizance; see Cognition, and cf. Reconnoiter.]
- agley adv.
- Aside; askew. Burns.
- pitman n.
- One who works in a pit, as in mining, in sawing timber, etc.
- vide
- imperative sing. of L. videre, to see; -- used to direct attention to something; as, vide supra, see above.
- tacking n.
- A union of securities given at different times, all of which must be redeemed before an intermediate purchaser can interpose his claim. Bouvier.
- despairing a.
- Feeling or expressing despair; hopeless.
- garret n.
- A turret; a watchtower. [OE. garite, garette, watchtower, place of lookout, OF. garite, also meaning, a place of refuge, F. guérite a place of refuge, donjon, sentinel box, fr. OF. gari]
- drear n.
- Sadness; dismalness.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Aftword is in the public domain. This text is taken from Verse and Worse, Project Gutenberg ebook #36702; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Harry Graham, Aftword, in Verse and Worse (1905), text of Project Gutenberg ebook #36702, Laurel, https://laurelpoetry.com/poem/graham-verse-and-worse/aftword.html, id L23358.
Form and metre
Aftword is 48 lines in 8 stanzas of 6 lines each. The rhyme scheme is ABABCC, complete in 5 of its 8 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCC pageA · certainB · stageA · curtainB · takenC · baconC
- 2 ABABCC bringsA · morrowsB · thingsA · sorrowsB · lineC · mineC
- 3 ABABCC fewA · poetB · grewA · itB · beC · meC
- 4 A-A-BB dreamsA · day · schemesA · agley · byeB · iB
- 5 -A-ABB thought · pitmanA · forte · whitmanA · stillB · quillB
- 6 A-A-BB fateA · mention · mateA · intention · lackingB · tackingB
- 7 ABABCC taskA · despairingB · askA · waringB · iC · replyC
- 8 ABABCC drearA · cessationB · mereA · remunerationB · emC · infinitumC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| 'Tis done! We reach the final page | 8 | ·····/˘· |
| With feelings of relief, I'm certain; | 9 | ·/˘·˘/·/˘ |
| And there arrives, at such a stage, | 8 | ··˘/···· |
| The moment to ring down the Curtain. | 9 | ·/˘····/˘ |
| (This metaphor is freely taken | 9 | ·/˘˘·/˘/˘ |
| From Shakespeare,--or perhaps from Bacon.) | 9 | ·/··˘/·/˘ |
| The Book perused, our Future brings | 8 | ··˘///˘· |
| A plethora of blank to-morrows, | 9 | ·/˘˘···/˘ |
| When memories of Happier Things | 8 | ·/˘˘·/˘· |
| Will be our Sorrow's Crown of Sorrows. | 9 | ··//˘··/˘ |
| (I trust you recognise this line | 8 | ···/˘··· |
| As being Tennyson's, not mine.) | 8 | ·/˘/˘˘·· |
| My verses may indeed be few, | 8 | ·/˘·˘/·· |
| But are they not, to quote the poet, | 9 | ·······/˘ |
| 'The sweetest things that ever grew | 8 | ·/˘··/˘· |
| Beside a human door'? I know it! | 9 | ˘/·/˘···· |
| (What an inhuman door would be, | 8 | ··˘/˘··· |
| Enquire of Wordsworth, please, not me.) | 8 | ˘/·/˘··· |
| 'Twas one of my most cherished dreams | 8 | ·····/˘· |
| To write a Moral Book some day;-- | 8 | ···/˘··· |
| What says the Bard? 'The best laid schemes | 8 | ········ |
| Of Mice and Men gang aft agley!' | 8 | ······˘/ |
| (The Bard here mentioned, by the bye, | 8 | ···/˘··· |
| Is Robbie Burns, of course,--not I.) | 8 | ·/˘····· |
| And tho' my pen records each thought | 8 | ····˘/·· |
| As swift as the phonetic Pitman, | 9 | ····˘/˘/˘ |
| Morality is not my 'forte,' | 9 | ˘/˘˘···/˘ |
| O Camarados! (vide Whitman). | 8 | ······/˘ |
| And, like the Porcupine, I still | 8 | ···/˘··· |
| Am forced to ply a fretful quill. | 8 | ·····/˘· |
| We may be Masters of our Fate, | 8 | ···/˘·/· |
| (As Henley was inspired to mention), | 9 | ·/˘·˘/·/˘ |
| Yet am I but the Second Mate | 8 | ·····/˘· |
| Upon the s.s. 'Good Intention'; | 9 | ······˘/˘ |
| For me the course direct is lacking,-- | 9 | ····˘/·/˘ |
| I have to do a deal of tacking. | 9 | ·······/˘ |
| To seek for Morals here's a task | 8 | ···/˘··· |
| Of which you well may be despairing; | 9 | ······˘/˘ |
| 'What has become of them?' you ask. | 8 | ··˘/···· |
| They've given me the slip,--like Waring. | 9 | ·/˘····/˘ |
| 'Look East!' said Browning once, and I | 8 | ···/˘··· |
| Would make a similar reply. | 8 | ···/˘˘˘/ |
| Look East, where in a garret drear, | 8 | ·····/˘· |
| The Author works, without cessation, | 9 | ·/˘····/˘ |
| Composing verses for a mere- | 8 | ˘/˘/˘··· |
| Ly nominal remuneration; | 9 | ·/˘˘˘·˘/˘ |
| And, while he has the strength to write 'em, | 9 | ········· |
| Will do so still--ad infinitum! | 9 | ·····˘/˘˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.