Dungeon

Johann Wolfgang von Goethe (1749–1832), translated by Bayard Taylor · 1870

iambic tetrameter · 197 lines · from Faust, Part One

A shudder, long unfelt, comes o’er me;Mankind’s collected woe o’erwhelms me, here.She dwells within the dark, damp walls before me,And all her crime was a delusion dear!What! I delay to free her?I dread, once again to see her?On! my shrinking but lingers Death more near.

My mother, the harlot,Who put me to death;My father, the varlet,Who eaten me hath!Little sister, so good,Laid my bones in the wood,In the damp moss and clay:Then was I a beautiful bird o’ the wood;Fly away! Fly away!

She does not dream her lover listens near;That he the rattling chain, the rustling straw, can hear.

MARGARET (hiding herself on the pallet)Woe! woe! They come. O death of bitterness!

FAUST (whispering)Hush! hush! The hour is come that frees thee.

MARGARET (throwing herself before him)Art thou a man, then pity my distress!

Thy cries will wake the guards, and they will seize thee!(He takes hold of the fetters to unlock them.)

Who, headsman! unto thee such powerOver me could give?Thou’rt come for me at midnight-hour:Have mercy on me, let me live!Is’t not soon enough when morning chime has run?

And I am yet so young, so young!And now Death comes, and ruin!I, too, was fair, and that was my undoing.My love was near, but now he’s far;Torn lies the wreath, scattered the blossoms are.Seize me not thus so violently!Spare me! What have I done to thee?Let me not vainly entreat thee!I never chanced, in all my days, to meet thee!

Now am I wholly in thy might.But let me suckle, first, my baby!I blissed it all this livelong night;They took ’t away, to vex me, maybe,And now they say I killed the child outright.And never shall I be glad again.They sing songs about me! ’tis bad of the folk to do it!There’s an old story has the same refrain;Who bade them so construe it?

Here lieth one who loves thee ever,The thraldom of thy woe to sever.

O let us kneel, and call the Saints to hide us!Under the steps beside us,The threshold under,Hell heaves in thunder!The Evil OneWith terrible wrathSeeketh a pathHis prey to discover!

Where is he? I heard him call me.I am free! No one shall enthrall me.To his neck will I fly,On his bosom lie!On the threshold he stood, and Margaret! calling,Midst of Hell’s howling and noises appalling,Midst of the wrathful, infernal derision,I knew the sweet sound of the voice of the vision!

’Tis he! ’tis he! Where now is all my pain?The anguish of the dungeon, and the chain?’Tis thou! Thou comest to save me,And I am saved!—Again the street I seeWhere first I looked on thee;And the garden, brightly blooming,Where I and Martha wait thy coming.

Delay, now!So fain I stay, when thou delayest!

Away, now!If longer here thou stayest,We shall be made to dearly rue it.

Kiss me!—canst no longer do it?My friend, so short a time thou’rt missing,And hast unlearned thy kissing?Why is my heart so anxious, on thy breast?Where once a heaven thy glances did create me,A heaven thy loving words expressed,And thou didst kiss, as thou wouldst suffocate me—Kiss me!Or I’ll kiss thee!

Ah, woe! thy lips are chill,And still.How changed in fashionThy passion!Who has done me this ill?

Come, follow me! My darling, be more bold:I’ll clasp thee, soon, with warmth a thousand-fold;But follow now! ’Tis all I beg of thee.

Thou wilt unloose my chain,And in thy lap wilt take me once again.How comes it that thou dost not shrink from me?—Say, dost thou know, my friend, whom thou mak’st free?

My mother have I put to death;I’ve drowned the baby born to thee.Was it not given to thee and me?Thee, too!—’Tis thou! It scarcely true doth seem—Give me thy hand! ’Tis not a dream!Thy dear, dear hand!—But, ah, ’tis wet!Why, wipe it off! Methinks that yetThere’s blood thereon.Ah, God! what hast thou done?Nay, sheathe thy sword at last!Do not affray me!

O, let the past be past!Thy words will slay me!

No, no! Thou must outlive us.Now I’ll tell thee the graves to give us:Thou must begin to-morrowThe work of sorrow!The best place give to my mother,Then close at her side my brother,And me a little away,But not too very far, I pray!And here, on my right breast, my baby lay!Nobody else will lie beside me!—Ah, within thine arms to hide me,That was a sweet and a gracious bliss,But no more, no more can I attain it!I would force myself on thee and constrain it,And it seems thou repellest my kiss:And yet ’tis thou, so good, so kind to see!

If the grave is there,Death lying in wait, then come!From here to eternal rest:No further step—no, no!Thou goest away! O Henry, if I could go!

I dare not go: there’s no hope any more.Why should I fly? They’ll still my steps waylay!It is so wretched, forced to beg my living,And a bad conscience sharper misery giving!It is so wretched, to be strange, forsaken,And I’d still be followed and taken!

Be quick! Be quick!Save thy perishing child!Away! Follow the ridgeUp by the brook,

Over the bridge,Into the wood,To the left, where the plank is placedIn the pool!Seize it in haste!’Tis trying to rise,’Tis struggling still!Save it! Save it!

Recall thy wandering will!One step, and thou art free at last!

If the mountain we had only passed!There sits my mother upon a stone,—I feel an icy shiver!There sits my mother upon a stone,And her head is wagging ever.She beckons, she nods not, her heavy head falls o’er;She slept so long that she wakes no more.She slept, while we were caressing:Ah, those were the days of blessing!

Here words and prayers are nothing worth;I’ll venture, then, to bear thee forth.

No—let me go! I’ll suffer no force!Grasp me not so murderously!I’ve done, else, all things for the love of thee.

Day? Yes, the day comes,—the last day breaks for me!My wedding-day it was to be!Tell no one thou has been with Margaret!Woe for my garland! The chancesAre over—’tis all in vain!We shall meet once again,But not at the dances!The crowd is thronging, no word is spoken:The square belowAnd the streets overflow:The death-bell tolls, the wand is broken.I am seized, and bound, and delivered—Shoved to the block—they give the sign!Now over each neck has quiveredThe blade that is quivering over mine.Dumb lies the world like the grave!

Off! or you’re lost ere morn.Useless talking, delaying and praying!My horses are neighing:The morning twilight is near.

What rises up from the threshold here?He! he! suffer him not!What does he want in this holy spot?He seeks me!

Thine am I, Father! rescue me!Ye angels, holy cohorts, guard me,Camp around, and from evil ward me!Henry! I shudder to think of thee.

Words in this poem 34
varlet n.
A servant, especially to a knight; an attendant; a valet; a footman. Spenser. Tusser. [OF. varlet, vaslet, vallet, servant, young man, young noble, dim of vassal. See Vassal, and cf. Valet.]
pallet n.
A small and mean bed; a bed of straw. [OE. paillet, F. paillet a heap of straw, fr. paille straw, fr. L. palea chaff; cf. Gr. pala straw, palava chaff. Cf. Paillasse.]
unlock v. t.
To unfasten, as what is locked; as, to unlock a door or a chest. [Cf. AS. unl. See 1st Un-, and Lock, v. t.]
headsman
An executioner who cuts off heads.
chime n.
The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
undoing n.
The reversal of what has been done.
entreat v. t.
To treat, or conduct toward; to deal with; to use. [OE. entreten to treat, request, OF. entraiter to treat of; pref. en- (L. in) + traitier to treat. See Treat.]
suckle n.
A teat. Sir T. Herbert.
livelong a.
Whole; entire; long in passing; -- used of time, as day or night, in adverbial phrases, and usually with a sense of tediousness. [For lifelong. Cf. Lifelong.]
maybe adv.
Perhaps; possibly; peradventure. [For it may be.]
outright adv.
Immediately; without delay; at once; as, he was killed outright.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
folk n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
bade
A form of the pat tense of Bid.
thraldom n.
The condition of a thrall; slavery; bondage; state of servitude. [Icel. . See Thrall, and -dom.]
kneel v. i.
To bend the knee; to fall or rest on the knees; -- sometimes with down. [OE. knelen, cneolien; akin to D. knielen, Dan. knæle. See Knee.]
heaves n.
A disease of horses, characterized by difficult breathing, with heaving of the flank, wheezing, flatulency, and a peculiar cough; broken wind.
discover v. i.
To discover or show one's self.
enthrall v. t.
To hold in thrall; to enslave. See Inthrall. [Pref. en- + thrall. Cf. Inthrall.]
appalling a.
Such as to appall; as, an appalling accident.
wrathful a.
Full of wrath; very angry; greatly incensed; ireful; passionate; as, a wrathful man.
dungeon n.
A close, dark prison, commondonjon or keep of a castle, these being used as prisons. [OE. donjoun highest tower of a castle, tower, prison, F. donjon tower or platform in the midst of a castle, turret, or closet on the top of a house, a keep of a]
fain v. t.
To be glad ; to wish or desire.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
didst
, the 2d pers. sing. imp. of Do.
unloose v. t.
To make loose; to loosen; to set free. [1st pref. un- (intensive) + loose.]
methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
thereon adv.
On that or this. [AS. . See There, and On.]
outlive v. t.
To live beyond, or longer than; to survive.
nobody n.
No person; no one; not anybody. [No, a. + body.]
waylay v. t.
To lie in wait for; to meet or encounter in the way; especially, to watch for the passing of, with a view to seize, rob, or slay; to beset in ambush. [Way + lay.]
conscience n.
Knowledge of one's own thoughts or actions; consciousness. [F. conscience, fr. L. conscientia, fr. consciens, p.pr. of conscire to know, to be conscious; con- + scire to know. See Science.]
quivered a.
Furnished with, or carrying, a quiver.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Dungeon is in the public domain. This text is taken from Faust, Part One, Project Gutenberg ebook #14591, the Bayard Taylor translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Johann Wolfgang von Goethe, Dungeon, in Faust, Part One (1870), text of Project Gutenberg ebook #14591, Laurel, https://laurelpoetry.com/poem/goethe-faust/dungeon.html, id L14404.

Form and metre

Dungeon is 197 lines in 35 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter. 94% of its stressed syllables fall where the metre puts the beat. The lines average 7.8 syllables. 48 lines end on an unstressed syllable, a feminine ending. 7% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCCB meA · hereB · meA · dearB · herC · herC · nearB
  2. 2 A-A-BBCBC harlotA · death · varletA · hath · goodB · woodB · clayC · woodB · awayC
  3. 3 AA nearA · hearA
  4. 8 ABAB- powerA · giveB · hourA · liveB · run
  5. 9 A-ABB-CCC youngA · ruin · undoingA · farB · areB · violently · theeC · theeC · theeC
  6. 10 ABABACDCD mightA · babyB · nightA · maybeB · outrightA · againC · itD · refrainC · itD
  7. 11 AA everA · severA
  8. 12 AABB-CC- usA · usA · underB · thunderB · one · wrathC · pathC · discover
  9. 13 AABBCCDD meA · meA · flyB · lieB · callingC · appallingC · derisionD · visionD
  10. 14 AAB-BB-- painA · chainA · meB · saved · seeB · theeB · blooming · coming
  11. 17 -AABCBCCC it · missingA · kissingA · breastB · meC · expressedB · meC · meC · theeC
  12. 18 AABBA chillA · stillA · fashionB · passionB · illA
  13. 19 AA- boldA · foldA · thee
  14. 20 AABB chainA · againA · meB · freeB
  15. 21 -AABBCC---A death · theeA · meA · seemB · dreamB · wetC · yetC · thereon · done · last · meA
  16. 23 AABBCCDDDEEFGGFE usA · usA · morrowB · sorrowB · motherC · brotherC · awayD · prayD · layD · meE · meE · blissF · itG · itG · kissF · seeE
  17. 24 ---AA there · come · rest · noA · goA
  18. 25 --AABB more · waylay · livingA · givingA · forsakenB · takenB
  19. 27 --A-A--- bridge · wood · placedA · pool · hasteA · rise · still · it
  20. 29 -A-A---BB passed · stoneA · shiver · stoneA · ever · o'er · more · caressingB · blessingB
  21. 32 AA-BCCBDEEDFGFG- meA · beA · margaret · chancesB · vainC · againC · dancesB · spokenD · belowE · overflowE · brokenD · deliveredF · signG · quiveredF · mineG · grave
  22. 33 -AA- morn · prayingA · neighingA · near
  23. 34 -AA- here · notA · spotA · me
  24. 35 AAAA meA · meA · meA · theeA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
A shudder, long unfelt, comes o’er me;9·/˘······
Mankind’s collected woe o’erwhelms me, here.10//˘/˘·····
She dwells within the dark, damp walls before me,11···········
And all her crime was a delusion dear!10······˘/˘·
What! I delay to free her?7··˘/···
I dread, once again to see her?8···˘/···
On! my shrinking but lingers Death more near.10··/˘·/˘···
My mother, the harlot,6·/˘·/˘
Who put me to death;5·····
My father, the varlet,6·/˘·/˘
Who eaten me hath!5·/˘··
Little sister, so good,6/˘/˘··
Laid my bones in the wood,6······
In the damp moss and clay:6······
Then was I a beautiful bird o’ the wood;10····/˘····
Fly away! Fly away!6·˘/·˘/
She does not dream her lover listens near;10·····/˘/˘·
That he the rattling chain, the rustling straw, can hear.12···/˘··/˘···
MARGARET (hiding herself on the pallet)10/˘/˘˘/··/˘
Woe! woe! They come. O death of bitterness!9·······/˘
FAUST (whispering)4·/˘˘
Hush! hush! The hour is come that frees thee.9···/·····
MARGARET (throwing herself before him)9/˘/˘˘/···
Art thou a man, then pity my distress!10·····/˘·˘/
Thy cries will wake the guards, and they will seize thee!11···········
(He takes hold of the fetters to unlock them.)11·····/˘·˘/·
Who, headsman! unto thee such power9·/˘····/˘
Over me could give?5·····
Thou’rt come for me at midnight-hour:9·····/·/˘
Have mercy on me, let me live!8·/˘·····
Is’t not soon enough when morning chime has run?11···˘/·/˘···
And I am yet so young, so young!8········
And now Death comes, and ruin!7·····/˘
I, too, was fair, and that was my undoing.11········˘/˘
My love was near, but now he’s far;8········
Torn lies the wreath, scattered the blossoms are.10····/˘·/˘·
Seize me not thus so violently!9·····/˘˘˘
Spare me! What have I done to thee?8········
Let me not vainly entreat thee!8···/˘˘/·
I never chanced, in all my days, to meet thee!10·/········
Now am I wholly in thy might.8···/˘···
But let me suckle, first, my baby!9···/˘··/˘
I blissed it all this livelong night;8·····/˘·
They took ’t away, to vex me, maybe,10···˘/···/˘
And now they say I killed the child outright.10········//
And never shall I be glad again.8·/····˘/
They sing songs about me! ’tis bad of the folk to do it!14··············
There’s an old story has the same refrain;10···/˘···˘/
Who bade them so construe it?7····˘/·
Here lieth one who loves thee ever,8······/˘
The thraldom of thy woe to sever.9·/˘····/˘
O let us kneel, and call the Saints to hide us!11···········
Under the steps beside us,7····˘/·
The threshold under,5·/···
Hell heaves in thunder!5···/˘
The Evil One4·/˘·
With terrible wrath5·/˘˘·
Seeketh a path4/˘··
His prey to discover!6···˘/˘
Where is he? I heard him call me.8········
I am free! No one shall enthrall me.9······˘/·
To his neck will I fly,6······
On his bosom lie!5··/˘·
On the threshold he stood, and Margaret! calling,11··/····/˘/˘
Midst of Hell’s howling and noises appalling,11···/˘·/˘˘/˘
Midst of the wrathful, infernal derision,11···/˘˘/˘˘/˘
I knew the sweet sound of the voice of the vision!12··········/˘
’Tis he! ’tis he! Where now is all my pain?10··········
The anguish of the dungeon, and the chain?10·/˘··/˘···
’Tis thou! Thou comest to save me,8········
And I am saved!—4····
Again the street I see6˘/····
Where first I looked on thee;7····˘··
And the garden, brightly blooming,8··/˘/˘/˘
Where I and Martha wait thy coming.9···/˘··/˘
Delay, now!3˘/·
So fain I stay, when thou delayest!9······˘/˘
Away, now!3˘/·
If longer here thou stayest,7·/˘··/˘
We shall be made to dearly rue it.9·····/˘··
Kiss me!—canst no longer do it?8····/˘··
My friend, so short a time thou’rt missing,9·······/˘
And hast unlearned thy kissing?8··˘/˘·/˘
Why is my heart so anxious, on thy breast?10·····/˘···
Where once a heaven thy glances did create me,11···/·/˘·˘/·
A heaven thy loving words expressed,8·/·/˘·˘/
And thou didst kiss, as thou wouldst suffocate me—11·······/˘··
Kiss me!2··
Or I’ll kiss thee!4····
Ah, woe! thy lips are chill,6······
And still.2··
How changed in fashion5···/˘
Thy passion!3·/˘
Who has done me this ill?6······
Come, follow me! My darling, be more bold:10·/˘··/˘···
I’ll clasp thee, soon, with warmth a thousand-fold;10·······/˘·
But follow now! ’Tis all I beg of thee.10·/˘·······
Thou wilt unloose my chain,6··˘/··
And in thy lap wilt take me once again.10········˘/
How comes it that thou dost not shrink from me?—10··········
Say, dost thou know, my friend, whom thou mak’st free?10··········
My mother have I put to death;8·/˘·····
I’ve drowned the baby born to thee.8···/˘···
Was it not given to thee and me?8···/····
Thee, too!—’Tis thou! It scarcely true doth seem—10·····/˘···
Give me thy hand! ’Tis not a dream!8········
Thy dear, dear hand!—But, ah, ’tis wet!8········
Why, wipe it off! Methinks that yet8····˘/··
There’s blood thereon.4··˘/
Ah, God! what hast thou done?6······
Nay, sheathe thy sword at last!6······
Do not affray me!5··˘/·
O, let the past be past!6······
Thy words will slay me!5·····
No, no! Thou must outlive us.7·····/·
Now I’ll tell thee the graves to give us:9·········
Thou must begin to-morrow7··˘/·/˘
The work of sorrow!5···/˘
The best place give to my mother,8······/˘
Then close at her side my brother,8······/˘
And me a little away,7···/˘˘/
But not too very far, I pray!8···/˘···
And here, on my right breast, my baby lay!10·······/˘·
Nobody else will lie beside me!—9/·····˘/·
Ah, within thine arms to hide me,8········
That was a sweet and a gracious bliss,9······/˘·
But no more, no more can I attain it!10·······˘/·
I would force myself on thee and constrain it,11····/···˘/·
And it seems thou repellest my kiss:9····˘/˘··
And yet ’tis thou, so good, so kind to see!10··········
If the grave is there,5·····
Death lying in wait, then come!7·/˘····
From here to eternal rest:7···˘/˘·
No further step—no, no!6·/˘···
Thou goest away! O Henry, if I could go!11··˘/·/˘····
I dare not go: there’s no hope any more.10·······/˘·
Why should I fly? They’ll still my steps waylay!10········/·
It is so wretched, forced to beg my living,11···/˘····/˘
And a bad conscience sharper misery giving!11···/˘/˘/˘/˘
It is so wretched, to be strange, forsaken,11···/˘···˘/˘
And I’d still be followed and taken!9····/˘·/˘
Be quick! Be quick!4····
Save thy perishing child!6··/˘˘·
Away! Follow the ridge6˘//˘··
Up by the brook,4····
Over the bridge,4····
Into the wood,4····
To the left, where the plank is placed8········
In the pool!3···
Seize it in haste!4····
’Tis trying to rise,5·/˘··
’Tis struggling still!5·/˘˘·
Save it! Save it!4····
Recall thy wandering will!7˘/·/˘˘·
One step, and thou art free at last!8········
If the mountain we had only passed!9··/˘··/˘·
There sits my mother upon a stone,—9···/˘····
I feel an icy shiver!7···/˘/˘
There sits my mother upon a stone,9···/˘····
And her head is wagging ever.8····/˘/˘
She beckons, she nods not, her heavy head falls o’er;12·/˘····/˘···
She slept so long that she wakes no more.9·········
She slept, while we were caressing:8·····˘/˘
Ah, those were the days of blessing!8······/˘
Here words and prayers are nothing worth;8·····/˘·
I’ll venture, then, to bear thee forth.8·/˘·····
No—let me go! I’ll suffer no force!9·····/˘··
Grasp me not so murderously!8········
I’ve done, else, all things for the love of thee.10··········
Day? Yes, the day comes,—the last day breaks for me!11···········
My wedding-day it was to be!8·/˘·····
Tell no one thou has been with Margaret!9·······/˘
Woe for my garland! The chances8···/˘·/˘
Are over—’tis all in vain!7·······
We shall meet once again,6····˘/
But not at the dances!6····/˘
The crowd is thronging, no word is spoken:10···/˘···/˘
The square below4····
And the streets overflow:6···/˘·
The death-bell tolls, the wand is broken.9·······/˘
I am seized, and bound, and delivered—9······˘/˘
Shoved to the block—they give the sign!8········
Now over each neck has quivered8······/˘
The blade that is quivering over mine.8····/˘··
Dumb lies the world like the grave!7·······
Off! or you’re lost ere morn.6······
Useless talking, delaying and praying!10/˘/˘˘/˘·/˘
My horses are neighing:6·/˘···
The morning twilight is near.7·/˘/···
What rises up from the threshold here?9·/˘···/··
He! he! suffer him not!6··/˘··
What does he want in this holy spot?9······/˘·
He seeks me!3···
Thine am I, Father! rescue me!8···/˘/˘·
Ye angels, holy cohorts, guard me,9·/˘/˘/˘··
Camp around, and from evil ward me!8·····/··
Henry! I shudder to think of thee.9/˘·/˘····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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