Part II
“Tell me, HENRY WADSWORTH, ALFRED POET CLOSE, or MISTER TUPPER,Do you write the bon bon mottoes my ELVIRA pulls at supper?”
But HENRY WADSWORTH smiled, and said he had not had that honour;And ALFRED, too, disclaimed the words that told so much upon her.
“MISTER MARTIN TUPPER, POET CLOSE, I beg of you inform us;”But my question seemed to throw them both into a rage enormous.
MISTER CLOSE expressed a wish that he could only get anigh to me;And MISTER MARTIN TUPPER sent the following reply to me:
“A fool is bent upon a twig, but wise men dread a bandit,”—Which I know was very clever; but I didn’t understand it.
Seven weary years I wandered—Patagonia, China, Norway,Till at last I sank exhausted at a pastrycook his doorway.
There were fuchsias and geraniums, and daffodils and myrtle,So I entered, and I ordered half a basin of mock turtle.
He was plump and he was chubby, he was smooth and he was rosy,And his little wife was pretty and particularly cosy.
And he chirped and sang, and skipped about, and laughed with laughterhearty—He was wonderfully active for so very stout a party.
And I said, “O gentle pieman, why so very, very merry?Is it purity of conscience, or your one-and-seven sherry?”
But he answered, “I’m so happy—no profession could be dearer—If I am not humming ‘Tra! la! la!’ I’m singing ‘Tirer, lirer!’
“First I go and make the patties, and the puddings, and the jellies,Then I make a sugar bird-cage, which upon a table swell is;
“Then I polish all the silver, which a supper-table lacquers;Then I write the pretty mottoes which you find inside the crackers.”—
“Found at last!” I madly shouted. “Gentle pieman, you astound me!”Then I waved the turtle soup enthusiastically round me.
And I shouted and I danced until he’d quite a crowd around him—And I rushed away exclaiming, “I have found him! I have found him!”
And I heard the gentle pieman in the road behind me trilling,“‘Tira, lira!’ stop him, stop him! ‘Tra! la! la!’ the soup’s ashilling!”
But until I reached ELVIRA’S home, I never, never waited,And ELVIRA to her FERDINAND’S irrevocably mated!
Words in this poem
- mister n.
- A trade, art, or occupation. [OF. mistier trade, office, ministry, need, F. métier trade, fr. L. ministerium service, office, ministry. See Ministry, Mystery trade.]
- honour n.
- Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
- bandit n.
- An outlaw; a brigand. [It. bandito outlaw, p.p. of bandire to proclaim, to banish, to proscribe, LL. bandire, bannire. See Ban an edict, and cf. Banish.]
- doorway n.
- The passage of a door; entrance way into a house or a room.
- chubby a.
- Like a chub; plump, short, and thick.
- pieman n.
- A man who makes or sells pies.
- conscience n.
- Knowledge of one's own thoughts or actions; consciousness. [F. conscience, fr. L. conscientia, fr. consciens, p.pr. of conscire to know, to be conscious; con- + scire to know. See Science.]
- madly adv.
- In a mad manner; without reason or understanding; wildly. [From Mad, a.]
- astound a.
- Stunned; astounded; astonished. [OE. astouned, astound, astoned, p. p. of astone. See Astone.]
- rushed a.
- Abounding or covered with rushes.
- trilling n.
- One of tree children born at the same birth. Wright. [Cf. G. drilling.]
- lira n.
- An Italian coin equivalent in value to the French franc. [It., fr. L. libra the Roman pound. Cf. Livre.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Part II is in the public domain. This text is taken from The Bab Ballads, Project Gutenberg ebook #931; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: W. S. Gilbert, Part II, in The Bab Ballads (1869), text of Project Gutenberg ebook #931, Laurel, https://laurelpoetry.com/poem/gilbert-bab-ballads/part-ii.html, id L02371.
Form and metre
Part II is 36 lines in 17 verse paragraphs. It is in rhyming couplets, 78% of the lines. The metre is trochaic octameter, measured from the stress the words themselves fix (confidence 89%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 14.6 syllables. 22 lines end on an unstressed syllable, a feminine ending. 6% of the lines run on without a stop at the line end.
See other poems in rhyming couplets, other poems in trochaic octameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA tupperA · supperA
- 3 AA usA · enormousA
- 4 AA meA · meA
- 5 AA banditA · itA
- 6 AA norwayA · doorwayA
- 7 AA myrtleA · turtleA
- 8 AA rosyA · cosyA
- 9 -AA laughter · heartyA · partyA
- 10 AA merryA · sherryA
- 12 AA jelliesA · isA
- 13 AA lacquersA · crackersA
- 14 AA meA · meA
- 15 AA himA · himA
- 16 A-A trillingA · a · shillingA
- 17 AA waitedA · matedA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic octameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| “Tell me, HENRY WADSWORTH, ALFRED POET CLOSE, or MISTER TUPPER, | 16 | ··/˘/˘/˘/˘··/˘/˘ |
| Do you write the bon bon mottoes my ELVIRA pulls at supper?” | 16 | ······/˘·˘/˘··/˘ |
| But HENRY WADSWORTH smiled, and said he had not had that honour; | 15 | ·/˘/˘········/˘ |
| And ALFRED, too, disclaimed the words that told so much upon her. | 15 | ·/˘·˘/········· |
| “MISTER MARTIN TUPPER, POET CLOSE, I beg of you inform us;” | 16 | /˘/˘/˘/˘·····˘/· |
| But my question seemed to throw them both into a rage enormous. | 16 | ··/˘·········˘/˘ |
| MISTER CLOSE expressed a wish that he could only get anigh to me; | 17 | /˘·˘/·····/˘·˘/·· |
| And MISTER MARTIN TUPPER sent the following reply to me: | 15 | ·/˘/˘/˘··/˘˘/·· |
| “A fool is bent upon a twig, but wise men dread a bandit,”— | 15 | ·············/˘ |
| Which I know was very clever; but I didn’t understand it. | 16 | ····/˘/˘··/˘·˘/· |
| Seven weary years I wandered—Patagonia, China, Norway, | 15 | //˘··/˘·˘/˘/˘/· |
| Till at last I sank exhausted at a pastrycook his doorway. | 16 | ·····˘/˘······/· |
| There were fuchsias and geraniums, and daffodils and myrtle, | 15 | ··/˘·˘/˘·/˘··/˘ |
| So I entered, and I ordered half a basin of mock turtle. | 16 | ··/˘··/˘··/˘··/˘ |
| He was plump and he was chubby, he was smooth and he was rosy, | 16 | ······/˘······/˘ |
| And his little wife was pretty and particularly cosy. | 14 | ··/˘··/˘··/˘/˘ |
| And he chirped and sang, and skipped about, and laughed with laughter | 14 | ············/˘ |
| hearty— | 2 | /˘ |
| He was wonderfully active for so very stout a party. | 14 | ··/˘/˘··/˘··/˘ |
| And I said, “O gentle pieman, why so very, very merry? | 16 | ····/˘/˘··/˘/˘/˘ |
| Is it purity of conscience, or your one-and-seven sherry?” | 14 | ··/˘·/˘····//˘ |
| But he answered, “I’m so happy—no profession could be dearer— | 16 | ··/˘··/˘·˘/˘··/˘ |
| If I am not humming ‘Tra! la! la!’ I’m singing ‘Tirer, lirer!’ | 16 | ····/˘····/˘···· |
| “First I go and make the patties, and the puddings, and the jellies, | 16 | ······/˘··/˘··/˘ |
| Then I make a sugar bird-cage, which upon a table swell is; | 16 | ····/˘······/˘·· |
| “Then I polish all the silver, which a supper-table lacquers; | 16 | ··/˘··/˘··/˘/˘/˘ |
| Then I write the pretty mottoes which you find inside the crackers.”— | 16 | ····/˘/˘···˘/·/˘ |
| “Found at last!” I madly shouted. “Gentle pieman, you astound me!” | 16 | ····/˘/˘/˘/˘·˘/· |
| Then I waved the turtle soup enthusiastically round me. | 14 | ····/˘·˘·˘/˘·· |
| And I shouted and I danced until he’d quite a crowd around him— | 16 | ··/˘············ |
| And I rushed away exclaiming, “I have found him! I have found him!” | 16 | ···˘/˘/˘········ |
| And I heard the gentle pieman in the road behind me trilling, | 16 | ····/˘/˘······/˘ |
| “‘Tira, lira!’ stop him, stop him! ‘Tra! la! la!’ the soup’s a | 14 | ··/˘·········· |
| shilling!” | 2 | /˘ |
| But until I reached ELVIRA’S home, I never, never waited, | 14 | ·····˘/˘··///˘ |
| And ELVIRA to her FERDINAND’S irrevocably mated! | 14 | ·˘/˘··/˘·˘/˘/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.