The Castle of Remembrance

Théophile Gautier (1811–1872), translated by Agnes Lee · 1903

iambic tetrameter · ABAB · 216 lines · from Enamels and Cameos and Other Poems

Before my hearth with head low-bowedI dream, and strive to reach again,Across the misty past's gray cloud,Unto Remembrance's domain,

Where tree and house and upland wayAre blurred and blue like passing ghosts,And the eye, ponder though it may,Consults in vain the guiding-posts.

Now gropingly to gain a sightOf all the buried world, I pressThrough mystic marge of shade and lightAnd limbo of forgetfulness.

But white, diaphanous Memory stands,Where many roadways meet and spread,Like Ariadne, in my handsThrusting her little ball of thread.

Henceforth the way is all secure.The shrouded sun hath reappeared,And o'er the trees with vision sureI see the castle tower upreared.

Beneath the boughs where day grows darkWith shower on shower of leaves down-pouredThe dear old path through moss and barkStill lengthens far its narrow cord.

But creeping-plant and bramble-sprayHave wrought a net to daunt me now.The stubborn branch I force awaySwings fiercely back to lash my brow.

I come upon the house at last.No window lit with lamp or face,No breath of smoke from gables vast,To touch with life the mouldering place!

Bridges are crumbling. Moats are still,And slimed with rank, green refuse-flowers,And tortuous waves of ivy fillThe crevices and choke the towers.

The portico in moonlight wanes.Time sculptures it to suit his whim.And with the wash of many rainsMy coloured coat of arms is dim.

The door I open eagerly.The ancient hinges creak and halt.A breath of dampness wafts to meThe musty odour of the vault.

The hairy nettle sharp of sting,The coarse and broad-leafed burdock weedIn court-yard nooks are prospering,By spreading hemlocks canopied.

Upon two marble monsters near,That guard the mossy steps of stone,The shadow of a tree falls clear,That in my absence has upgrown.

Sudden the lion sentinels raiseTheir paws, aggressive and malign,And challenge me with their white gaze;But soft I breathe the countersign.

I pass. The old dog menaceth,But falls back hushed, the shades amid.My resonant footstep wakenethCrouched echoes in their corners hid.

Through yellow panes of glass a rayOf dubious light creeps down the hallWhere ancient tapestries displayApollo's fortunes from the wall.

Fair tree-bound Daphne still with graceStretches her tufted fingers green.But in the amorous god's embraceShe fades, a formless phantom seen.

I watch divine Apollo stand,Herdsman to acarus-riddled sheep,The Muses Nine, a haggard band,Upon a faded Pindus weep;

While Solitude in scanty gownTraces "Desertion" in the dustThat through the air she sifteth downUpon a marble stand august.

And now, among forgotten things,I find, like sleepers manifold,Pastels bedimmed, dark picturings,Young beauties, and the friends of old.

My faltering fingers lift a crape,--And lo, my love with look and lure!With puffing skirts and prisoned shape!Cidalise a la Pompadour!

A tender, blossoming rose she feelsAgainst her ribboned bodice pressed,Whose lace half hides and half revealsA snowy, azure-veined breast.

Within her eyes gleam sparkles lush,As on the rime-kissed, deadened leaves.Upon her cheek a purple flush--Death's own cosmetic hue!--deceives.

She startles as I come before,And fixeth soft on me her eyes,Reproachfully forevermore,Yet with a charm and witching wise.

Life bore me from thee at its will,Yet on my heart thy name is laid,Thou dead delight, that lingereth still,Bedizened for the masquerade!

Envious of Art, fair Nature wroughtTo overpass Murillo's fame,--From Andalusia here she broughtThe face that lights the second frame.

By some poetical caprice,Our atmosphere of mist and cloud,With rare exotic charm's increaseThis other Petra Camara dowed.

Warm orange tones are gilding yetHer lovely skin of roseate hue.Her eyelids fair have lashes jetThat beams of sunshine filter through.

There shimmers fine a pearly gleamBetween her scarlet lips elate;Her beauty flashes forth supreme--A bright south summer pomegranate.

Long to the sound of Spain's guitar,I told her praise 'mid song and glass.She came alone one evenstar,And all my room Alhambra was.

Farther I see a robust Fair,With strong and gem-beladen arms.In pearls of price and velvet rareAre set her ivory bosom's charms.

Her ennui is a weary queen's,An adulating court amid.Superb, aloof, her hand she leansUpon a casket's jewelled lid.

Her sensuous lips their crimes confess,As crimson with the blood of hearts.With brutal, mad voluptuousnessHer conquering eye a challenge darts.

Here dwells, in lieu of tender grace,Vertiginous allure, whereofA cruel Venus ruled a race,Presiding o'er malignant love.

Unnatural mother to her child,This Venus all imperative!O thou, my bitter joy and wild,--Farewell forever! I forgive!

Within its frame in shadow fine,The misty glass that still enduresReveals another face than mine,--The earliest of my portraitures.

A retrospective ghost, with faceOf vanished type, steps from the vastDim mirror of his biding-placeIn tenebrous, forgotten past.

Gay in his doublet satin-rose,Coloured in bold and vivid way,He seems as if about to poseFor Deveria or Boulanger.

Terror of glabrous commoner,His flowing locks in royal guise,Like mane of lion, or sinisterKing's hair, fall heavy to his thighs.

Romanticist of bold conceit,Knight of an art which strives anew,He hurled himself at Drama's feet,When erst Hernani's trumpet blew.

Night falls. The corners are astirWith many shapes and shadows tall.The Unknown--grim stage-carpenter--Sets up its darksome frights o'er all.

A sudden burst of candles, weirdWith aureoles, like lamps of death!The room is populous, and blearedWith folk brought hither by a breath!

Down step the portraits from the wall,--A ruddy-litten company!Circling the fireplace in the hall,Where the wood blazes suddenly.

The figures wrested from the tombsHave lost their rigid, frozen mien,The gradual glow of life illumesThe Past with flush incarnadine.

A colour lights the faces pale,As in the days of old delight.Friends whom my thought shall never fail,I thank ye, that ye came to-night!

Now eighteen-thirty shows to meIts great and valiant-hearted men.(Ah, like Otranto's pirates, weWho were an hundred, are but ten!)

And one his reddish beard spreads out,Like Barbarossa in his cave.Another his mustachio stoutCurls at the ends in fashion suave.

Under the ample fold that cloaksAn ever unrevealed ill,Petrus a cigarette now smokes,Naming it "papelito" still.

Another cometh, fain to tellHis visions and his hopes supreme.Like Icarus on the sands he fell,Where lie all broken shafts of dream.

And one a drama hath begot,Planned after some new model's freak,Which, merging all things in its plot,Makes Calderon with Moliere speak.

Tom, late forsaken by his Dear,Love's Labour's Lost must low recite;And Fritz to Cidalise makes clearFaust's vision of Walpurgis Night.

But dawn comes through the window free.Diaphanous the phantoms grow.The objects of realityStrike through their shapes that merge and go.

The candles are consumed away.The ember-lights no longer gleamUpon the hearth. No thing shall stay.Farewell, O castle of my dream!

December gray shall turn once moreThe glass of Time, for all we fret!The present enters at my door,And vainly bids me to forget.

Words in this poem 51
marge n.
Border; margin; edge; verge. [F. marge. See Margin.]
limbo n.
An extramundane region where certain classes of souls were supposed to await the judgment. [L. limbus border, edge in limbo on the border. Cf. Limb border.]
diaphanous a.
Allowing light to pass through, as porcelain; translucent or transparent; pellucid; clear. [Gr. diaphane. See Phantom, and cf. Diaphane, Diaphanic.]
henceforth adv.
From this time forward; henceforward.
daunt v. t.
To overcome; to conquer. [OF. danter, F. dompter to tame, subdue, fr. L. domitare, v. intens. of domare to tame. See Tame.]
coloured a.
Having color; tinged; dyed; painted; stained.
creak v. i.
To make a prolonged sharp grating or ssqueaking sound, as by the friction of hard substances; as, shoes creak. [OE. creken, prob. of imitative origin; cf. E. crack, and. D. kreiken to crackle, chirp.]
dampness n.
Moderate humidity; moisture; fogginess; moistness.
odour n.
Any smell, whether fragrant or offensive; scent; perfume. [OE. odor, odour, OF. odor, odour, F. odeur, fr. L. odor; akin to olere to smell, Gr. Olfactory, Osmium, Ozone, Redolent.]
countersign v. t.
To sign on the opposite side of (an instrument or writing); hence, to sign in addition to the signature of a principal or superior, in order to attest the authenticity of a writing. [Counter- + sign: cf. F. contresigner.]
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
crouched a.
Marked with the sign of the cross. Crouched friar. See Crutched friar, under Crutched.
dubious a.
Doubtful or not settled in opinion; being in doubt; wavering or fluctuating; undetermined. [L. dubius, dubiosus, fr. duo two. See Two, and cf. Doubt.]
daphne n.
A genus of diminutive Shrubs, mostly evergreen, and with fragrant blossoms. [L., a laurel tree, from Gr. .]
formless a.
Shapeless; without a determinate form; wanting regularity of shape.
haggard a.
Wild or intractable; disposed to break away from duty; untamed; as, a haggard or refractory hawk. Shak [F. hagard; of German origin, and prop. meaning, of the hegde or woods, wild, untamed. See Hedge, 1st Haw, and -ard.]
faltering a.
Hesitating; trembling.
puffing
a. & n. from Puff, v. i. & t. Puffing adder. (Zoöl.) Same as Puff adder (b), under Puff.
bodice n.
A kind of under waist stiffened with whalebone, etc., worn esp. by women; a corset; stays. [This is properly the plural of body, Oe. bodise a pair of bodies, equiv. to a bodice. Cf. Corset, and see Body.]
snowy a.
White like snow.
lush a.
Full of juice or succulence. [Prob. an abbrev. of lushious, fr. luscious.]
rime n.
A rent or long aperture; a chink; a fissure; a crack. Sir T. [L. rima.]
witching a.
That witches or enchants; suited to enchantment or witchcraft; bewitching.
envious a.
Malignant; mischievous; spiteful. [OF. envios, F. envieux, fr. L. invidiosus, fr. invidia envy. See Envy, and cf. Invidious.]
overpass v. t.
To go over or beyond; to cross; as, to overpass a river; to overpass limits. [Cf. Surpass.]
camara n.
Chamber; house; -- used in Ca"ma*ra dos Pa"res, and Ca"ma*ra dos De`pu*ta"dos. See Legislature.
roseate a.
Full of roses; rosy; as, roseate bowers. [Cf. L. roseus, rosatus, prepared from roses. See Roseal, Rose.]
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
elate a.
Lifted up; raised; elevated. [L. elatus elevated, fig., elated, proud (the figure, perh., being borrowed from a prancing horse); e out + latus (used as p. p. of ferre to bear), for tlatus, a]
alhambra n.
The palace of the Moorish kings at Granada. [Ultimately fr. Ar. al the + hamra red; i. e., the red (sc. house).]
ennui n.
A feeling of weariness and disgust; dullness and languor of spirits, arising from satiety or want of interest; tedium. T. Gray. [F., fr. L. in odio in hatred. See Annoy.]
superb a.
Grand; magnificent; august; stately; as, a superb edifice; a superb colonnade. [F. superbe, L. superbus, fr. super over. See Super-.]
sensuous a.
Of or pertaining to the senses, or sensible objects; addressing the senses; suggesting pictures or images of sense.
vertiginous a.
Turning round; whirling; rotary; revolving; as, vertiginous motion. [L. vertiginosus, fr. vertigo a whirling around, giddiness: cf. F. vertigineux. See Vertig.]
whereof adv.
Of which; of whom; formerly, also, with which; -- used relatively.
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
glabrous a.
Smooth; having a surface without hairs or any unevenness.
romanticist n.
One who advocates romanticism in modern literature. J. R.
astir adv.
Stirring; in a state of activity or motion; out of bed. [Pref. a- + stir.]
darksome a.
Dark; gloomy; obscure; shaded; cheerless.
populous a.
Abounding in people; full of inhabitants; containing many inhabitants in proportion to the extent of the country. [L. populosus, fr. populus people: cf. F. populeux.]
bleared a.
Dimmed, as by a watery humor; affected with rheum.
folk n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
incarnadine a.
Flesh-colored; of a carnation or pale red color. [F. incarnadin, It. incarnatino; L. pref. in- in + caro, carnis, flesh. Cf. Carnation, Incarnate.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
thank n.
A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
valiant a.
Vigorous in body; strong; powerful; as, a valiant fencer. [OE. valiant, F. vaillant, OF. vaillant, valant, originally p. pr. of OF. & F. valoir to be worth, L. valere to be strong. See Wield, and cf. Avail, Convalesce, ]
suave a.
Sweet; pleasant; delightful; gracious or agreeable in manner; bland. [L. suavis sweet, pleasant: cf. F. suave. See Sweet, and cf. Suasion.]
cigarette n.
A little cigar; a little fine tobacco rolled in paper for smoking. [F. cigarette.]
fain v. t.
To be glad ; to wish or desire.
merge v. t.
To cause to be swallowed up; to immerse; to sink; to absorb. [L. mergere, mersum. Cf. Emerge, Immerse, Marrow.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Castle of Remembrance is in the public domain. This text is taken from Enamels and Cameos and Other Poems, Project Gutenberg ebook #29521, the Agnes Lee translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Théophile Gautier, The Castle of Remembrance, in Enamels and Cameos and Other Poems (1903), text of Project Gutenberg ebook #29521, Laurel, https://laurelpoetry.com/poem/gautier-enamels-cameos/the-castle-of-remembrance.html, id L27025.

Form and metre

The Castle of Remembrance is 216 lines in 54 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 53 of its 54 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 89%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB bowedA · againB · cloudA · domainB
  2. 2 ABAB wayA · ghostsB · mayA · postsB
  3. 3 ABAB sightA · pressB · lightA · forgetfulnessB
  4. 4 ABAB standsA · spreadB · handsA · threadB
  5. 5 ABAB secureA · reappearedB · sureA · uprearedB
  6. 6 ABAB darkA · pouredB · barkA · cordB
  7. 7 ABAB sprayA · nowB · awayA · browB
  8. 8 ABAB lastA · faceB · vastA · placeB
  9. 9 ABAB stillA · flowersB · fillA · towersB
  10. 10 ABAB wanesA · whimB · rainsA · dimB
  11. 11 ABAB eagerlyA · haltB · meA · vaultB
  12. 12 ABAB stingA · weedB · prosperingA · canopiedB
  13. 13 ABAB nearA · stoneB · clearA · upgrownB
  14. 14 ABAB raiseA · malignB · gazeA · countersignB
  15. 15 ABAB menacethA · amidB · wakenethA · hidB
  16. 16 ABAB rayA · hallB · displayA · wallB
  17. 17 ABAB graceA · greenB · embraceA · seenB
  18. 18 ABAB standA · sheepB · bandA · weepB
  19. 19 ABAB gownA · dustB · downA · augustB
  20. 20 ABAB thingsA · manifoldB · picturingsA · oldB
  21. 21 ABAB crapeA · lureB · shapeA · pompadourB
  22. 22 ABAB feelsA · pressedB · revealsA · breastB
  23. 23 ABAB lushA · leavesB · flushA · deceivesB
  24. 24 ABAB beforeA · eyesB · forevermoreA · wiseB
  25. 25 ABAB willA · laidB · stillA · masqueradeB
  26. 26 ABAB wroughtA · fameB · broughtA · frameB
  27. 27 ABAB capriceA · cloudB · increaseA · dowedB
  28. 28 ABAB yetA · hueB · jetA · throughB
  29. 29 ABAB gleamA · elateB · supremeA · pomegranateB
  30. 30 ABAB guitarA · glassB · evenstarA · wasB
  31. 31 ABAB fairA · armsB · rareA · charmsB
  32. 32 ABAB queen'sA · amidB · leansA · lidB
  33. 33 ABAB confessA · heartsB · voluptuousnessA · dartsB
  34. 34 ABAB graceA · whereofB · raceA · loveB
  35. 35 ABAB childA · imperativeB · wildA · forgiveB
  36. 36 ABAB fineA · enduresB · mineA · portraituresB
  37. 37 ABAB faceA · vastB · placeA · pastB
  38. 38 A-A- roseA · way · poseA · boulanger
  39. 39 ABAB commonerA · guiseB · sinisterA · thighsB
  40. 40 ABAB conceitA · anewB · feetA · blewB
  41. 41 ABAB astirA · tallB · carpenterA · allB
  42. 42 ABAB weirdA · deathB · blearedA · breathB
  43. 43 ABAB wallA · companyB · hallA · suddenlyB
  44. 44 ABAB tombsA · mienB · illumesA · incarnadineB
  45. 45 ABAB paleA · delightB · failA · nightB
  46. 46 ABAB meA · menB · weA · tenB
  47. 47 ABAB outA · caveB · stoutA · suaveB
  48. 48 ABAB cloaksA · illB · smokesA · stillB
  49. 49 ABAB tellA · supremeB · fellA · dreamB
  50. 50 ABAB begotA · freakB · plotA · speakB
  51. 51 ABAB dearA · reciteB · clearA · nightB
  52. 52 ABAB freeA · growB · realityA · goB
  53. 53 ABAB awayA · gleamB · stayA · dreamB
  54. 54 ABAB moreA · fretB · doorA · forgetB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Before my hearth with head low-bowed8········
I dream, and strive to reach again,8······˘/
Across the misty past's gray cloud,8˘/·/˘···
Unto Remembrance's domain,8··˘/˘˘˘/
Where tree and house and upland way8·····/˘·
Are blurred and blue like passing ghosts,8·····/˘·
And the eye, ponder though it may,8···/˘···
Consults in vain the guiding-posts.8˘/···/˘·
Now gropingly to gain a sight7·/˘····
Of all the buried world, I press8···/˘···
Through mystic marge of shade and light8·/˘·····
And limbo of forgetfulness.8·/˘·˘/˘˘
But white, diaphanous Memory stands,8··˘/˘/˘·
Where many roadways meet and spread,8·/˘/····
Like Ariadne, in my hands8··˘/˘···
Thrusting her little ball of thread.8/˘·/˘···
Henceforth the way is all secure.8//····˘/
The shrouded sun hath reappeared,8·/˘···˘/
And o'er the trees with vision sure8·····/˘·
I see the castle tower upreared.8···/˘/··
Beneath the boughs where day grows dark8········
With shower on shower of leaves down-poured8·/·/····
The dear old path through moss and bark8········
Still lengthens far its narrow cord.8·/˘··/˘·
But creeping-plant and bramble-spray8·/˘··/˘·
Have wrought a net to daunt me now.8········
The stubborn branch I force away8·/˘···˘/
Swings fiercely back to lash my brow.8·/˘·····
I come upon the house at last.8········
No window lit with lamp or face,8·/˘·····
No breath of smoke from gables vast,8·····/˘·
To touch with life the mouldering place!8·····/˘·
Bridges are crumbling. Moats are still,8/˘·/˘···
And slimed with rank, green refuse-flowers,9·····/·/˘
And tortuous waves of ivy fill8·/˘··/˘·
The crevices and choke the towers.9·/˘˘···/˘
The portico in moonlight wanes.8·/˘··/··
Time sculptures it to suit his whim.8·/˘·····
And with the wash of many rains8·····/˘·
My coloured coat of arms is dim.8·/˘·····
The door I open eagerly.8···/˘/˘˘
The ancient hinges creak and halt.8·/˘/˘···
A breath of dampness wafts to me8···/˘···
The musty odour of the vault.8·/˘/˘···
The hairy nettle sharp of sting,8·/˘/˘···
The coarse and broad-leafed burdock weed8·····/˘·
In court-yard nooks are prospering,8·····/˘˘
By spreading hemlocks canopied.7·/˘/···
Upon two marble monsters near,8···/˘/˘·
That guard the mossy steps of stone,8···/˘···
The shadow of a tree falls clear,8·/······
That in my absence has upgrown.8···/˘···
Sudden the lion sentinels raise8/˘·//˘˘·
Their paws, aggressive and malign,8··˘/˘·˘/
And challenge me with their white gaze;8·/˘·····
But soft I breathe the countersign.8·····/˘˘
I pass. The old dog menaceth,8·····/˘˘
But falls back hushed, the shades amid.8······˘/
My resonant footstep wakeneth9·/˘˘/·/˘˘
Crouched echoes in their corners hid.8·/˘··/˘·
Through yellow panes of glass a ray8·/˘·····
Of dubious light creeps down the hall8·/˘·····
Where ancient tapestries display8·/˘/˘˘˘/
Apollo's fortunes from the wall.8˘/˘/˘···
Fair tree-bound Daphne still with grace8···/˘···
Stretches her tufted fingers green.8/˘·/˘/˘·
But in the amorous god's embrace8···/˘·˘/
She fades, a formless phantom seen.8···/˘/˘·
I watch divine Apollo stand,8··˘/˘/˘·
Herdsman to acarus-riddled sheep,9···/˘˘/˘·
The Muses Nine, a haggard band,8·/˘··/˘·
Upon a faded Pindus weep;8···/˘···
While Solitude in scanty gown8·/˘··/˘·
Traces "Desertion" in the dust8/˘˘/˘···
That through the air she sifteth down8·····/˘·
Upon a marble stand august.8···/˘·/˘
And now, among forgotten things,8····˘/˘·
I find, like sleepers manifold,8···/˘/˘·
Pastels bedimmed, dark picturings,8˘/···/˘˘
Young beauties, and the friends of old.8·/˘·····
My faltering fingers lift a crape,--8·/˘/˘···
And lo, my love with look and lure!8········
With puffing skirts and prisoned shape!8·/˘··/˘·
Cidalise a la Pompadour!8·····/˘˘
A tender, blossoming rose she feels8·/˘/˘···
Against her ribboned bodice pressed,8···/˘/˘·
Whose lace half hides and half reveals8······˘/
A snowy, azure-veined breast.8·/˘/˘·˘·
Within her eyes gleam sparkles lush,8·····/˘·
As on the rime-kissed, deadened leaves.8·····/˘·
Upon her cheek a purple flush--8·····/˘·
Death's own cosmetic hue!--deceives.8··˘/˘·˘/
She startles as I come before,8·/˘·····
And fixeth soft on me her eyes,8········
Reproachfully forevermore,8········
Yet with a charm and witching wise.8·····/˘·
Life bore me from thee at its will,8········
Yet on my heart thy name is laid,8········
Thou dead delight, that lingereth still,8··˘/·/˘·
Bedizened for the masquerade!8······˘/
Envious of Art, fair Nature wrought8/˘···/˘·
To overpass Murillo's fame,--8·/˘·˘/˘·
From Andalusia here she brought8··˘/˘···
The face that lights the second frame.8·····/˘·
By some poetical caprice,7·····˘/
Our atmosphere of mist and cloud,8//˘·····
With rare exotic charm's increase8··˘/˘·˘/
This other Petra Camara dowed.9·/˘/˘˘/˘·
Warm orange tones are gilding yet8·/˘··/˘·
Her lovely skin of roseate hue.8·/˘··/˘·
Her eyelids fair have lashes jet8·/···/˘·
That beams of sunshine filter through.8···/·/˘·
There shimmers fine a pearly gleam8·/˘··/˘·
Between her scarlet lips elate;8···/˘·˘/
Her beauty flashes forth supreme--8·/˘/˘·˘/
A bright south summer pomegranate.7···/˘/˘
Long to the sound of Spain's guitar,8······˘/
I told her praise 'mid song and glass.8········
She came alone one evenstar,8··˘/····
And all my room Alhambra was.8····˘/˘·
Farther I see a robust Fair,8/˘···˘/·
With strong and gem-beladen arms.8········
In pearls of price and velvet rare8·····/˘·
Are set her ivory bosom's charms.8···/˘/˘·
Her ennui is a weary queen's,9·˘/˘··/˘·
An adulating court amid.8·/˘·˘·˘/
Superb, aloof, her hand she leans8˘/˘/····
Upon a casket's jewelled lid.8···/˘/˘·
Her sensuous lips their crimes confess,8·/˘···˘/
As crimson with the blood of hearts.8·/˘·····
With brutal, mad voluptuousness8·/˘·····
Her conquering eye a challenge darts.8·/˘··/˘·
Here dwells, in lieu of tender grace,8·····/˘·
Vertiginous allure, whereof8˘/˘˘˘/··
A cruel Venus ruled a race,8·/˘/˘···
Presiding o'er malignant love.8˘/˘·˘/˘·
Unnatural mother to her child,8˘/˘/˘···
This Venus all imperative!8·/˘·˘/˘˘
O thou, my bitter joy and wild,--8···/˘···
Farewell forever! I forgive!8·/˘/˘·˘/
Within its frame in shadow fine,8·····/··
The misty glass that still endures8·/˘···˘/
Reveals another face than mine,--8˘/˘/˘···
The earliest of my portraitures.8·/˘·····
A retrospective ghost, with face8··˘/˘···
Of vanished type, steps from the vast8·/˘·····
Dim mirror of his biding-place8·/˘··/˘·
In tenebrous, forgotten past.8·/˘˘˘/˘·
Gay in his doublet satin-rose,8···/˘/˘·
Coloured in bold and vivid way,8/˘···/˘·
He seems as if about to pose8········
For Deveria or Boulanger.8·····/˘˘
Terror of glabrous commoner,8/˘·/˘/˘˘
His flowing locks in royal guise,8·/˘··/˘·
Like mane of lion, or sinister9···/˘·/˘˘
King's hair, fall heavy to his thighs.8···/˘···
Romanticist of bold conceit,8˘/˘˘··˘/
Knight of an art which strives anew,8······˘/
He hurled himself at Drama's feet,8··˘/·/˘·
When erst Hernani's trumpet blew.8·····/˘·
Night falls. The corners are astir8···/˘·˘/
With many shapes and shadows tall.8·/˘··/··
The Unknown--grim stage-carpenter--8·˘/··/˘˘
Sets up its darksome frights o'er all.8···/˘···
A sudden burst of candles, weird8·/˘··/˘·
With aureoles, like lamps of death!8·/˘˘····
The room is populous, and bleared8···/˘˘··
With folk brought hither by a breath!8···/˘···
Down step the portraits from the wall,--8···/˘···
A ruddy-litten company!8·/˘/˘/˘˘
Circling the fireplace in the hall,9/˘·/˘····
Where the wood blazes suddenly.8···/˘/˘˘
The figures wrested from the tombs8·/˘/˘···
Have lost their rigid, frozen mien,8···/˘/˘·
The gradual glow of life illumes8·/˘·····
The Past with flush incarnadine.8····˘/˘˘
A colour lights the faces pale,8·/˘··/˘·
As in the days of old delight.8······˘/
Friends whom my thought shall never fail,8·····/˘·
I thank ye, that ye came to-night!8········
Now eighteen-thirty shows to me8·///˘···
Its great and valiant-hearted men.8···/˘/˘·
(Ah, like Otranto's pirates, we8·····/˘·
Who were an hundred, are but ten!)8···/˘···
And one his reddish beard spreads out,8···/˘···
Like Barbarossa in his cave.8········
Another his mustachio stout9˘/˘·˘/˘··
Curls at the ends in fashion suave.8·····/˘·
Under the ample fold that cloaks8···/˘···
An ever unrevealed ill,8·/˘···˘·
Petrus a cigarette now smokes,8/˘··˘/··
Naming it "papelito" still.8/˘······
Another cometh, fain to tell8˘/˘/˘···
His visions and his hopes supreme.8·/˘···˘/
Like Icarus on the sands he fell,9·/·˘·····
Where lie all broken shafts of dream.8···/˘···
And one a drama hath begot,8···/˘·˘/
Planned after some new model's freak,8·····/˘·
Which, merging all things in its plot,8·/˘·····
Makes Calderon with Moliere speak.8·/˘˘·˘/·
Tom, late forsaken by his Dear,8··˘/˘···
Love's Labour's Lost must low recite;8·/····˘/
And Fritz to Cidalise makes clear8········
Faust's vision of Walpurgis Night.8·/˘·····
But dawn comes through the window free.8·····/˘·
Diaphanous the phantoms grow.8˘/˘˘·/˘·
The objects of reality8·/˘·˘/˘˘
Strike through their shapes that merge and go.8········
The candles are consumed away.8·/˘·˘/˘/
The ember-lights no longer gleam8·/˘··/˘·
Upon the hearth. No thing shall stay.8········
Farewell, O castle of my dream!8·/·/˘···
December gray shall turn once more8˘/˘·····
The glass of Time, for all we fret!8········
The present enters at my door,8·/˘/˘···
And vainly bids me to forget.8·/˘···˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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