A Study of Hands: Lacenaire

Théophile Gautier (1811–1872), translated by Agnes Lee · 1903

iambic tetrameter · ABAB · 40 lines · from Enamels and Cameos and Other Poems

Strange contrast was the severed handOf Lacenaire, the murderer dead,Soaked in a powerful essence, andNear by upon a cushion spread.

Letting a morbid fancy win,I touched, despite my loathing sane,The cold, hair-covered, slimy skin,Not yet washed clean of deathly stain.

Yellow, uncanny, mummified,Like to a Pharaoh's hand it lay,And stretched its faun-shaped fingers wide,Crisp with temptation's awful play;

As though an itch for flesh and goldLured them to horrors yet to be,Twisting them roughly as of old,Teasing their immobility.

There every vice and passion's whimHad seamed the flesh abundantlyWith hideous hieroglyphs and grim,That headsmen read with fluency.

There plainly writ in furrows fell,I saw the deeds of sin and soil,Scorchings from every fiery hellWherein corruptions seethe and boil.

There was a track of Capri's vice,Of lupanars and gaming-scores,Fretted with wine and blood and dice,Like ennui of old emperors.

Supple and fierce, it had some dowerOf grace unto the searching eye,Some brutal fascination's power,A gladiator's mastery.

Cold aristocracy of crime!No plane inured, no hammer spentThe hand whose task for every timeHad but the knife for implement.

The hand of Lacenaire! No clueTherein to labour's honest pride!False poet, and assassin true,The Manfred of the gutter died!

Words in this poem

sane a.
Being in a healthy condition; not deranged; acting rationally; -- said of the mind. [L. sanus; cf. Gr. Sound, a.]
deathly a.
Deadly; fatal; mortal; destructive.
uncanny a.
Not canny; unsafe; strange; weird; ghostly.
mummified a.
Converted into a mummy or a mummylike substance; having the appearance of a mummy; withered.
immobility n.
The condition or quality of being immobile; fixedness in place or state. [L. immobilitas, fr. immobilis immovable; pref. im- not + mobilis movable: cf. F. immobilité. See Mobile.]
seamed a.
Out of condition; not in good condition; -- said of a hawk.
fluency n.
The quality of being fluent; smoothness; readiness of utterance; volubility. [L. fluentia: cf. F. fluence. See Fluent.]
ennui n.
A feeling of weariness and disgust; dullness and languor of spirits, arising from satiety or want of interest; tedium. T. Gray. [F., fr. L. in odio in hatred. See Annoy.]
clue n.
A ball of thread, yarn, or cord; also, The thread itself. [OE. clewe, clowe, clue, AS. cleowen, cliwen, clywe ball of thread; akin to D. kluwen, OHG. chliwa, chliuwa, G. dim. kleuel, knäuel, and perch. to L. gluma hull,]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A Study of Hands: Lacenaire is in the public domain. This text is taken from Enamels and Cameos and Other Poems, Project Gutenberg ebook #29521, the Agnes Lee translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Théophile Gautier, A Study of Hands: Lacenaire, in Enamels and Cameos and Other Poems (1903), text of Project Gutenberg ebook #29521, Laurel, https://laurelpoetry.com/poem/gautier-enamels-cameos/lacenaire.html, id L26988.

Form and metre

A Study of Hands: Lacenaire is 40 lines in 10 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 9 of its 10 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 88%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB handA · deadB · andA · spreadB
  2. 2 ABAB winA · saneB · skinA · stainB
  3. 3 ABAB mummifiedA · layB · wideA · playB
  4. 4 ABAB goldA · beB · oldA · immobilityB
  5. 5 ABAB whimA · abundantlyB · grimA · fluencyB
  6. 6 ABAB fellA · soilB · hellA · boilB
  7. 7 ABAB viceA · scoresB · diceA · emperorsB
  8. 9 ABAB crimeA · spentB · timeA · implementB
  9. 10 ABAB clueA · prideB · trueA · diedB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Strange contrast was the severed hand8·/˘··/˘·
Of Lacenaire, the murderer dead,8·····/˘·
Soaked in a powerful essence, and8···/˘/˘·
Near by upon a cushion spread.8·····/˘·
Letting a morbid fancy win,8/˘·/˘/˘·
I touched, despite my loathing sane,8··˘/·/˘·
The cold, hair-covered, slimy skin,8···/˘/˘·
Not yet washed clean of deathly stain.8·····/˘·
Yellow, uncanny, mummified,8/˘˘/˘/˘·
Like to a Pharaoh's hand it lay,8···/˘···
And stretched its faun-shaped fingers wide,8·····/˘·
Crisp with temptation's awful play;8··˘/˘/˘·
As though an itch for flesh and gold8········
Lured them to horrors yet to be,8···/˘···
Twisting them roughly as of old,8/˘·/˘···
Teasing their immobility.8/˘··˘/˘˘
There every vice and passion's whim8·/˘··/˘·
Had seamed the flesh abundantly8····˘/˘˘
With hideous hieroglyphs and grim,8·/˘·˘/··
That headsmen read with fluency.8·····/˘˘
There plainly writ in furrows fell,8·/˘··/˘·
I saw the deeds of sin and soil,8········
Scorchings from every fiery hell8/˘·/˘/˘·
Wherein corruptions seethe and boil.8··˘/˘···
There was a track of Capri's vice,8·····/˘·
Of lupanars and gaming-scores,8·····/˘·
Fretted with wine and blood and dice,8/˘······
Like ennui of old emperors.9·˘/˘··/˘˘
Supple and fierce, it had some dower8/˘······
Of grace unto the searching eye,8·····/˘·
Some brutal fascination's power,9·/˘·˘/˘/˘
A gladiator's mastery.8·/˘·˘/˘˘
Cold aristocracy of crime!8··˘/˘˘··
No plane inured, no hammer spent8··˘/·/˘·
The hand whose task for every time8·····/˘·
Had but the knife for implement.8·····/˘˘
The hand of Lacenaire! No clue8········
Therein to labour's honest pride!8···/·/˘·
False poet, and assassin true,8·/˘·˘/˘·
The Manfred of the gutter died!8·/˘··/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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