Eclogue III. To the Lady Maria De La Cueva, Countess of Ureña
The pure ambition and sincere desire,Most beautiful Señora, that whilereWas wont my soul in secret to inspire,To sing thy beauty, wit, and virtue rare,Spite of strong Fortune, that unstrings my lyre,And turns to other paths my steps of care,Glows, and shall glow within me, whilst the flameOf soul lights up this perishable frame.
I fancy even, that after life this flowOf song shall live; that when my heart grows chill,And my lips cease to call, in joy or woe,Eolian murmurs to my pastoral quill,Freed from its narrow cell my ghost shall goO'er the dark river, celebrating stillThy glorious name, and curbing with the soundOblivion's waters, slowly stealing round.
But Fate, not satisfied with crossing, rives meFrom every good; grief but to grief gives place;Now from my country, from my love she drives me,Now proves my patience in a thousand ways;But what I feel more, is that she deprives meOf these fond papers where my pen thy praiseInscribes, and in their room nought, nought supp'iesBut fruitless cares and mournful memories.
Yet, let her try her utmost force, my heartShe shall not change; the world shall never sayShe moves me to forsake so sweet an art;In poesy's still walks, embowered with bay,Apollo and the Nine shall yet impartLeisure, and life, and language, to displayThe least of thine accomplishments, the mostMy feeble powers can ever hope to boast.
Let it not irk thee if I sing meanwhileThe scenes and sylvans thou hast loved, nor deemIll of this untrimmed portion of my style,Which once thy goodness held in kind esteem;Midst arms--with scarce one pause from bloody toil,Where war's hoarse trumpet breaks the poet's dream,Have I these moments stolen, oft claimed again,Now taking up the sword, and now the pen.
To the wild music of my oaten reedListen thou then, though, naked and ungracedWith ornamental touches, it indeedIs all unmeet to strike thine ear of taste;But oft pure thoughts from artless lips succeed,Chaste witnesses of sentiments as chaste,To win the will, and pleasure more impartThan all the' elaborate eloquence of art.
I, for this cause, though others failed my theme,Merit thine ear; the gift which at thy feetI cast, receive with favour; I shall deemMyself, sweet friend, enriched by the receipt.Of four choice Nymphs that from loved Tagus' streamProceed, I sing; Phyllodoce the sweet,Dynamene, fair Clymene, and last,Nyse, in loveliness by none surpassed.
In a sweet solitude beside the flood,Is a green grove of willows, trunk-entwinedWith ivies climbing to the top, whose hoodOf glossy leaves, with all its boughs combined,So interchains and canopies the wood,That the hot sunbeams can no access find;The water bathes the mead, the flowers aroundIt glads, and charms the ear with its sweet sound.
The glassy river here so smoothly slidWith pace so gentle on its winding road,The eye, in sweet perplexity misled,Could scarcely tell which way the current flowed.Combing her locks of gold, a Nymph her headRaised from the water where she made abode,And as the various landscape she surveyed,Saw this green meadow, full of flowers and shade.
That wood, the flowery turf, the winds that wideDiffused its fragrance, filled her with delight;Birds of all hues in the fresh bowers she spied,Retired, and resting from their weary flight.It was the hour when hot the sunbeams driedEarth's spirit up--'twas noontide still as night;Alone, at times, as of o'erbrooding beesMellifluous murmurs sounded from the trees.
Having a long time lingered to beholdThe shady place, in meditative mood,She waved aside her flowing locks of gold,Dived to the bottom of the crystal flood,And when to her sweet sisters she had toldThe charming coolness of this vernal wood,Prayed and advised them, to its green retreatTo take their tasks, and pass the hours of heat.
She had not long to sue,--the lovely threeTook up their work, and looking forth descried,Peopled with violets, the sequestered lea,And toward it hastened: swimming, they divideThe clear glass, wantoning in sportful gleeThrough the smooth wave; till, issuing from the tide,Their white feet dripping to the sands they yield,And touch the border of that verdant field.
Pressing the' elastic moss with graceful tread,They wrung the moisture from their shining hair,Which, shaken loose, entirely overspreadTheir beauteous shoulders and white bosoms bare;Then, drawing forth rich webs whose spangled threadMight in fine beauty with themselves compare,They sought the shadiest covert of the grove,And sat them down, conversing as they wove.
Their woof was of the gold which Tagus bringsFrom the proud mountains in his flow divine,Well sifted from the sands wherewith it springs,Of all admixture purified and fine;And of the green flax fashioned into strings,Subtile and lithe to follow and combineWith the bright vein of gold, by force of fireAlready drawn into resplendent wire.
The subtile yarn their skill before had stainedWith dyes pellucid as the brightest foundOn the smooth shells of the blue sea, engrainedBy sunbeams in their warm and radiant round:Each nymph for skill in what her fingers feigned,Equalled the works of painters most renowned,--Apelles' Venus, or the famous pieceWherein Timanthes veils the grief of Greece.
Phyllodoce, who of that beauteous bandWas for her majesty considered queen,Had figured with a bold and dexterous handThe river Strymon: on one side were seenGreen plains, on the reverse, a mountain grandAnd savage, where no human foot had been,Until the sweet, sad melodist of ThraceCharmed with his lyre the' inhospitable place.
Beauteous Eurydice was pictured, stungIn her white foot by the small snake that layCollecting venom, closely coiled amongThe herbs and flowers that blossomed in her way;She was discoloured as the rose, yet young,Plucked out of season, waning to decay:And in her rolling eyes the soul divineSeemed on the wing to quit its charming shrine.
Broidered at length the history was toldOf her fond lord; how, daring to descendTo the pale king of ghosts, by love made bold,He the lost lady by his lyre regained;How, mad once more her aspect to behold,He turned, again to lose her, and arraigned--Ever arraigned to mountain, cave, and spring,The cruel terms, and unrelenting king.
Dynamene with no less skill and graceAdorned the tale her fancy had designed;She drew robust Apollo, to the chaseIn echoing woods exclusively resigned;But soon revengeful Love, reproached as base,Changed the blythe scene; with grief Apollo pined;The God had pierced him with his gold-tipt shaft,And clapped his wings, and at his victim laughed.
Daphne with long dishevelled hair was hieingSo without pity to her tender feet,O'er briers and rocks, that fond Apollo, sighing,Seemed in the chase to move with steps less fleet,For her sweet sake; he following, she still flying,Thus the race held; he, flushed with amorous heat;She, cold as though she froze beneath the dartOf hatred lodged in her disdainful heart.
But at the last her arms increase and shootInto stiff boughs; those tresses turn to leaves,That wont the palm of splendour to disputeWith the fine gold, whilst to the mountain cleavesIn thousand tortuous roots each lily foot;Her frantic lover the swift change perceives;Looks her late features in the tree to find,And clasps and kisses the yet panting rind.
Blending the radiant threads and sparkling wireWith the most exquisite address and skill,Of beeches, oaks, and caverns hung with brier,Rapt Clymene pourtrayed a mighty hill,Where ran a boar whose red eye darted fire,With gnashing teeth--all eagerness to killA youth who in his hand a boar-spear shook,Handsome in form, and spirited in look.
Anon the boar was dying of a woundFrom the too valiant and adventurous youth,And he himself lay stretched upon the ground,Gored by the outrageous brute's avenging tooth;His sunbeam-tinted tresses drooped unbound,Sweeping the earth in negligence uncouth;The white anemonies that near him blewFelt his red blood, and red for ever grew.
This spoke the youth Adonis, and close byVenus accordingly was seen to grieve;Viewing the deep wound in his snowy thigh,She o'er him hung, half dying, to receive,Lip fondly pressed to lip, the last faint sighOf that sweet spirit that was wont to giveLife to the form for which, in blest accord,She walked the world, and held high heaven abhorred.
White-bosomed Nyse took not for her themeMemory of past catastrophes, nor twinedIn her fine tissue aught that poets dreamIn antique fable, for her heart inclinedTo the renown of her dear native stream;The glorious Tagus therefore she designed,There where he blesses with his sinuous trainThe happiest of all lands, delightful Spain!
Deep in a rocky valley was compressedThe wealthy river, winding almost roundA mountain, rushing with impetuous haste,And roaring like a lion as it wound;Mad for its prey, high flew its foaming crest;But it was labour lost, and this it found;For soon, contented with its wrack, the waveLost its resentment, and forgot to rave.
On the high mountain's airy head was placedOf ancient towers a grand and glorious weight;Here its bare bosom white-walled convents graced,There castles frowned in old Arabian state;In windings grateful to the eye of taste,Thence the smooth river, smilingly sedate,Slid, comforting the gardens, woods, and flowers,With the cool spray of artificial showers.
Elsewhere, the web, so richly figured o'er,Showed the fair Dryads issuing from a wood,With anxious haste all tending to the shore,The grassy margin of the shaded flood;In sable stoles, with aspect sad, they boreBaskets of purple roses in the bud,Lilies and violets, which they scattering pouredOn a dead nymph whom deeply they deplored.
All with dishevelled hair were seen to showerTears o'er the nymph, whose beauty did bespeakThat death had cropt her in her sweetest flower,Whilst youth bloomed rosiest in her charming cheek:Near the still water, in a myrtle bower,She lay amongst the green herbs, pale and meek,Like a white swan that, sickening where it feeds,Sighs its sweet life away amidst the reeds.
One of the Goddesses whose charms outshinedHer sisters, charming though they were, whose vestDisordered, whose pale face, and eyes declined,The deep affliction of her soul expressed,Was duteously engraving on the rindOf a fair poplar, separate from the rest,The lovely nymph's memorial epitaph,Which thus, deciphered, spoke on her behalf.
"ELIZA I, whose name the vocal grove,Whose name the mountain murmurs through its caves,In faithful record of the grief and loveOf Nemoroso, as for me he raves,Calling ELIZA in loud shrieks that moveResponding Tagus, whose sonorous wavesBear my name with them toward the Lusian sea,Where heard, I trust, and reverenced it will be."
Last on this web, which we divine might deem,Figured the history at full was found,That on the banks of this romantic streamOf Nemoroso was so far renowned;For all sweet Nyse knew, and in his themeOf sorrow took an interest so profound,That as his exclamations reached her ears,A thousand times she melted into tears.
And that the mournful theme might not availTo be resounded in the woods alone,But with o'ermastering tenderness prevailWhere'er in Tethys the blue wave is blown,Therefore it was fond Nyse wished the taleOf the lost nymph should in her web be shown,And publish thus her beauty and his loveThrough the moist kingdoms of Neptunian Jove.
With these fair scenes and classic historiesThe webs of the four sisters were inlaid,Which sweetly flushed with variegated dyes,In clear obscure of sunshine and of shade,Each figured object to observant eyesIn rich relief so naturally displayed,That, like the birds deceived by Zeuxis' grapes,It seemed the hand might grasp their swelling shapes.
But now the setting sun with farewell raysPlayed on the purple mountains of the west,And in the darkening skies gave vacant placeFor Dian to display her silver crest;The little fishes in her loving faceLeaped up, gay lashing with their tails the breastOf the clear stream, when from their tasks the fourArose, and arm in arm resought the shore.
Each in the tempered wave had dipt her foot,And toward the water bowed her swanlike breast,Down to their crystal hermitage to shoot,--When suddenly sweet sounds their ears arrest,Mellowed by distance, of the pipe or flute,So that to listen they perforce were prest;To the mild sounds wherewith the valleys ring,Two shepherd youths alternate ditties sing.
Piping through that green willow wood they roamAmidst their flocks, which, now that day is spent,They to the distant folds drive slowly home,Across the verdurous meadows, dew-besprent;Whitening the dun shades, onward as they come,Clear and more clear the fingered instrumentSounds in accord with the melodious voice,And cheers their task, and makes the woods rejoice.
These shepherd youths were wealthy of estate,And skilled in singing above all that feedTheir flocks along the stream,--Tyrreno that,Alcino this was named; their years agreed;One was their taste; prepared now to debateThe palm of pastoral music they proceed;In turn the voice, in turn the pipe they try,One sings, and one makes apposite reply.
Oh gentle Flerida! more sweet to meAnd flavourous than the grape, than milk more white,And far more charming than a flower-filled lea,When April paints the landscape with delight;If the true love Tyrreno bears to theeThou dost with equal tenderness requite,Thou to my fold wilt surely come, beforeThe reddening orient tells that night is o'er.
Beautiful Phyllis, who so stern as thou!May I to thee be bitterer than the broom,And severed from thee, sorrow like the boughStript of its leaves before the tree's in bloom,If the grey bat that flits around me nowMore hates the light, and more desires the gloom,Than I to see this day of anguish o'er,To me much longer than a year before!
As Spring, attended by the laughing Hours,After long storm is wont to reappear,When the mild Zephyr, breathing through the bowers,Brings back its former beauty to the year,And goes enamelling the banks with flowers,Blue, white, and red, all eyes and hearts to cheer;So when returning Flerida is seen,My heart too gladdens, and my hope grows green.
Have ye the fury of the wind beheld,When down the rough Sierra's crags it shoots,How it hurls down the reverend rocks of eld,And tears the quivering pines up by the roots,Nor thus content, how with its pride upswelled,It loudly with the frightful sea disputes?Less fierce this rage is of the wind-borne Jove,Than Phyllis angry at Alcino's love.
The vine and olive flourish; the green leaYields plenteous pasture for the flocks at morn;Mountains the goats, the blossom feeds the bee,And Ceres joys amidst the growing corn:Where'er my Flerid looks, it seems to meThat generous Plenty pours forth all her horn;But if she take away her smiling eyes,The landscape weeps, and nought but briers arise.
The field, the flock, with barrenness oppressed,Pines fast away, each living thing conceivesCorruption, mildew--Ceres' fatal pest--Poisons the grass and taints the wheaten sheaves;The bird abandons its dismantled nest,That was hedged in before with lively leaves;But if sweet Phyllis chance to pass that way,The flock revives, and all again looks gay.
For Daphne's laurel Phoebus gave his voice,The towering poplar charmed stern Hercules,The myrtle sweet, whose gifted flowers rejoiceYoung hearts in love, did most warm Venus please;The lithe green willow is my Flerid's choice,She gathers it amidst a thousand trees:Thus laurel, poplar, and sweet myrtle now,Where'er it grows, shall to the willow bow.
All know that in the woods the ash reigns queen,In graceful beauty soaring to the sky,And that in grandeur and thick shade the greenAnd lofty beech all sylvans does outvie;But whoso sees the beauty of thy mien,Thy comely shape and austere dignity,Will own, fair Phyllis, that thy charms impeachThe ash's grace and grandeur of the beech.
Thus sang the youths in challenge and reply,And having finished now their rural hymn,With blythe attention to their charge apply,Pacing with faster steps the pastures dim;The Sisters, hearing now the rumour nigh,Threw themselves forth into the stream to swim;The shaded waves with froth were whitened o'er,And murmurs spread along the silent shore.
Words in this poem 86
- whilere adv.
- A little while ago; recently; just now; erewhile. [While + ere]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- glorious a.
- Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
- fruitless a.
- Lacking, or not bearing, fruit; barren; destitute of offspring; as, a fruitless tree or shrub; a fruitless marriage.
- meanwhile n.
- The intervening time; as, in the meantime (or mean time).
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- deem v. t.
- To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- oaten a.
- Consisting of an oat straw or stem; as, an oaten pipe.
- unmeet a.
- Not meet or fit; not proper; unbecoming; unsuitable; -- usually followed by for.
- favour n.
- Kind regard; propitious aspect; countenance; friendly disposition; kindness; good will. [Written also favour.]
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
- abode n.
- Act of waiting; delay. [OE. abad, abood, fr. abiden to abide. See Abide. For the change of vowel, cf. abode, imp. of abide.]
- noontide n.
- The time of noon; midday. [From noon + tide time; cf. AS. n the ninth hour.]
- mellifluous a.
- Flowing as with honey; smooth; flowing sweetly or smoothly; as, a mellifluous voice. [L. mellifluus; mel, mellis, honey (akin to Gr. milip) + fluere to flow. See Mildew, Fluent, and cf. Marmalade.]
- peopled a.
- Stocked with, or as with, people; inhabited.
- sportful a.
- Full of sport; merry; frolicsome; full of jesting; indulging in mirth or play; playful; wanton; as, a sportful companion.
- glee n.
- Music; minstrelsy; entertainment.
- dripping n.
- A falling in drops, or the sound so made.
- beauteous a.
- Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
- wove
- p. pr. & rare vb. n. of Weave.
- wherewith adv.
- With which; -- used relatively.
- lithe v. i.
- To listen or listen to; to hearken to. P. Plowman. [Icel Listen.]
- melodist n.
- A composer or singer of melodies. [Cf. F. mélodiste.]
- inhospitable a.
- Not hospitable; not disposed to show hospitality to strangers or guests; as, an inhospitable person or people. [Pref. in- not + hospitable: cf. L. inhospitalis.]
- pictured a.
- Furnished with pictures; represented by a picture or pictures; as, a pictured scene.
- discoloured a.
- Altered in color;
- waning n.
- The act or process of waning, or decreasing.
- unrelenting a.
- Not relenting; unyielding; rigid; hard; stern; cruel.
- resigned a.
- Submissive; yielding; not disposed to resist or murmur.
- daphne n.
- A genus of diminutive Shrubs, mostly evergreen, and with fragrant blossoms. [L., a laurel tree, from Gr. .]
- splendour n.
- Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
- blending n.
- The act of mingling.
- brier n.
- A plant with a slender woody stem bearing stout prickles; especially, species of Rosa, Rubus, and Smilax. [OE. brere, brer, AS. brer, brær; cf. Ir. briar prickle, thorn, brier, pin, Gael. preas bush, brier, W. prys, prysg.]
- rapt n.
- An ecstasy; a trance. Bp. Morton. [From F. rapt abduction, rape, L. raptus, fr. rapere to seize and carry off, to transport; or fr. E. rapt, a. See Rapt, a., and Rapid.]
- shook v. t.
- To pack, as staves, in a shook.
- spirited a.
- Animated or possessed by a spirit.
- anon adv.
- Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
- valiant a.
- Vigorous in body; strong; powerful; as, a valiant fencer. [OE. valiant, F. vaillant, OF. vaillant, valant, originally p. pr. of OF. & F. valoir to be worth, L. valere to be strong. See Wield, and cf. Avail, Convalesce, ]
- outrageous a.
- Of the nature of an outrage; exceeding the limits of right, reason, or decency; involving or doing an outrage; furious; violent; atrocious. [OF. outrageus, F. outrageux. See Outrage, n.]
- spoke n.
- The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
- accordingly adv.
- Agreeably; correspondingly; suitably; in a manner conformable.
- snowy a.
- White like snow.
- fondly adv.
- Foolishly. Verstegan (1673).
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- wrack n.
- Wreck; ruin; destruction. [OE. wrak wreck. See Wreck.]
- graced a.
- Endowed with grace; beautiful; full of graces; honorable.
- smilingly adv.
- In a smiling manner.
- sable n.
- A carnivorous animal of the Weasel family (Mustela zibellina) native of the northern latitudes of Europe, Asia, and America, -- noted for its fine, soft, and valuable fur. [OF. sable, F. zibeline sable (in sense 4), LL. sabellum; cf. D. sabel, Dan. sabel, zobel, Sw. sabel, sobel, G. zobel; all fr. Russ. sóbole.]
- bespeak v. t.
- To speak or arrange for beforehand; to order or engage against a future time; as, to bespeak goods, a right, or a favor. [OE. bispeken, AS. besprecan, to speak to, accuse; pref. be- + sprecan to speak. See Speak.]
- amongst prep.
- Mixed or mingled; surrounded by. [OE. amongist, amonges, amonge, among, AS. onmang, ongemang, gemang, in a crowd or mixture. For the ending -st see Amidst. See Mingle.]
- sickening a.
- Causing sickness; specif., causing surfeit or disgust; nauseating.
- amidst prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- vest n.
- An article of clothing covering the person; an outer garment; a vestment; a dress; a vesture; a robe. [L. vestis a garment, vesture; akin to Goth. wasti, and E. wear: cf. F. veste. See Wear to carry on the person, and cf. Divest, Invest, Travesty.]
- tethys n.
- A genus of a large naked mollusks having a very large, broad, fringed cephalic disk, and branched dorsal gills. Some of the species become a foot long and are brilliantly colored.
- neptunian a.
- Of or pertaining to the ocean or sea. [L. Neptunius belonging to Neptune: cf. F. neptunien.]
- jove n.
- The chief divinity of the ancient Romans; Jupiter. [L. Jupiter, gen. Jovis, OL. Jovis, nom. & gen. for Djovis; akin to E. Tuesday. See Tuesday, and cf. Jupiter.]
- classic a.
- Of or relating to the first class or rank, especially in literature or art. [L. classicus relating to the classes of the Roman people, and especially to the frist class; hence, of the first rank, superior, from classis class: cf. F. clas]
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- lashing n.
- The act of one who, or that which, lashes; castigation; chastisement. South. Lashing out, a striking out; also, extravagance.
- swanlike a.
- Resembling a swan.
- hermitage n.
- The habitation of a hermit; a secluded residence. [OE. hermitage, ermitage, F. hermitage, ermitage. See Hermit.]
- perforce v. t.
- To force; to compel.
- prest a.
- Ready; prompt; prepared. [OF. prest, F. prêt, fr. L. praestus ready. Cf. Presto.]
- piping a.
- Playing on a musical pipe. [From Pipe, v.]
- verdurous a.
- Covered with verdure; clothed with the fresh green of vegetation; verdured; verdant; as, verdurous pastures.
- whitening n.
- The act or process of making or becoming white.
- fingered a.
- Having fingers.
- apposite a.
- Very applicable; well adapted; suitable or fit; relevant; pat; -- followed by to; as, this argument is very apposite to the case. [L. appositus, p. p. of apponere to set or put to; ad + ponere to put, place.]
- reappear v. i.
- To appear again.
- zephyr n.
- The west wind; poetically, any soft, gentle breeze. [L. zephyrus, Gr. zéphyr.]
- reverend a.
- Worthy of reverence; entitled to respect mingled with fear and affection; venerable. [F. révérend, L. reverendus, fr. revereri. See Revere.]
- frightful a.
- Full of fright; affrighted; frightened.
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- ceres n.
- The daughter of Saturn and Ops or Rhea, the goddess of corn and tillage. [L., Ceres, also corn, grain, akin to E. create.]
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- pest n.
- A fatal epidemic disease; a pestilence; specif., the plague. [L. pestis: cf. F. peste.]
- wheaten a.
- Made of wheat; as, wheaten bread. [AS. hwæten.]
- phoebus n.
- Apollo; the sun god.
- towering a.
- Very high; elevated; rising aloft; as, a towering height.
- outvie v. t.
- To exceed in vying.
- whoso pron.
- Whosoever. Piers Plowman.
- impeach v. t.
- To hinder; to impede; to prevent. [OE. empeechier to prevent, hinder, bar, F. empêcher, L. impedicare to entangle; pref. im- in + pedica fetter, fr. pes, pedis, foot. See Foot, and Appeach, Dispa]
- rumour n.
- A flying or popular report; the common talk; hence, public fame; notoriety. [F. rumeur, L. rumor; cf. rumificare, rumitare to rumor, Skr. ru to cry.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Eclogue III. To the Lady Maria De La Cueva, Countess of Ureña is in the public domain. This text is taken from The Works of Garcilasso de la Vega, Project Gutenberg ebook #49410, the J. H. Wiffen translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Garcilaso de la Vega, Eclogue III. To the Lady Maria De La Cueva, Countess of Ureña, in The Works of Garcilasso de la Vega (1823), text of Project Gutenberg ebook #49410, Laurel, https://laurelpoetry.com/poem/garcilaso-works/eclogue-iii-to-the-lady-maria-de-la-cueva-countess-of-ure-a.html, id L18696.
Form and metre
Eclogue III. To the Lady Maria De La Cueva, Countess of Ureña is 376 lines in 47 stanzas of 8 lines each. The rhyme scheme is ABABABCC, complete in 44 of its 47 stanzas; the stanza is the Ottava rima. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 23 lines end on an unstressed syllable, a feminine ending. 32% of the lines run on without a stop at the line end.
See other poems in ottava rima, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 --ABABCC desire · whilere · inspireA · rareB · lyreA · careB · flameC · frameC
- 2 ABABABCC flowA · chillB · woeA · quillB · goA · stillB · soundC · roundC
- 3 A-ABAB-B meA · place · meA · waysB · meA · praiseB · supp'ies · memoriesB
- 4 ABABABCC heartA · sayB · artA · bayB · impartA · displayB · mostC · boastC
- 5 ABABABCC meanwhileA · deemB · styleA · esteemB · toilA · dreamB · againC · penC
- 6 ABABABCC reedA · ungracedB · indeedA · tasteB · succeedA · chasteB · impartC · artC
- 7 ABABABCC themeA · feetB · deemA · receiptB · streamA · sweetB · lastC · surpassedC
- 8 ABABABCC floodA · entwinedB · hoodA · combinedB · woodA · findB · aroundC · soundC
- 9 ABABABCC slidA · roadB · misledA · flowedB · headA · abodeB · surveyedC · shadeC
- 10 ABABABCC wideA · delightB · spiedA · flightB · driedA · nightB · beesC · treesC
- 11 ABABABCC beholdA · moodB · goldA · floodB · toldA · woodB · retreatC · heatC
- 12 ABABABCC threeA · descriedB · leaA · divideB · gleeA · tideB · yieldC · fieldC
- 13 ABABABCC treadA · hairB · overspreadA · bareB · threadA · compareB · groveC · woveC
- 14 ABABABCC bringsA · divineB · springsA · fineB · stringsA · combineB · fireC · wireC
- 15 ABABABCC stainedA · foundB · engrainedA · roundB · feignedA · renownedB · pieceC · greeceC
- 16 ABABABCC bandA · queenB · handA · seenB · grandA · beenB · thraceC · placeC
- 17 ABABABCC stungA · layB · amongA · wayB · youngA · decayB · divineC · shrineC
- 18 ABABABCC toldA · descendB · boldA · regainedB · beholdA · arraignedB · springC · kingC
- 19 ABABABCC graceA · designedB · chaseA · resignedB · baseA · pinedB · shaftC · laughedC
- 20 ABABABCC hieingA · feetB · sighingA · fleetB · flyingA · heatB · dartC · heartC
- 21 ABABABCC shootA · leavesB · disputeA · cleavesB · footA · perceivesB · findC · rindC
- 22 ABABABCC wireA · skillB · brierA · hillB · fireA · killB · shookC · lookC
- 23 ABABABCC woundA · youthB · groundA · toothB · unboundA · uncouthB · blewC · grewC
- 24 ABABABCC byA · grieveB · thighA · receiveB · sighA · giveB · accordC · abhorredC
- 25 ABABABCC themeA · twinedB · dreamA · inclinedB · streamA · designedB · trainC · spainC
- 26 ABABABCC compressedA · roundB · hasteA · woundB · crestA · foundB · waveC · raveC
- 27 ABABABCC placedA · weightB · gracedA · stateB · tasteA · sedateB · flowersC · showersC
- 28 ABABABCC o'erA · woodB · shoreA · floodB · boreA · budB · pouredC · deploredC
- 29 ABABABCC showerA · bespeakB · flowerA · cheekB · bowerA · meekB · feedsC · reedsC
- 30 ABABABCC outshinedA · vestB · declinedA · expressedB · rindA · restB · epitaphC · behalfC
- 31 ABABABCC groveA · cavesB · loveA · ravesB · moveA · wavesB · seaC · beC
- 32 ABABABCC deemA · foundB · streamA · renownedB · themeA · profoundB · earsC · tearsC
- 33 ABABABCC availA · aloneB · prevailA · blownB · taleA · shownB · loveC · joveC
- 34 ABABABCC historiesA · inlaidB · dyesA · shadeB · eyesA · displayedB · grapesC · shapesC
- 35 ABABABCC raysA · westB · placeA · crestB · faceA · breastB · fourC · shoreC
- 36 ABABABCC footA · breastB · shootA · arrestB · fluteA · prestB · ringC · singC
- 37 ABABABCC roamA · spentB · homeA · besprentB · comeA · instrumentB · voiceC · rejoiceC
- 38 ABABABCC estateA · feedB · thatA · agreedB · debateA · proceedB · tryC · replyC
- 39 ABABABCC meA · whiteB · leaA · delightB · theeA · requiteB · beforeC · o'erC
- 40 ABABABCC thouA · broomB · boughA · bloomB · nowA · gloomB · o'erC · beforeC
- 41 ABABABCC hoursA · reappearB · bowersA · yearB · flowersA · cheerB · seenC · greenC
- 42 ABABABCC beheldA · shootsB · eldA · rootsB · upswelledA · disputesB · joveC · loveC
- 43 ABABABCC leaA · mornB · beeA · cornB · meA · hornB · eyesC · ariseC
- 44 ABABABCC oppressedA · conceivesB · pestA · sheavesB · nestA · leavesB · wayC · gayC
- 45 ABABABCC voiceA · herculesB · rejoiceA · pleaseB · choiceA · treesB · nowC · bowC
- 46 A-A-A-BB queenA · sky · greenA · outvie · mienA · dignity · impeachB · beechB
- 47 ABABABCC replyA · hymnB · applyA · dimB · nighA · swimB · o'erC · shoreC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The pure ambition and sincere desire, | 11 | ··˘/˘·˘/˘/˘ |
| Most beautiful Señora, that whilere | 10 | ·/˘˘······ |
| Was wont my soul in secret to inspire, | 10 | ·····/˘·˘/ |
| To sing thy beauty, wit, and virtue rare, | 10 | ···/˘··/˘· |
| Spite of strong Fortune, that unstrings my lyre, | 10 | ···/˘····· |
| And turns to other paths my steps of care, | 10 | ···/˘····· |
| Glows, and shall glow within me, whilst the flame | 10 | ·········· |
| Of soul lights up this perishable frame. | 10 | ·····/˘˘˘· |
| I fancy even, that after life this flow | 10 | ·/˘/······ |
| Of song shall live; that when my heart grows chill, | 10 | ·········· |
| And my lips cease to call, in joy or woe, | 10 | ·········· |
| Eolian murmurs to my pastoral quill, | 11 | ˘/˘˘/˘··/˘· |
| Freed from its narrow cell my ghost shall go | 10 | ···/˘····· |
| O'er the dark river, celebrating still | 10 | ···/˘/˘·˘· |
| Thy glorious name, and curbing with the sound | 10 | ·/˘··/˘··· |
| Oblivion's waters, slowly stealing round. | 10 | ˘/˘/˘/˘/˘· |
| But Fate, not satisfied with crossing, rives me | 11 | ···/˘··/˘·· |
| From every good; grief but to grief gives place; | 10 | ·/˘······· |
| Now from my country, from my love she drives me, | 11 | ···/˘······ |
| Now proves my patience in a thousand ways; | 10 | ···/˘··/˘· |
| But what I feel more, is that she deprives me | 11 | ········˘/· |
| Of these fond papers where my pen thy praise | 10 | ···/˘····· |
| Inscribes, and in their room nought, nought supp'ies | 9 | ˘/······· |
| But fruitless cares and mournful memories. | 10 | ·/˘··/˘/˘˘ |
| Yet, let her try her utmost force, my heart | 10 | ·····/···· |
| She shall not change; the world shall never say | 10 | ·······/˘· |
| She moves me to forsake so sweet an art; | 10 | ····˘/···· |
| In poesy's still walks, embowered with bay, | 10 | ·········· |
| Apollo and the Nine shall yet impart | 10 | ˘/˘·····˘/ |
| Leisure, and life, and language, to display | 10 | /˘···/˘·˘/ |
| The least of thine accomplishments, the most | 10 | ····˘/˘˘·· |
| My feeble powers can ever hope to boast. | 10 | ·/˘/·/˘··· |
| Let it not irk thee if I sing meanwhile | 10 | ········/· |
| The scenes and sylvans thou hast loved, nor deem | 10 | ···/˘····· |
| Ill of this untrimmed portion of my style, | 10 | ·····/˘··· |
| Which once thy goodness held in kind esteem; | 10 | ···/˘···˘/ |
| Midst arms--with scarce one pause from bloody toil, | 10 | ·······/˘· |
| Where war's hoarse trumpet breaks the poet's dream, | 10 | ···/˘··/˘· |
| Have I these moments stolen, oft claimed again, | 11 | ···/˘/˘··˘/ |
| Now taking up the sword, and now the pen. | 10 | ·/˘······· |
| To the wild music of my oaten reed | 10 | ···/˘··/˘· |
| Listen thou then, though, naked and ungraced | 10 | /˘···/˘··· |
| With ornamental touches, it indeed | 10 | ··˘/˘/˘·˘/ |
| Is all unmeet to strike thine ear of taste; | 10 | ··˘/······ |
| But oft pure thoughts from artless lips succeed, | 10 | ·····/˘·˘/ |
| Chaste witnesses of sentiments as chaste, | 10 | ·/˘˘·/˘˘·· |
| To win the will, and pleasure more impart | 10 | ·····/˘·˘/ |
| Than all the' elaborate eloquence of art. | 10 | ···˘/˘/˘·· |
| I, for this cause, though others failed my theme, | 10 | ·····/˘··· |
| Merit thine ear; the gift which at thy feet | 10 | /˘········ |
| I cast, receive with favour; I shall deem | 10 | ··˘/·/˘··· |
| Myself, sweet friend, enriched by the receipt. | 10 | ·/··˘/··˘/ |
| Of four choice Nymphs that from loved Tagus' stream | 10 | ·········· |
| Proceed, I sing; Phyllodoce the sweet, | 9 | ˘/······· |
| Dynamene, fair Clymene, and last, | 8 | ····˘/·· |
| Nyse, in loveliness by none surpassed. | 10 | ··/˘˘··˘/˘ |
| In a sweet solitude beside the flood, | 10 | ···/˘·˘/·· |
| Is a green grove of willows, trunk-entwined | 10 | ·····/··˘/ |
| With ivies climbing to the top, whose hood | 10 | ·/˘/˘····· |
| Of glossy leaves, with all its boughs combined, | 10 | ·/˘·····˘/ |
| So interchains and canopies the wood, | 10 | ·····/˘˘·· |
| That the hot sunbeams can no access find; | 10 | ···/···/·· |
| The water bathes the mead, the flowers around | 10 | ·/˘····/·· |
| It glads, and charms the ear with its sweet sound. | 10 | ·········· |
| The glassy river here so smoothly slid | 10 | ·/˘/˘··/˘· |
| With pace so gentle on its winding road, | 10 | ···/˘··/˘· |
| The eye, in sweet perplexity misled, | 10 | ····˘/˘˘˘/ |
| Could scarcely tell which way the current flowed. | 10 | ·/˘····/˘· |
| Combing her locks of gold, a Nymph her head | 10 | /˘········ |
| Raised from the water where she made abode, | 10 | ···/˘···˘/ |
| And as the various landscape she surveyed, | 10 | ···/˘/··˘/ |
| Saw this green meadow, full of flowers and shade. | 10 | ···/···/·· |
| That wood, the flowery turf, the winds that wide | 10 | ···/˘····· |
| Diffused its fragrance, filled her with delight; | 10 | ˘/·/˘···˘/ |
| Birds of all hues in the fresh bowers she spied, | 10 | ·······/·· |
| Retired, and resting from their weary flight. | 10 | ˘/·/˘··/˘· |
| It was the hour when hot the sunbeams dried | 10 | ···/···/·· |
| Earth's spirit up--'twas noontide still as night; | 10 | ·/˘··/˘··· |
| Alone, at times, as of o'erbrooding bees | 10 | ˘/········ |
| Mellifluous murmurs sounded from the trees. | 11 | ˘/˘˘/˘/˘··· |
| Having a long time lingered to behold | 10 | /˘···/˘·˘/ |
| The shady place, in meditative mood, | 10 | ·/˘··/˘·˘· |
| She waved aside her flowing locks of gold, | 10 | ··˘/·/˘··· |
| Dived to the bottom of the crystal flood, | 10 | ···/˘··/˘· |
| And when to her sweet sisters she had told | 10 | ·····/˘··· |
| The charming coolness of this vernal wood, | 10 | ·/˘/˘··/˘· |
| Prayed and advised them, to its green retreat | 10 | ··˘/····˘/ |
| To take their tasks, and pass the hours of heat. | 10 | ·······/·· |
| She had not long to sue,--the lovely three | 10 | ·······/˘· |
| Took up their work, and looking forth descried, | 10 | ·····/˘··· |
| Peopled with violets, the sequestered lea, | 10 | /˘·/˘·˘/˘· |
| And toward it hastened: swimming, they divide | 11 | ····/˘/˘·˘/ |
| The clear glass, wantoning in sportful glee | 10 | ···/˘˘·/˘· |
| Through the smooth wave; till, issuing from the tide, | 10 | ·····/˘··· |
| Their white feet dripping to the sands they yield, | 10 | ···/˘····· |
| And touch the border of that verdant field. | 10 | ···/˘··/˘· |
| Pressing the' elastic moss with graceful tread, | 11 | /˘·˘/˘··/˘· |
| They wrung the moisture from their shining hair, | 10 | ···/˘··/˘· |
| Which, shaken loose, entirely overspread | 10 | ·/˘·˘/˘··· |
| Their beauteous shoulders and white bosoms bare; | 11 | ·/˘˘/˘··/˘· |
| Then, drawing forth rich webs whose spangled thread | 10 | ·/˘····/˘· |
| Might in fine beauty with themselves compare, | 10 | ···/˘·˘/˘/ |
| They sought the shadiest covert of the grove, | 10 | ·····/˘··· |
| And sat them down, conversing as they wove. | 10 | ····˘/˘··· |
| Their woof was of the gold which Tagus brings | 10 | ·········· |
| From the proud mountains in his flow divine, | 10 | ···/˘···˘/ |
| Well sifted from the sands wherewith it springs, | 10 | ·/˘···˘/·· |
| Of all admixture purified and fine; | 10 | ··˘/˘/˘··· |
| And of the green flax fashioned into strings, | 10 | ·····/˘··· |
| Subtile and lithe to follow and combine | 10 | /˘···/˘·/˘ |
| With the bright vein of gold, by force of fire | 11 | ·········/˘ |
| Already drawn into resplendent wire. | 11 | ˘/˘···˘/˘/˘ |
| The subtile yarn their skill before had stained | 10 | ·/˘······· |
| With dyes pellucid as the brightest found | 10 | ··˘/˘··/˘· |
| On the smooth shells of the blue sea, engrained | 10 | ·········· |
| By sunbeams in their warm and radiant round: | 10 | ·/·····/˘· |
| Each nymph for skill in what her fingers feigned, | 10 | ·······/˘· |
| Equalled the works of painters most renowned,-- | 10 | /˘···/˘·˘/ |
| Apelles' Venus, or the famous piece | 9 | ··/˘··/˘· |
| Wherein Timanthes veils the grief of Greece. | 9 | ········· |
| Phyllodoce, who of that beauteous band | 10 | ······/˘˘· |
| Was for her majesty considered queen, | 10 | ···/˘˘˘/˘· |
| Had figured with a bold and dexterous hand | 11 | ·/˘····/˘˘· |
| The river Strymon: on one side were seen | 10 | ·/˘······· |
| Green plains, on the reverse, a mountain grand | 10 | ····˘/·/˘· |
| And savage, where no human foot had been, | 10 | ·/˘··/˘··· |
| Until the sweet, sad melodist of Thrace | 10 | ·····/˘˘·· |
| Charmed with his lyre the' inhospitable place. | 10 | ·····˘/˘˘· |
| Beauteous Eurydice was pictured, stung | 10 | /˘˘····/˘· |
| In her white foot by the small snake that lay | 10 | ·········· |
| Collecting venom, closely coiled among | 10 | ˘/˘/˘/˘··· |
| The herbs and flowers that blossomed in her way; | 10 | ···/·/˘··· |
| She was discoloured as the rose, yet young, | 10 | ··˘/˘····· |
| Plucked out of season, waning to decay: | 10 | ···/˘/˘·˘/ |
| And in her rolling eyes the soul divine | 10 | ···/˘···˘/ |
| Seemed on the wing to quit its charming shrine. | 10 | ·······/˘· |
| Broidered at length the history was told | 10 | ·····/˘˘·· |
| Of her fond lord; how, daring to descend | 10 | ·····/˘·˘/ |
| To the pale king of ghosts, by love made bold, | 10 | ·········· |
| He the lost lady by his lyre regained; | 10 | ···/˘···˘/ |
| How, mad once more her aspect to behold, | 10 | ·····/··˘/ |
| He turned, again to lose her, and arraigned-- | 10 | ··˘/····˘/ |
| Ever arraigned to mountain, cave, and spring, | 10 | /˘˘/·/˘··· |
| The cruel terms, and unrelenting king. | 10 | ·/˘···˘/˘· |
| Dynamene with no less skill and grace | 9 | ········· |
| Adorned the tale her fancy had designed; | 10 | ˘/···/˘·˘/ |
| She drew robust Apollo, to the chase | 10 | ··˘/˘/˘··· |
| In echoing woods exclusively resigned; | 10 | ·/˘·˘/˘˘˘/ |
| But soon revengeful Love, reproached as base, | 10 | ··˘/˘·˘/·· |
| Changed the blythe scene; with grief Apollo pined; | 10 | ······˘/˘· |
| The God had pierced him with his gold-tipt shaft, | 10 | ·········· |
| And clapped his wings, and at his victim laughed. | 10 | ·······/˘· |
| Daphne with long dishevelled hair was hieing | 10 | /˘··˘/˘··· |
| So without pity to her tender feet, | 10 | ···/˘··/˘· |
| O'er briers and rocks, that fond Apollo, sighing, | 11 | ·/····˘/˘/˘ |
| Seemed in the chase to move with steps less fleet, | 10 | ·········· |
| For her sweet sake; he following, she still flying, | 11 | ·····/˘··/˘ |
| Thus the race held; he, flushed with amorous heat; | 10 | ·······/˘· |
| She, cold as though she froze beneath the dart | 10 | ·········· |
| Of hatred lodged in her disdainful heart. | 10 | ·/˘···˘/˘· |
| But at the last her arms increase and shoot | 10 | ······˘/·· |
| Into stiff boughs; those tresses turn to leaves, | 10 | ·····/˘··· |
| That wont the palm of splendour to dispute | 10 | ·····/˘·˘/ |
| With the fine gold, whilst to the mountain cleaves | 10 | ·······/˘· |
| In thousand tortuous roots each lily foot; | 10 | ·/˘/˘··/˘· |
| Her frantic lover the swift change perceives; | 10 | ·/˘/˘···˘/ |
| Looks her late features in the tree to find, | 10 | ···/˘····· |
| And clasps and kisses the yet panting rind. | 10 | ···/˘··/˘· |
| Blending the radiant threads and sparkling wire | 11 | /˘·/˘··/˘/˘ |
| With the most exquisite address and skill, | 10 | ···/˘˘˘/·· |
| Of beeches, oaks, and caverns hung with brier, | 11 | ·/˘··/˘··/˘ |
| Rapt Clymene pourtrayed a mighty hill, | 9 | ·˘/·˘·/˘· |
| Where ran a boar whose red eye darted fire, | 11 | ·······/˘/˘ |
| With gnashing teeth--all eagerness to kill | 10 | ·/˘··/˘˘·· |
| A youth who in his hand a boar-spear shook, | 10 | ·········· |
| Handsome in form, and spirited in look. | 10 | /˘···/˘˘·· |
| Anon the boar was dying of a wound | 10 | ˘/···/˘··· |
| From the too valiant and adventurous youth, | 10 | ···/˘·˘/˘· |
| And he himself lay stretched upon the ground, | 10 | ··˘/······ |
| Gored by the outrageous brute's avenging tooth; | 11 | ···˘/˘·˘/˘· |
| His sunbeam-tinted tresses drooped unbound, | 10 | ·/·/˘/˘·˘/ |
| Sweeping the earth in negligence uncouth; | 10 | /˘···/˘˘// |
| The white anemonies that near him blew | 9 | ········· |
| Felt his red blood, and red for ever grew. | 10 | ·······/˘· |
| This spoke the youth Adonis, and close by | 10 | ····˘/˘··· |
| Venus accordingly was seen to grieve; | 10 | /˘˘/˘˘···· |
| Viewing the deep wound in his snowy thigh, | 10 | /˘·····/˘· |
| She o'er him hung, half dying, to receive, | 10 | ·····/˘·˘/ |
| Lip fondly pressed to lip, the last faint sigh | 10 | ·/˘······· |
| Of that sweet spirit that was wont to give | 10 | ···/˘····· |
| Life to the form for which, in blest accord, | 10 | ········˘/ |
| She walked the world, and held high heaven abhorred. | 10 | ·······/˘/ |
| White-bosomed Nyse took not for her theme | 10 | ·/˘˘······ |
| Memory of past catastrophes, nor twined | 10 | /˘··˘/˘˘·· |
| In her fine tissue aught that poets dream | 10 | ···/···/˘· |
| In antique fable, for her heart inclined | 10 | ·˘//˘···˘/ |
| To the renown of her dear native stream; | 10 | ··˘/···/˘· |
| The glorious Tagus therefore she designed, | 10 | ·/˘·····˘/ |
| There where he blesses with his sinuous train | 10 | ···/˘··/˘· |
| The happiest of all lands, delightful Spain! | 10 | ·/˘···˘/˘· |
| Deep in a rocky valley was compressed | 10 | ···/˘/˘·˘/ |
| The wealthy river, winding almost round | 10 | ·/˘/˘/˘/·· |
| A mountain, rushing with impetuous haste, | 10 | ·/˘/˘·˘/˘· |
| And roaring like a lion as it wound; | 10 | ·/˘··/˘··· |
| Mad for its prey, high flew its foaming crest; | 10 | ·······/˘· |
| But it was labour lost, and this it found; | 10 | ···/······ |
| For soon, contented with its wrack, the wave | 10 | ··˘/˘····· |
| Lost its resentment, and forgot to rave. | 10 | ··˘/˘·˘/·· |
| On the high mountain's airy head was placed | 10 | ···/˘/˘··· |
| Of ancient towers a grand and glorious weight; | 10 | ·/˘/···/˘· |
| Here its bare bosom white-walled convents graced, | 10 | ···/˘··/˘· |
| There castles frowned in old Arabian state; | 10 | ·/˘···˘/˘· |
| In windings grateful to the eye of taste, | 10 | ·/˘/˘····· |
| Thence the smooth river, smilingly sedate, | 10 | ···/˘/˘˘˘/ |
| Slid, comforting the gardens, woods, and flowers, | 11 | ·/˘˘·/˘··/˘ |
| With the cool spray of artificial showers. | 11 | ······˘/˘/˘ |
| Elsewhere, the web, so richly figured o'er, | 10 | /····/˘/˘· |
| Showed the fair Dryads issuing from a wood, | 10 | ····/˘˘··· |
| With anxious haste all tending to the shore, | 10 | ·/˘··/˘··· |
| The grassy margin of the shaded flood; | 10 | ·/˘/˘··/˘· |
| In sable stoles, with aspect sad, they bore | 10 | ·/˘··/···· |
| Baskets of purple roses in the bud, | 10 | /˘·/˘/˘··· |
| Lilies and violets, which they scattering poured | 10 | /˘·/˘··/˘· |
| On a dead nymph whom deeply they deplored. | 10 | ·····/˘·˘/ |
| All with dishevelled hair were seen to shower | 11 | ··˘/˘····/˘ |
| Tears o'er the nymph, whose beauty did bespeak | 10 | ·····/˘·˘/ |
| That death had cropt her in her sweetest flower, | 11 | ·······/˘/˘ |
| Whilst youth bloomed rosiest in her charming cheek: | 10 | ···/˘··/˘· |
| Near the still water, in a myrtle bower, | 11 | ···/˘··/˘/˘ |
| She lay amongst the green herbs, pale and meek, | 10 | ·········· |
| Like a white swan that, sickening where it feeds, | 10 | ·····/˘··· |
| Sighs its sweet life away amidst the reeds. | 10 | ····˘/˘/·· |
| One of the Goddesses whose charms outshined | 10 | ···/˘˘··/· |
| Her sisters, charming though they were, whose vest | 10 | ·/˘/˘····· |
| Disordered, whose pale face, and eyes declined, | 10 | ˘/˘·····˘/ |
| The deep affliction of her soul expressed, | 10 | ··˘/˘···˘/ |
| Was duteously engraving on the rind | 10 | ····˘/˘··· |
| Of a fair poplar, separate from the rest, | 11 | ···/˘/˘···· |
| The lovely nymph's memorial epitaph, | 10 | ·/˘·˘/˘/˘· |
| Which thus, deciphered, spoke on her behalf. | 10 | ··˘/˘···˘/ |
| "ELIZA I, whose name the vocal grove, | 10 | ˘/˘····/˘· |
| Whose name the mountain murmurs through its caves, | 10 | ···/˘/˘··· |
| In faithful record of the grief and love | 10 | ·/˘/˘····· |
| Of Nemoroso, as for me he raves, | 10 | ·········· |
| Calling ELIZA in loud shrieks that move | 10 | /˘˘/˘····· |
| Responding Tagus, whose sonorous waves | 10 | ˘/˘···/˘˘· |
| Bear my name with them toward the Lusian sea, | 11 | ··········· |
| Where heard, I trust, and reverenced it will be." | 10 | ·····/˘··· |
| Last on this web, which we divine might deem, | 10 | ······˘/·· |
| Figured the history at full was found, | 10 | /˘·/˘˘···· |
| That on the banks of this romantic stream | 10 | ······˘/˘· |
| Of Nemoroso was so far renowned; | 10 | ········˘/ |
| For all sweet Nyse knew, and in his theme | 9 | ········· |
| Of sorrow took an interest so profound, | 10 | ·/˘··/˘·˘/ |
| That as his exclamations reached her ears, | 10 | ····˘/˘··· |
| A thousand times she melted into tears. | 10 | ·/˘··/˘··· |
| And that the mournful theme might not avail | 10 | ···/˘···˘/ |
| To be resounded in the woods alone, | 10 | ···/˘···˘/ |
| But with o'ermastering tenderness prevail | 10 | ······/˘˘/ |
| Where'er in Tethys the blue wave is blown, | 11 | ˘˘/·/˘····· |
| Therefore it was fond Nyse wished the tale | 10 | ·······˘·· |
| Of the lost nymph should in her web be shown, | 10 | ·········· |
| And publish thus her beauty and his love | 10 | ·/˘··/˘··· |
| Through the moist kingdoms of Neptunian Jove. | 11 | ···/˘·˘/˘˘· |
| With these fair scenes and classic histories | 10 | ·····/˘/˘˘ |
| The webs of the four sisters were inlaid, | 10 | ·····/˘·/· |
| Which sweetly flushed with variegated dyes, | 10 | ·/˘··/˘˘˘· |
| In clear obscure of sunshine and of shade, | 10 | ··˘/·/···· |
| Each figured object to observant eyes | 10 | ·/˘/˘·˘/˘· |
| In rich relief so naturally displayed, | 10 | ··˘/·/˘˘˘/ |
| That, like the birds deceived by Zeuxis' grapes, | 10 | ····˘/···· |
| It seemed the hand might grasp their swelling shapes. | 10 | ·······/˘· |
| But now the setting sun with farewell rays | 10 | ···/˘···/· |
| Played on the purple mountains of the west, | 10 | ···/˘/˘··· |
| And in the darkening skies gave vacant place | 10 | ···/˘··/˘· |
| For Dian to display her silver crest; | 10 | ·/˘·˘/·/˘· |
| The little fishes in her loving face | 10 | ·/˘/˘··/˘· |
| Leaped up, gay lashing with their tails the breast | 10 | ···/˘····· |
| Of the clear stream, when from their tasks the four | 10 | ·········· |
| Arose, and arm in arm resought the shore. | 10 | ˘/········ |
| Each in the tempered wave had dipt her foot, | 10 | ···/˘····· |
| And toward the water bowed her swanlike breast, | 11 | ····/˘··/˘· |
| Down to their crystal hermitage to shoot,-- | 10 | ···/˘/˘˘·· |
| When suddenly sweet sounds their ears arrest, | 10 | ·/˘˘····˘/ |
| Mellowed by distance, of the pipe or flute, | 10 | /˘·/˘····· |
| So that to listen they perforce were prest; | 10 | ···/˘·˘/·· |
| To the mild sounds wherewith the valleys ring, | 10 | ····˘/·/˘· |
| Two shepherd youths alternate ditties sing. | 10 | ·/˘·/˘˘/˘· |
| Piping through that green willow wood they roam | 10 | /˘···/···· |
| Amidst their flocks, which, now that day is spent, | 10 | ˘/········ |
| They to the distant folds drive slowly home, | 10 | ···/˘··/˘· |
| Across the verdurous meadows, dew-besprent; | 11 | ˘/·/˘˘/··˘/ |
| Whitening the dun shades, onward as they come, | 10 | /˘···/˘··· |
| Clear and more clear the fingered instrument | 10 | ·····/˘/˘˘ |
| Sounds in accord with the melodious voice, | 10 | ··˘/··˘/˘· |
| And cheers their task, and makes the woods rejoice. | 10 | ········˘/ |
| These shepherd youths were wealthy of estate, | 10 | ·/˘··/˘·˘/ |
| And skilled in singing above all that feed | 10 | ···/˘····· |
| Their flocks along the stream,--Tyrreno that, | 10 | ··˘/······ |
| Alcino this was named; their years agreed; | 10 | ········˘/ |
| One was their taste; prepared now to debate | 10 | ····˘/··˘/ |
| The palm of pastoral music they proceed; | 10 | ···/˘/˘·˘/ |
| In turn the voice, in turn the pipe they try, | 10 | ·········· |
| One sings, and one makes apposite reply. | 10 | ·····/˘˘˘/ |
| Oh gentle Flerida! more sweet to me | 10 | ·/˘······· |
| And flavourous than the grape, than milk more white, | 11 | ··········· |
| And far more charming than a flower-filled lea, | 10 | ···/˘··/·· |
| When April paints the landscape with delight; | 10 | ·/˘··/··˘/ |
| If the true love Tyrreno bears to thee | 10 | ·········· |
| Thou dost with equal tenderness requite, | 10 | ···/˘/˘˘/˘ |
| Thou to my fold wilt surely come, before | 10 | ·····/˘··· |
| The reddening orient tells that night is o'er. | 11 | ·/˘/˘······ |
| Beautiful Phyllis, who so stern as thou! | 10 | /˘˘/˘····· |
| May I to thee be bitterer than the broom, | 11 | ··········· |
| And severed from thee, sorrow like the bough | 10 | ·/˘··/˘··· |
| Stript of its leaves before the tree's in bloom, | 10 | ·········· |
| If the grey bat that flits around me now | 10 | ·········· |
| More hates the light, and more desires the gloom, | 10 | ······˘/·· |
| Than I to see this day of anguish o'er, | 10 | ·······/˘· |
| To me much longer than a year before! | 10 | ···/˘····· |
| As Spring, attended by the laughing Hours, | 11 | ··˘/˘··/˘/˘ |
| After long storm is wont to reappear, | 10 | ········˘/ |
| When the mild Zephyr, breathing through the bowers, | 11 | ···/˘/˘··/˘ |
| Brings back its former beauty to the year, | 10 | ···/˘/˘··· |
| And goes enamelling the banks with flowers, | 11 | ··˘/˘˘···/˘ |
| Blue, white, and red, all eyes and hearts to cheer; | 10 | ·········· |
| So when returning Flerida is seen, | 10 | ··˘/˘····· |
| My heart too gladdens, and my hope grows green. | 10 | ···/˘····· |
| Have ye the fury of the wind beheld, | 10 | ···/˘···˘/ |
| When down the rough Sierra's crags it shoots, | 10 | ····˘/˘··· |
| How it hurls down the reverend rocks of eld, | 10 | ·····/˘··· |
| And tears the quivering pines up by the roots, | 10 | ···/˘····· |
| Nor thus content, how with its pride upswelled, | 10 | ··/˘······ |
| It loudly with the frightful sea disputes? | 10 | ·/˘··/˘·˘/ |
| Less fierce this rage is of the wind-borne Jove, | 10 | ·········· |
| Than Phyllis angry at Alcino's love. | 10 | ·/˘/˘····· |
| The vine and olive flourish; the green lea | 10 | ···/˘/˘··· |
| Yields plenteous pasture for the flocks at morn; | 11 | ·/˘˘/˘····· |
| Mountains the goats, the blossom feeds the bee, | 10 | /˘···/˘··· |
| And Ceres joys amidst the growing corn: | 10 | ·/˘·˘/·/˘· |
| Where'er my Flerid looks, it seems to me | 11 | ˘˘/········ |
| That generous Plenty pours forth all her horn; | 10 | ·/˘/˘····· |
| But if she take away her smiling eyes, | 10 | ····˘/·/˘· |
| The landscape weeps, and nought but briers arise. | 10 | ·/·····/˘/ |
| The field, the flock, with barrenness oppressed, | 10 | ·····/˘˘˘/ |
| Pines fast away, each living thing conceives | 10 | ··˘/·/˘·˘/ |
| Corruption, mildew--Ceres' fatal pest-- | 10 | ˘/˘/·/˘/˘· |
| Poisons the grass and taints the wheaten sheaves; | 10 | /˘·····/˘· |
| The bird abandons its dismantled nest, | 10 | ··˘/˘·˘/˘· |
| That was hedged in before with lively leaves; | 10 | ·······/˘· |
| But if sweet Phyllis chance to pass that way, | 10 | ···/˘····· |
| The flock revives, and all again looks gay. | 10 | ··˘/··˘/·· |
| For Daphne's laurel Phoebus gave his voice, | 10 | ·/˘/˘/˘··· |
| The towering poplar charmed stern Hercules, | 10 | ·/˘/˘··/˘· |
| The myrtle sweet, whose gifted flowers rejoice | 10 | ·/˘··/˘/˘/ |
| Young hearts in love, did most warm Venus please; | 10 | ·······/˘· |
| The lithe green willow is my Flerid's choice, | 10 | ···/······ |
| She gathers it amidst a thousand trees: | 10 | ·/˘·˘/·/˘· |
| Thus laurel, poplar, and sweet myrtle now, | 10 | ·/˘/˘··/˘· |
| Where'er it grows, shall to the willow bow. | 11 | ˘˘/·····/·· |
| All know that in the woods the ash reigns queen, | 10 | ·········· |
| In graceful beauty soaring to the sky, | 10 | ·/˘/˘/˘··· |
| And that in grandeur and thick shade the green | 10 | ···˘/····· |
| And lofty beech all sylvans does outvie; | 10 | ·/˘··/˘·˘/ |
| But whoso sees the beauty of thy mien, | 10 | ·/˘··/˘··· |
| Thy comely shape and austere dignity, | 10 | ·/˘··˘//˘˘ |
| Will own, fair Phyllis, that thy charms impeach | 10 | ···/˘···˘/ |
| The ash's grace and grandeur of the beech. | 10 | ·/˘··˘/··· |
| Thus sang the youths in challenge and reply, | 10 | ·····/˘·˘/ |
| And having finished now their rural hymn, | 10 | ·/˘/˘··/˘· |
| With blythe attention to their charge apply, | 10 | ··˘/˘···˘/ |
| Pacing with faster steps the pastures dim; | 10 | /˘·/˘··/˘· |
| The Sisters, hearing now the rumour nigh, | 10 | ·/˘/˘···˘· |
| Threw themselves forth into the stream to swim; | 10 | ·˘/······· |
| The shaded waves with froth were whitened o'er, | 10 | ·/˘····/˘· |
| And murmurs spread along the silent shore. | 10 | ·/˘·˘/·/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.