After Apple-picking
MY long two-pointed ladder's sticking through a treeToward heaven still,And there's a barrel that I didn't fillBeside it, and there may be two or threeApples I didn't pick upon some bough.But I am done with apple-picking now.Essence of winter sleep is on the night,The scent of apples: I am drowsing off.I cannot rub the strangeness from my sightI got from looking through a pane of glassI skimmed this morning from the drinking troughAnd held against the world of hoary grass.It melted, and I let it fall and break.But I was wellUpon my way to sleep before it fell,And I could tellWhat form my dreaming was about to take.Magnified apples appear and disappear,Stem end and blossom end,And every fleck of russet showing clear.My instep arch not only keeps the ache,It keeps the pressure of a ladder-round.I feel the ladder sway as the boughs bend.And I keep hearing from the cellar binThe rumbling soundOf load on load of apples coming in.For I have had too muchOf apple-picking: I am overtiredOf the great harvest I myself desired.There were ten thousand thousand fruit to touch,Cherish in hand, lift down, and not let fall.For allThat struck the earth,No matter if not bruised or spiked with stubble,Went surely to the cider-apple heapAs of no worth.One can see what will troubleThis sleep of mine, whatever sleep it is.Were he not gone,The woodchuck could say whether it's like hisLong sleep, as I describe its coming on,Or just some human sleep.
Words in this poem
- strangeness n.
- The state or quality of being strange (in any sense of the adjective).
- pane n.
- The narrow edge of a hammer head. See Peen. [F. panne.]
- hoary a.
- White or whitish."The hoary willows."
- fleck n.
- A flake; also, a lock, as of wool. J. Martin.
- instep n.
- The arched middle portion of the human foot next in front of the ankle joint.
- ache n.
- A name given to several species of plants; as, smallage, wild celery, parsley. Holland. [F. ache, L. apium parsley.]
- rumbling
- a. & n. from Rumble, v. i.
- spiked a.
- Furnished or set with spikes, as corn; fastened with spikes; stopped with spikes.
- went n.
- Course; way; path; journey; direction.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
After Apple-picking is in the public domain. This text is taken from North of Boston, Project Gutenberg ebook #3026; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Frost, After Apple-picking, in North of Boston (1914), text of Project Gutenberg ebook #3026, Laurel, https://laurelpoetry.com/poem/frost-north-of-boston/after-apple-picking.html, id L04611.
Form and metre
After Apple-picking is 42 lines in a single stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 91%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.6 syllables. 3 lines end on an unstressed syllable, a feminine ending. 38% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABBACCDEDFEFGHHHGIJIGKJLKLM--MNNON-ONP-P-- treeA · stillB · fillB · threeA · boughC · nowC · nightD · offE · sightD · glassF · troughE · grassF · breakG · wellH · fellH · tellH · takeG · disappearI · endJ · clearI · acheG · roundK · bendJ · binL · soundK · inL · muchM · overtired · desired · touchM · fallN · allN · earthO · stubbleN · heap · worthO · troubleN · isP · gone · hisP · on · sleep
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| MY long two-pointed ladder's sticking through a tree | 12 | ···/˘/˘/˘··· |
| Toward heaven still, | 5 | ··/˘· |
| And there's a barrel that I didn't fill | 10 | ···/˘··/˘· |
| Beside it, and there may be two or three | 10 | ˘/········ |
| Apples I didn't pick upon some bough. | 10 | /˘·/˘····· |
| But I am done with apple-picking now. | 10 | ·····/˘/˘· |
| Essence of winter sleep is on the night, | 10 | /˘·/˘····· |
| The scent of apples: I am drowsing off. | 10 | ···/˘····· |
| I cannot rub the strangeness from my sight | 10 | ·/˘··/˘··· |
| I got from looking through a pane of glass | 10 | ···/˘····· |
| I skimmed this morning from the drinking trough | 10 | ···/˘··/˘· |
| And held against the world of hoary grass. | 10 | ·······/˘· |
| It melted, and I let it fall and break. | 10 | ·/˘······· |
| But I was well | 4 | ···· |
| Upon my way to sleep before it fell, | 10 | ·········· |
| And I could tell | 4 | ···· |
| What form my dreaming was about to take. | 10 | ···/˘····· |
| Magnified apples appear and disappear, | 11 | /˘·/˘˘/··˘/ |
| Stem end and blossom end, | 6 | ···/˘· |
| And every fleck of russet showing clear. | 10 | ·/˘··/˘/˘· |
| My instep arch not only keeps the ache, | 10 | ·/˘··/˘··· |
| It keeps the pressure of a ladder-round. | 10 | ···/˘··/˘· |
| I feel the ladder sway as the boughs bend. | 10 | ···/˘····· |
| And I keep hearing from the cellar bin | 10 | ···/˘··/˘· |
| The rumbling sound | 5 | ·/˘˘· |
| Of load on load of apples coming in. | 10 | ·····/˘/˘· |
| For I have had too much | 6 | ······ |
| Of apple-picking: I am overtired | 10 | ·/˘/˘····· |
| Of the great harvest I myself desired. | 11 | ···/˘··/˘/˘ |
| There were ten thousand thousand fruit to touch, | 10 | ···/˘/˘··· |
| Cherish in hand, lift down, and not let fall. | 10 | /˘········ |
| For all | 2 | ·· |
| That struck the earth, | 4 | ···· |
| No matter if not bruised or spiked with stubble, | 11 | ·/˘······/˘ |
| Went surely to the cider-apple heap | 10 | ·/˘··/˘/˘· |
| As of no worth. | 4 | ···· |
| One can see what will trouble | 7 | ·····/˘ |
| This sleep of mine, whatever sleep it is. | 10 | ·····/˘··· |
| Were he not gone, | 4 | ···· |
| The woodchuck could say whether it's like his | 10 | ·/········ |
| Long sleep, as I describe its coming on, | 10 | ····˘/·/˘· |
| Or just some human sleep. | 6 | ···/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.