"Out, Out—"

Robert Frost (1874–1963) · 1916

iambic pentameter · unrhymed · 34 lines · from Mountain Interval

The buzz-saw snarled and rattled in the yardAnd made dust and dropped stove-length sticks of wood,Sweet-scented stuff when the breeze drew across it.And from there those that lifted eyes could countFive mountain ranges one behind the otherUnder the sunset far into Vermont.And the saw snarled and rattled, snarled and rattled,As it ran light, or had to bear a load.And nothing happened: day was all but done.Call it a day, I wish they might have saidTo please the boy by giving him the half hourThat a boy counts so much when saved from work.His sister stood beside them in her apronTo tell them "Supper." At the word, the saw,As if to prove saws knew what supper meant,Leaped out at the boy's hand, or seemed to leap--He must have given the hand. However it was,Neither refused the meeting. But the hand!The boy's first outcry was a rueful laugh,As he swung toward them holding up the handHalf in appeal, but half as if to keepThe life from spilling. Then the boy saw all--Since he was old enough to know, big boyDoing a man's work, though a child at heart--He saw all spoiled. "Don't let him cut my hand off--The doctor, when he comes. Don't let him, sister!"So. But the hand was gone already.The doctor put him in the dark of ether.He lay and puffed his lips out with his breath.And then--the watcher at his pulse took fright.No one believed. They listened at his heart.Little--less--nothing!--and that ended it.No more to build on there. And they, since theyWere not the one dead, turned to their affairs.

Words in this poem

rueful a.
Causing one to rue or lament; woeful; mournful; sorrowful.
watcher n.
One who watches; one who sits up or continues; a diligent observer; specifically, one who attends upon the sick during the night.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

"Out, Out—" is in the public domain. This text is taken from Mountain Interval, Project Gutenberg ebook #29345; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Frost, "Out, Out—", in Mountain Interval (1916), text of Project Gutenberg ebook #29345, Laurel, https://laurelpoetry.com/poem/frost-mountain-interval/out-out.html, id L02663.

Form and metre

"Out, Out—" is 34 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.3 syllables. 6 lines end on an unstressed syllable, a feminine ending. 29% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --------A---A--------------------- yard · wood · it · count · other · vermont · rattled · load · doneA · said · hour · work · apronA · saw · meant · leap · was · hand · laugh · hand · keep · all · boy · heart · off · sister · already · ether · breath · fright · heart · it · they · affairs
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
The buzz-saw snarled and rattled in the yard11···/˘·/˘···
And made dust and dropped stove-length sticks of wood,10··········
Sweet-scented stuff when the breeze drew across it.11·/˘·····˘/·
And from there those that lifted eyes could count10·····/˘···
Five mountain ranges one behind the other11·/˘/˘····/˘
Under the sunset far into Vermont.10···/····˘/
And the saw snarled and rattled, snarled and rattled,13···/˘·/˘/˘·/˘
As it ran light, or had to bear a load.10··········
And nothing happened: day was all but done.10·/˘/˘·····
Call it a day, I wish they might have said10··········
To please the boy by giving him the half hour11·····/˘···/
That a boy counts so much when saved from work.10··········
His sister stood beside them in her apron11·/˘·˘/···/˘
To tell them "Supper." At the word, the saw,10···/˘·····
As if to prove saws knew what supper meant,10·······/˘·
Leaped out at the boy's hand, or seemed to leap--10··········
He must have given the hand. However it was,11···/···/˘··
Neither refused the meeting. But the hand!10/˘˘/·/˘···
The boy's first outcry was a rueful laugh,10···/···/˘·
As he swung toward them holding up the hand11······/˘···
Half in appeal, but half as if to keep10··˘/······
The life from spilling. Then the boy saw all--10···/˘·····
Since he was old enough to know, big boy10····˘/····
Doing a man's work, though a child at heart--10/˘········
He saw all spoiled. "Don't let him cut my hand off--11···········
The doctor, when he comes. Don't let him, sister!"11·/˘······/˘
So. But the hand was gone already.9······˘/˘
The doctor put him in the dark of ether.11·/˘······/˘
He lay and puffed his lips out with his breath.10··········
And then--the watcher at his pulse took fright.10···/˘·····
No one believed. They listened at his heart.10··˘/·/˘···
Little--less--nothing!--and that ended it.10/˘·/˘··/˘·
No more to build on there. And they, since they10··········
Were not the one dead, turned to their affairs.10········˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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