Ismenius
As late in fair Sicilia's groves I stray'd,Charm'd with the beauties of the vernal sceneI sate me down amid the yew tree's shade,Flowers blooming round, with herbage fresh and green.
Not distant far a monument aroseAmong the trees and form'd of Parian stone,And, as if there some stranger did repose,It stood neglected, and it stood alone.
Along its sides dependent ivy crept,The cypress bough, Plutonian green, was near,A sculptur'd Venus on the summit wept,A pensive Cupid dropt the parting tear.
Strains deep engrav'd on every side I read,How Phaon died upon that foreign shore--Sappho, I think your Phaon must be dead,Then hear the strains that do his fate deplore:
Thou swain that lov'st the morning air,To those embowering trees repair,Forsake thy sleep at early dawn.And of this landscape to grow fonder,Still, O still persist to wanderUp and down the flowery lawn;And as you there enraptur'd roveFrom hill to hill, from grove to grove,Pensive now and quite alone,Cast thine eye upon this stone,Read its melancholy moan;And if you can refuse a tearTo the youth that slumbers here,Whom the Lesbians held so dear,Nature calls thee not her own.Echo, hasten to my aid!Tell the woods and tell the waves,Tell the far off mountain caves(Wrapt in solitary shade);Tell them in high tragic numbers,That beneath this marble tomb,Shrouded in unceasing gloomPhaon, youthful Phaon, slumbers,By Sicilian swains deplor'd--That a narrow urn restrainsHim who charm'd our pleasing plains,Him, whom every nymph ador'd.Tell the woods and tell the waves,Tell the mossy mountain caves,Tell them, if none will hear beside,How our lovely Phaon died.In that season when the sunBids his glowing charioteerPhoebus, native of the sphere,High the burning zenith run;Then our much lamented swain,O'er the sunny, scorched plain,Hunting with a chosen train,Slew the monsters of the wasteFrom those gloomy caverns chac'dRound stupendous Etna plac'd.--Conquer'd by the solar beamAt last he came to yonder stream;Panting, thirsting there he layOn this fatal summer's day,While his locks of raven jettWere on his temples dripping wet;The gentle stream ran purling byO'er the pebbles, pleasantly,Tempting him to drink and die--He drank indeed--but never thoughtDeath was in the gelid draught!--Soon it chill'd his boiling veins,Soon this glory of the plainsLeft the nymphs and left the swains,And has fled with all his charmsWhere the Stygian monarch reigns,Where no sun the climate warms!--Dread Pluto then, as once before,Pass'd Avernus' waters o'er;Left the dark and dismal shore,And strait enamour'd, as he gloomy stood,Seiz'd Phaon by the waters of the wood.Now o'er the silent plainWe for our much lov'd Phaon call again,And Phaon! Phaon! ring the woods amain--From beneath this myrtle tree,Musidora, wretched maid,How shall Phaon answer thee,Deep in vaulted caverns laid!--Thrice the myrtle tree hath bloom'dSince our Phaon was entomb'd,I, who had his heart, below,I have rais'd this turret high,A monument of love and woeThat Phaon's name may never die.--With deepest grief, O muse divine,Around his tomb thy laurels twineAnd shed thy sorrow, for to morrowThou, perhaps, shalt cease to glow--My hopes are crost, my lover lost,And I must weeping o'er the mountains go!
Words in this poem 24
- sate v. t.
- To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- cupid
- The god of love, son of Venus; usually represented as a naked, winged boy with bow and arrow. [L.Cupido, fr. cupido desire, desire of love, fr. cupidus. See Cupidity.]
- sappho n.
- Any one of several species of brilliant South American humming birds of the genus Sappho, having very bright-colored and deeply forked tails; -- called also firetail. [See Sapphic.]
- deplore v. t.
- To feel or to express deep and poignant grief for; to bewail; to lament; to mourn; to sorrow over. [L. deplorare; de- + plorare to cry out, wail, lament; prob. akin to pluere to rain, and to E. flow: cf. F. déplorer. Cf. Flow.]
- sicilian a.
- Of or pertaining to Sicily or its inhabitants. Sicilian vespers, the great massacre of the French in Sicily, in the year 1282, on the evening of Easter Monday, at the hour of vespers.
- charioteer n.
- One who drives a chariot.
- phoebus n.
- Apollo; the sun god.
- lamented a.
- Mourned for; bewailed.
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- stupendous a.
- Astonishing; wonderful; amazing; especially, astonishing in magnitude or elevation; as, a stupendous pile. [L. stupendus astonishing, p. future pass. of stupere to be astonished at. Cf. Stupid.]
- etna n.
- A kind of small, portable, cooking apparatus for which heat is furnished by a spirit lamp.
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- jett v. i.
- To strut; to walk with a lofty or haughty gait; to be insolent; to obtrude. [F. jeter, L. jactare, freq. fr. jacere to throw. See 3d Jet, and cf. Jut.]
- dripping n.
- A falling in drops, or the sound so made.
- purling n.
- The motion of a small stream running among obstructions; also, the murmur it makes in so doing. [See 3d Purl.]
- pleasantly adv.
- In a pleasant manner.
- drank n.
- Wild oats, or darnel grass. See Drake a plant. [Cf. 3d Drake.]
- gelid a.
- Cold; very cold; frozen. [L. gelidus, fr. gelun frost, cold. See Cold, and cf. Congeal, Gelatin, Jelly.]
- stygian a.
- Of or pertaining to the river Styx; hence, hellish; infernal.
- dismal a.
- Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]
- amain adv.
- With might; with full force; vigorously; violently; exceedingly. [Pref. a- + main. See 2d Main, n.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- shalt
- 2d per. sing. of Shall.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Ismenius is in the public domain. This text is taken from The Poems of Philip Freneau, Poet of the American Revolution. Volume 1 (of 3), Project Gutenberg ebook #38475; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Philip Freneau, Ismenius, in Poems (1786–1815), text of Project Gutenberg ebook #38475, Laurel, https://laurelpoetry.com/poem/freneau-poems/ismenius.html, id L12708.
Form and metre
Ismenius is 98 lines in 5 stanzas. The rhyme scheme is ABAB, complete in 4 of its 5 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 7.9 syllables. 6 lines end on an unstressed syllable, a feminine ending. 24% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB stray'dA · sceneB · shadeA · greenB
- 2 ABAB aroseA · stoneB · reposeA · aloneB
- 3 ABAB creptA · nearB · weptA · tearB
- 4 ABAB readA · shoreB · deadA · deploreB
- 5 AABCCBDDEEEFFFEGHHGIJJIKLLKMMNNOPPOQQQRRRSSTTUUV-V--WWW-W-X-XYYZZZababccdedeff-g-g airA · repairA · dawnB · fonderC · wanderC · lawnB · roveD · groveD · aloneE · stoneE · moanE · tearF · hereF · dearF · ownE · aidG · wavesH · cavesH · shadeG · numbersI · tombJ · gloomJ · slumbersI · deplor'dK · restrainsL · plainsL · ador'dK · wavesM · cavesM · besideN · diedN · sunO · charioteerP · sphereP · runO · swainQ · plainQ · trainQ · wasteR · chac'dR · plac'dR · beamS · streamS · layT · dayT · jettU · wetU · byV · pleasantly · dieV · thought · draught · veinsW · plainsW · swainsW · charms · reignsW · warms · beforeX · o'er · shoreX · stoodY · woodY · plainZ · againZ · amainZ · treea · maidb · theea · laidb · bloom'dc · entomb'dc · belowd · highe · woed · diee · divinef · twinef · morrow · glowg · lost · gog
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| As late in fair Sicilia's groves I stray'd, | 10 | ····˘/˘··· |
| Charm'd with the beauties of the vernal scene | 10 | ···/˘··/˘· |
| I sate me down amid the yew tree's shade, | 10 | ····˘/···· |
| Flowers blooming round, with herbage fresh and green. | 10 | //˘··/˘··· |
| Not distant far a monument arose | 10 | ·/˘··/˘˘˘/ |
| Among the trees and form'd of Parian stone, | 11 | ·······/˘˘· |
| And, as if there some stranger did repose, | 10 | ·····/˘·˘/ |
| It stood neglected, and it stood alone. | 10 | ··˘/˘···˘/ |
| Along its sides dependent ivy crept, | 10 | ˘/··˘/˘/˘· |
| The cypress bough, Plutonian green, was near, | 10 | ·/˘·˘/˘··· |
| A sculptur'd Venus on the summit wept, | 10 | ·/˘/˘··/˘· |
| A pensive Cupid dropt the parting tear. | 10 | ·/˘/˘··/˘· |
| Strains deep engrav'd on every side I read, | 10 | ··˘/·/˘··· |
| How Phaon died upon that foreign shore-- | 9 | ······/˘· |
| Sappho, I think your Phaon must be dead, | 9 | /˘······· |
| Then hear the strains that do his fate deplore: | 10 | ········˘/ |
| Thou swain that lov'st the morning air, | 8 | ·····/˘· |
| To those embowering trees repair, | 9 | ·······˘/ |
| Forsake thy sleep at early dawn. | 8 | ˘/···/˘· |
| And of this landscape to grow fonder, | 9 | ···/···/˘ |
| Still, O still persist to wander | 8 | ···˘/·/˘ |
| Up and down the flowery lawn; | 8 | ····/˘˘· |
| And as you there enraptur'd rove | 8 | ····˘/˘· |
| From hill to hill, from grove to grove, | 8 | ········ |
| Pensive now and quite alone, | 7 | /˘···˘/ |
| Cast thine eye upon this stone, | 7 | ······· |
| Read its melancholy moan; | 7 | ··/˘·˘· |
| And if you can refuse a tear | 8 | ····˘/·· |
| To the youth that slumbers here, | 7 | ····/˘· |
| Whom the Lesbians held so dear, | 8 | ··/˘˘··· |
| Nature calls thee not her own. | 7 | /˘····· |
| Echo, hasten to my aid! | 7 | /˘/˘··· |
| Tell the woods and tell the waves, | 7 | ······· |
| Tell the far off mountain caves | 7 | ····/˘· |
| (Wrapt in solitary shade); | 7 | ··/˘·˘· |
| Tell them in high tragic numbers, | 8 | ····/˘/˘ |
| That beneath this marble tomb, | 7 | ····/˘· |
| Shrouded in unceasing gloom | 7 | /˘·˘/˘· |
| Phaon, youthful Phaon, slumbers, | 6 | ·/˘·/˘ |
| By Sicilian swains deplor'd-- | 8 | ·˘/˘˘·˘/ |
| That a narrow urn restrains | 7 | ··/˘·˘/ |
| Him who charm'd our pleasing plains, | 8 | ···/˘/˘· |
| Him, whom every nymph ador'd. | 8 | ··/˘˘·˘/ |
| Tell the woods and tell the waves, | 7 | ······· |
| Tell the mossy mountain caves, | 7 | ··/˘/˘· |
| Tell them, if none will hear beside, | 8 | ······˘/ |
| How our lovely Phaon died. | 7 | ·/˘/˘·· |
| In that season when the sun | 7 | ··/˘··· |
| Bids his glowing charioteer | 7 | ··/˘··· |
| Phoebus, native of the sphere, | 7 | /˘/˘··· |
| High the burning zenith run; | 7 | ··/˘/˘· |
| Then our much lamented swain, | 8 | ·/˘·˘/˘· |
| O'er the sunny, scorched plain, | 6 | ··/˘·· |
| Hunting with a chosen train, | 7 | /˘··/˘· |
| Slew the monsters of the waste | 7 | ··/˘··· |
| From those gloomy caverns chac'd | 7 | ··/˘/˘· |
| Round stupendous Etna plac'd.-- | 7 | ·˘/˘/˘· |
| Conquer'd by the solar beam | 7 | /˘··/˘· |
| At last he came to yonder stream; | 8 | ·····/˘· |
| Panting, thirsting there he lay | 7 | /˘/˘··· |
| On this fatal summer's day, | 7 | ··/˘/˘· |
| While his locks of raven jett | 7 | ····/˘· |
| Were on his temples dripping wet; | 8 | ···/˘/˘· |
| The gentle stream ran purling by | 8 | ·/˘··/˘· |
| O'er the pebbles, pleasantly, | 7 | ··/˘/˘˘ |
| Tempting him to drink and die-- | 7 | /˘····· |
| He drank indeed--but never thought | 8 | ··˘/·/˘· |
| Death was in the gelid draught!-- | 7 | ····/˘· |
| Soon it chill'd his boiling veins, | 7 | ····/˘· |
| Soon this glory of the plains | 7 | ··/˘··· |
| Left the nymphs and left the swains, | 7 | ······· |
| And has fled with all his charms | 7 | ······· |
| Where the Stygian monarch reigns, | 8 | ··/˘˘/·· |
| Where no sun the climate warms!-- | 7 | ····/˘· |
| Dread Pluto then, as once before, | 8 | ·/˘····· |
| Pass'd Avernus' waters o'er; | 7 | ····/˘· |
| Left the dark and dismal shore, | 7 | ····/˘· |
| And strait enamour'd, as he gloomy stood, | 10 | ·······/˘· |
| Seiz'd Phaon by the waters of the wood. | 9 | ····/˘··· |
| Now o'er the silent plain | 6 | ···/˘· |
| We for our much lov'd Phaon call again, | 10 | ··/˘····˘/ |
| And Phaon! Phaon! ring the woods amain-- | 8 | ······˘/ |
| From beneath this myrtle tree, | 7 | ····/˘· |
| Musidora, wretched maid, | 7 | ˘˘/˘/˘· |
| How shall Phaon answer thee, | 6 | ···/˘· |
| Deep in vaulted caverns laid!-- | 7 | ··/˘/˘· |
| Thrice the myrtle tree hath bloom'd | 7 | ··/˘··· |
| Since our Phaon was entomb'd, | 7 | ·/˘··˘/ |
| I, who had his heart, below, | 7 | ······· |
| I have rais'd this turret high, | 7 | ····/˘· |
| A monument of love and woe | 8 | ·/˘˘···· |
| That Phaon's name may never die.-- | 7 | ····/˘· |
| With deepest grief, O muse divine, | 8 | ·/˘···˘/ |
| Around his tomb thy laurels twine | 8 | ·····/˘· |
| And shed thy sorrow, for to morrow | 9 | ···/˘··/˘ |
| Thou, perhaps, shalt cease to glow-- | 7 | ·˘/···· |
| My hopes are crost, my lover lost, | 8 | ·····/˘· |
| And I must weeping o'er the mountains go! | 10 | ···/˘··/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.