Preludes

T. S. Eliot (1888–1965) · 1917

free verse · 54 lines · from Prufrock and Other Observations

The winter evening settles downWith smell of steaks in passageways.Six o’clock.The burnt-out ends of smoky days.And now a gusty shower wrapsThe grimy scrapsOf withered leaves about your feetAnd newspapers from vacant lots;The showers beatOn broken blinds and chimney-pots,And at the corner of the streetA lonely cab-horse steams and stamps.And then the lighting of the lamps.

The morning comes to consciousnessOf faint stale smells of beerFrom the sawdust-trampled streetWith all its muddy feet that pressTo early coffee-stands.With the other masqueradesThat time resumes,One thinks of all the handsThat are raising dingy shadesIn a thousand furnished rooms.

You tossed a blanket from the bed,You lay upon your back, and waited;You dozed, and watched the night revealingThe thousand sordid imagesOf which your soul was constituted;They flickered against the ceiling.And when all the world came backAnd the light crept up between the shutters,And you heard the sparrows in the gutters,You had such a vision of the streetAs the street hardly understands;Sitting along the bed’s edge, whereYou curled the papers from your hair,Or clasped the yellow soles of feetIn the palms of both soiled hands.

His soul stretched tight across the skiesThat fade behind a city block,Or trampled by insistent feetAt four and five and six o’clockAnd short square fingers stuffing pipes,And evening newspapers, and eyesAssured of certain certainties,The conscience of a blackened streetImpatient to assume the world.I am moved by fancies that are curledAround these images, and cling:The notion of some infinitely gentleInfinitely suffering thing.Wipe your hand across your mouth, and laugh;The worlds revolve like ancient womenGathering fuel in vacant lots.

Words in this poem

gusty a.
Subject to, or characterized by, gusts or squalls; windy; stormy; tempestuous.
grimy a.
Full of grime; begrimed; dirty; foul.
sordid a.
Filthy; foul; dirty. [L. sordidus, fr. sordere to be filthy or dirty; probably akin to E. swart: cf. F. sordide. See Swart, a.]
insistent a.
Standing or resting on something; as, an insistent wall. Sir H. [L. insistens, -entis, p. pr. of insistere.]
conscience n.
Knowledge of one's own thoughts or actions; consciousness. [F. conscience, fr. L. conscientia, fr. consciens, p.pr. of conscire to know, to be conscious; con- + scire to know. See Science.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Preludes is in the public domain. This text is taken from Prufrock and Other Observations, Project Gutenberg ebook #1459; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: T. S. Eliot, Preludes, in Prufrock and Other Observations (1917), text of Project Gutenberg ebook #1459, Laurel, https://laurelpoetry.com/poem/eliot-prufrock/preludes.html, id L04655.

Form and metre

Preludes is 54 lines in 4 stanzas. The metre is free verse, as Wikipedia: Preludes (poem) has it. 90% of its stressed syllables fall where the metre puts the beat. The lines average 7.9 syllables. 11 lines end on an unstressed syllable, a feminine ending. 50% of the lines run on without a stop at the line end.

See other poems in free verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-ABBCDCDCEE down · passagewaysA · o'clock · daysA · wrapsB · scrapsB · feetC · lotsD · beatC · potsD · streetC · stampsE · lampsE
  2. 2 A--ABCDBCD consciousnessA · beer · street · pressA · standsB · masqueradesC · resumesD · handsB · shadesC · roomsD
  3. 3 AAB-AB-CCDEFFDE bedA · waitedA · revealingB · images · constitutedA · ceilingB · back · shuttersC · guttersC · streetD · understandsE · whereF · hairF · feetD · handsE
  4. 4 ABCB-AACDDE-E--- skiesA · blockB · feetC · o'clockB · pipes · eyesA · certaintiesA · streetC · worldD · curledD · clingE · gentle · thingE · laugh · women · lots
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against free verse. How this is done.

LineSyl.Stress
The winter evening settles down8·/˘/˘/˘·
With smell of steaks in passageways.8·····/˘·
Six o’clock.3·˘/
The burnt-out ends of smoky days.8·····/˘·
And now a gusty shower wraps8···/˘/˘·
The grimy scraps4·/˘·
Of withered leaves about your feet9·/˘˘·····
And newspapers from vacant lots;8·/·˘·/˘·
The showers beat4·/˘·
On broken blinds and chimney-pots,8·/˘··/˘·
And at the corner of the street8···/˘···
A lonely cab-horse steams and stamps.8·/˘·····
And then the lighting of the lamps.8···/˘···
The morning comes to consciousness8·/˘··/˘˘
Of faint stale smells of beer6······
From the sawdust-trampled street7··/·/˘·
With all its muddy feet that press8···/˘···
To early coffee-stands.6·/˘/˘·
With the other masquerades7··/˘·˘/
That time resumes,4··˘/
One thinks of all the hands6······
That are raising dingy shades7··/˘/˘·
In a thousand furnished rooms.7··/˘/˘·
You tossed a blanket from the bed,9··˘·/˘···
You lay upon your back, and waited;9·······/˘
You dozed, and watched the night revealing10··˘····˘/˘
The thousand sordid images8·/˘/˘/˘˘
Of which your soul was constituted;9·····/˘·˘
They flickered against the ceiling.9·/˘˘···/˘
And when all the world came back7·······
And the light crept up between the shutters,10········/˘
And you heard the sparrows in the gutters,10····/˘··/˘
You had such a vision of the street9····/˘···
As the street hardly understands;8···/˘·˘/
Sitting along the bed’s edge, where8/˘˘/····
You curled the papers from your hair,9··˘·/˘···
Or clasped the yellow soles of feet9··˘·/˘···
In the palms of both soiled hands.7·······
His soul stretched tight across the skies9···˘·˘/··
That fade behind a city block,8·····/˘·
Or trampled by insistent feet9·/˘˘·˘/˘·
At four and five and six o’clock8······˘/
And short square fingers stuffing pipes,8···/˘/˘·
And evening newspapers, and eyes8·/˘/·˘··
Assured of certain certainties,9˘/˘·/˘/˘˘
The conscience of a blackened street9·/˘··/˘˘·
Impatient to assume the world.8˘/˘·˘/··
I am moved by fancies that are curled10···˘·/˘···
Around these images, and cling:8···/˘˘··
The notion of some infinitely gentle11·/˘··/˘˘˘/˘
Infinitely suffering thing.8/˘˘˘/˘˘·
Wipe your hand across your mouth, and laugh;9···˘/····
The worlds revolve like ancient women9··˘/·/˘/˘
Gathering fuel in vacant lots.9/˘˘/˘·/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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