Armgart: Scene V
ARMGART. Walpurga, have you walked this morning?
WALPURGA. No.
ARMGART. Go, then, and walk; I wish to be alone.
WALPURGA. I will not leave you.
ARMGART. Will not, at my wish?
WALPURGA. Will not, because you wish it. Say no more,But take this draught.
ARMGART. The Doctor gave it you?It is an anodyne. Put it away.He cured me of my voice, and now he wantsTo cure me of my vision and resolve—Drug me to sleep that I may wake againWithout a purpose, abject as the restTo bear the yoke of life. He shall not cheat meOf that fresh strength which anguish gives the soul,The inspiration of revolt, ere rageSlackens to faltering. Now I see the truth.
WALPURGA. (setting down the glass) Then you must see a future in your reach,With happiness enough to make a dowerFor two of modest claims.
ARMGART. Oh, you intoneThat chant of consolation, wherewith easeMakes itself easier in the sight of pain.
WALPURGA. No; I would not console you, but rebuke.
ARMGART. That is more bearable. Forgive me, dear.Say what you will. But now I want to write.
WALPURGA. I say then, you are simply fevered, mad,You cry aloud at horrors that would vanishIf you would change the light, throw into shadeThe loss you aggrandize, and let day fallOn good remaining, nay on good refusedWhich may be gain now. Did you not rejectA woman's lot more brilliant, as some held,Than any singer's? It may still be yours.Graf Dornberg loved you well.
ARMGART. Not me, not me.He loved one well who was like me in allSave in a voice which made that All unlikeAs diamond is to charcoal. Oh, a man's love!Think you he loves a woman's inner selfAching with loss of loveliness?—as mothersCleave to the palpitating pain that dwellsWithin their misformed offspring?
WALPURGA. But the GrafChose you as simple Armgart—had preferredThat you should never seek for any fameBut such as matrons have who rear great sons.And therefore you rejected him; but now—
ARMGART. Ay, now—now he would see me as I am,Russet and songless as a missel-thrush.An ordinary girl—a plain brown girl,Who, if some meaning flash from out her words,Shocks as a disproportioned thing—a WillThat, like an arm astretch and broken off,Has nought to hurl—the torso of a soul.I sang him into love of me: my songWas consecration, lifted me apartFrom the crowd chiselled like me, sister forms,But empty of divineness. Nay, my charmWas half that I could win fame yet renounce!A wife with glory possible absorbedInto her husband's actual.
WALPURGA. For shame!Armgart, you slander him. What would you sayIf now he came to you and asked againThat you would be his wife?
ARMGART. No, and thrice no!It would be pitying constancy, not love,That brought him to me now. I will not beA pensioner in marriage. SacramentsAre not to feed the paupers of the world.If he were generous—I am generous, too.
WALPURGA. Proud, Armgart, but not generous.
ARMGART. Say no more.He will not know until—
WALPURGA. He knows already.
ARMGART. (quickly) Is he come back?
WALPURGA. Yes, and will soon be here.The Doctor had twice seen him, and would goFrom hence again to see him.
ARMGART. Well, he knows.It is all one.
WALPURGA. What if he were outside?I hear a footstep in the ante-room.
ARMGART. (raising herself and assuming calmness) Why let him come, of course. I shall behaveLike what I am, a common personage,Who looks for nothing but civility.I shall not play the fallen heroine,Assume a tragic part and throw out cuesFor a beseeching lover.
WALPURGA. Some one raps.A letter—from the Graf.
ARMGART. Then open it.Nay, my head swims. Read it. I cannot see.Read it. Have done! No matter what it is.
ARMGART. (after a slight shudder, bitterly.) The Graf has much discretion. I am glad.He spares us both a pain, not seeing me.What I like least is that consoling hope—That empty cup, so neatly ciphered "Time,"Handed me as a cordial for despair.(Slowly and dreamily) Time—what a word to fling as charity!Bland, neutral word for slow, dull-beating pain—Days, months, and years!—If I would wait for them.Why, this is but beginning. (WALP. re-enters.) Kiss me, dear.I am going now—alone—out—for a walk,Say you will never wound me any moreWith such cajolery as nurses useTo patients amorous of a crippled life.Flatter the blind: I see.
WALPURGA. Well, I was wrong.In haste to soothe, I snatched at flickers merely.Believe me, I will flatter you no more.
ARMGART. Bear witness, I am calm. I read my lotAs soberly as if it were a taleWrit by a creeping feuilletonist and called,"The Woman's Lot: a Tale of Everyday:"A middling woman's, to impress the worldWith high superfluousness; her thoughts a cropOf chick-weed, errors or of pot-herb facts,Smiled at like some child's drawing on a slate."Genteel?" "O yes, gives lessons; not so goodAs any man's would be, but cheaper far.""Pretty?" "No: yet she makes a figure fitFor good society. Poor thing, she sewsBoth late and early, turns and alters allTo suit the changing mode. Some widowerMight do well, marrying her; but in these days!Well, she can somewhat eke her narrow gainsBy writing, just to furnish her with glovesAnd droschkies in the rain. They print her thingsOften for charity."—Oh, a dog's life!A harnessed dog's, that draws a little cartVoted a nuisance! I am going now.
WALPURGA. Not now, the door is locked.
ARMGART. Give me the key!
WALPURGA. Locked on the outside. Gretchen has the key:She is gone on errands.
ARMGART. What, you dare to keep meYour prisoner?
WALPURGA. And have I not been yours?Your wish has been a bolt to keep me in.Perhaps that middling woman whom you paintWith far-off scorn . . . . .
ARMGART. I paint what I must be.What is my soul to me without the voiceThat gave it freedom?—gave it one grand touch,And made it nobly human?—Prisoned now,Prisoned in all the petty mimicriesCalled woman's knowledge, that will fit the worldAs doll-clothes fit a man. I can do naughtBetter than what a million women do—Must drudge among the crowd and feel my lifeBeating upon the world without response;Beating with passion through an insect's hornThat moves a millet-seed laboriously.If I would do it!
WALPURGA. (coldly) And why should you not?
ARMGART. (turning quickly) Because Heaven made me royal—wrought me outWith subtle finish towards pre-eminence,Made every channel of my soul convergeTo one high function, and then flung me down,That breaking I might turn to subtlest pain.An inborn passion gives a rebel's right:I would rebel and die in twenty worldsSooner than bear the yoke of thwarted life.Each keenest sense turned into keen distaste,Hunger not satisfied but kept alive,Breathing in languor half a century.All the world now is but a rack of threadsTo twist and dwarf me into pettinessAnd basely feigned content the placid maskOf women's misery.
WALPURGA. (indignantly) Ay, such a maskAs the few born like you to easy joy,Cradled in privilege, take for naturalOn all the lowly faces that must lookUpward to you! What revelation nowShows you the mask or gives presentimentOf sadness hidden? You, who every dayThese five years saw me limp to wait on you,And thought the order perfect which gave me,The girl without pretension to be aught,A splendid cousin for my happiness:To watch the night through when her brain was firedWith too much gladness—listen, always listenTo what she felt, who having power had rightTo feel exorbitantly, and submergeThe souls around her with the poured-out floodOf what must be ere she were satisfied!That was feigned patience, was it? Why not love,Love nurtured even with that strength of selfWhich found no room save in another's life?Oh, such as I know joy by negatives,And all their deepest passion is a pangTill they accept their pauper's heritage,And meekly live from out the general storeOf joy they were born stripped of. I accept—Nay, now would sooner choose it than the wealthOf natures you call royal, who can liveIn mere mock knowledge of their fellows' woe,Thinking their smiles may heal it.
ARMGART. (tremulously) Nay, Walpurga,I did not make a palace of my joyTo shut the world's truth from me. All my goodWas that I touched the world and made a partIn the world's dower of beauty, strength, and bliss;It was the glimpse of consciousness divineWhich pours out day and sees the day is good.Now I am fallen dark; I sit in gloom,Remembering bitterly. Yet you speak truth;I wearied you, it seems; took all your helpAs cushioned nobles use a weary serf,Not looking at his face.
WALPURGA. Oh, I but standAs a small symbol for the mighty sumOf claims unpaid to needy myriads;I think you never set your loss besideThat mighty deficit. Is your work gone—The prouder queenly work that paid itself,And yet was overpaid with men's applause?Are you no longer chartered, privileged,But sunk to simple woman's penury,To ruthless Nature's chary average—Where is the rebel's right for you alone?Noble rebellion lifts a common load:But what is he who flings his own load offAnd leaves his fellows toiling? Rebel's right?Say rather, the deserter's. Oh, you smiledFrom your clear height on all the million lotsWhich yet you brand as abject.
ARMGART. I was blindWith too much happiness: true vision comesOnly, it seems, with sorrow. Were there oneThis moment near me, suffering what I feel,And needing me for comfort in her pang—Then it were worth the while to live; not else.
WALPURGA. One—near you—why, they throng! you hardly stirBut your act touches them. We touch afar.For did not swarthy slaves of yesterdayLeap in their bondage at the Hebrews' flight,Which touched them through the thrice millennial dark?But you can find the sufferer you needWith touch less subtle.
ARMGART. Who has need of me?
WALPURGA. Love finds the need it fills. But you are hard.
ARMGART. Is it not you, Walpurga, who are hard?You humored all my wishes till to-day,When fate has blighted me.
WALPURGA. You would not hearThe "chant of consolation:" words of hopeOnly embittered you. Then hear the truth—A lame girl's truth, whom no one ever praisedFor being cheerful: "It is well," they said:"Were she cross-grained she could not be endured."A word of truth from her had startled you;But you—you claimed the universe; naught lessThan all existence working in sure tracksTowards your supremacy. The wheels might scatheA myriad destinies—nay, must perforce;But yours they must keep clear of; just for youThe seething atoms through the firmamentMust bear a human heart—which you had not!For what is it to you that women, men,Plod, faint, are weary, and espouse despairOf aught but fellowship? Save that you spurnTo be among them? Now, then, you are lame—Maimed, as you said, and levelled with the crowd:Call it new birth—birth from that monstrous Self,Which, smiling down upon a race oppressed,Says, "All is good, for I am throned at ease,"Dear Armgart—nay, you tremble—I am cruel.
ARMGART. O no! hark! Some one knocks. Come in!—come in!
LEO. See, Gretchen let me in. I could not restLonger away from you.
ARMGART. Sit down, dear Leo.Walpurga, I would speak with him alone.
LEO. (hesitatingly) You mean to walk?
ARMGART. No, I shall stay within.How old are you?
LEO. Threescore and five.
ARMGART. That's old,I never thought till now how you have lived.They hardly ever play your music?
LEO. (raising his eyebrows and throwing out his lip) No!Schubert, too, wrote for silence: half his workLay like a frozen Rhine till summers cameThat warmed the grass above him. Even so!His music lives now with a mighty youth.
ARMGART. Do you think yours will live when you are dead?
LEO. Pfui! The time was, I drank that home-brewed wineAnd found it heady, while my blood was young.Now it scarce warms me. Tipple it as I may,I am sober still, and say: "My old friend Leo,Much grain is wasted in the world and rots;Why not thy handful?"
ARMGART. Strange! since I have known youTill now I never wondered how you livedWhen I sang well—that was your jubilee.But you were old already.
LEO. Yes, child, yes:Youth thinks itself the goal of each old life;Age has but travelled from a far-off timeJust to be ready for youth's service. Well!It was my chief delight to perfect you.
ARMGART. Good Leo! You have lived on little joys.But your delight in me is crushed for everYour pains, where are they now? They shaped intentWhich action frustrates; shaped an inward senseWhich is but keen despair, the agonyOf highest vision in the lowest pit.
LEO. Nay, nay, I have a thought: keep to the stage,To drama without song; for you can act—Who knows how well, when all the soul is pouredInto that sluice alone?
ARMGART. I know, and you.The second or third best in tragediesThat cease to touch the fibre of the time.No; song is gone, but nature's other gift,Self-judgment, is not gone. Song was my speech,And with its impulse only, action came:Song was the battle's onset, when cool purposeGlows into rage, becomes a warring godAnd moves the limbs with miracle. But now—Oh, I should stand hemmed in with thoughts and rules—Say "This way passion acts," yet never feelThe might of passion. How should I declaim?As monsters write, with feet instead of hands.I will not feed on doing great tasks ill,Dull the world's sense with mediocrity,And live by trash that smothers excellence.One gift I had that ranked me with the best—The secret of my frame—and that is gone.For all life now I am a broken thing.But silence there! Good Leo, advise me now.I would take humble work and do it well—Teach music, singing—what I can—not here,But in some smaller town where I may bringThe method you have taught me, pass your giftTo others who can use it for delight.You think I can do that?
LEO. Yes, yes, dear child!And it were well, perhaps, to change the place—Begin afresh, as I did when I leftVienna with a heart half broken.
ARMGART. (roused by surprise) You?
LEO. Well, it is long ago. But I had lost—No matter! We must bury our dead joysAnd live above them with a living world.But whither, think you, you would like to go?
ARMGART. To Freiburg.
LEO. In the Breisgau? And why there?It is too small.
ARMGART. Walpurga was born there,And loves the place. She quitted it for meThese five years past. Now I will take her there.Dear Leo, I will bury my dead joy.
LEO. Mothers do so, bereaved; then learn to loveAnother's living child.
ARMGART. Oh, it is hardTo take the little corpse, and lay it low,And say, "None misses it but me."She sings . . .I mean, Paulina sings Fidelio,And they will welcome her to-night.
LEO. Well, well,'Tis better that our griefs should not spread far.
Words in this poem 72
- abject a.
- Cast down; low-lying. [L. abjectus, p. p. of abjicere to throw away; ab + jacere to throw. See Jet a shooting forth.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- faltering a.
- Hesitating; trembling.
- intone v. t.
- To utter with a musical or prolonged note or tone; to chant; as, to intone the church service. [LL. intonare, intonatum; pref. in- in + L. tonus tone. See Tone and cf. Entune, Intonate.]
- wherewith adv.
- With which; -- used relatively.
- bearable a.
- Capable of being borne or endured; tolerable.
- aloud adv.
- With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
- aggrandize v. i.
- To increase or become great.
- graf n.
- A German title of nobility, equivalent to earl in English, or count in French. See Earl. [G. Cf. -grave.]
- aching a.
- That aches; continuously painful. See Ache.
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
- songless a.
- Destitute of the power of song; without song; as, songless birds; songless woods.
- torso n.
- The human body, as distinguished from the head and limbs; in sculpture, the trunk of a statue, mutilated of head and limbs; as, the torso of Hercules. [It. torso, probably fr. L. thyrsus a stalk, stem, thyrsus, Gr. torso, turso, a stalk, stem, G. dorsche a cabbage stalk. Cf. Thyrsus, Truss.]
- divineness n.
- The quality of being divine; superhuman or supreme excellence.
- pitying a.
- Expressing pity; as, a pitying eye, glance, or word.
- pensioner n.
- One in receipt of a pension; hence, figuratively, a dependent.
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- civility n.
- The state of society in which the relations and duties of a citizen are recognized and obeyed; a state of civilization. [L. civilitas: cf. F. civilité. See Civil.]
- heroine n.
- A woman of an heroic spirit. [F. héroïne, L. heroina, Gr. Hero.]
- bitterly adv.
- In a bitter manner.
- discretion n.
- Disjunction; separation. Mede. [F. discrétion, L. discretio separation, difference, discernment, fr. discernere, discretum. See Discreet, Discern.]
- consoling a.
- Adapted to console or comfort; cheering; as, this is consoling news.
- dreamily adv.
- As if in a dream; softly; slowly; languidly.
- cajolery n.
- A wheedling to delude; words used in cajoling; flattery.
- crippled a.
- Lamed; lame; disabled; impeded.
- soothe v. t.
- To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
- soberly a.
- Grave; serious; solemn; sad.
- everyday a.
- Used or fit for every day; common; usual; as, an everyday suit or clothes.
- middling a.
- Of middle rank, state, size, or quality; about equally distant from the extremes; medium; moderate; mediocre; ordinary.
- widower n.
- A man who has lost his wife by death, and has not married again.
- nobly adv.
- Of noble extraction; as, nobly born or descended.
- coldly adv.
- In a cold manner; without warmth, animation, or feeling; with indifference; calmly.
- rebel a.
- Pertaining to rebels or rebellion; acting in revolt; rebellious; as, rebel troops. [F. rebelle, fr. L. rebellis. See Rebel, v. t.]
- pettiness n.
- The quality or state of being petty or paltry; littleness; meanness.
- basely adv.
- In a base manner; with despicable meanness; dishonorably; shamefully.
- placid a.
- Pleased; contented; unruffied; undisturbed; serene; peaceful; tranquil; quiet; gentle. [L. placidus, originally, pleasing, mild, from placere to please: cf. F. placide. See Please.]
- indignantly adv.
- In an indignant manner.
- sadness n.
- Heaviness; firmness.
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- exorbitantly adv.
- In an exorbitant, excessive, or irregular manner; enormously.
- submerge v. t.
- To put under water; to plunge. [L. submergere, submersum; sub under + mergere to plunge: cf. F. submerger. See Merge.]
- heritage a.
- That which is inherited, or passes from heir to heir; inheritance. [OE. heritage, eritage, OF. heritage, eritage, F. héritage, fr. hériter to inherit, LL. heriditare. See Hereditable.]
- meekly adv.
- In a meek manner.
- wealth n.
- Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
- deficit n.
- Deficiency in amount or quality; a falling short; lack; as, a deficit in taxes, revenue, etc. [Lit., it is wanting, 3d person pres. indic. of L. deficere, cf. F. déficit. See Defect.]
- queenly a.
- Like, becoming, or suitable to, a queen. [AS. cwenlic feminine.]
- chartered a.
- Granted or established by charter; having, or existing under, a charter; having a privilege by charter.
- penury n.
- Absence of resources; want; privation; indigence; extreme poverty; destitution. [L. penuria; cf. Gr. pénurie.]
- ruthless a.
- Having no ruth; cruel; pitiless.
- chary a.
- Careful; wary; cautious; not rash, reckless, or spendthrift; saving; frugal. [AS. cearig careful, fr. cearu care. See Care.]
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- millennial a.
- Of or pertaining to the millennium, or to a thousand years; as, a millennial period; millennial happiness.
- sufferer n.
- One who suffers; one who endures or undergoes suffering; one who sustains inconvenience or loss; as, sufferers by poverty or sickness; men are sufferers by fire or by losses at sea.
- scathe v. t.
- To do harm to; to injure; to damage; to waste; to destroy. [Icel. skatha; akin to AS. sceathan, sceth\'eban, Dan. skade, Sw. skada, D. & G. schaden, OHG. scadon, Goth. skaÞjan.]
- myriad n.
- The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
- perforce v. t.
- To force; to compel.
- firmament n.
- Fixed foundation; established basis. [L. firmamentum, fr. firmare to make firm: cf. F. firmament. See Firm, v. & a.]
- plod v. i.
- To travel slowly but steadily; to trudge. [Gf. Gael. plod a clod, a pool; also, to strike or pelt with a clod or clods.]
- espouse v. t.
- To betroth; to promise in marriage; to give as spouse. [OF. espouser, esposer, F. épouser, L. sponsare to betroth, espouse, fr. sponsus betrothed, p. p. of spondere to promise solemnly or sacredly. Cf. Spouse.]
- spurn v. t.
- To drive back or away, as with the foot; to kick. [OE. spurnen to kick against, to stumble over, AS. spurnan to kick, offend; akin to spura spur, OS. & OHG. spurnan to kick, Icel. spyrna, L. spernere to despise,]
- hesitatingly adv.
- With hesitation or doubt.
- wrote v. i.
- To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
- drank n.
- Wild oats, or darnel grass. See Drake a plant. [Cf. 3d Drake.]
- heady a.
- Willful; rash; precipitate; hurried on by will or passion; ungovernable. [From Head.]
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- handful n.
- As much as the hand will grasp or contain. [AS. handfull.]
- wondered a.
- Having performed wonders; able to perform wonderful things.
- fibre n.
- One of the delicate, threadlike portions of which the tissues of plants and animals are in part constituted; as, the fiber of flax or of muscle. [F. fibre, L. fibra.]
- mediocrity n.
- The quality of being mediocre; a middle state or degree; a moderate degree or rate. [F. médiocrité, L. mediocritas.]
- afresh adv.
- Anew; again; once more; newly. [Pref. a- + fresh.]
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- corpse n.
- A human body in general, whether living or dead; -- sometimes contemptuosly. [OF. cors (sometimes written corps), F. corps, L. corpus; akin to AS. hrif womb. See Midriff, and cf. Corse, Corselet, Corps, Cuerpo.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Armgart: Scene V is in the public domain. This text is taken from The Legend of Jubal and Other Poems (ten poems from The poems of George Eliot, Crowell, 1884, on Wikisource; four from The Spanish Gypsy; The Legend of Jubal and Other Poems, Old and New, Worthington, 1890, Internet Archive spanishgypsylege00elio), Wikisource and Internet Archive; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: George Eliot, Armgart: Scene V, in The Legend of Jubal and Other Poems (1874), text of Wikisource and Internet Archive, Laurel, https://laurelpoetry.com/poem/eliot-poems/armgart-scene-v.html, id L29772.
Form and metre
Armgart: Scene V is 366 lines in 71 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 28 -A--B---B----A glad · meA · hope · time · despairB · charity · pain · them · dearB · walk · more · use · life · seeA
- 39 -----------A---A----------BBB mask · joy · natural · look · now · presentiment · day · you · me · aught · happiness · firedA · listen · right · submerge · floodA · satisfied · love · self · life · negatives · pang · heritage · store · accept · wealth · liveB · woeB · itB
- 40 --A---A----- walpurga · joy · goodA · part · bliss · divine · goodA · gloom · truth · help · serf · face
- 47 ------A----A----------- hear · hope · truth · praised · said · endured · youA · less · tracks · scathe · perforce · youA · firmament · not · men · despair · spurn · lame · crowd · self · oppressed · ease · cruel
- 55 A--A- noA · work · came · soA · youth
- 62 ---A-B--C--B------DC--DA-- you · tragedies · time · giftA · speech · cameB · purpose · god · nowC · rules · feel · declaimB · hands · ill · mediocrity · excellence · best · gone · thingD · nowC · well · here · bringD · giftA · delight · that
- 68 A-A- thereA · me · thereA · joy
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| ARMGART. Walpurga, have you walked this morning? | 11 | ·········/˘ |
| WALPURGA. No. | 4 | ···· |
| ARMGART. Go, then, and walk; I wish to be alone. | 12 | ··········˘/ |
| WALPURGA. I will not leave you. | 8 | ········ |
| ARMGART. Will not, at my wish? | 7 | ······· |
| WALPURGA. Will not, because you wish it. Say no more, | 13 | ············· |
| But take this draught. | 4 | ···· |
| ARMGART. The Doctor gave it you? | 8 | ···/˘··· |
| It is an anodyne. Put it away. | 10 | ···/˘˘··˘/ |
| He cured me of my voice, and now he wants | 10 | ·········· |
| To cure me of my vision and resolve— | 10 | ·····/˘·˘/ |
| Drug me to sleep that I may wake again | 10 | ········˘/ |
| Without a purpose, abject as the rest | 10 | ···/˘/˘··· |
| To bear the yoke of life. He shall not cheat me | 11 | ··········· |
| Of that fresh strength which anguish gives the soul, | 10 | ·····/˘··· |
| The inspiration of revolt, ere rage | 10 | ··˘/˘·˘/·· |
| Slackens to faltering. Now I see the truth. | 10 | /˘·/˘····· |
| WALPURGA. (setting down the glass) Then you must see a future in your reach, | 18 | ···/˘········/˘··· |
| With happiness enough to make a dower | 10 | ·/˘˘˘/···· |
| For two of modest claims. | 6 | ···/˘· |
| ARMGART. Oh, you intone | 6 | ····˘/ |
| That chant of consolation, wherewith ease | 10 | ····˘/˘˘/· |
| Makes itself easier in the sight of pain. | 10 | ·˘//˘····· |
| WALPURGA. No; I would not console you, but rebuke. | 13 | ·······˘/··˘/ |
| ARMGART. That is more bearable. Forgive me, dear. | 11 | ·····/˘˘/·· |
| Say what you will. But now I want to write. | 10 | ·········· |
| WALPURGA. I say then, you are simply fevered, mad, | 13 | ········/˘/˘· |
| You cry aloud at horrors that would vanish | 11 | ··˘/·/˘··/˘ |
| If you would change the light, throw into shade | 10 | ·········· |
| The loss you aggrandize, and let day fall | 10 | ···˘/····· |
| On good remaining, nay on good refused | 10 | ··˘/˘···˘/ |
| Which may be gain now. Did you not reject | 10 | ········˘/ |
| A woman's lot more brilliant, as some held, | 10 | ·/˘··/˘··· |
| Than any singer's? It may still be yours. | 10 | ·/˘/˘····· |
| Graf Dornberg loved you well. | 6 | ······ |
| ARMGART. Not me, not me. | 6 | ······ |
| He loved one well who was like me in all | 10 | ·········· |
| Save in a voice which made that All unlike | 10 | ········˘/ |
| As diamond is to charcoal. Oh, a man's love! | 11 | ·/˘··/····· |
| Think you he loves a woman's inner self | 10 | ·····/˘/˘· |
| Aching with loss of loveliness?—as mothers | 11 | /˘···/˘˘·/˘ |
| Cleave to the palpitating pain that dwells | 10 | ···/˘˘˘··· |
| Within their misformed offspring? | 7 | ·····/· |
| WALPURGA. But the Graf | 6 | ······ |
| Chose you as simple Armgart—had preferred | 10 | ···/˘···˘/ |
| That you should never seek for any fame | 10 | ···/˘··/˘· |
| But such as matrons have who rear great sons. | 10 | ···/˘····· |
| And therefore you rejected him; but now— | 10 | ····˘/˘··· |
| ARMGART. Ay, now—now he would see me as I am, | 12 | ············ |
| Russet and songless as a missel-thrush. | 10 | /˘·/˘··/˘· |
| An ordinary girl—a plain brown girl, | 10 | ·/˘·˘····· |
| Who, if some meaning flash from out her words, | 10 | ···/˘····· |
| Shocks as a disproportioned thing—a Will | 10 | ·········· |
| That, like an arm astretch and broken off, | 10 | ·······/˘· |
| Has nought to hurl—the torso of a soul. | 10 | ·····/···· |
| I sang him into love of me: my song | 10 | ·········· |
| Was consecration, lifted me apart | 10 | ··˘/˘/˘·˘/ |
| From the crowd chiselled like me, sister forms, | 10 | ···/˘··/˘· |
| But empty of divineness. Nay, my charm | 10 | ·/˘·˘/˘··· |
| Was half that I could win fame yet renounce! | 10 | ········˘/ |
| A wife with glory possible absorbed | 10 | ···/˘/˘˘˘/ |
| Into her husband's actual. | 8 | ···/˘/˘˘ |
| WALPURGA. For shame! | 5 | ····· |
| Armgart, you slander him. What would you say | 10 | ···/˘····· |
| If now he came to you and asked again | 10 | ········˘/ |
| That you would be his wife? | 6 | ······ |
| ARMGART. No, and thrice no! | 6 | ······ |
| It would be pitying constancy, not love, | 10 | ···/˘/˘˘·· |
| That brought him to me now. I will not be | 10 | ·········· |
| A pensioner in marriage. Sacraments | 10 | ·/˘˘·/˘/˘˘ |
| Are not to feed the paupers of the world. | 10 | ·····/˘··· |
| If he were generous—I am generous, too. | 10 | ···/˘··/˘· |
| WALPURGA. Proud, Armgart, but not generous. | 11 | ········/˘˘ |
| ARMGART. Say no more. | 5 | ····· |
| He will not know until— | 6 | ······ |
| WALPURGA. He knows already. | 8 | ·····˘/˘ |
| ARMGART. (quickly) Is he come back? | 8 | ··/˘···· |
| WALPURGA. Yes, and will soon be here. | 9 | ········· |
| The Doctor had twice seen him, and would go | 10 | ·/˘······· |
| From hence again to see him. | 7 | ··˘/··· |
| ARMGART. Well, he knows. | 5 | ····· |
| It is all one. | 4 | ···· |
| WALPURGA. What if he were outside? | 9 | ·······// |
| I hear a footstep in the ante-room. | 10 | ···/···/˘· |
| ARMGART. (raising herself and assuming calmness) Why let him come, of course. I shall behave | 22 | ··/˘˘/·˘/˘/˘········˘/ |
| Like what I am, a common personage, | 10 | ·····/˘/˘˘ |
| Who looks for nothing but civility. | 10 | ···/˘·˘/˘˘ |
| I shall not play the fallen heroine, | 10 | ·····/˘/˘˘ |
| Assume a tragic part and throw out cues | 10 | ˘/·/˘····· |
| For a beseeching lover. | 7 | ··˘/˘/˘ |
| WALPURGA. Some one raps. | 6 | ······ |
| A letter—from the Graf. | 6 | ·/˘··· |
| ARMGART. Then open it. | 6 | ···/˘· |
| Nay, my head swims. Read it. I cannot see. | 10 | ·······/˘· |
| Read it. Have done! No matter what it is. | 10 | ·····/˘··· |
| ARMGART. (after a slight shudder, bitterly.) The Graf has much discretion. I am glad. | 20 | ······/˘/˘····˘/˘··· |
| He spares us both a pain, not seeing me. | 10 | ·······/˘· |
| What I like least is that consoling hope— | 10 | ······˘/˘· |
| That empty cup, so neatly ciphered "Time," | 10 | ·/˘··/˘/˘· |
| Handed me as a cordial for despair. | 10 | /˘···/˘·˘/ |
| (Slowly and dreamily) Time—what a word to fling as charity! | 15 | /˘·/˘˘·······/˘ |
| Bland, neutral word for slow, dull-beating pain— | 10 | ·/˘····/˘· |
| Days, months, and years!—If I would wait for them. | 10 | ·········· |
| Why, this is but beginning. (WALP. re-enters.) Kiss me, dear. | 14 | ····˘/˘··/˘··· |
| I am going now—alone—out—for a walk, | 10 | ··/·˘/···· |
| Say you will never wound me any more | 10 | ···/˘··/˘· |
| With such cajolery as nurses use | 10 | ··˘/˘˘·/˘· |
| To patients amorous of a crippled life. | 10 | ·/˘/˘··/˘· |
| Flatter the blind: I see. | 6 | /˘···· |
| WALPURGA. Well, I was wrong. | 7 | ······· |
| In haste to soothe, I snatched at flickers merely. | 11 | ·······/˘/˘ |
| Believe me, I will flatter you no more. | 10 | ˘/···/˘··· |
| ARMGART. Bear witness, I am calm. I read my lot | 12 | ···/˘······· |
| As soberly as if it were a tale | 10 | ·/˘˘······ |
| Writ by a creeping feuilletonist and called, | 11 | ···/˘······ |
| "The Woman's Lot: a Tale of Everyday:" | 10 | ·/˘····/˘/ |
| A middling woman's, to impress the world | 10 | ·/˘/˘·˘/·· |
| With high superfluousness; her thoughts a crop | 10 | ·········· |
| Of chick-weed, errors or of pot-herb facts, | 10 | ···/˘····· |
| Smiled at like some child's drawing on a slate. | 10 | ·····/˘··· |
| "Genteel?" "O yes, gives lessons; not so good | 10 | ˘/···/˘··· |
| As any man's would be, but cheaper far." | 10 | ·/˘····/˘· |
| "Pretty?" "No: yet she makes a figure fit | 10 | /˘·····/˘· |
| For good society. Poor thing, she sews | 10 | ··˘/˘˘···· |
| Both late and early, turns and alters all | 10 | ···/˘··/˘· |
| To suit the changing mode. Some widower | 10 | ···/˘··/˘˘ |
| Might do well, marrying her; but in these days! | 10 | ···/˘····· |
| Well, she can somewhat eke her narrow gains | 10 | ···//··/˘· |
| By writing, just to furnish her with gloves | 10 | ·/˘··/˘··· |
| And droschkies in the rain. They print her things | 9 | ········· |
| Often for charity."—Oh, a dog's life! | 10 | /˘·/˘˘···· |
| A harnessed dog's, that draws a little cart | 10 | ·/˘····/˘· |
| Voted a nuisance! I am going now. | 10 | /˘·/˘··/˘· |
| WALPURGA. Not now, the door is locked. | 10 | ·········˘ |
| ARMGART. Give me the key! | 6 | ······ |
| WALPURGA. Locked on the outside. Gretchen has the key: | 13 | ······///˘··· |
| She is gone on errands. | 6 | ····/˘ |
| ARMGART. What, you dare to keep me | 8 | ········ |
| Your prisoner? | 4 | ·/˘˘ |
| WALPURGA. And have I not been yours? | 9 | ········· |
| Your wish has been a bolt to keep me in. | 10 | ·········· |
| Perhaps that middling woman whom you paint | 10 | ˘/·/˘/˘··· |
| With far-off scorn . . . . . | 4 | ···· |
| ARMGART. I paint what I must be. | 8 | ········ |
| What is my soul to me without the voice | 10 | ·········· |
| That gave it freedom?—gave it one grand touch, | 10 | ···/˘····· |
| And made it nobly human?—Prisoned now, | 10 | ···/˘/˘/˘· |
| Prisoned in all the petty mimicries | 10 | /˘···/˘/˘˘ |
| Called woman's knowledge, that will fit the world | 10 | ·/˘/˘····· |
| As doll-clothes fit a man. I can do naught | 10 | ·········· |
| Better than what a million women do— | 10 | /˘···/˘/˘· |
| Must drudge among the crowd and feel my life | 10 | ·········· |
| Beating upon the world without response; | 10 | /˘······˘/ |
| Beating with passion through an insect's horn | 10 | /˘·/˘··/·· |
| That moves a millet-seed laboriously. | 11 | ···/˘·˘/˘˘˘ |
| If I would do it! | 5 | ····· |
| WALPURGA. (coldly) And why should you not? | 10 | ···/˘····· |
| ARMGART. (turning quickly) Because Heaven made me royal—wrought me out | 16 | ··/˘/˘··/··/˘··· |
| With subtle finish towards pre-eminence, | 11 | ·/˘/˘···/˘˘ |
| Made every channel of my soul converge | 10 | ·/˘/˘···˘/ |
| To one high function, and then flung me down, | 10 | ···/˘····· |
| That breaking I might turn to subtlest pain. | 10 | ·/˘····/˘· |
| An inborn passion gives a rebel's right: | 10 | ·/·/˘··/˘· |
| I would rebel and die in twenty worlds | 10 | ··˘/···/˘· |
| Sooner than bear the yoke of thwarted life. | 10 | /˘·····/˘· |
| Each keenest sense turned into keen distaste, | 10 | ·/˘·····˘/ |
| Hunger not satisfied but kept alive, | 10 | /˘·/˘···˘/ |
| Breathing in languor half a century. | 10 | /˘·/˘··/˘˘ |
| All the world now is but a rack of threads | 10 | ·········· |
| To twist and dwarf me into pettiness | 10 | ·······/˘˘ |
| And basely feigned content the placid mask | 10 | ·/˘·˘/·/˘· |
| Of women's misery. | 6 | ·/˘/˘˘ |
| WALPURGA. (indignantly) Ay, such a mask | 10 | ···˘/˘···· |
| As the few born like you to easy joy, | 10 | ·······/˘· |
| Cradled in privilege, take for natural | 10 | /˘·/˘··/˘˘ |
| On all the lowly faces that must look | 10 | ···/˘/˘··· |
| Upward to you! What revelation now | 10 | /˘····˘/˘· |
| Shows you the mask or gives presentiment | 10 | ······˘/˘˘ |
| Of sadness hidden? You, who every day | 10 | ·/˘/˘··/˘· |
| These five years saw me limp to wait on you, | 10 | ·········· |
| And thought the order perfect which gave me, | 10 | ···/˘/···· |
| The girl without pretension to be aught, | 10 | ····˘/˘··· |
| A splendid cousin for my happiness: | 10 | ·/˘/˘··/˘˘ |
| To watch the night through when her brain was fired | 11 | ·········/˘ |
| With too much gladness—listen, always listen | 11 | ···/˘/˘/·/˘ |
| To what she felt, who having power had right | 10 | ·····/˘/·· |
| To feel exorbitantly, and submerge | 10 | ··˘/˘˘˘·˘/ |
| The souls around her with the poured-out flood | 10 | ·········· |
| Of what must be ere she were satisfied! | 10 | ·······/˘· |
| That was feigned patience, was it? Why not love, | 10 | ···/˘····· |
| Love nurtured even with that strength of self | 10 | ·/˘/˘····· |
| Which found no room save in another's life? | 10 | ······˘/˘· |
| Oh, such as I know joy by negatives, | 10 | ·······/˘˘ |
| And all their deepest passion is a pang | 10 | ···/˘/˘··· |
| Till they accept their pauper's heritage, | 10 | ··˘/·/˘/˘˘ |
| And meekly live from out the general store | 10 | ·/˘····/˘· |
| Of joy they were born stripped of. I accept— | 10 | ········˘/ |
| Nay, now would sooner choose it than the wealth | 10 | ···/˘····· |
| Of natures you call royal, who can live | 10 | ·/˘··/˘··· |
| In mere mock knowledge of their fellows' woe, | 10 | ···/˘··/˘· |
| Thinking their smiles may heal it. | 7 | /˘····· |
| ARMGART. (tremulously) Nay, Walpurga, | 10 | ··/˘˘˘···· |
| I did not make a palace of my joy | 10 | ·····/˘··· |
| To shut the world's truth from me. All my good | 10 | ·········· |
| Was that I touched the world and made a part | 10 | ·········· |
| In the world's dower of beauty, strength, and bliss; | 10 | ·····/˘··· |
| It was the glimpse of consciousness divine | 10 | ·····/˘˘˘/ |
| Which pours out day and sees the day is good. | 10 | ·········· |
| Now I am fallen dark; I sit in gloom, | 10 | ···/˘····· |
| Remembering bitterly. Yet you speak truth; | 10 | ˘/˘/˘˘···· |
| I wearied you, it seems; took all your help | 10 | ·/˘······· |
| As cushioned nobles use a weary serf, | 10 | ·/˘/˘··/˘· |
| Not looking at his face. | 6 | ·/˘··· |
| WALPURGA. Oh, I but stand | 7 | ······· |
| As a small symbol for the mighty sum | 10 | ···/˘··/˘· |
| Of claims unpaid to needy myriads; | 10 | ··˘/·/˘/˘˘ |
| I think you never set your loss beside | 10 | ···/˘···˘/ |
| That mighty deficit. Is your work gone— | 10 | ·/˘/˘˘···· |
| The prouder queenly work that paid itself, | 10 | ·/˘/˘···˘/ |
| And yet was overpaid with men's applause? | 10 | ···/˘/··˘/ |
| Are you no longer chartered, privileged, | 10 | ···/˘/˘˘/˘ |
| But sunk to simple woman's penury, | 10 | ···/˘/˘/˘˘ |
| To ruthless Nature's chary average— | 10 | ·/˘/˘/˘/˘˘ |
| Where is the rebel's right for you alone? | 10 | ···/˘···˘/ |
| Noble rebellion lifts a common load: | 10 | /˘˘/˘··/˘· |
| But what is he who flings his own load off | 10 | ·········· |
| And leaves his fellows toiling? Rebel's right? | 10 | ···/˘/˘/˘· |
| Say rather, the deserter's. Oh, you smiled | 10 | ·/˘·/˘˘··· |
| From your clear height on all the million lots | 10 | ·······/˘· |
| Which yet you brand as abject. | 7 | ·····/˘ |
| ARMGART. I was blind | 5 | ····· |
| With too much happiness: true vision comes | 10 | ···/˘˘·/˘· |
| Only, it seems, with sorrow. Were there one | 10 | /˘···/˘··· |
| This moment near me, suffering what I feel, | 10 | ·/˘··/˘··· |
| And needing me for comfort in her pang— | 10 | ·/˘··/˘··· |
| Then it were worth the while to live; not else. | 10 | ·········· |
| WALPURGA. One—near you—why, they throng! you hardly stir | 13 | ··········/˘· |
| But your act touches them. We touch afar. | 10 | ···/˘···˘/ |
| For did not swarthy slaves of yesterday | 10 | ···/˘··/˘· |
| Leap in their bondage at the Hebrews' flight, | 10 | ···/˘····· |
| Which touched them through the thrice millennial dark? | 10 | ······˘/˘· |
| But you can find the sufferer you need | 10 | ·····/˘˘·· |
| With touch less subtle. | 5 | ···/˘ |
| ARMGART. Who has need of me? | 7 | ······· |
| WALPURGA. Love finds the need it fills. But you are hard. | 13 | ············· |
| ARMGART. Is it not you, Walpurga, who are hard? | 12 | ············ |
| You humored all my wishes till to-day, | 10 | ·/˘··/˘··· |
| When fate has blighted me. | 6 | ···/˘· |
| WALPURGA. You would not hear | 7 | ······· |
| The "chant of consolation:" words of hope | 10 | ····˘/˘··· |
| Only embittered you. Then hear the truth— | 10 | /˘˘/˘····· |
| A lame girl's truth, whom no one ever praised | 10 | ·······/˘· |
| For being cheerful: "It is well," they said: | 10 | ·/˘/˘····· |
| "Were she cross-grained she could not be endured." | 10 | ········˘/ |
| A word of truth from her had startled you; | 10 | ·······/˘· |
| But you—you claimed the universe; naught less | 10 | ·····/˘··· |
| Than all existence working in sure tracks | 10 | ··˘/˘/˘··· |
| Towards your supremacy. The wheels might scathe | 10 | ··˘/˘˘···· |
| A myriad destinies—nay, must perforce; | 10 | ·/˘/˘˘··˘/ |
| But yours they must keep clear of; just for you | 10 | ·········· |
| The seething atoms through the firmament | 10 | ·/˘/˘··/˘˘ |
| Must bear a human heart—which you had not! | 10 | ···/˘····· |
| For what is it to you that women, men, | 10 | ·······/˘· |
| Plod, faint, are weary, and espouse despair | 10 | ···/˘·˘/˘/ |
| Of aught but fellowship? Save that you spurn | 10 | ···/˘····· |
| To be among them? Now, then, you are lame— | 10 | ·········· |
| Maimed, as you said, and levelled with the crowd: | 10 | ·····/˘··· |
| Call it new birth—birth from that monstrous Self, | 10 | ·······/˘· |
| Which, smiling down upon a race oppressed, | 10 | ·/˘·····˘/ |
| Says, "All is good, for I am throned at ease," | 10 | ·········· |
| Dear Armgart—nay, you tremble—I am cruel. | 11 | ·····/˘··/˘ |
| ARMGART. O no! hark! Some one knocks. Come in!—come in! | 12 | ············ |
| LEO. See, Gretchen let me in. I could not rest | 12 | /˘·/˘······· |
| Longer away from you. | 6 | /˘˘/·· |
| ARMGART. Sit down, dear Leo. | 7 | ·····/˘ |
| Walpurga, I would speak with him alone. | 10 | ········˘/ |
| LEO. (hesitatingly) You mean to walk? | 9 | /˘/˘˘···· |
| ARMGART. No, I shall stay within. | 8 | ········ |
| How old are you? | 4 | ···· |
| LEO. Threescore and five. | 6 | /˘/˘·· |
| ARMGART. That's old, | 4 | ···· |
| I never thought till now how you have lived. | 10 | ·/˘······· |
| They hardly ever play your music? | 9 | ·/˘/˘··/˘ |
| LEO. (raising his eyebrows and throwing out his lip) No! | 14 | /˘/˘·/··/˘···· |
| Schubert, too, wrote for silence: half his work | 10 | /˘···/˘··· |
| Lay like a frozen Rhine till summers came | 10 | ···/˘··/˘· |
| That warmed the grass above him. Even so! | 10 | ·······/˘· |
| His music lives now with a mighty youth. | 10 | ·/˘····/˘· |
| ARMGART. Do you think yours will live when you are dead? | 12 | ············ |
| LEO. Pfui! The time was, I drank that home-brewed wine | 12 | /˘·········· |
| And found it heady, while my blood was young. | 10 | ···/˘····· |
| Now it scarce warms me. Tipple it as I may, | 11 | ·····/˘···· |
| I am sober still, and say: "My old friend Leo, | 12 | ··/˘······/˘ |
| Much grain is wasted in the world and rots; | 10 | ···/˘····· |
| Why not thy handful?" | 5 | ···/· |
| ARMGART. Strange! since I have known you | 8 | ········ |
| Till now I never wondered how you lived | 10 | ···/˘/˘··· |
| When I sang well—that was your jubilee. | 10 | ·······/˘· |
| But you were old already. | 7 | ····˘/˘ |
| LEO. Yes, child, yes: | 5 | /˘··· |
| Youth thinks itself the goal of each old life; | 10 | ··˘/······ |
| Age has but travelled from a far-off time | 10 | ···/˘····· |
| Just to be ready for youth's service. Well! | 10 | ···/˘··/˘· |
| It was my chief delight to perfect you. | 10 | ····˘/·/·· |
| ARMGART. Good Leo! You have lived on little joys. | 12 | ···/˘····/˘· |
| But your delight in me is crushed for ever | 11 | ··˘/·····/˘ |
| Your pains, where are they now? They shaped intent | 10 | ········˘/ |
| Which action frustrates; shaped an inward sense | 10 | ·/˘/···/˘· |
| Which is but keen despair, the agony | 10 | ····˘/·/˘˘ |
| Of highest vision in the lowest pit. | 10 | ·/˘/˘··/˘· |
| LEO. Nay, nay, I have a thought: keep to the stage, | 12 | /˘·········· |
| To drama without song; for you can act— | 10 | ·/˘······· |
| Who knows how well, when all the soul is poured | 10 | ·········· |
| Into that sluice alone? | 6 | ····˘/ |
| ARMGART. I know, and you. | 6 | ······ |
| The second or third best in tragedies | 10 | ·/˘····/˘˘ |
| That cease to touch the fibre of the time. | 10 | ·····/˘··· |
| No; song is gone, but nature's other gift, | 10 | ·····/˘/˘· |
| Self-judgment, is not gone. Song was my speech, | 10 | ·/˘······· |
| And with its impulse only, action came: | 10 | ···/˘/˘/˘· |
| Song was the battle's onset, when cool purpose | 11 | ···/˘/···/˘ |
| Glows into rage, becomes a warring god | 10 | ····˘/·/˘· |
| And moves the limbs with miracle. But now— | 10 | ·····/˘˘·· |
| Oh, I should stand hemmed in with thoughts and rules— | 10 | ·········· |
| Say "This way passion acts," yet never feel | 10 | ···/˘··/˘· |
| The might of passion. How should I declaim? | 10 | ···/˘···˘/ |
| As monsters write, with feet instead of hands. | 10 | ·/˘···˘/·· |
| I will not feed on doing great tasks ill, | 10 | ·····/˘··· |
| Dull the world's sense with mediocrity, | 10 | ······˘/˘˘ |
| And live by trash that smothers excellence. | 10 | ·····/˘/˘˘ |
| One gift I had that ranked me with the best— | 10 | ·········· |
| The secret of my frame—and that is gone. | 10 | ·/˘······· |
| For all life now I am a broken thing. | 10 | ·······/˘· |
| But silence there! Good Leo, advise me now. | 11 | ·/˘··/˘˘/·· |
| I would take humble work and do it well— | 10 | ···/˘····· |
| Teach music, singing—what I can—not here, | 10 | ·/˘/˘····· |
| But in some smaller town where I may bring | 10 | ···/˘····· |
| The method you have taught me, pass your gift | 10 | ·/˘······· |
| To others who can use it for delight. | 10 | ·/˘·····˘/ |
| You think I can do that? | 6 | ······ |
| LEO. Yes, yes, dear child! | 6 | /˘···· |
| And it were well, perhaps, to change the place— | 10 | ····˘/···· |
| Begin afresh, as I did when I left | 10 | ˘/˘/······ |
| Vienna with a heart half broken. | 9 | ˘/˘····/˘ |
| ARMGART. (roused by surprise) You? | 7 | ····˘/· |
| LEO. Well, it is long ago. But I had lost— | 12 | /˘····˘/···· |
| No matter! We must bury our dead joys | 10 | ·/˘··/˘/·· |
| And live above them with a living world. | 10 | ·······/˘· |
| But whither, think you, you would like to go? | 10 | ·/˘······· |
| ARMGART. To Freiburg. | 5 | ····· |
| LEO. In the Breisgau? And why there? | 9 | /˘······· |
| It is too small. | 4 | ···· |
| ARMGART. Walpurga was born there, | 8 | ········ |
| And loves the place. She quitted it for me | 10 | ·····/˘··· |
| These five years past. Now I will take her there. | 10 | ·········· |
| Dear Leo, I will bury my dead joy. | 10 | ·/˘··/˘··· |
| LEO. Mothers do so, bereaved; then learn to love | 12 | /˘/˘··˘/···· |
| Another's living child. | 6 | ˘/˘/˘· |
| ARMGART. Oh, it is hard | 6 | ······ |
| To take the little corpse, and lay it low, | 10 | ···/˘····· |
| And say, "None misses it but me." | 8 | ···/˘··· |
| She sings . . . | 2 | ·· |
| I mean, Paulina sings Fidelio, | 9 | ···/˘···· |
| And they will welcome her to-night. | 8 | ···/˘··· |
| LEO. Well, well, | 4 | /˘·· |
| 'Tis better that our griefs should not spread far. | 10 | ·/˘·/····· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.