Armgart: Scene II
GRAF. Armgart, to many minds the first successIs reason for desisting. I have knownA man so versatile, he tried all arts,But when in each by turns he had achievedJust so much mastery as made men say,"He could be King here if he would," he threwThe lauded skill aside. He hates, said one,The level of achieved pre-eminence,He must be conquering still; but others said—
ARMGART. The truth, I hope: he had a meagre soul,Holding no depth where love could root itself."Could if he would?" True greatness ever wills—It lives in wholeness if it live at all,And all its strength is knit with constancy.
GRAF. He used to say himself he was too saneTo give his life away for excellenceWhich yet must stand, an ivory statuetteBrought to perfection through long lonely years,Huddled in the mart of mediocrities.He said, the very finest doing winsThe admiring only; but to leave undone,Promise and not fulfil, like buried youth,Wins all the envious, makes them sigh your nameAs that fair Absent, blameless Possible,Which could alone impassion them; and thusSerene negation has free gift of all,Panting achievement struggles, is denied,Or wins to lose again. What say you, Armgart?Truth has rough flavors if we bite it through;I think this sarcasm came from out its coreOf bitter irony.
ARMGART. It is the truthMean souls select to feed upon. What then?Their meanness is a truth, which I will spurn.The praise I seek lives not in envious breathUsing my name to blight another's deed.I sing for love of song, and that renownWhich is the spreading act, the world-wide share,Of good that I was born with. Had I failed—Well, that had been a truth most pitiable,I cannot bear to think what life would beWith high hope shrunk to endurance, stunted aimsLike broken lances ground to eating-knives.A self sunk down to look with level eyesAt low achievement, doomed from day to dayTo distaste of its consciousness. But I—
GRAF. Have won, not lost, in your decisive throwAnd I, too, glory in this issue; yet,The public verdict has no potencyTo sway my judgment of what Armgart is:My pure delight in her would be but sullied,If it o'erflowed with mixture of men's praise.And had she failed, I should have said, "The pearlRemains a pearl for me, reflects the lightWith the same fitness that first charmed my gaze—Is worth as fine a setting now as then."
ARMGART. (rising) Ah, you are good! But why will you rehearseThe talk of cynics, who with insect eyesExplore the secrets of the rubbish-heap?I hate your epigrams and pointed saws,Whose narrow truth is but broad falsity,Confess your friend was shallow
GRAF. I confessLife is not rounded in an epigram,And saying aught, we leave a world unsaid.I quoted, merely to shape forth my thoughtThat high success has terrors when achieved—Like preternatural spouses, whose dire loveHangs perilous on slight observances:Whence it were possible that Armgart crownedMight turn and listen to a pleading voice,Though Armgart striving in the race was deaf.You said you dared not think what life had beenWithout the stamp of eminence; have you thoughtHow you will bear the poise of eminenceWith dread of sliding? Paint the future outAs an unchecked and glorious career,'Twill grow more strenuous by the very loveYou bear to excellence, the very fateOf human powers, which tread at every stepOn possible verges.
ARMGART. I accept the peril.I choose to walk high with sublimer dreadRather then crawl in safety. And, besides,I am an artist as you are a noble:I ought to bear the burthen of my rank.
GRAF. Such parallels, dear Armgart, are but snaresTo catch the mind with seeming argument—Small baits of likeness 'mid disparity.Men rise the higher as their task is high,The task being well achieved. A woman's rankLies in the fulness of her womanhood:Therein alone she is royal.
ARMGART. Yes, I knowThe oft-taught Gospel: "Woman, thy desireShall be that all superlatives on earthBelong to men, save the one highest kind—To be a mother. Thou shall not desireTo do aught best save pure subservience:Nature has willed it so!" O blessèd Nature!Let her be arbitress; she gave me voiceSuch as she only gives a woman child,Best of its kind; gave me ambition too,That sense transcendent which can taste the joyOf swaying multitudes, of being adoredFor such achievement, needed excellence,As man's best art must wait for, or be dumb.Men did not say, when I had sung last night,"'Twas good, nay, wonderful, consideringShe is a woman"—and then turn to add,"Tenor or baritone had sung her songsBetter, of course: she's but a woman spoiled."I beg your pardon, Graf, you said it.
GRAF. No!How should I say it, Armgart? I, who ownThe magic of your nature-given artAs sweetest effluence of your womanhood,Which, being to my choice the best, must findThe best of utterance. But this I say:Your fervid youth beguiles you; you mistakeA strain of lyric passion for a lifeWhich in the spending is a chronicleWith ugly pages. Trust me, Armgart, trust me;Ambition exquisite as yours, which soarsToward something quintessential you call fame,Is not robust enough for this gross world,Whose fame is dense with false and foolish breath,Ardor, a-twin with nice refining thought,Prepares a double pain. Pain had been saved,Nay, purer glory reached, had you been thronedAs woman only, holding all your artAs attribute to that dear sovereignty—Concentering your power in home delightsWhich penetrate and purify the world.
ARMGART. What! leave the opera with my part ill-sungWhile I was warbling in a drawing-room?Sing in the chimney-corner to inspireMy husband reading news? Let the world hearMy music only in his morning speechLess stammering than most honorable men's?No! tell me that my song is poor, my artThe piteous feat of weakness aping strength—That were fit proem to your argument.Till then, I am an artist by my birth—By the same warrant that I am a woman:Nay, in the added rarer gift I seeSupreme vocation: if a conflict comes,Perish—no, not the woman, but the joysWhich men make narrow by their narrowness.Oh, I am happy! The great masters writeFor women's voices, and great Music wants me!I need not crush myself within a mouldOf theory called Nature: I have roomTo breathe and grow unstunted.
GRAF. Armgart, hear me.I mean not that our talk should hurry onTo such collision. Foresight of the illsThick shadowing your path, drew on my speechBeyond intention. True, I came to askA great renunciation, but not thisTowards which my words at first perversely strayed,As if in memory of their earlier suit,Forgetful ..........Armgart, do you remember, too? the suitHad but postponement, was not quite disdained—Was told to wait and learn—what it has learned—A more submissive speech.
ARMGART. (with some agitation) Then it forgotIts lesson cruelly. As I remember,'Twas not to speak save to the artist crowned,Nor speak to her of casting off her crown.Nor will it, Armgart. I came not to seekAny renunciation save the wife's,Which turns away from other possible loveFuture and worthier, to take his loveWho asks the name of husband. He who soughtArmgart obscure, and heard her answer, "Wait"—May come without suspicion now to seekArmgart applauded.
ARMGART. (turning towards him) Yes, without suspicionOf aught save what consists with faithfulnessIn all expressed intent. Forgive me, Graf—I am ungrateful to no soul that loves me—To you most grateful. Yet the best intentGrasps but a living present which may growLike any unfledged bird. You are a noble,And have a high career; just now you said'Twas higher far than aught a woman seeksBeyond mere womanhood. Yet claim to beMore than a husband but could not rejoiceThat I were more than wife. What follows, then?You choosing me with such persistencyAs is but stretched-out rashness, soon must findOur marriage asks concessions, asks resolveTo share renunciation or demand it.Either we both renounce a mutual ease,As in a nation's need both man and wifeDo public services, or one of usMust yield that something else for which each livesBesides the other. Men are reasoners:That premiss of superior claims perforceUrges conclusion—" Armgart, it is you."
GRAF. But if I say I have considered thisWith strict prevision, counted all the costWhich that great good of loving you demands—Questioned my stores of patience, half resolvedTo live resigned without a bliss whose threatTouched you as well as me—and finally,With impetus of undivided willReturned to say, "You shall be free as now,Only accept the refuge, shelter, guard,My love will give you freedom,"-then your wordsAre hard accusal.
ARMGART. Well, I accuse myself.My love would be accomplice of your will.
GRAF. Again—my will?
ARMGART. Oh, your unspoken will.Your silent tolerance would torture me,And on that rack I should deny the goodI yet believed in.
GRAF. Then I am the manWhom you would love?
ARMGART. Whom I refuse to love!No; I will live alone and pour my painWith passion into music, where it turnsTo what is best within my better self.I will not take for a husband one who deemsThe thing my soul acknowledges as good—The thing I hold worth striving, suffering for,To be a thing dispensed with easily,Or else the idol of a mind infirm.
GRAF. Armgart, you are ungenerous; you strainMy thought beyond its mark. Our differenceLies not so deep as love—as unionThrough a mysterious fitness that transcendsFormal agreement.
ARMGART. It lies deep enoughTo chafe the union. If many a manRefrains, degraded, from the utmost right,Because the pleadings of his wife's small fearsAre little serpents biting at his heel,—How shall a woman keep her steadfastnessBeneath a frost within her husband's eyesWhere coldness scorches? Graf, it is your sorrowThat you love Armgart. Nay, it is her sorrowThat she may not love you.
GRAF. Woman, it seems,Has enviable power to love or not,According to her will—
ARMGART. She has the will—I have—who am one woman—not to takeDisloyal pledges that divide her will—The man who marries me must wed my Art—Honor and cherish it, not tolerate.
GRAF. The man is yet to come whose theoryWill weigh as naught with you against his love.
ARMGART. Whose theory will plead beside his love.
GRAF. Himself a singer, then? who knows no lifeOut of the opera books, where tenor partsAre found to suit him?
ARMGART. You are bitter, Graf.Forgive me; seek the woman you deserve,All grace, all goodness, who has not yet foundA meaning in her life, nor any endBeyond fulfilling yours. The type abounds.
GRAF. And happily, for the world.
ARMGART. Yes, happily.Let it excuse me that my kind is rare:Commonness is its own security.
GRAF. Armgart, I would with all my soul I knewThe man so rare that he could make your lifeAs woman sweet to you, as artist safe.
ARMGART. Oh, I can live unmated, but not liveWithout the bliss of singing to the world,And feeling all my world respond to me.
GRAF. May it be lasting. Then, we two must part?
ARMGART. I thank you from my heart for all. Farewell!
Words in this poem 52
- graf n.
- A German title of nobility, equivalent to earl in English, or count in French. See Earl. [G. Cf. -grave.]
- versatile a.
- Capable of being turned round. Harte. [L. versatilis, fr. versare to turn around, v. freq. of vertere: cf. F. versatile. See Verse.]
- meagre a.
- Destitue of, or having little, flesh; lean. [OE. merge, F. maigre, L. macer; akin to D. & G. mager, Icel. magr, and prob. to Gr. Emaciate, Maigre.]
- wholeness n.
- The quality or state of being whole, entire, or sound; entireness; totality; completeness.
- sane a.
- Being in a healthy condition; not deranged; acting rationally; -- said of the mind. [L. sanus; cf. Gr. Sound, a.]
- mart v. t.
- To buy or sell in, or as in, a mart.
- admiring a.
- Expressing admiration; as, an admiring glance.
- undone a.
- Not done or performed; neglected. [Pref. un- not + done.]
- envious a.
- Malignant; mischievous; spiteful. [OF. envios, F. envieux, fr. L. invidiosus, fr. invidia envy. See Envy, and cf. Invidious.]
- impassion v. t.
- To move or affect strongly with passion. Chapman. [Pref. im- in + passion. Cf. Empassion, Impassionate, v.]
- spurn v. t.
- To drive back or away, as with the foot; to kick. [OE. spurnen to kick against, to stumble over, AS. spurnan to kick, offend; akin to spura spur, OS. & OHG. spurnan to kick, Icel. spyrna, L. spernere to despise,]
- potency n.
- The quality or state of being potent; physical or moral power; inherent strength; energy; ability to effect a purpose; capability; efficacy; influence. [L. potentia, from potens, -entis, potent. See Potent, and cf. Potance, Potence, Puissance.]
- explore v. t.
- To seek for or after; to strive to attain by search; to look wisely and carefully for. [L. explorare to explore; ex out+plorare to cry out aloud,prob. orig., to cause to flow; perh. akin to E. flow: cf. F. explorer.]
- falsity n.
- The quality of being false; coutrariety or want of conformity to truth. [L. falsitas: cf. F. fausseté, OF. also, falsité. See False, a.]
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- dire a.
- Ill-boding; portentous; as, dire omens. [L. dirus; of uncertain origin.]
- glorious a.
- Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
- career n.
- A race course: the ground run over. [F. carrière race course, high road, street, fr. L. carrus wagon. See Car.]
- strenuous a.
- Eagerly pressing or urgent; zealous; ardent; earnest; bold; valiant; intrepid; as, a strenuous advocate for national rights; a strenuous reformer; a strenuous defender of his country.
- crawl v. i.
- To move slowly by drawing the body along the ground, as a worm; to move slowly on hands and kness; to creep. [Dan. kravle, or Icel. krafla, to paw, scrabble with the hands; akin to Sw. kr to crawl; cf. LG. krabbeln, D. krabbelen to scratch.]
- artist n.
- One who practices some mechanic art or craft; an artisan. [F. artiste, LL. artista, fr. L. ars. See Art, n., and cf. Artiste.]
- ought p. p.
- Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
- disparity n.
- Inequality; difference in age, rank, condition, or excellence; dissimilitude; -- followed by between, in, of, as to, etc.; as, disparity in, or of, years; a disparity as to color. [LL. disparitas, fr. L. dispar unlike, unequal; dis- + par equal: cf. F. disparité. See Par, Peer.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- subservience n.
- The quality or state of being subservient; instrumental fitness or use; hence, willingness to serve another's purposes; in a derogatory sense, servility.
- arbitress n.
- A female arbiter; an arbitratrix. [From Arbiter.]
- baritone a.
- Grave and deep, as a kind of male voice. [Gr. ; heavy + tone.]
- effluence n.
- A flowing out, or emanation. [Cf. F. effluence.]
- fervid a.
- Very hot; burning; boiling. [L. fervidus, fr. fervere. See Fervent.]
- spending n.
- The act of expending; expenditure. Spending money, money set apart for extra (not necessary) personal expenses; pocket money.
- quintessential a.
- Of the nature of a quintessence; purest.
- proem v. t.
- To preface. South.
- vocation n.
- A call; a summons; a citation; especially, a designation or appointment to a particular state, business, or profession. [L. vocatio a bidding, invitation, fr. vocare to call, fr. vox, vocis, voice: cf. F. vocation. See Vocal.]
- mould n.
- Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
- shadowing n.
- Shade, or gradation of light and color; shading. Feltham.
- forgetful a.
- Apt to forget; easily losing remembrance; as, a forgetful man should use helps to strengthen his memory.
- ungrateful a.
- Not grateful; not thankful for favors; making no returns, or making ill return for kindness, attention, etc.; ingrateful. South.
- persistency n.
- The quality or state of being persistent; staying or continuing quality; hence, in an unfavorable sense, doggedness; obstinacy. [See Persistent.]
- rashness n.
- The quality of state of being rash.
- premiss n.
- Premise. Whately. I. Watts
- perforce v. t.
- To force; to compel.
- prevision n.
- Foresight; foreknowledge; prescience. H. Spencer. [Cf. F. prévision.]
- resigned a.
- Submissive; yielding; not disposed to resist or murmur.
- impetus n.
- A property possessed by a moving body in virtue of its weight and its motion; the force with which any body is driven or impelled; momentum. [L., fr. impetere to rush upon, attack; pref. im- in + petere to fall upon, seek. See Petition.]
- tolerance n.
- The power or capacity of enduring; the act of enduring; endurance. [L. tolerantia: cf. F. tolérance.]
- idol n.
- An image or representation of anything. [OE. idole, F. idole, L. idolum, fr. Gr. Wit, and cf. Eidolon.]
- ungenerous a.
- Not generous; illiberal; ignoble; unkind; dishonorable.
- steadfastness n.
- The quality or state of being steadfast; firmness; fixedness; constancy.
- enviable a.
- Fitted to excite envy; capable of awakening an ardent desire to posses or to resemble. [From Envy.]
- tolerate v. t.
- To suffer to be, or to be done, without prohibition or hindrance; to allow or permit negatively, by not preventing; not to restrain; to put up with; as, to tolerate doubtful practices. [L. toleratus, p.p. of tolerare, fr. the same root as tollere to lift up, tuli, used as perfect of ferre to bear, latus (for tlatus), used as p.p. of ferre to be]
- happily adv.
- By chance; peradventure; haply. Piers Plowman. [From Happy.]
- thank n.
- A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Armgart: Scene II is in the public domain. This text is taken from The Legend of Jubal and Other Poems (ten poems from The poems of George Eliot, Crowell, 1884, on Wikisource; four from The Spanish Gypsy; The Legend of Jubal and Other Poems, Old and New, Worthington, 1890, Internet Archive spanishgypsylege00elio), Wikisource and Internet Archive; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: George Eliot, Armgart: Scene II, in The Legend of Jubal and Other Poems (1874), text of Wikisource and Internet Archive, Laurel, https://laurelpoetry.com/poem/eliot-poems/armgart-scene-ii.html, id L29769.
Form and metre
Armgart: Scene II is 277 lines in 35 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 3 ---------A-A----- sane · excellence · statuette · years · mediocrities · wins · undone · youth · name · possibleA · thus · allA · denied · armgart · through · core · irony
- 5 -----A--A- throw · yet · potency · is · sullied · praiseA · pearl · light · gazeA · then
- 7 ---A-B-----A---B--- confess · epigram · unsaid · thoughtA · achieved · loveB · observances · crowned · voice · deaf · been · thoughtA · eminence · out · career · loveB · fate · step · verges
- 10 -A--A--------------- know · desireA · earth · kind · desireA · subservience · nature · voice · child · too · joy · adored · excellence · dumb · night · considering · add · songs · spoiled · it
- 11 --A---------B----A--B no · own · artA · womanhood · find · say · mistake · life · chronicle · me · soars · fame · worldB · breath · thought · saved · throned · artA · sovereignty · delights · worldB
- 12 -A---------B----B-A- sung · roomA · inspire · hear · speech · men's · art · strength · argument · birth · woman · seeB · comes · joys · narrowness · write · meB · mould · roomA · unstunted
- 13 ---A---B-B--A me · on · ills · speechA · ask · this · strayed · suitB · forgetful · suitB · disdained · learned · speechA
- 14 ----A-BB--A- forgot · remember · crowned · crown · seekA · wife's · loveB · loveB · sought · wait · seekA · applauded
- 15 ---A-----A------B---B-- suspicion · faithfulness · graf · meA · intent · grow · noble · said · seeks · beA · rejoice · then · persistency · find · resolve · it · easeB · wife · us · lives · reasonersB · perforce · you
- 22 A-A-- strainA · difference · unionA · transcends · agreement
- 23 -------AA- enough · man · right · fears · heel · steadfastness · eyes · sorrowA · sorrowA · you
- 25 A-A-- willA · take · willA · art · tolerate
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| GRAF. Armgart, to many minds the first success | 10 | ····/···˘/ |
| Is reason for desisting. I have known | 10 | ·/˘·˘/˘··· |
| A man so versatile, he tried all arts, | 10 | ···/˘˘···· |
| But when in each by turns he had achieved | 10 | ········˘/ |
| Just so much mastery as made men say, | 10 | ···/˘˘···· |
| "He could be King here if he would," he threw | 10 | ·········· |
| The lauded skill aside. He hates, said one, | 10 | ·/˘·˘/···· |
| The level of achieved pre-eminence, | 10 | ·/˘·˘/·/˘˘ |
| He must be conquering still; but others said— | 10 | ···/˘··/˘· |
| ARMGART. The truth, I hope: he had a meagre soul, | 12 | ·········/˘· |
| Holding no depth where love could root itself. | 10 | /˘······˘/ |
| "Could if he would?" True greatness ever wills— | 10 | ·····/˘/˘· |
| It lives in wholeness if it live at all, | 10 | ···/˘····· |
| And all its strength is knit with constancy. | 10 | ·······/˘˘ |
| GRAF. He used to say himself he was too sane | 11 | ·····˘/···· |
| To give his life away for excellence | 10 | ····˘/·/˘˘ |
| Which yet must stand, an ivory statuette | 10 | ·····/˘·˘/ |
| Brought to perfection through long lonely years, | 10 | ··˘/˘··/˘· |
| Huddled in the mart of mediocrities. | 11 | /˘·····˘/˘˘ |
| He said, the very finest doing wins | 10 | ···/˘/˘/˘· |
| The admiring only; but to leave undone, | 11 | ·˘/˘/˘···˘/ |
| Promise and not fulfil, like buried youth, | 10 | /˘·····/˘· |
| Wins all the envious, makes them sigh your name | 10 | ···/˘····· |
| As that fair Absent, blameless Possible, | 10 | ···/˘/˘/˘˘ |
| Which could alone impassion them; and thus | 10 | ··˘/˘/˘··· |
| Serene negation has free gift of all, | 10 | ˘/˘/˘····· |
| Panting achievement struggles, is denied, | 10 | /˘˘/˘/˘·˘/ |
| Or wins to lose again. What say you, Armgart? | 11 | ····˘/····· |
| Truth has rough flavors if we bite it through; | 10 | ···/˘····· |
| I think this sarcasm came from out its core | 11 | ···/·˘····· |
| Of bitter irony. | 6 | ·/˘/˘˘ |
| ARMGART. It is the truth | 6 | ······ |
| Mean souls select to feed upon. What then? | 10 | ··˘/······ |
| Their meanness is a truth, which I will spurn. | 10 | ·/˘······· |
| The praise I seek lives not in envious breath | 10 | ·······/˘· |
| Using my name to blight another's deed. | 10 | /˘····˘/˘· |
| I sing for love of song, and that renown | 10 | ········˘/ |
| Which is the spreading act, the world-wide share, | 10 | ···/˘····· |
| Of good that I was born with. Had I failed— | 10 | ·········· |
| Well, that had been a truth most pitiable, | 11 | ·······/˘˘˘ |
| I cannot bear to think what life would be | 10 | ·/˘······· |
| With high hope shrunk to endurance, stunted aims | 10 | ·····/˘/˘· |
| Like broken lances ground to eating-knives. | 10 | ·/˘/˘··/˘· |
| A self sunk down to look with level eyes | 10 | ·······/˘· |
| At low achievement, doomed from day to day | 10 | ··˘/˘····· |
| To distaste of its consciousness. But I— | 10 | ·˘/··/˘˘·· |
| GRAF. Have won, not lost, in your decisive throw | 11 | ·······˘/˘· |
| And I, too, glory in this issue; yet, | 10 | ···/˘··/˘· |
| The public verdict has no potency | 10 | ·/˘/˘··/˘˘ |
| To sway my judgment of what Armgart is: | 10 | ···/˘····· |
| My pure delight in her would be but sullied, | 11 | ··˘/·····/˘ |
| If it o'erflowed with mixture of men's praise. | 10 | ·····/˘··· |
| And had she failed, I should have said, "The pearl | 10 | ·········· |
| Remains a pearl for me, reflects the light | 10 | ˘/····˘/·· |
| With the same fitness that first charmed my gaze— | 10 | ···/˘····· |
| Is worth as fine a setting now as then." | 10 | ·····/˘··· |
| ARMGART. (rising) Ah, you are good! But why will you rehearse | 14 | ··/˘········˘/ |
| The talk of cynics, who with insect eyes | 10 | ···/˘··/·· |
| Explore the secrets of the rubbish-heap? | 10 | ˘/·/˘··/˘· |
| I hate your epigrams and pointed saws, | 10 | ···/˘··/˘· |
| Whose narrow truth is but broad falsity, | 10 | ·/˘····/˘˘ |
| Confess your friend was shallow | 7 | ˘/···/˘ |
| GRAF. I confess | 4 | ··˘/ |
| Life is not rounded in an epigram, | 10 | ···/˘··/˘· |
| And saying aught, we leave a world unsaid. | 10 | ·/˘·····˘/ |
| I quoted, merely to shape forth my thought | 10 | ·/˘/˘····· |
| That high success has terrors when achieved— | 10 | ··˘/·/˘·˘/ |
| Like preternatural spouses, whose dire love | 11 | ······/˘··· |
| Hangs perilous on slight observances: | 10 | ·/˘˘··˘/˘˘ |
| Whence it were possible that Armgart crowned | 10 | ···/˘˘···· |
| Might turn and listen to a pleading voice, | 10 | ···/˘··/˘· |
| Though Armgart striving in the race was deaf. | 10 | ···/˘····· |
| You said you dared not think what life had been | 10 | ·········· |
| Without the stamp of eminence; have you thought | 10 | ·····/˘··· |
| How you will bear the poise of eminence | 10 | ·······/˘˘ |
| With dread of sliding? Paint the future out | 10 | ···/˘··/˘· |
| As an unchecked and glorious career, | 10 | ··˘/·/˘˘˘/ |
| 'Twill grow more strenuous by the very love | 10 | ···/˘··/˘· |
| You bear to excellence, the very fate | 10 | ···/˘˘·/˘· |
| Of human powers, which tread at every step | 10 | ·/˘/···/˘· |
| On possible verges. | 6 | ·/˘˘/˘ |
| ARMGART. I accept the peril. | 8 | ···˘/·/˘ |
| I choose to walk high with sublimer dread | 10 | ·········· |
| Rather then crawl in safety. And, besides, | 10 | /˘···/˘·˘/ |
| I am an artist as you are a noble: | 11 | ···/˘····/˘ |
| I ought to bear the burthen of my rank. | 10 | ·····/˘··· |
| GRAF. Such parallels, dear Armgart, are but snares | 11 | ··/˘······· |
| To catch the mind with seeming argument— | 10 | ·····/˘/˘˘ |
| Small baits of likeness 'mid disparity. | 10 | ···/˘·˘/˘˘ |
| Men rise the higher as their task is high, | 10 | ···/˘····· |
| The task being well achieved. A woman's rank | 10 | ··/·˘/·/˘· |
| Lies in the fulness of her womanhood: | 10 | ···/˘··/˘· |
| Therein alone she is royal. | 8 | ··˘/··/˘ |
| ARMGART. Yes, I know | 5 | ····· |
| The oft-taught Gospel: "Woman, thy desire | 11 | ···/˘/˘·˘/˘ |
| Shall be that all superlatives on earth | 10 | ····˘/˘˘·· |
| Belong to men, save the one highest kind— | 10 | ˘/·····/˘· |
| To be a mother. Thou shall not desire | 11 | ···/˘···˘/˘ |
| To do aught best save pure subservience: | 10 | ······˘/˘˘ |
| Nature has willed it so!" O blessèd Nature! | 10 | /˘······/˘ |
| Let her be arbitress; she gave me voice | 10 | ···/˘˘···· |
| Such as she only gives a woman child, | 10 | ···/˘··/˘· |
| Best of its kind; gave me ambition too, | 10 | ······˘/˘· |
| That sense transcendent which can taste the joy | 10 | ··˘/˘····· |
| Of swaying multitudes, of being adored | 10 | ·/˘/˘··/˘/ |
| For such achievement, needed excellence, | 10 | ··˘/˘/˘/˘˘ |
| As man's best art must wait for, or be dumb. | 10 | ·········· |
| Men did not say, when I had sung last night, | 10 | ·········· |
| "'Twas good, nay, wonderful, considering | 10 | ···/˘˘˘/˘˘ |
| She is a woman"—and then turn to add, | 10 | ···/˘····· |
| "Tenor or baritone had sung her songs | 10 | /˘·/˘····· |
| Better, of course: she's but a woman spoiled." | 10 | /˘·····/˘· |
| I beg your pardon, Graf, you said it. | 9 | ···/˘···· |
| GRAF. No! | 2 | ·· |
| How should I say it, Armgart? I, who own | 10 | ·········· |
| The magic of your nature-given art | 10 | ·/˘··/˘/˘· |
| As sweetest effluence of your womanhood, | 10 | ·/˘/˘··/˘· |
| Which, being to my choice the best, must find | 10 | ·/˘······· |
| The best of utterance. But this I say: | 10 | ···/˘˘···· |
| Your fervid youth beguiles you; you mistake | 10 | ·/˘·˘/··˘/ |
| A strain of lyric passion for a life | 10 | ···/˘/˘··· |
| Which in the spending is a chronicle | 10 | ···/˘··/˘˘ |
| With ugly pages. Trust me, Armgart, trust me; | 11 | ·/˘/˘······ |
| Ambition exquisite as yours, which soars | 10 | ˘/˘/˘˘···· |
| Toward something quintessential you call fame, | 11 | ··/˘·˘/˘··· |
| Is not robust enough for this gross world, | 10 | ··˘/˘/···· |
| Whose fame is dense with false and foolish breath, | 10 | ·······/˘· |
| Ardor, a-twin with nice refining thought, | 10 | /˘····˘/˘· |
| Prepares a double pain. Pain had been saved, | 10 | ˘/·/˘····· |
| Nay, purer glory reached, had you been throned | 10 | ·/˘/˘····· |
| As woman only, holding all your art | 10 | ·/˘/˘/˘··· |
| As attribute to that dear sovereignty— | 10 | ·/˘····/˘˘ |
| Concentering your power in home delights | 10 | ·····/··˘/ |
| Which penetrate and purify the world. | 10 | ·/˘··/˘··· |
| ARMGART. What! leave the opera with my part ill-sung | 12 | ·····/˘····· |
| While I was warbling in a drawing-room? | 10 | ···/˘··/˘· |
| Sing in the chimney-corner to inspire | 10 | ···/˘/˘·˘/ |
| My husband reading news? Let the world hear | 10 | ·/˘/˘····· |
| My music only in his morning speech | 10 | ·/˘/˘··/˘· |
| Less stammering than most honorable men's? | 10 | ·/˘··/˘˘˘· |
| No! tell me that my song is poor, my art | 10 | ·········· |
| The piteous feat of weakness aping strength— | 11 | ·/˘˘··/˘/˘· |
| That were fit proem to your argument. | 10 | ···/˘··/˘˘ |
| Till then, I am an artist by my birth— | 10 | ·····/˘··· |
| By the same warrant that I am a woman: | 11 | ···/˘····/˘ |
| Nay, in the added rarer gift I see | 10 | ···/˘/˘··· |
| Supreme vocation: if a conflict comes, | 10 | ˘/˘/˘··/˘· |
| Perish—no, not the woman, but the joys | 10 | /˘···/˘··· |
| Which men make narrow by their narrowness. | 10 | ···/˘··/˘˘ |
| Oh, I am happy! The great masters write | 10 | ···/˘··/˘· |
| For women's voices, and great Music wants me! | 11 | ·/˘/˘··/˘·· |
| I need not crush myself within a mould | 10 | ·····/···· |
| Of theory called Nature: I have room | 10 | ·/˘·˘/˘··· |
| To breathe and grow unstunted. | 7 | ······· |
| GRAF. Armgart, hear me. | 5 | ····· |
| I mean not that our talk should hurry on | 10 | ····/··/˘· |
| To such collision. Foresight of the ills | 10 | ··˘/˘/···· |
| Thick shadowing your path, drew on my speech | 10 | ·/˘˘······ |
| Beyond intention. True, I came to ask | 10 | ··˘/˘····· |
| A great renunciation, but not this | 10 | ··˘·˘/˘··· |
| Towards which my words at first perversely strayed, | 10 | ······˘/˘· |
| As if in memory of their earlier suit, | 10 | ···/˘··/˘· |
| Forgetful .......... | 3 | ˘/˘ |
| Armgart, do you remember, too? the suit | 10 | ····˘/˘··· |
| Had but postponement, was not quite disdained— | 10 | ··˘/˘···˘/ |
| Was told to wait and learn—what it has learned— | 10 | ·········· |
| A more submissive speech. | 6 | ··˘/˘· |
| ARMGART. (with some agitation) Then it forgot | 12 | ·····˘/˘··˘/ |
| Its lesson cruelly. As I remember, | 10 | ·/˘/˘··˘/˘ |
| 'Twas not to speak save to the artist crowned, | 10 | ·······/˘· |
| Nor speak to her of casting off her crown. | 10 | ·····/˘··· |
| Nor will it, Armgart. I came not to seek | 10 | ·········· |
| Any renunciation save the wife's, | 10 | /˘˘·˘/˘··· |
| Which turns away from other possible love | 10 | ··˘/·/˘/˘· |
| Future and worthier, to take his love | 10 | /˘·/˘˘···· |
| Who asks the name of husband. He who sought | 10 | ·····/˘··· |
| Armgart obscure, and heard her answer, "Wait"— | 10 | ··˘/···/˘· |
| May come without suspicion now to seek | 10 | ····˘/˘··· |
| Armgart applauded. | 5 | ··˘/˘ |
| ARMGART. (turning towards him) Yes, without suspicion | 12 | ··/˘·····˘/˘ |
| Of aught save what consists with faithfulness | 10 | ····˘/···· |
| In all expressed intent. Forgive me, Graf— | 10 | ··˘/˘/˘/·· |
| I am ungrateful to no soul that loves me— | 11 | ··˘/˘······ |
| To you most grateful. Yet the best intent | 10 | ···/˘···˘/ |
| Grasps but a living present which may grow | 10 | ···/˘/˘··· |
| Like any unfledged bird. You are a noble, | 11 | ·/˘˘/····/˘ |
| And have a high career; just now you said | 10 | ····˘/···· |
| 'Twas higher far than aught a woman seeks | 10 | ·/˘····/˘· |
| Beyond mere womanhood. Yet claim to be | 10 | ···/˘····· |
| More than a husband but could not rejoice | 10 | ···/˘···˘/ |
| That I were more than wife. What follows, then? | 10 | ·······/˘· |
| You choosing me with such persistency | 10 | ·/˘······· |
| As is but stretched-out rashness, soon must find | 10 | ·····/˘··· |
| Our marriage asks concessions, asks resolve | 10 | //˘·˘/˘·˘/ |
| To share renunciation or demand it. | 11 | ··˘·˘/˘·˘/· |
| Either we both renounce a mutual ease, | 10 | /˘··˘/·/˘· |
| As in a nation's need both man and wife | 10 | ···/˘····· |
| Do public services, or one of us | 10 | ·/˘/˘˘···· |
| Must yield that something else for which each lives | 10 | ···/˘····· |
| Besides the other. Men are reasoners: | 10 | ˘/·/˘··/˘˘ |
| That premiss of superior claims perforce | 10 | ·/˘·˘/˘·˘/ |
| Urges conclusion—" Armgart, it is you." | 10 | /˘˘/˘····· |
| GRAF. But if I say I have considered this | 11 | ·······˘/˘· |
| With strict prevision, counted all the cost | 10 | ··˘/˘/˘··· |
| Which that great good of loving you demands— | 10 | ·····/˘·˘/ |
| Questioned my stores of patience, half resolved | 10 | /˘···/˘·˘/ |
| To live resigned without a bliss whose threat | 10 | ··˘/······ |
| Touched you as well as me—and finally, | 10 | ·······/˘˘ |
| With impetus of undivided will | 10 | ·/˘˘··˘/˘· |
| Returned to say, "You shall be free as now, | 10 | ˘/········ |
| Only accept the refuge, shelter, guard, | 10 | /˘˘/·/˘/˘· |
| My love will give you freedom,"-then your words | 10 | ·····/˘··· |
| Are hard accusal. | 5 | ··˘/˘ |
| ARMGART. Well, I accuse myself. | 8 | ····˘/·/ |
| My love would be accomplice of your will. | 10 | ····˘/˘··· |
| GRAF. Again—my will? | 5 | ·˘/·· |
| ARMGART. Oh, your unspoken will. | 8 | ····˘/˘· |
| Your silent tolerance would torture me, | 10 | ·/˘/˘˘·/˘· |
| And on that rack I should deny the good | 10 | ······˘/·· |
| I yet believed in. | 5 | ··˘/· |
| GRAF. Then I am the man | 6 | ······ |
| Whom you would love? | 4 | ···· |
| ARMGART. Whom I refuse to love! | 8 | ····˘/·· |
| No; I will live alone and pour my pain | 10 | ····˘/···· |
| With passion into music, where it turns | 10 | ·/˘··/˘··· |
| To what is best within my better self. | 10 | ·······/˘· |
| I will not take for a husband one who deems | 11 | ······/˘··· |
| The thing my soul acknowledges as good— | 10 | ····˘/˘˘·· |
| The thing I hold worth striving, suffering for, | 10 | ·····/˘/˘· |
| To be a thing dispensed with easily, | 10 | ····˘/·/˘˘ |
| Or else the idol of a mind infirm. | 10 | ···/˘···˘/ |
| GRAF. Armgart, you are ungenerous; you strain | 11 | ·····˘/˘˘·· |
| My thought beyond its mark. Our difference | 11 | ······/˘/˘˘ |
| Lies not so deep as love—as union | 9 | ·······/˘ |
| Through a mysterious fitness that transcends | 10 | ··˘/˘/˘·˘/ |
| Formal agreement. | 5 | /˘˘/˘ |
| ARMGART. It lies deep enough | 7 | ·····˘/ |
| To chafe the union. If many a man | 10 | ···/˘·/˘·· |
| Refrains, degraded, from the utmost right, | 10 | ˘/˘/˘··/·· |
| Because the pleadings of his wife's small fears | 10 | ···/˘····· |
| Are little serpents biting at his heel,— | 10 | ·/˘/˘/˘··· |
| How shall a woman keep her steadfastness | 10 | ···/˘··/·˘ |
| Beneath a frost within her husband's eyes | 10 | ·······/˘· |
| Where coldness scorches? Graf, it is your sorrow | 11 | ·/˘/˘····/˘ |
| That you love Armgart. Nay, it is her sorrow | 11 | ·········/˘ |
| That she may not love you. | 6 | ······ |
| GRAF. Woman, it seems, | 5 | ·/˘·· |
| Has enviable power to love or not, | 10 | ·/˘˘˘/···· |
| According to her will— | 6 | ˘/˘··· |
| ARMGART. She has the will— | 6 | ······ |
| I have—who am one woman—not to take | 10 | ·····/˘··· |
| Disloyal pledges that divide her will— | 10 | ˘/˘/˘·˘/·· |
| The man who marries me must wed my Art— | 10 | ···/˘····· |
| Honor and cherish it, not tolerate. | 10 | /˘·/˘··/˘· |
| GRAF. The man is yet to come whose theory | 10 | ········/˘ |
| Will weigh as naught with you against his love. | 10 | ·········· |
| ARMGART. Whose theory will plead beside his love. | 11 | ···/˘···/·· |
| GRAF. Himself a singer, then? who knows no life | 11 | ·˘/·/˘····· |
| Out of the opera books, where tenor parts | 10 | ···/˘··/˘· |
| Are found to suit him? | 5 | ····· |
| ARMGART. You are bitter, Graf. | 7 | ····/˘· |
| Forgive me; seek the woman you deserve, | 10 | ˘/···/˘·˘/ |
| All grace, all goodness, who has not yet found | 10 | ···/˘····· |
| A meaning in her life, nor any end | 10 | ·/˘····/˘· |
| Beyond fulfilling yours. The type abounds. | 10 | ··˘/˘···˘/ |
| GRAF. And happily, for the world. | 8 | ··/˘˘··· |
| ARMGART. Yes, happily. | 6 | ···/˘˘ |
| Let it excuse me that my kind is rare: | 10 | ··˘/······ |
| Commonness is its own security. | 10 | /˘˘···˘/˘˘ |
| GRAF. Armgart, I would with all my soul I knew | 11 | ··········· |
| The man so rare that he could make your life | 10 | ·········· |
| As woman sweet to you, as artist safe. | 10 | ·/˘····/˘· |
| ARMGART. Oh, I can live unmated, but not live | 12 | ············ |
| Without the bliss of singing to the world, | 10 | ·····/˘··· |
| And feeling all my world respond to me. | 10 | ·/˘···˘/·· |
| GRAF. May it be lasting. Then, we two must part? | 11 | ····/˘····· |
| ARMGART. I thank you from my heart for all. Farewell! | 12 | ···········/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.