Full Day (To K. D.)
We moved along the gravelled wayBetween the laurels and the yews,Some touch of old enchantment layAbout us, some remembered newsOf men who rode among the treesWith burning dreams of Camelot,Whose names are beauty’s litanies,As Galahad and Launcelot.
We looked along the vaulted gloomOf boughs unstripped of winter’s bane,As for some pride of scarf and plumeAnd painted shield and broidered rein,And through the cloven laurel wallsWe searched the darkling pines and paleBeech-boles and woodbine coronals,As for the passing of the Grail.
But Launcelot no travel keeps,For brother Launcelot is dead,And brother Galahad he sleepsThis long while in his quiet bed,And we are all the knights that passAmong the yews and laurels now.They are but fruit among the grass,And we but fruit upon the bough.
No coloured blazon meets us hereOf all that courtly company;Elaine is not, nor Guenevere,The dream is but of dreams that die.
But yet the purple violet liesBeside the golden daffodil,And women strong of limb and wiseAnd fierce of blood are with us still.
And never through the woodland goesThe Grail of that forgotten quest,But still about the woodland flowsThe sap of God made manifestIn boughs that labour to their time,And birds that gossip secret things,And eager lips that seek to rhymeThe latest of a thousand springs.
Words in this poem
- rode n.
- Redness; complexion. [See Rud.]
- bane v. t.
- To be the bane of; to ruin. Fuller.
- darkling a.
- Becoming dark or gloomy; frowing.
- coloured a.
- Having color; tinged; dyed; painted; stained.
- blazon v. t.
- To depict in colors; to display; to exhibit conspicuously; to publish or make public far and wide. [From blazon, n.; confused with 4th blaze: cf. F. blasonner.]
- courtly a.
- Relating or belonging to a court. [From Court.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Full Day (To K. D.) is in the public domain. This text is taken from Poems, 1908-1919, Project Gutenberg ebook #51575; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: John Drinkwater, Full Day (To K. D.), in Poems, 1908-1919 (1919), text of Project Gutenberg ebook #51575, Laurel, https://laurelpoetry.com/poem/drinkwater-poems/full-day-to-k-d.html, id L23078.
Form and metre
Full Day (To K. D.) is 40 lines in 6 stanzas. The rhyme scheme is ABABCDCD, complete in 3 of its 6 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 96%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB-CBC wayA · yewsB · layA · newsB · trees · camelotC · litaniesB · launcelotC
- 2 ABABCDCD gloomA · baneB · plumeA · reinB · wallsC · paleD · coronalsC · grailD
- 3 ABABCDCD keepsA · deadB · sleepsA · bedB · passC · nowD · grassC · boughD
- 4 A-A- hereA · company · guenevereA · die
- 5 ABAB liesA · daffodilB · wiseA · stillB
- 6 ABABCDCD goesA · questB · flowsA · manifestB · timeC · thingsD · rhymeC · springsD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| We moved along the gravelled way | 8 | ··˘/·/˘· |
| Between the laurels and the yews, | 8 | ···/˘··· |
| Some touch of old enchantment lay | 8 | ····˘/˘· |
| About us, some remembered news | 8 | ····˘/˘· |
| Of men who rode among the trees | 8 | ········ |
| With burning dreams of Camelot, | 8 | ·/˘··/˘· |
| Whose names are beauty’s litanies, | 8 | ···/˘/˘˘ |
| As Galahad and Launcelot. | 8 | ·/˘··/˘· |
| We looked along the vaulted gloom | 8 | ··˘/·/˘· |
| Of boughs unstripped of winter’s bane, | 8 | ·····/˘· |
| As for some pride of scarf and plume | 8 | ········ |
| And painted shield and broidered rein, | 8 | ·/˘····· |
| And through the cloven laurel walls | 8 | ···/˘/˘· |
| We searched the darkling pines and pale | 8 | ···/˘··· |
| Beech-boles and woodbine coronals, | 8 | ···/˘··· |
| As for the passing of the Grail. | 8 | ···/˘··· |
| But Launcelot no travel keeps, | 8 | ·/˘··/˘· |
| For brother Launcelot is dead, | 8 | ·/˘/˘··· |
| And brother Galahad he sleeps | 8 | ·/˘/˘··· |
| This long while in his quiet bed, | 8 | ·····/˘· |
| And we are all the knights that pass | 8 | ········ |
| Among the yews and laurels now. | 8 | ·····/˘· |
| They are but fruit among the grass, | 8 | ········ |
| And we but fruit upon the bough. | 8 | ········ |
| No coloured blazon meets us here | 8 | ·/˘/˘··· |
| Of all that courtly company; | 8 | ···/˘/˘˘ |
| Elaine is not, nor Guenevere, | 8 | ˘/······ |
| The dream is but of dreams that die. | 8 | ········ |
| But yet the purple violet lies | 8 | ···/˘/˘· |
| Beside the golden daffodil, | 8 | ˘/·/˘/˘· |
| And women strong of limb and wise | 8 | ·/˘····· |
| And fierce of blood are with us still. | 8 | ········ |
| And never through the woodland goes | 8 | ·/˘··/·· |
| The Grail of that forgotten quest, | 8 | ····˘/˘· |
| But still about the woodland flows | 8 | ·····/·· |
| The sap of God made manifest | 8 | ·····/˘· |
| In boughs that labour to their time, | 8 | ···/···· |
| And birds that gossip secret things, | 8 | ···/˘/˘· |
| And eager lips that seek to rhyme | 8 | ·/˘····· |
| The latest of a thousand springs. | 8 | ·/˘··/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.