To the Countesse of Bedford

John Donne (1572–1631) · 1633

iambic pentameter · ABAB · 38 lines · from Poems

Reason is our Soules left hand, Faith her right,By these wee reach divinity, that's you;Their loves, who have the blessings of your light,Grew from their reason, mine from faire faith grew.

But as, although a squint lefthandednesseBe'ungracious, yet we cannot want that hand,So would I, not to encrease, but to expresseMy faith, as I beleeve, so understand.

Therefore I study you first in your Saints,Those friends, whom your election glorifies,Then in your deeds, accesses, and restraints,And what you reade, and what your selfe devize.

But soone, the reasons why you'are lov'd by all,Grow infinite, and so passe reasons reach,Then backe againe to'implicite faith I fall,And rest on what the Catholique voice doth teach;

That you are good: and not one HeretiqueDenies it: if he did, yet you are so.For, rockes, which high top'd and deep rooted sticke,Waves wash, not undermine, nor overthrow.

In every thing there naturally growesA Balsamum to keepe it fresh, and new,If'twere not injur'd by extrinsique blowes;Your birth and beauty are this Balme in you.

But you of learning and religion,And vertue,'and such ingredients, have madeA methridate, whose operationKeepes off, or cures what can be done or said.

Yet, this is not your physicke, but your food,A dyet fit for you; for you are hereThe first good Angell, since the worlds frame stood,That ever did in womans shape appeare.

Since you are then Gods masterpeece, and soHis Factor for our loves; do as you doe,Make your returne home gracious; and bestowThis life on that; so make one life of two.For so God helpe mee,'I would not misse you thereFor all the good which you can do me here.

Words in this poem

encrease v. t.
i. See Increase.
passe a.
Past; gone by; hence, past one's prime; worn; faded; as, a passée belle. Ld. Lytton. [F.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To the Countesse of Bedford is in the public domain. This text is taken from The Poems of John Donne, Volume 1 (of 2) Edited from the Old Editions and Numerous Manuscripts, Project Gutenberg ebook #48688; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Donne, To the Countesse of Bedford, in Poems (1633), text of Project Gutenberg ebook #48688, Laurel, https://laurelpoetry.com/poem/donne-poems/to-the-countesse-of-bedford-5.html, id L20840.

Form and metre

To the Countesse of Bedford is 38 lines in 9 stanzas. The rhyme scheme is ABAB, complete in 7 of its 9 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 82%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB rightA · youB · lightA · grewB
  2. 2 ABAB lefthandednesseA · handB · expresseA · understandB
  3. 3 ABAB saintsA · glorifiesB · restraintsA · devizeB
  4. 4 ABAB allA · reachB · fallA · teachB
  5. 5 ABAB heretiqueA · soB · stickeA · overthrowB
  6. 6 ABAB growesA · newB · blowesA · youB
  7. 8 ABAB foodA · hereB · stoodA · appeareB
  8. 9 AAA-BB soA · doeA · bestowA · two · thereB · hereB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Reason is our Soules left hand, Faith her right,10/˘·/······
By these wee reach divinity, that's you;10····˘/˘˘··
Their loves, who have the blessings of your light,10·····/˘···
Grew from their reason, mine from faire faith grew.10···/˘·····
But as, although a squint lefthandednesse10··········
Be'ungracious, yet we cannot want that hand,10·····/˘···
So would I, not to encrease, but to expresse11·····˘/····
My faith, as I beleeve, so understand.10········˘/
Therefore I study you first in your Saints,10···/˘·····
Those friends, whom your election glorifies,10····˘/˘/˘·
Then in your deeds, accesses, and restraints,10····/·˘·˘/
And what you reade, and what your selfe devize.10··········
But soone, the reasons why you'are lov'd by all,10···/˘·····
Grow infinite, and so passe reasons reach,10·/˘···//˘·
Then backe againe to'implicite faith I fall,10··········
And rest on what the Catholique voice doth teach;11···········
That you are good: and not one Heretique10··········
Denies it: if he did, yet you are so.10˘/········
For, rockes, which high top'd and deep rooted sticke,10·······/˘·
Waves wash, not undermine, nor overthrow.10···/˘··/˘·
In every thing there naturally growes10·/˘··/˘˘˘·
A Balsamum to keepe it fresh, and new,10··········
If'twere not injur'd by extrinsique blowes;10···/˘·····
Your birth and beauty are this Balme in you.10···/˘·····
But you of learning and religion,9···/˘·˘/˘
And vertue,'and such ingredients, have made10·····˘/˘··
A methridate, whose operation9······˘/˘
Keepes off, or cures what can be done or said.10··········
Yet, this is not your physicke, but your food,10··········
A dyet fit for you; for you are here9·········
The first good Angell, since the worlds frame stood,10···/˘·····
That ever did in womans shape appeare.10·/˘··/˘···
Since you are then Gods masterpeece, and so10··········
His Factor for our loves; do as you doe,10·/˘·/·····
Make your returne home gracious; and bestow10·····/˘·˘/
This life on that; so make one life of two.10··········
For so God helpe mee,'I would not misse you there11···········
For all the good which you can do me here.10··········
Notes from the edition 5

Herbert Grierson's record of the readings of the early editions and manuscripts, from his Poems of John Donne (Oxford, 1912; Project Gutenberg #48688).

  1. Stanza 1, line 4 faire 1633-69, L74, N, TCD: farr B, Cy, D, H49, Lec, M, O'F, RP31, S, S96
  2. Stanza 4, line 4 what] that Chambers
  3. Stanza 5, line 3 high top'd and deep rooted 1633, N, TCD: high to sense deepe-rooted 1635-54, O'F, Chambers (who has overlooked 1633 reading:) high to sense and deepe-rooted S96: high to sun and deepe-rooted L74, RP31, S: high do seem, deep-rooted 1669, Cy (but MS. with and): high to some, and deepe-rooted D, H49, Lec: high to seeme, and deepe-rooted B. See note
  4. Stanza 7, line 1 But Ed: But, 1633-69
  5. Stanza 9, line 4 This, 1635-69, B, Cy, D, H49, L74, Lec, N, O'F, RP31, S, TCD, Grosart and Chambers: Thy 1633, Grolier. See note

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by John Donne