The Autumnall

John Donne (1572–1631) · 1633

iambic pentameter · heroic couplets · 50 lines · from Poems

No Spring, nor Summer Beauty hath such grace,As I have seen in one Autumnall face.Yong Beauties force our love, and that's a Rape,This doth but counsaile, yet you cannot scape.If t'were a shame to love, here t'were no shame,Affection here takes Reverences name.Were her first yeares the Golden Age; That's true,But now shee's gold oft tried, and ever new.That was her torrid and inflaming time,This is her tolerable Tropique clyme.Faire eyes, who askes more heate then comes from hence,He in a fever wishes pestilence.Call not these wrinkles, graves; If graves they were,They were Loves graves; for else he is no where.Yet lies not Love dead here, but here doth sitVow'd to this trench, like an Anachorit.And here, till hers, which must be his death, come,He doth not digge a Grave, but build a Tombe.Here dwells he, though he sojourne ev'ry where,In Progresse, yet his standing house is here.Here, where still Evening is; not noone, nor night;Where no voluptuousnesse, yet all delight.In all her words, unto all hearers fit,You may at Revels, you at Counsaile, sit.This is loves timber, youth his under-wood;There he, as wine in Iune, enrages blood,Which then comes seasonabliest, when our tastAnd appetite to other things, is past.Xerxes strange Lydian love, the Platane tree,Was lov'd for age, none being so large as shee,Or else because, being yong, nature did blesseHer youth with ages glory, Barrennesse.If we love things long sought, Age is a thingWhich we are fifty yeares in compassing.If transitory things, which soone decay,Age must be lovelyest at the latest day.But name not Winter-faces, whose skin's slacke;Lanke, as an unthrifts purse; but a soules sacke;Whose Eyes seeke light within, for all here's shade;Whose mouthes are holes, rather worne out, then made;Whose every tooth to a severall place is gone,To vexe their soules at Resurrection;Name not these living Deaths-heads unto mee,For these, not Ancient, but Antique be.I hate extreames; yet I had rather stayWith Tombs, then Cradles, to weare out a day.Since such loves naturall lation is, may stillMy love descend, and journey downe the hill,Not panting after growing beauties, so,I shall ebbe out with them, who home-ward goe.

Words in this poem

autumnall a.
Of, belonging to, or peculiar to, autumn; as, an autumnal tint; produced or gathered in autumn; as, autumnal fruits; flowering in autumn; as, an autumnal plant. [L. auctumnalis, autumnalis: cf. F. automnal.]
digge v. t.
To turn up, or delve in, (earth) with a spade or a hoe; to open, loosen, or break up (the soil) with a spade, or other sharp instrument; to pierce, open, or loosen, as if with a spade.
compassing a.
Curved; bent; as, compassing timbers.
severall adv.
By itself; severally.
resurrection n.
A rising again; the resumption of vigor. [F. résurrection, L. resurrectio, fr. resurgere, resurrectum, to rise again; pref. re- re- + surgere to rise. See Source.]
naturall n.
A native; an aboriginal. Sir W. Raleigh.
lation n.
Transportation; conveyance. [L. latio, fr. latus borne. See Tolerate.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Autumnall is in the public domain. This text is taken from The Poems of John Donne, Volume 1 (of 2) Edited from the Old Editions and Numerous Manuscripts, Project Gutenberg ebook #48688; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Donne, The Autumnall, in Poems (1633), text of Project Gutenberg ebook #48688, Laurel, https://laurelpoetry.com/poem/donne-poems/the-autumnall.html, id L19884.

Form and metre

The Autumnall is 50 lines in a single stanza. It is in rhyming couplets, 88% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.4 syllables. 4 lines end on an unstressed syllable, a feminine ending. 17% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFF------GGHHIIJJKKLLMMNNOOPPQQRRSSTTUUVV graceA · faceA · rapeB · scapeB · shameC · nameC · trueD · newD · timeE · clymeE · henceF · pestilenceF · were · where · sit · anachorit · come · tombe · whereG · hereG · nightH · delightH · fitI · sitI · woodJ · bloodJ · tastK · pastK · treeL · sheeL · blesseM · barrennesseM · thingN · compassingN · decayO · dayO · slackeP · sackeP · shadeQ · madeQ · goneR · resurrectionR · meeS · beS · stayT · dayT · stillU · hillU · soV · goeV
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
No Spring, nor Summer Beauty hath such grace,10···/˘/˘···
As I have seen in one Autumnall face.10······˘/˘·
Yong Beauties force our love, and that's a Rape,10·/˘·/·····
This doth but counsaile, yet you cannot scape.11········/˘·
If t'were a shame to love, here t'were no shame,10··········
Affection here takes Reverences name.10˘/˘··/˘˘˘·
Were her first yeares the Golden Age; That's true,10·····/˘···
But now shee's gold oft tried, and ever new.10·······/˘·
That was her torrid and inflaming time,10···/˘·˘/˘·
This is her tolerable Tropique clyme.10···/˘˘˘···
Faire eyes, who askes more heate then comes from hence,10··········
He in a fever wishes pestilence.10···/˘/˘/˘˘
Call not these wrinkles, graves; If graves they were,10···/˘·····
They were Loves graves; for else he is no where.10··········
Yet lies not Love dead here, but here doth sit10··········
Vow'd to this trench, like an Anachorit.10··········
And here, till hers, which must be his death, come,10··········
He doth not digge a Grave, but build a Tombe.10··········
Here dwells he, though he sojourne ev'ry where,10··········
In Progresse, yet his standing house is here.10·····/˘···
Here, where still Evening is; not noone, nor night;10···/˘·····
Where no voluptuousnesse, yet all delight.10········˘/
In all her words, unto all hearers fit,10·······/˘·
You may at Revels, you at Counsaile, sit.11···/˘······
This is loves timber, youth his under-wood;10···/˘·····
There he, as wine in Iune, enrages blood,10······˘/˘·
Which then comes seasonabliest, when our tast10········/·
And appetite to other things, is past.10·/˘··/˘···
Xerxes strange Lydian love, the Platane tree,11/˘·/˘˘·····
Was lov'd for age, none being so large as shee,10·····/····
Or else because, being yong, nature did blesse10····/·/˘··
Her youth with ages glory, Barrennesse.10···/˘/˘···
If we love things long sought, Age is a thing10··········
Which we are fifty yeares in compassing.10···/˘··/˘˘
If transitory things, which soone decay,10·/˘·˘···˘/
Age must be lovelyest at the latest day.10···/˘··/˘·
But name not Winter-faces, whose skin's slacke;10···/˘/˘···
Lanke, as an unthrifts purse; but a soules sacke;10··········
Whose Eyes seeke light within, for all here's shade;10··········
Whose mouthes are holes, rather worne out, then made;10····/˘····
Whose every tooth to a severall place is gone,11·/˘···/˘···
To vexe their soules at Resurrection;9······˘/˘
Name not these living Deaths-heads unto mee,10···/˘·····
For these, not Ancient, but Antique be.9···/˘·˘/·
I hate extreames; yet I had rather stay10·······/˘·
With Tombs, then Cradles, to weare out a day.10···/˘·····
Since such loves naturall lation is, may still10···/˘/˘···
My love descend, and journey downe the hill,10··˘/·/˘···
Not panting after growing beauties, so,10·/˘··/˘/˘·
I shall ebbe out with them, who home-ward goe.10··········
Notes from the edition 23

Herbert Grierson's record of the readings of the early editions and manuscripts, from his Poems of John Donne (Oxford, 1912; Project Gutenberg #48688).

  1. Line 1 Summer 1633: Summers 1635-69
  2. Line 2 face. Ed: face, 1633-69
  3. Line 3 our love, 1633, D, H49, Lec, S: our Loves, 1669: your love, 1635-54, A18, A25, B, H40, L74, M, N, O'F, P, S96, TC
  4. Line 6 Affection ... takes A18, A25, B, D, H40, H49, L74, Lec, M, N, P, S, S96, TC: Affections ... take 1633-69, JC, O'F
  5. Line 8 shee's 1635-69, A18, A25, B, D, H40, H49, JC, L74, Lec, M, N, O'F, P, S, S96, TC: they'are 1633
  6. Line 10 tolerable 1633, D, H40, H49, Lec, S: habitable 1635-69, A18, A25, L74, M, N, O'F, P, TC
  7. Line 14 for 1633: or 1635-69
  8. Line 15 Love] love 1633
  9. Line 22 Where] Where's O'F, S
  10. Line 23 unto all] to all her P
  11. Line 24 Counsaile, Ed: counsaile, 1633-54: counsails 1669
  12. Line 26 enrages] bringes D, H49: breeds Lec
  13. Line 27 seasonabliest, 1633: seasonablest, 1635-69
  14. Line 28 past.] past; 1633
  15. Line 30 large 1633: old 1635-69
  16. Line 37 not] noe several MSS.
  17. Line 38 soules sacke; 1633, 1669, and MSS.: fooles sack; 1635-54
  18. Line 40 made; Ed: made 1633-54: made, 1669
  19. Line 42 their soules] the soul 1669
  20. Line 43 Deaths-heads 1633: Death-heads 1635-69, Chambers: death-shades H40
  21. Line 46 a] the 1669, M, P
  22. Line 47 naturall lation A18, A25, B, D, H40, H49, L74, M, N, P, S, TC (sometimes thus, natural-lation): motion naturall 1633: naturall station 1635-69, Lec, O'F
  23. Line 50 ebbe out 1633: ebbe on 1635-69, A18, A25, B, D, H40, H49, JC, L74, Lec, M, N, O'F, P, S, TC

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