Sapho to Philænis
Where is that holy fire, which Verse is saidTo have? is that inchanting force decai'd?Verse that drawes Natures workes, from Natures law,Thee, her best worke, to her worke cannot draw.Have my teares quench'd my old Poetique fire;Why quench'd they not as well, that of desire?Thoughts, my mindes creatures, often are with thee,But I, their maker, want their libertie.Onely thine image, in my heart, doth sit,But that is waxe, and fires environ it.My fires have driven, thine have drawne it hence;And I am rob'd of Picture, Heart, and Sense.Dwells with me still mine irksome Memory,Which, both to keepe, and lose, grieves equally.That tells me'how faire thou art: Thou art so faire,As, gods, when gods to thee I doe compare,Are grac'd thereby; And to make blinde men see,What things gods are, I say they'are like to thee.For, if we justly call each silly manA litle world, What shall we call thee than?Thou art not soft, and cleare, and strait, and faire,As Down, as Stars, Cedars, and Lillies are,But thy right hand, and cheek, and eye, onlyAre like thy other hand, and cheek, and eye.Such was my Phao awhile, but shall be never,As thou, wast, art, and, oh, maist be ever.Here lovers sweare in their Idolatrie,That I am such; but Griefe discolors me.And yet I grieve the lesse, least Griefe removeMy beauty, and make me'unworthy of thy love.Plaies some soft boy with thee, oh there wants yetA mutuall feeling which should sweeten it.His chinne, a thorny hairy unevennesseDoth threaten, and some daily change possesse.Thy body is a naturall Paradise,In whose selfe, unmanur'd, all pleasure lies,Nor needs perfection; why shouldst thou thanAdmit the tillage of a harsh rough man?Men leave behinde them that which their sin showes,And are as theeves trac'd, which rob when it snows.But of our dallyance no more signes there are,Then fishes leave in streames, or Birds in aire.And betweene us all sweetnesse may be had;All, all that Nature yields, or Art can adde.My two lips, eyes, thighs, differ from thy two,But so, as thine from one another doe;And, oh, no more; the likenesse being such,Why should they not alike in all parts touch?Hand to strange hand, lippe to lippe none denies;Why should they brest to brest, or thighs to thighs?Likenesse begets such strange selfe flatterie,That touching my selfe, all seemes done to thee.My selfe I embrace, and mine owne hands I kisse,And amorously thanke my selfe for this.Me, in my glasse, I call thee; But alas,When I would kisse, teares dimme mine eyes, and glasse.O cure this loving madnesse, and restoreMe to mee; thee, my halfe, my all, my more.So may thy cheekes red outweare scarlet dye,And their white, whitenesse of the Galaxy,So may thy mighty, amazing beauty moveEnvy'in all women, and in all men, love,And so be change, and sicknesse, farre from thee,As thou by comming neere, keep'st them from me.
Words in this poem
- environ v. t.
- To surround; to encompass; to encircle; to hem in; to be round about; to involve or envelop. [F. environner, fr. environ about, thereabout; pref. en- (L. in) + OF. viron circle, circuit, fr. OF. & F. virer to turn, LL. virare to turn up and down, topsy-t]
- irksome a.
- Wearisome; tedious; disagreeable or troublesome by reason of long continuance or repetition; as, irksome hours; irksome tasks.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- wast
- The second person singular of the verb be, in the indicative mood, imperfect tense; -- now used only in solemn or poetical style.
- mutuall a.
- Reciprocally acting or related; reciprocally receiving and giving; reciprocally given and received; reciprocal; interchanged; as, a mutual love, advantage, assistance, aversion, etc. [F. mutuel, L. mutuus, orig., exchanged, borrowed, lent; akin to mutare to change. See Mutable.]
- chinne n.
- The lower extremity of the face below the mouth; the point of the under jaw. [AS. cin, akin to OS. kin, G kinn, Icel. kinn, cheek, Dan. & Sw. kind, L. gena, Gr. hanu. *232.]
- naturall n.
- A native; an aboriginal. Sir W. Raleigh.
- needs adv.
- Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
- lippe v. t.
- To clip; to trim. Holland.
- amorously adv.
- In an amorous manner; fondly.
- dimme a.
- Not bright or distinct; wanting luminousness or clearness; obscure in luster or sound; dusky; darkish; obscure; indistinct; overcast; tarnished. [AS. dim; akin to OFries. dim, Icel. dimmr: cf. MHG. timmer, timber; of uncertain origin.]
- amazing a.
- Causing amazement; very wonderful; as, amazing grace.
- farre n.
- A young pig, or a litter of pigs. [See Farrow.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Sapho to Philænis is in the public domain. This text is taken from The Poems of John Donne, Volume 1 (of 2) Edited from the Old Editions and Numerous Manuscripts, Project Gutenberg ebook #48688; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: John Donne, Sapho to Philænis, in Poems (1633), text of Project Gutenberg ebook #48688, Laurel, https://laurelpoetry.com/poem/donne-poems/sapho-to-phil-nis.html, id L19889.
Form and metre
Sapho to Philænis is 64 lines in a single stanza. It is in rhyming couplets, 66% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 81%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.2 syllables. 9 lines end on an unstressed syllable, a feminine ending. 17% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCC--DDEE--FFGGHH---IJJ-IKK--LL-LMMNN--OO--PPQQ--RRSSTTU-VVUU saidA · decai'dA · lawB · drawB · fireC · desireC · thee · libertie · sitD · itD · henceE · senseE · memory · equally · faireF · compareF · seeG · theeG · manH · thanH · faire · are · only · eyeI · neverJ · everJ · idolatrie · meI · removeK · loveK · yet · it · unevennesseL · possesseL · paradise · liesL · thanM · manM · showesN · snowsN · are · aire · hadO · addeO · two · doe · suchP · touchP · deniesQ · thighsQ · flatterie · thee · kisseR · thisR · alasS · glasseS · restoreT · moreT · dyeU · galaxy · moveV · loveV · theeU · meU
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Where is that holy fire, which Verse is said | 10 | ···/˘/···· |
| To have? is that inchanting force decai'd? | 10 | ·········· |
| Verse that drawes Natures workes, from Natures law, | 10 | ···/˘··/˘· |
| Thee, her best worke, to her worke cannot draw. | 10 | ·······/˘· |
| Have my teares quench'd my old Poetique fire; | 10 | ········/˘ |
| Why quench'd they not as well, that of desire? | 11 | ········˘/˘ |
| Thoughts, my mindes creatures, often are with thee, | 10 | ···/˘/˘··· |
| But I, their maker, want their libertie. | 10 | ···/˘····· |
| Onely thine image, in my heart, doth sit, | 10 | /˘·/˘····· |
| But that is waxe, and fires environ it. | 10 | ·····/˘/˘· |
| My fires have driven, thine have drawne it hence; | 10 | ·/·/˘····· |
| And I am rob'd of Picture, Heart, and Sense. | 10 | ·····/˘··· |
| Dwells with me still mine irksome Memory, | 10 | ·····/˘/˘˘ |
| Which, both to keepe, and lose, grieves equally. | 10 | ·······/˘˘ |
| That tells me'how faire thou art: Thou art so faire, | 11 | ··········· |
| As, gods, when gods to thee I doe compare, | 10 | ········˘/ |
| Are grac'd thereby; And to make blinde men see, | 10 | ·········· |
| What things gods are, I say they'are like to thee. | 10 | ·········· |
| For, if we justly call each silly man | 10 | ···/˘··/˘· |
| A litle world, What shall we call thee than? | 10 | ·/˘······· |
| Thou art not soft, and cleare, and strait, and faire, | 10 | ·········· |
| As Down, as Stars, Cedars, and Lillies are, | 10 | ····/˘·/˘· |
| But thy right hand, and cheek, and eye, only | 10 | ········/˘ |
| Are like thy other hand, and cheek, and eye. | 10 | ···/˘····· |
| Such was my Phao awhile, but shall be never, | 11 | ····˘/···/˘ |
| As thou, wast, art, and, oh, maist be ever. | 10 | ········/˘ |
| Here lovers sweare in their Idolatrie, | 10 | ·/˘······· |
| That I am such; but Griefe discolors me. | 10 | ······˘/˘· |
| And yet I grieve the lesse, least Griefe remove | 10 | ········˘/ |
| My beauty, and make me'unworthy of thy love. | 11 | ·/˘········ |
| Plaies some soft boy with thee, oh there wants yet | 10 | ·········· |
| A mutuall feeling which should sweeten it. | 10 | ·/˘/˘··/˘· |
| His chinne, a thorny hairy unevennesse | 11 | ···/˘/˘···· |
| Doth threaten, and some daily change possesse. | 10 | ·/˘··/˘·/˘ |
| Thy body is a naturall Paradise, | 10 | ·/˘··/˘/˘· |
| In whose selfe, unmanur'd, all pleasure lies, | 10 | ·······/˘· |
| Nor needs perfection; why shouldst thou than | 9 | ··˘/˘···· |
| Admit the tillage of a harsh rough man? | 10 | ˘/·/˘····· |
| Men leave behinde them that which their sin showes, | 10 | ·········· |
| And are as theeves trac'd, which rob when it snows. | 10 | ·········· |
| But of our dallyance no more signes there are, | 10 | ··/······· |
| Then fishes leave in streames, or Birds in aire. | 10 | ·/˘······· |
| And betweene us all sweetnesse may be had; | 10 | ·········· |
| All, all that Nature yields, or Art can adde. | 10 | ···/˘····· |
| My two lips, eyes, thighs, differ from thy two, | 10 | ·····/˘··· |
| But so, as thine from one another doe; | 10 | ······˘/˘· |
| And, oh, no more; the likenesse being such, | 10 | ········/· |
| Why should they not alike in all parts touch? | 10 | ····˘/···· |
| Hand to strange hand, lippe to lippe none denies; | 10 | ········˘/ |
| Why should they brest to brest, or thighs to thighs? | 10 | ·········· |
| Likenesse begets such strange selfe flatterie, | 11 | ···˘/······ |
| That touching my selfe, all seemes done to thee. | 10 | ·/˘······· |
| My selfe I embrace, and mine owne hands I kisse, | 11 | ···˘/······ |
| And amorously thanke my selfe for this. | 10 | ·/˘˘˘····· |
| Me, in my glasse, I call thee; But alas, | 10 | ········˘/ |
| When I would kisse, teares dimme mine eyes, and glasse. | 10 | ·········· |
| O cure this loving madnesse, and restore | 10 | ···/˘···˘/ |
| Me to mee; thee, my halfe, my all, my more. | 10 | ·········· |
| So may thy cheekes red outweare scarlet dye, | 10 | ·······/˘· |
| And their white, whitenesse of the Galaxy, | 11 | ········/˘˘ |
| So may thy mighty, amazing beauty move | 11 | ···/˘˘/˘/˘· |
| Envy'in all women, and in all men, love, | 10 | ···/˘····· |
| And so be change, and sicknesse, farre from thee, | 10 | ·········· |
| As thou by comming neere, keep'st them from me. | 10 | ···/˘····· |
Notes from the edition 7
Herbert Grierson's record of the readings of the early editions and manuscripts, from his Poems of John Donne (Oxford, 1912; Project Gutenberg #48688).
- Line 3 workes, 1633-39: worke, 1650-69, O'F
- Line 8 maker, 1635-69: maker; 1633
- Line 17 thereby; And 1635-69: thereby. And 1633, some copies
- Line 26 maist be ever. 1633, A18, A25, N, TC: maist thou be ever. 1635-69, O'F: shalt be for ever. P: mayst thou be for ever. JC
- Line 33 thorny hairy 1633-69: thorney-hairy TCD: thorny, hairy modern edd.
- Line 40 are Ed: are, 1633-69
- Line 61 mighty, amazing Ed: mighty amazing 1633-69: almighty amazing P
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