The Motion of the Soule

John Davies (1569–1626) · 1596–1599

iambic pentameter · 38 lines · from The Complete Poems, Volume I

.... how can shee but immortall bee?When with the motions of both Will and Wit,She still aspireth to eternitie,And neuer rests, till she attaine to it?

Water in conduit pipes, can rise no higherThen the wel-head, from whence it first doth spring:Then sith to eternall GOD shee doth aspire,Shee cannot be but an eternall thing.

'The soul aspiring, pants its source to mount,As streams meander level with their fount.'

"Nor can her wide imbracements fillèd bee;For they that most, and greatest things embrace,Inlarge thereby their minds' capacitie,As streames inlarg'd, inlarge the channel's space.

All things receiu'd, doe such proportion take,As those things haue, wherein they are receiu'd:So little glasses little faces make,And narrow webs on narrow frames be weau'd;

Then what vast body must we make the mindWherin are men, beasts, trees, towns, seas, and lands;And yet each thing a proper place doth find,And each thing in the true proportion stands?

Doubtlesse this could not bee, but that she turnesBodies to spirits, by sublimation strange;As fire conuerts to fire the things it burnesAs we our meats into our nature change.

From their grosse matter she abstracts the formes,And draws a kind of quintessence from things;Which to her proper nature she transformes,To bear them light on her celestiall wings:

This doth she, when, from things particular,She doth abstract the universall kinds;Which bodilesse and immateriall are,And can be lodg'd but onely in our minds:

And thus from diuers accidents and acts,Which doe within her obseruation fall,She goddesses, and powers diuine, abstracts:As Nature, Fortune, and the Vertues all."

Words in this poem

immortall a.
Not mortal; exempt from liability to die; undying; imperishable; lasting forever; having unlimited, or eternal, existance. [L. immortalis; pref. im- not + mortalis mortal: cf. F. immortel. See Mortal, and cf. Immortelle.]
sith prep.
Since; afterwards; seeing that. [See Since.]
eternall a.
Without beginning or end of existence; always existing. [F. éternel, L. aeternalis, fr. aeternus. See Etern.]
aspire v. t.
To aspire to; to long for; to try to reach; to mount to.
aspiring a.
That aspires; as, an Aspiring mind.
grosse n.
A heavy silk with a dull finish; as, gros de Naples; gros de Tours. [F. See Gross.]
quintessence n.
The fifth or last and highest essence or power in a natural body. [F., fr. L. quinta essentia fifth essence. See Quint, and Essence.]
celestiall a.
Belonging to the aërial regions, or visible heavens. [OF. celestial, celestied, fr. L. caelestic, fr. caelum heaved. See Cell.]
immateriall a.
Not consisting of matter; incorporeal; spiritual; disembodied. [Pref. im- not + material: cf. F. immatériel.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Motion of the Soule is in the public domain. This text is taken from The Complete Poems of Sir John Davies. Volume 1 of 2., Project Gutenberg ebook #44977; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Davies, The Motion of the Soule, in The Complete Poems, Volume I (1596–1599), text of Project Gutenberg ebook #44977, Laurel, https://laurelpoetry.com/poem/davies-poems/the-motion-of-the-soule.html, id L08724.

Form and metre

The Motion of the Soule is 38 lines in 10 stanzas. The commonest rhyme scheme is ABAB, in 4 of the 10 stanzas; the rest vary or could not be confirmed. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 2 lines end on an unstressed syllable, a feminine ending. 10% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A bee · witA · eternitie · itA
  2. 2 -A-A higher · springA · aspire · thingA
  3. 3 AA mountA · fountA
  4. 4 -A-A bee · embraceA · capacitie · spaceA
  5. 5 A-A- takeA · receiu'd · makeA · weau'd
  6. 6 ABAB mindA · landsB · findA · standsB
  7. 7 ABAB turnesA · strangeB · burnesA · changeB
  8. 8 ABAB formesA · thingsB · transformesA · wingsB
  9. 9 -A-A particular · kindsA · are · mindsA
  10. 10 ABAB actsA · fallB · abstractsA · allB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
.... how can shee but immortall bee?8····˘/˘·
When with the motions of both Will and Wit,10···/˘·····
She still aspireth to eternitie,10··˘/˘·····
And neuer rests, till she attaine to it?10·/˘·······
Water in conduit pipes, can rise no higher10/˘·/˘····/
Then the wel-head, from whence it first doth spring:10··········
Then sith to eternall GOD shee doth aspire,11···˘/˘···˘/
Shee cannot be but an eternall thing.10·/˘···˘/˘·
'The soul aspiring, pants its source to mount,10··˘/˘·····
As streams meander level with their fount.'10··˘/˘/˘···
"Nor can her wide imbracements fillèd bee;10··········
For they that most, and greatest things embrace,10·····/˘·˘/
Inlarge thereby their minds' capacitie,10··········
As streames inlarg'd, inlarge the channel's space.10·······/˘·
All things receiu'd, doe such proportion take,10······˘/˘·
As those things haue, wherein they are receiu'd:10··········
So little glasses little faces make,10·/˘/˘/˘/˘·
And narrow webs on narrow frames be weau'd;10·/˘··/˘···
Then what vast body must we make the mind10···/˘·····
Wherin are men, beasts, trees, towns, seas, and lands;10··········
And yet each thing a proper place doth find,10·····/˘···
And each thing in the true proportion stands?10······˘/˘·
Doubtlesse this could not bee, but that she turnes10··········
Bodies to spirits, by sublimation strange;10/˘·/˘·/˘˘·
As fire conuerts to fire the things it burnes10·/···/····
As we our meats into our nature change.10··/···//˘·
From their grosse matter she abstracts the formes,10···/˘·/˘··
And draws a kind of quintessence from things;10·····˘/˘··
Which to her proper nature she transformes,10···/˘/˘·˘/
To bear them light on her celestiall wings:10······˘/˘·
This doth she, when, from things particular,10······˘/˘˘
She doth abstract the universall kinds;10··˘/··˘/˘·
Which bodilesse and immateriall are,10······˘/˘·
And can be lodg'd but onely in our minds:10·····/˘·/·
And thus from diuers accidents and acts,10·····/˘˘··
Which doe within her obseruation fall,10··········
She goddesses, and powers diuine, abstracts:10·/˘˘·/˘·/˘
As Nature, Fortune, and the Vertues all."10·/˘/˘·····
Notes from the edition 1

A. B. Grosart's notes to the Complete Poems of Sir John Davies (Project Gutenberg #44977).

  1. Stanza 4, line 4 'Time but the impression stronger makes As streams their channels deeper wear.' BURNS: to Mary in Heaven.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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