Vpon the Death of the Most Desired Mr. Herrys

Richard Crashaw (c. 1613–1649) · 1646–1652

trochaic tetrameter · rhyming couplets · 76 lines · from Steps to the Temple and Other Poems

Death, what dost? O, hold thy blow,What thou dost thou dost not know.Death, thou must not here be cruell,This is Nature's choycest iewell:This is hee, in whose rare frameNature labour'd for a name:And meant to leave his pretious featureThe patterne of a perfect creature.Ioy of Goodnesse, love of Art,Vertue weares him next her heart.Him the Muses love to follow,Him they call their vice-Apollo.Apollo, golden though thou bee,Th' art not fairer than is hee,Nor more lovely lift'st thy head(Blushing) from thine Easterne bed.The glories of thy youth ne're knewBrighter hopes than his can shew.Why then should it e're be seenThat his should fade, while thine is green?And wilt thou (O, cruell boast!)Put poore Nature to such cost?O, twill undoe our common mother,To be at charge of such another.What? thinke me to no other endGracious heavens do use to sendEarth her best perfection,But to vanish, and be gone?Therefore onely given to dayTo-morrow to be snatch't away?I've seen indeed the hopefull budOf a ruddy rose that stoodBlushing, to behold the rayOf the new-saluted Day:(His tender toppe not fully spread)The sweet dash of a shower new shead,Invited him, no more to hideWithin himselfe the purple prideOf his forward flower; when lo,While he sweetly 'gan to showHis swelling gloryes, Auster spide him,Cruell Auster thither hy'd him,And with the rush of one rude blast,Sham'd not, spitefully to wastAll his leaves, so fresh, so sweet,And lay them trembling at his feet.I've seen the Morning's lovely rayHover o're the new-borne Day,With rosie wings so richly bright,As if she scorn'd to thinke of Night;When a rugged storme, whose scowleMade heaven's radiant face looke fouleCall'd for an untimely night,To blot the newly-blossom'd light.But were the rose's blush so rare,Were the Morning's smile so faire,As is he, nor cloud, nor wind,But would be courteous, would be kind.Spare him Death, ah! spare him then,Spare the sweetest among men:And let not Pitty, with her tearesKeepe such distance from thine eares.But O, thou wilt not, can'st not spare,Haste hath never time to heare.Therefore if he needs must go,And the Fates will have it so;Softly may he be possestOf his monumentall rest.Safe, thou darke home of the dead,Safe, O hide his loved head:Keepe him close, close in thine armes,Seal'd vpp with a thousand charmes.For Pittie's sake, O, hide him quiteFrom his mother Nature's sight;Lest for griefe his losse may moveAll her births abortive proue.

Words in this poem

cruell a.
Disposed to give pain to others; willing or pleased to hurt, torment, or afflict; destitute of sympathetic kindness and pity; savage; inhuman; hard-hearted; merciless. [F. cruel, fr. L. crudelis, fr. crudus. See Crude.]
shew n.
Show. [Obs. except in shewbread.]
twill v. i.
To weave, as cloth, so as to produce the appearance of diagonal lines or ribs on the surface. [Scotch tweel; probably from LG. twillen to make double, from twi- two; akin to AS. twi-, E. twi- in twilight. See Twice, and cf. Tweed, Tweel.]
hopefull a.
Full of hope, or agreeable expectation; inclined to hope; expectant.
auster n.
The south wind. [L. auster a dry, hot, south wind; the south.]
wast
The second person singular of the verb be, in the indicative mood, imperfect tense; -- now used only in solemn or poetical style.
hover n.
A cover; a shelter; a protection. Carew. C. Kingsley. [Etymol. doubtful.]
needs adv.
Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
monumentall a.
Of, pertaining to, or suitable for, a monument; as, a monumental inscription. [L. monumentalis: cf. F. monumental.]
losse n.
Praise. See Loos.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Vpon the Death of the Most Desired Mr. Herrys is in the public domain. This text is taken from The Complete Works of Richard Crashaw, Volume I, Project Gutenberg ebook #38549; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Richard Crashaw, Vpon the Death of the Most Desired Mr. Herrys, in Steps to the Temple and Other Poems (1646–1652), text of Project Gutenberg ebook #38549, Laurel, https://laurelpoetry.com/poem/crashaw-poems/vpon-the-death-of-the-most-desired-mr-herrys.html, id L12102.

Form and metre

Vpon the Death of the Most Desired Mr. Herrys is 76 lines in a single stanza. It is in rhyming couplets, 82% of the lines. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 80%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 7.6 syllables. 10 lines end on an unstressed syllable, a feminine ending. 29% of the lines run on without a stop at the line end.

See other poems in rhyming couplets, other poems in trochaic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA--BBCCDDEEFFGGHHII--JJKKLLMMNNMMOOPPQQ--RRSSTTUU--UUVVWWXX----YYZZaabbcc-- blowA · knowA · cruell · iewell · frameB · nameB · featureC · creatureC · artD · heartD · followE · apolloE · beeF · heeF · headG · bedG · knewH · shewH · seenI · greenI · boast · cost · motherJ · anotherJ · endK · sendK · perfectionL · goneL · dayM · awayM · budN · stoodN · rayM · dayM · spreadO · sheadO · hideP · prideP · loQ · showQ · him · him · blastR · wastR · sweetS · feetS · rayT · dayT · brightU · nightU · scowle · foule · nightU · lightU · rareV · faireV · windW · kindW · thenX · menX · teares · eares · spare · heare · goY · soY · possestZ · restZ · deada · heada · armesb · charmesb · quitec · sightc · move · proue
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.

LineSyl.Stress
Death, what dost? O, hold thy blow,7·······
What thou dost thou dost not know.7·······
Death, thou must not here be cruell,8······/˘
This is Nature's choycest iewell:8··/˘/˘··
This is hee, in whose rare frame7·······
Nature labour'd for a name:7/˘·····
And meant to leave his pretious feature9·······/˘
The patterne of a perfect creature.9·····/·/˘
Ioy of Goodnesse, love of Art,7·······
Vertue weares him next her heart.6······
Him the Muses love to follow,8··/˘··/˘
Him they call their vice-Apollo.8·····˘/˘
Apollo, golden though thou bee,8˘/˘/˘···
Th' art not fairer than is hee,7··/˘···
Nor more lovely lift'st thy head7··/˘···
(Blushing) from thine Easterne bed.7/˘·····
The glories of thy youth ne're knew8·/˘·····
Brighter hopes than his can shew.7/˘·····
Why then should it e're be seen7·······
That his should fade, while thine is green?8········
And wilt thou (O, cruell boast!)7····/˘·
Put poore Nature to such cost?7··/˘···
O, twill undoe our common mother,10····/˘/˘/˘
To be at charge of such another.9······˘/˘
What? thinke me to no other end8·····/˘·
Gracious heavens do use to send8/˘/˘····
Earth her best perfection,6···˘/˘
But to vanish, and be gone?7··/˘···
Therefore onely given to day8··/˘/˘··
To-morrow to be snatch't away?8·/˘···˘/
I've seen indeed the hopefull bud8··˘/·/˘·
Of a ruddy rose that stood7··/˘···
Blushing, to behold the ray7/˘·˘/··
Of the new-saluted Day:7···˘/˘·
(His tender toppe not fully spread)8·/˘··/˘·
The sweet dash of a shower new shead,9·····/˘··
Invited him, no more to hide8˘/˘·····
Within himselfe the purple pride8·····/˘·
Of his forward flower; when lo,8··/˘/˘··
While he sweetly 'gan to show7··/˘···
His swelling gloryes, Auster spide him,9·/˘/˘/˘··
Cruell Auster thither hy'd him,8/˘/˘/˘··
And with the rush of one rude blast,8········
Sham'd not, spitefully to wast8········
All his leaves, so fresh, so sweet,7·······
And lay them trembling at his feet.9···/˘˘···
I've seen the Morning's lovely ray8···/˘/˘·
Hover o're the new-borne Day,7/˘·····
With rosie wings so richly bright,8·/˘··/˘·
As if she scorn'd to thinke of Night;8········
When a rugged storme, whose scowle9··/˘˘····
Made heaven's radiant face looke foule10·/˘/˘˘··/˘
Call'd for an untimely night,7···˘/˘·
To blot the newly-blossom'd light.8···/˘/˘·
But were the rose's blush so rare,8···/˘···
Were the Morning's smile so faire,7··/˘···
As is he, nor cloud, nor wind,7·······
But would be courteous, would be kind.9···/˘˘···
Spare him Death, ah! spare him then,7·······
Spare the sweetest among men:7··/˘···
And let not Pitty, with her teares8········
Keepe such distance from thine eares.7··/˘···
But O, thou wilt not, can'st not spare,8········
Haste hath never time to heare.7··/˘···
Therefore if he needs must go,7·······
And the Fates will have it so;7·······
Softly may he be possest7/˘···/˘
Of his monumentall rest.7···˘/˘·
Safe, thou darke home of the dead,7·······
Safe, O hide his loved head:6······
Keepe him close, close in thine armes,7·······
Seal'd vpp with a thousand charmes.7····/˘·
For Pittie's sake, O, hide him quite7·······
From his mother Nature's sight;7··/˘/˘·
Lest for griefe his losse may move7·······
All her births abortive proue.7···˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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