Upon Faireford Windowes
I knowe no painte of poetryCan mend such colour’d imag’ryIn sullen inke, yet (Fayreford) IMay rellish thy fair memory.Such is the echoe’s fainter sound,Such is the light when the sunn’s drown’d,So did the fancy look uponThe work before it was begun.Yet when those showes are out of sight,My weaker colours may delight.Those images doe faithfullieReport true feature to the eie,As you may think each picture wasSome visage in a looking-glass;Not a glass window face, unlessSuch as Cheapside hath, where a pressOf painted gallants, looking out,Bedeck the casement rounde about.But these have holy phisnomy;Each paine instructs the laityWith silent eloquence; for heereDevotion leads the eie, not eare,To note the cathechisinge paint,Whose easie phrase doth soe acquainteOur sense with Gospell, that the CreedeIn such an hand the weake may reade.Such tipes e’en yett of vertue bee,And Christ as in a glass we see—When with a fishinge rod the clarkeSt. Peter’s draught of fish doth marke,Such is the scale, the eie, the finn,You’d thinke they strive and leape within;But if the nett, which holdes them, brake,Hee with his angle some would take.But would you walke a turn in Paules,Looke up, one little pane inroulsA fairer temple. Flinge a stone,The church is out at the windowe flowne.Consider not, but aske your eies,And ghosts at mid-day seem to rise,The saintes there seemeing to descend,Are past the glass, and downwards bend.Look there! The Devill! all would cry,Did they not see that Christ was by.See where he suffers for thee! SeeHis body taken from the tree!Had ever death such life before?The limber corps, be-sully’d o’erWith meagre paleness, does displayA middle state ’twixt flesh and clay.His armes and leggs, his head and crown,Like a true lambskin dangle downe:Whoe can forbeare, the grave being nigh,To bringe fresh ointment in his eye?The wond’rous art hath equall fate,Unfixt, and yet inviolate.The Puritans were sure deceav’dWhoe thought those shaddowes mov’d and heav’d,So held from stoninge Christ; the windeAnd boysterous tempests were so kinde,As on his image not to prey,Whome both the winde and seas obey.At Momus’ wish bee not amaz’d;For if each Christian’s heart were glaz’dWith such a windowe, then each brestMight bee his owne evangelist.
Words in this poem 17
- sullen a.
- Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
- sunn n.
- An East Indian leguminous plant (Crotalaria juncea) and its fiber, which is also called sunn hemp. [Hind. san, fr. Skr. çana.]
- visage n.
- The face, countenance, or look of a person or an animal; -- chiefly applied to the human face. [F. visage, from L. visus a seeing, a look, fr. videre, visum, to see. See Vision.]
- bedeck v. t.
- To deck, ornament, or adorn; to grace.
- casement n.
- A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
- gospell v. t.
- To instruct in the gospel.
- yett n.
- Any one of several species of large marine gastropods belonging to the genus Yetus, or Cymba; a boat shell.
- finn a.
- A native of Finland; one of the FinnFinns.
- nett a.
- Without spot; pure; shining. [F. See Neat clean.]
- pane n.
- The narrow edge of a hammer head. See Peen. [F. panne.]
- devill n.
- The Evil One; Satan, represented as the tempter and spiritual of mankind. [AS. deófol, deóful; akin to G. , Goth. diabaúlus; all fr. L. diabolus the devil, Gr. gal to fall. Cf. Diabolic.]
- corps n.
- The human body, whether living or dead. See Corpse, 1. [F., fr. L. corpus body. See Corpse.]
- meagre a.
- Destitue of, or having little, flesh; lean. [OE. merge, F. maigre, L. macer; akin to D. & G. mager, Icel. magr, and prob. to Gr. Emaciate, Maigre.]
- lambskin n.
- The skin of a lamb; especially, a skin dressed with the wool on, and used as a mat. Also used adjectively.
- dangle v. i.
- To hang loosely, or with a swinging or jerking motion. [Akin to Dan. dangle, dial. Sw. dangla, Dan. dingle, Sw. dingla, Icel. dingla; perh. from E. ding.]
- inviolate a.
- Not violated; uninjured; unhurt; unbroken. [L. inviolatus. See In- not, and Violate.]
- evangelist n.
- A bringer of the glad tidings of Church and his doctrines.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Upon Faireford Windowes is in the public domain. This text is taken from The Poems of Richard Corbet, late bishop of Oxford and of Norwich 4th edition, Project Gutenberg ebook #65375; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Richard Corbet, Upon Faireford Windowes, in Poems (1647), text of Project Gutenberg ebook #65375, Laurel, https://laurelpoetry.com/poem/corbet-poems/upon-faireford-windowes.html, id L08920.
Form and metre
Upon Faireford Windowes is 66 lines in a single stanza. It is in rhyming couplets, 73% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 5 lines end on an unstressed syllable, a feminine ending. 32% of the lines run on without a stop at the line end.
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ----AA--BB----CCDD--EEFF--GGHHIIJJKK--LLMMNNNN--OOPPQQRRSSTTUUVVWW poetry · imag'ry · i · memory · soundA · drown'dA · upon · begun · sightB · delightB · faithfullie · eie · was · glass · unlessC · pressC · outD · aboutD · phisnomy · laity · heereE · eareE · paintF · acquainteF · creede · reade · beeG · seeG · clarkeH · markeH · finnI · withinI · brakeJ · takeJ · paulesK · inroulsK · stone · flowne · eiesL · riseL · descendM · bendM · cryN · byN · seeN · treeN · before · o'er · displayO · clayO · crownP · downeP · nighQ · eyeQ · fateR · inviolateR · deceav'dS · heav'dS · windeT · kindeT · preyU · obeyU · amaz'dV · glaz'dV · brestW · evangelistW
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I knowe no painte of poetry | 8 | ·····/˘˘ |
| Can mend such colour’d imag’ry | 8 | ···/˘··· |
| In sullen inke, yet (Fayreford) I | 9 | ·/˘······ |
| May rellish thy fair memory. | 8 | ·····/˘˘ |
| Such is the echoe’s fainter sound, | 8 | ···/˘/˘· |
| Such is the light when the sunn’s drown’d, | 8 | ········ |
| So did the fancy look upon | 8 | ···/˘··· |
| The work before it was begun. | 8 | ······˘/ |
| Yet when those showes are out of sight, | 8 | ········ |
| My weaker colours may delight. | 8 | ·/˘/˘·˘/ |
| Those images doe faithfullie | 8 | ·/˘˘···· |
| Report true feature to the eie, | 8 | ˘/·/˘··· |
| As you may think each picture was | 8 | ·····/˘· |
| Some visage in a looking-glass; | 8 | ·/˘··/˘· |
| Not a glass window face, unless | 8 | ···/˘··· |
| Such as Cheapside hath, where a press | 8 | ········ |
| Of painted gallants, looking out, | 8 | ·/˘/˘/˘· |
| Bedeck the casement rounde about. | 8 | ˘/·/˘··· |
| But these have holy phisnomy; | 8 | ···/˘··· |
| Each paine instructs the laity | 8 | ··˘/·/˘˘ |
| With silent eloquence; for heere | 8 | ·/˘/˘˘·· |
| Devotion leads the eie, not eare, | 8 | ˘/˘····· |
| To note the cathechisinge paint, | 8 | ········ |
| Whose easie phrase doth soe acquainte | 8 | ········ |
| Our sense with Gospell, that the Creede | 8 | /··/˘··· |
| In such an hand the weake may reade. | 8 | ········ |
| Such tipes e’en yett of vertue bee, | 7 | ······· |
| And Christ as in a glass we see— | 8 | ········ |
| When with a fishinge rod the clarke | 8 | ········ |
| St. Peter’s draught of fish doth marke, | 8 | ·/˘····· |
| Such is the scale, the eie, the finn, | 8 | ········ |
| You’d thinke they strive and leape within; | 8 | ········ |
| But if the nett, which holdes them, brake, | 8 | ········ |
| Hee with his angle some would take. | 8 | ···/˘··· |
| But would you walke a turn in Paules, | 8 | ········ |
| Looke up, one little pane inrouls | 8 | ···/˘··· |
| A fairer temple. Flinge a stone, | 8 | ·/˘/˘··· |
| The church is out at the windowe flowne. | 9 | ········· |
| Consider not, but aske your eies, | 8 | ˘/˘····· |
| And ghosts at mid-day seem to rise, | 8 | ········ |
| The saintes there seemeing to descend, | 8 | ······˘/ |
| Are past the glass, and downwards bend. | 8 | ·····/˘· |
| Look there! The Devill! all would cry, | 8 | ···/˘··· |
| Did they not see that Christ was by. | 8 | ········ |
| See where he suffers for thee! See | 8 | ···/˘··· |
| His body taken from the tree! | 8 | ·/˘/˘··· |
| Had ever death such life before? | 8 | ·/˘····· |
| The limber corps, be-sully’d o’er | 8 | ·/˘····· |
| With meagre paleness, does display | 8 | ·/˘/˘·˘/ |
| A middle state ’twixt flesh and clay. | 8 | ·/˘····· |
| His armes and leggs, his head and crown, | 8 | ········ |
| Like a true lambskin dangle downe: | 8 | ···/˘/˘· |
| Whoe can forbeare, the grave being nigh, | 8 | ······/· |
| To bringe fresh ointment in his eye? | 8 | ···/˘··· |
| The wond’rous art hath equall fate, | 8 | ·/˘··/˘· |
| Unfixt, and yet inviolate. | 8 | ····˘/˘˘ |
| The Puritans were sure deceav’d | 8 | ·/˘˘···· |
| Whoe thought those shaddowes mov’d and heav’d, | 8 | ········ |
| So held from stoninge Christ; the winde | 8 | ········ |
| And boysterous tempests were so kinde, | 9 | ····/˘··· |
| As on his image not to prey, | 8 | ···/˘··· |
| Whome both the winde and seas obey. | 8 | ······˘/ |
| At Momus’ wish bee not amaz’d; | 8 | ·/˘···˘/ |
| For if each Christian’s heart were glaz’d | 8 | ···/˘··· |
| With such a windowe, then each brest | 8 | ········ |
| Might bee his owne evangelist. | 8 | ····˘/˘˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.