An Epitaph on Master Vincent Corbet

Richard Corbet (1582–1635) · 1647

iambic tetrameter · octosyllabic couplets · 40 lines · from Poems

I have my piety too, which, couldIt vent itself but as it would,Would say as much as both have doneBefore me here, the friend and son:For I both lost a friend and father,Of him whose bones this grave doth gather:Dear Vincent Corbet, who so longHad wrestled with diseases strong,That though they did possess each limb,Yet he broke them, ere they could him,With the just canon of his life;A life that knew nor noise nor strife:But was by sweetning so his will,All order and composure still.His mind as pure, and neatly keptAs were his nourseries, and sweptSo of uncleanness or offence,That never came ill odour thence!And add his actions unto these,They were as specious as his trees.’Tis true, he could not reprehend,His very manners taught t’ amend,They were so even, grave, and holy;No stubbornness so stiff, nor follyTo licence ever was so light,As twice to trespass in his sight;His looks would so correct it, whenIt chid the vice, yet not the men.Much from him, I profess, I won,And more, much more, I should have done,But that I understood him scant:Now I conceive him by my want;And pray, who shall my sorrows read,That they for me their tears will shed:For truly, since he left to be,I feel I’m rather dead than he.Reader, whose life and name did e’er becomeAn epitaph, deserv’d a tomb:Nor wants it here through penury or sloth,Who makes the one, so it be first, makes both.

Words in this poem

broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
composure n.
The act of composing, or that which is composed; a composition. [From Compose.]
offence n.
The act of offending in any sense; esp., a crime or a sin, an affront or an injury. [F., fr. L. offensa. See Offend.]
odour n.
Any smell, whether fragrant or offensive; scent; perfume. [OE. odor, odour, OF. odor, odour, F. odeur, fr. L. odor; akin to olere to smell, Gr. Olfactory, Osmium, Ozone, Redolent.]
reprehend v. t.
To reprove or reprimand with a view of restraining, checking, or preventing; to make charge of fault against; to disapprove of; to chide; to blame; to censure. [L. reprehendere, reprehensum, to hold back, seize, check, blame; pref. re- re- + prehendere to lay hold of. See Prehensile, and cf. Reprisal.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
penury n.
Absence of resources; want; privation; indigence; extreme poverty; destitution. [L. penuria; cf. Gr. pénurie.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

An Epitaph on Master Vincent Corbet is in the public domain. This text is taken from The Poems of Richard Corbet, late bishop of Oxford and of Norwich 4th edition, Project Gutenberg ebook #65375; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Richard Corbet, An Epitaph on Master Vincent Corbet, in Poems (1647), text of Project Gutenberg ebook #65375, Laurel, https://laurelpoetry.com/poem/corbet-poems/an-epitaph-on-master-vincent-corbet.html, id L08924.

Form and metre

An Epitaph on Master Vincent Corbet is 40 lines in a single stanza. It is in rhyming couplets, 80% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 89%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 8.3 syllables. 4 lines end on an unstressed syllable, a feminine ending. 20% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABB--CCDDEEFFGGHHIIJJ--KKLLMM--NNOO--PP couldA · wouldA · doneB · sonB · father · gather · longC · strongC · limbD · himD · lifeE · strifeE · willF · stillF · keptG · sweptG · offenceH · thenceH · theseI · treesI · reprehendJ · amendJ · holy · folly · lightK · sightK · whenL · menL · wonM · doneM · scant · want · readN · shedN · beO · heO · become · tomb · slothP · bothP
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
I have my piety too, which, could8···/˘···
It vent itself but as it would,8··˘/····
Would say as much as both have done8········
Before me here, the friend and son:8········
For I both lost a friend and father,9·······/˘
Of him whose bones this grave doth gather:9·······/˘
Dear Vincent Corbet, who so long8·/˘/˘···
Had wrestled with diseases strong,8·/˘·˘/˘·
That though they did possess each limb,8····˘/··
Yet he broke them, ere they could him,8········
With the just canon of his life;8···/˘···
A life that knew nor noise nor strife:8········
But was by sweetning so his will,8········
All order and composure still.8·/˘·˘/˘·
His mind as pure, and neatly kept8·····/˘·
As were his nourseries, and swept7·······
So of uncleanness or offence,8······˘/
That never came ill odour thence!8·/˘··/˘·
And add his actions unto these,8···/˘···
They were as specious as his trees.8···/˘···
’Tis true, he could not reprehend,8········
His very manners taught t’ amend,9·/˘/˘··˘/
They were so even, grave, and holy;9···/˘··/˘
No stubbornness so stiff, nor folly9·/˘˘···/˘
To licence ever was so light,8·/˘/˘···
As twice to trespass in his sight;8···/····
His looks would so correct it, when8····˘/··
It chid the vice, yet not the men.8········
Much from him, I profess, I won,8····˘/··
And more, much more, I should have done,8········
But that I understood him scant:8····˘/··
Now I conceive him by my want;8··˘/····
And pray, who shall my sorrows read,8·····/˘·
That they for me their tears will shed:8········
For truly, since he left to be,8·/˘·····
I feel I’m rather dead than he.8···/˘···
Reader, whose life and name did e’er become10/˘······˘/
An epitaph, deserv’d a tomb:8·/˘·˘/··
Nor wants it here through penury or sloth,9·····/˘··
Who makes the one, so it be first, makes both.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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