An Answer to the Former Song, in Latin and English, by ⸺ Lakes
A ballad late was made,But God knowes who ’es the penner,Some say the rhyming sculler,And others say ’twas Fenner:But they that know the styleDoe smell it by the collar,And do maintaine it was the braineOf some yong Oxford scholler.
And first he rails on Cambridge,And thinkes her to disgrace,By calling her Lutetia,And throws dirt in her face:But leave it, scholler, leave it,For all the world must grant,If Oxford be thy mother,Then Cambridge is thy aunt.
Then goes he to the town,And puts it all in starch,For other rhyme he could not findTo fit the seventh of March:But leave it, scholler, leave it,For I must vail the bonnet,And cast the caps at CambridgeFor making song and sonnet.
Thence goes he to their present,And there he doth purloyne,For looking in their plateHe nimmes away their coyne:But leave it, scholler, leave it,For ’tis a dangerous thingTo steal from corporationsThe presents of a king.
Next that, my lord vice-chancellorHe brings before the prince,And in the face of all the courtHe makes his horse to wince.But leave it, scholler, leave it,For sure that jest did faile,Unless you clapt a nettleUnder his horse’s taile.
Then aimes he at our orator,And at his speech he snarles,Because he forced a word, and calledThe prince “most Jacob-Charles.”But leave it, scholler, leave it,For he did it composeThat puts you down as much for tongueAs you do him for nose.
Then flies he to our comedies,And there he doth professeHe saw among our actorsA perfect diocess.But leave it, scholler, leave it,’Twas no such witty fiction,For since you leave the vicar out,You spoile the jurisdiction.
Next that he backes the hobby-horse,And with a scholler’s grace,Not able to endure the trott,He’d bring him to the pase:But leave it, scholler, leave it,For you will hardly do it,Since all the riders in your museCould never bring him to it.
Polonia land can tell,Through which he oft did trace,And bore a fardell at his back,He nere went other pace.But leave him, scholler, leave him,He learned it of his sire,And if you put him from his trottHee’l lay you in the myre.
Our horse has thrown his rider;But now he meanes to shame us,And in the censuring of our playConspires with Ignoramus.But leave it, scholler, leave it,And call ’t not “God knows what,”Your head was making balladsWhen you should mark the plot.
His fantasie, still working,Finds out another crotchet;Then runs he to the bishop,And rides upon his rotchet.But leave it, scholler, leave it,And take it not in snuff,For he that weares no picadellBy law may weare a ruffe.
Next that he goes to dinner,And, like an hardy guest,When he had cramm’d his belly fullHe railes against the feast.But leave it, scholler, leave it;For, since you eat his roast,It argues want of mannersTo raile upon the host.
Now listen, masters, listen,That tax us for our riot,For here two men went to a ken,So slender was the diet.Then leave him, scholler, leave him,He yieldes himself your debtor,And next time he’s vice-chancellorYour table shall be better.
Then goes he to the Regent-house,And there he sits and seesHow lackeys and subsisers pressAnd scramble for degrees.But leave it, scholler, leave it,’Twas much against our mind,But when the prison doors are opeNoe thief will stay behind.
Behold, more anger yet:He threatens us ere long,When as the king comes back againe,To make another song.But leave it, scholler, leave it,Your weakness you disclose;For “Bonny Nell” doth plainly tellYour wit lies all in prose.
Nor can you make the worldOf Cambridge praise to singe,A mouth so foul no market eareWill stand to hear it sing.Then leave it, scholler, leave it,For yet you cannot say,The king did go from you in MarchAnd come again in May.
Words in this poem 15
- penner n.
- One who pens; a writer. Sir T. North.
- sculler n.
- A boat rowed by one man with two sculls, or short oars.
- vail n.
- Avails; profit; return; proceeds. [Aphetic form of avail, n.]
- sonnet n.
- A short poem, -- usually amatory. [F., fr. It. sonetto, fr. suono a sound, a song, fr. L. sonus a sound. See Sound noise.]
- jest n.
- A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
- witty a.
- Possessed of wit; knowing; wise; skillful; judicious; clever; cunning. [AS. witig, wittig. See Wit, n.]
- trott v. i.
- To proceed by a certain gait peculiar to quadrupeds; to ride or drive at a trot. See Trot, n. [OE. trotten, OF. troter, F. trotter; probably of Teutonic origin, and akin to E. tread; cf. OHG. trott to tread. See Tread.]
- fardell n.
- A bundle or little pack; hence, a burden. [OF. fardel, F. fardeau; cf. Sp. fardel, fardillo, fardo, LL. fardellus; prob. fr. Ar. fard one of the two parts of an object divisible into two, hence, one of t]
- went n.
- Course; way; path; journey; direction.
- sire n.
- A lord, master, or other person in authority. See Sir. [F. sire, originally, an older person. See Sir.]
- crotchet v. i.
- To play music in measured time. Donne.
- rotchet n.
- The European red gurnard (Trigla pini).
- ruffe n.
- A small freshwater European perch (Acerina vulgaris); -- called also pope, blacktail, and stone, or striped, perch. [OE. ruffe.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- bonny a.
- Handsome; beautiful; pretty; attractively lively and graceful. [OE. boni, prob. fr. F. bon, fem. bonne, good, fr. L. bonus good. See Bounty, and cf. Bonus, Boon.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
An Answer to the Former Song, in Latin and English, by ⸺ Lakes is in the public domain. This text is taken from The Poems of Richard Corbet, late bishop of Oxford and of Norwich 4th edition, Project Gutenberg ebook #65375; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Richard Corbet, An Answer to the Former Song, in Latin and English, by ⸺ Lakes, in Poems (1647), text of Project Gutenberg ebook #65375, Laurel, https://laurelpoetry.com/poem/corbet-poems/an-answer-to-the-former-song-in-latin-and-english-by-lakes.html, id L08883.
Form and metre
An Answer to the Former Song, in Latin and English, by ⸺ Lakes is 128 lines in 16 stanzas of 8 lines each. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 6.9 syllables. 36 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A-B-B made · pennerA · sculler · fennerA · style · collarB · braine · schollerB
- 2 -A-A-B-B cambridge · disgraceA · lutetia · faceA · it · grantB · mother · auntB
- 3 -A-ABB-B town · starchA · find · marchA · itB · bonnetB · cambridge · sonnetB
- 4 -A-A-B-B present · purloyneA · plate · coyneA · it · thingB · corporations · kingB
- 5 -A-A-BBB chancellor · princeA · court · winceA · it · faileB · nettleB · taileB
- 6 -A-A-B-B orator · snarlesA · called · charlesA · it · composeB · tongue · noseB
- 7 -A-A-B-B comedies · professeA · actors · diocessA · it · fictionB · out · jurisdictionB
- 8 -A-ABB-B horse · graceA · trott · paseA · itB · itB · muse · itB
- 9 -A-A---- tell · traceA · back · paceA · him · sire · trott · myre
- 10 -A-A---- rider · usA · play · ignoramusA · it · what · ballads · plot
- 11 -A-A-B-B working · crotchetA · bishop · rotchetA · it · snuffB · picadell · ruffeB
- 12 -----A-A dinner · guest · full · feast · it · roastA · manners · hostA
- 13 ABAB-C-C listenA · riotB · kenA · dietB · him · debtorC · chancellor · betterC
- 14 -A-A-B-B house · seesA · press · degreesA · it · mindB · ope · behindB
- 15 -A-A-B-B yet · longA · againe · songA · it · discloseB · tell · proseB
- 16 -----A-A world · singe · eare · sing · it · sayA · march · mayA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| A ballad late was made, | 6 | ·/˘··· |
| But God knowes who ’es the penner, | 8 | ······/˘ |
| Some say the rhyming sculler, | 7 | ···/˘/˘ |
| And others say ’twas Fenner: | 7 | ·/˘··/˘ |
| But they that know the style | 6 | ······ |
| Doe smell it by the collar, | 7 | ·····/˘ |
| And do maintaine it was the braine | 8 | ········ |
| Of some yong Oxford scholler. | 7 | ···/˘/˘ |
| And first he rails on Cambridge, | 7 | ·····/˘ |
| And thinkes her to disgrace, | 6 | ····˘/ |
| By calling her Lutetia, | 7 | ·/˘···· |
| And throws dirt in her face: | 6 | ······ |
| But leave it, scholler, leave it, | 7 | ···/˘·· |
| For all the world must grant, | 6 | ······ |
| If Oxford be thy mother, | 7 | ·/˘··/˘ |
| Then Cambridge is thy aunt. | 6 | ·/˘··· |
| Then goes he to the town, | 6 | ······ |
| And puts it all in starch, | 6 | ······ |
| For other rhyme he could not find | 8 | ·/˘····· |
| To fit the seventh of March: | 7 | ···/˘·· |
| But leave it, scholler, leave it, | 7 | ···/˘·· |
| For I must vail the bonnet, | 7 | ·····/˘ |
| And cast the caps at Cambridge | 7 | ·····/˘ |
| For making song and sonnet. | 7 | ·/˘··/˘ |
| Thence goes he to their present, | 7 | ·····/˘ |
| And there he doth purloyne, | 6 | ······ |
| For looking in their plate | 6 | ·/˘··· |
| He nimmes away their coyne: | 6 | ··˘/·· |
| But leave it, scholler, leave it, | 7 | ···/˘·· |
| For ’tis a dangerous thing | 7 | ···/˘˘· |
| To steal from corporations | 7 | ····˘/˘ |
| The presents of a king. | 6 | ·/˘··· |
| Next that, my lord vice-chancellor | 8 | ·····/˘˘ |
| He brings before the prince, | 6 | ······ |
| And in the face of all the court | 8 | ········ |
| He makes his horse to wince. | 6 | ······ |
| But leave it, scholler, leave it, | 7 | ···/˘·· |
| For sure that jest did faile, | 6 | ······ |
| Unless you clapt a nettle | 7 | ·····/˘ |
| Under his horse’s taile. | 7 | ···/˘·· |
| Then aimes he at our orator, | 9 | ····/˘/˘˘ |
| And at his speech he snarles, | 6 | ······ |
| Because he forced a word, and called | 10 | ····˘····˘ |
| The prince “most Jacob-Charles.” | 6 | ···/˘· |
| But leave it, scholler, leave it, | 7 | ···/˘·· |
| For he did it compose | 6 | ····˘/ |
| That puts you down as much for tongue | 8 | ········ |
| As you do him for nose. | 6 | ······ |
| Then flies he to our comedies, | 9 | ····/˘/˘˘ |
| And there he doth professe | 6 | ······ |
| He saw among our actors | 8 | ····/˘/˘ |
| A perfect diocess. | 5 | ·˘/·· |
| But leave it, scholler, leave it, | 7 | ···/˘·· |
| ’Twas no such witty fiction, | 7 | ···/˘/˘ |
| For since you leave the vicar out, | 8 | ·····/˘· |
| You spoile the jurisdiction. | 8 | ·····˘/˘ |
| Next that he backes the hobby-horse, | 8 | ·····/˘· |
| And with a scholler’s grace, | 6 | ···/˘· |
| Not able to endure the trott, | 8 | ·/˘·˘/·· |
| He’d bring him to the pase: | 6 | ······ |
| But leave it, scholler, leave it, | 7 | ···/˘·· |
| For you will hardly do it, | 7 | ···/˘·· |
| Since all the riders in your muse | 8 | ···/˘··· |
| Could never bring him to it. | 7 | ·/˘···· |
| Polonia land can tell, | 6 | ······ |
| Through which he oft did trace, | 6 | ······ |
| And bore a fardell at his back, | 8 | ········ |
| He nere went other pace. | 6 | ···/˘· |
| But leave him, scholler, leave him, | 7 | ···/˘·· |
| He learned it of his sire, | 7 | ·····/˘ |
| And if you put him from his trott | 8 | ········ |
| Hee’l lay you in the myre. | 6 | ······ |
| Our horse has thrown his rider; | 8 | /˘····/˘ |
| But now he meanes to shame us, | 7 | ······· |
| And in the censuring of our play | 10 | ···/˘˘·/˘· |
| Conspires with Ignoramus. | 8 | ˘/˘··˘/˘ |
| But leave it, scholler, leave it, | 7 | ···/˘·· |
| And call ’t not “God knows what,” | 7 | ······· |
| Your head was making ballads | 7 | ···/˘/˘ |
| When you should mark the plot. | 6 | ······ |
| His fantasie, still working, | 7 | ·····/˘ |
| Finds out another crotchet; | 7 | ··˘/˘/˘ |
| Then runs he to the bishop, | 7 | ·····/˘ |
| And rides upon his rotchet. | 7 | ·····/˘ |
| But leave it, scholler, leave it, | 7 | ···/˘·· |
| And take it not in snuff, | 6 | ······ |
| For he that weares no picadell | 8 | ········ |
| By law may weare a ruffe. | 6 | ······ |
| Next that he goes to dinner, | 7 | ·····/˘ |
| And, like an hardy guest, | 6 | ···/˘· |
| When he had cramm’d his belly full | 8 | ·····/˘· |
| He railes against the feast. | 6 | ······ |
| But leave it, scholler, leave it; | 7 | ···/˘·· |
| For, since you eat his roast, | 6 | ······ |
| It argues want of manners | 7 | ·/˘··/˘ |
| To raile upon the host. | 6 | ······ |
| Now listen, masters, listen, | 7 | ·/˘/˘/˘ |
| That tax us for our riot, | 8 | ····/˘/˘ |
| For here two men went to a ken, | 8 | ········ |
| So slender was the diet. | 7 | ·/˘··/˘ |
| Then leave him, scholler, leave him, | 7 | ···/˘·· |
| He yieldes himself your debtor, | 7 | ··˘/·/˘ |
| And next time he’s vice-chancellor | 8 | ·····/˘˘ |
| Your table shall be better. | 7 | ·/˘··/˘ |
| Then goes he to the Regent-house, | 8 | ·····/˘· |
| And there he sits and sees | 6 | ······ |
| How lackeys and subsisers press | 8 | ·/˘····· |
| And scramble for degrees. | 6 | ·/˘·˘/ |
| But leave it, scholler, leave it, | 7 | ···/˘·· |
| ’Twas much against our mind, | 7 | ····/˘· |
| But when the prison doors are ope | 8 | ···/˘··· |
| Noe thief will stay behind. | 6 | ······ |
| Behold, more anger yet: | 6 | ˘/·/˘· |
| He threatens us ere long, | 6 | ·/˘··· |
| When as the king comes back againe, | 8 | ········ |
| To make another song. | 6 | ··˘/˘· |
| But leave it, scholler, leave it, | 7 | ···/˘·· |
| Your weakness you disclose; | 6 | ·/˘·˘/ |
| For “Bonny Nell” doth plainly tell | 8 | ·/˘··/˘· |
| Your wit lies all in prose. | 6 | ······ |
| Nor can you make the world | 6 | ······ |
| Of Cambridge praise to singe, | 6 | ·/˘··· |
| A mouth so foul no market eare | 8 | ·····/˘· |
| Will stand to hear it sing. | 6 | ······ |
| Then leave it, scholler, leave it, | 7 | ···/˘·· |
| For yet you cannot say, | 6 | ···/˘· |
| The king did go from you in March | 8 | ········ |
| And come again in May. | 6 | ··˘/·· |
Notes from the edition 1
The notes to the Poems of Richard Corbet (Project Gutenberg #65375).
- Stanza 1, line 4 The former is Taylor, the celebrated water-poet: the latter, William Fenner, a puritanical poet and pamphleteer of that period, was educated at Pembroke-hall, Oxford. He was preferred to the rectory of Rochford, in Essex, by the earl of Warwick. He died about 1640. Archbishop Laud in his annual account to the king 1636, page 37, mentions one Fenner, a principal ringleader of the Separatists, with their conventicles, at and about Ashford in Kent.
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