The Old Village
IT lies among the greenest hillsNew England’s depths can show;About their base the river fillsAnd empties as the distant millsControl its ebb and flow:It had a quick life of its own,But that was long ago.
Two centuries have rolled awaySince a small, hardy bandTurned their sad faces from the bay,The dim sky-line where England lay,And boldly marched inland.Before them lay the wilderness,Behind them lay the strand.
Bravely they plunged into the wasteBy white foot never trod;Bravely and busily they tracedThe village boundaries, and placedTheir ploughs in virgin sod;Built huts, and then a meeting-houseWhere man might worship God.
The huts gave place to houses white;The axe-affrighted woodsShrank back to left, shrank back to right;The valleys laughed with harvest light;The river’s vagrant moodsWere curbed by clattering wheels, which shookThe once green solitudes.
And years flowed on, and life flowed by.The hills were named and known.The young looked out with eager eyeFrom the “old” village; by and byThey stole forth one by one,Leaving the old folks in their homesTo labor on alone.
And one by one the old folks died,Each in his lonely way.The doors which once stood open wide,To let a busy human tideSweep in and out all day,Were closed; the unseeing windows staredJust as a blind man may.
The mills, abandoned, ceased to whir;The unchecked river ranIts old-time courses, merrier,And glad in spirit, as it were,For its escape from man,Teased the dumb wheels, and mocked and playedAs only a river can.
Looking to-day across the space,Beyond the flower-fringed trackWhich once was road, the eye can traceThe outlines of a cellar-place,A half-burned chimney-back:They mark the ruins of a homeNow empty, cold, and black.
And here and there an old dame standsSome farm-house window nigh,Or, dark against the pasture-lands,A ploughman old, with trembling hands,Checks his team suddenly,And turns a gray head to the roadTo watch the passer-by.
Above the empty village liesOne thickly peopled spot,Where gray stones in gray silence rise,And tell to sunset and sunriseOf past lives that are not,—The lives that fought and strove and toiledAnd builded. And for what?
’Tis Nature’s law in everything.The river seeks the sea;But not one droplet wanderingGoes ever back to feed the spring.Such things are and must be.The gone is gone, the lost is lost,Fled irrevocably.
Old village on the lonely hill,Deserted by your own,Your spended lifelike mountain rillHas gone to swell the tide and fillSome sea unseen, unknown.Let this brave thought your comfort be,As thus you die alone.
Words in this poem
- boldly adv.
- In a bold manner. [AS. bealdlice.]
- bravely adv.
- In a brave manner; courageously; gallantly; valiantly; splendidly; nobly.
- busily adv.
- In a busy manner.
- shook v. t.
- To pack, as staves, in a shook.
- stole n.
- A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
- folks n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
- dame n.
- A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
- ploughman n.
- One who plows, or who holds and guides a plow; hence, a husbandman. Chaucer.
- peopled a.
- Stocked with, or as with, people; inhabited.
- droplet n.
- A little drop; a tear.
- lifelike a.
- Like a living being; resembling life; giving an accurate representation; as, a lifelike portrait. [Cf. Lively.]
- rill n.
- A very small brook; a streamlet. [Cf. LG. rille a small channel or brook, a furrow, a chamfer, OE. rigol a small brook, F. rigole a trench or furrow for water, W. rhill a row, rhigol a little di]
- unseen a.
- Not seen or discovered.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Old Village is in the public domain. This text is taken from A Few More Verses, Project Gutenberg ebook #49518; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Susan Coolidge, The Old Village, in A Few More Verses (1889), text of Project Gutenberg ebook #49518, Laurel, https://laurelpoetry.com/poem/coolidge-few-more-verses/the-old-village.html, id L23503.
Form and metre
The Old Village is 84 lines in 12 stanzas of 7 lines each. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 88%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAAB-B hillsA · showB · fillsA · millsA · flowB · own · agoB
- 2 ABAAB-B awayA · bandB · bayA · layA · inlandB · wilderness · strandB
- 3 ABAAB-B wasteA · trodB · tracedA · placedA · sodB · house · godB
- 4 A-AAB-B whiteA · woods · rightA · lightA · moodsB · shook · solitudesB
- 5 ABAA--B byA · knownB · eyeA · byA · one · homes · aloneB
- 6 ABAAB-B diedA · wayB · wideA · tideA · dayB · stared · mayB
- 7 -A--A-A whir · ranA · merrier · were · manA · played · canA
- 8 ABAAB-B spaceA · trackB · traceA · placeA · backB · home · blackB
- 9 ABAA--B standsA · nighB · landsA · handsA · suddenly · road · byB
- 10 ABAAB-- liesA · spotB · riseA · sunriseA · notB · toiled · what
- 11 ABAAB-- everythingA · seaB · wanderingA · springA · beB · lost · irrevocably
- 12 ABAAB-B hillA · ownB · rillA · fillA · unknownB · be · aloneB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| IT lies among the greenest hills | 8 | ·····/˘· |
| New England’s depths can show; | 6 | ·/˘··· |
| About their base the river fills | 8 | ·····/˘· |
| And empties as the distant mills | 8 | ·/˘··/˘· |
| Control its ebb and flow: | 6 | ˘/···· |
| It had a quick life of its own, | 8 | ········ |
| But that was long ago. | 6 | ····˘/ |
| Two centuries have rolled away | 8 | ·/˘˘··˘/ |
| Since a small, hardy band | 6 | ···/˘· |
| Turned their sad faces from the bay, | 8 | ···/˘··· |
| The dim sky-line where England lay, | 8 | ·····/˘· |
| And boldly marched inland. | 6 | ·/˘·/· |
| Before them lay the wilderness, | 8 | ·····/˘˘ |
| Behind them lay the strand. | 6 | ······ |
| Bravely they plunged into the waste | 8 | /˘······ |
| By white foot never trod; | 6 | ···/˘· |
| Bravely and busily they traced | 8 | /˘·/˘˘·· |
| The village boundaries, and placed | 8 | ·/˘/˘˘·· |
| Their ploughs in virgin sod; | 6 | ···/˘· |
| Built huts, and then a meeting-house | 8 | ·····/˘· |
| Where man might worship God. | 6 | ···/˘· |
| The huts gave place to houses white; | 8 | ·····/˘· |
| The axe-affrighted woods | 6 | ······ |
| Shrank back to left, shrank back to right; | 8 | ········ |
| The valleys laughed with harvest light; | 8 | ·/˘··/˘· |
| The river’s vagrant moods | 6 | ·/˘/˘· |
| Were curbed by clattering wheels, which shook | 8 | ···/˘··· |
| The once green solitudes. | 6 | ···/˘· |
| And years flowed on, and life flowed by. | 8 | ········ |
| The hills were named and known. | 6 | ······ |
| The young looked out with eager eye | 8 | ·····/˘· |
| From the “old” village; by and by | 8 | ···/˘··· |
| They stole forth one by one, | 6 | ······ |
| Leaving the old folks in their homes | 8 | /˘······ |
| To labor on alone. | 6 | ·/˘·˘/ |
| And one by one the old folks died, | 8 | ········ |
| Each in his lonely way. | 6 | ···/˘· |
| The doors which once stood open wide, | 8 | ·····/˘· |
| To let a busy human tide | 8 | ···/˘/˘· |
| Sweep in and out all day, | 6 | ······ |
| Were closed; the unseeing windows stared | 8 | ·····/˘· |
| Just as a blind man may. | 6 | ······ |
| The mills, abandoned, ceased to whir; | 8 | ··˘/˘··· |
| The unchecked river ran | 6 | ·˘//˘· |
| Its old-time courses, merrier, | 8 | ···/˘/˘˘ |
| And glad in spirit, as it were, | 8 | ···/˘··· |
| For its escape from man, | 6 | ··˘/·· |
| Teased the dumb wheels, and mocked and played | 8 | ········ |
| As only a river can. | 7 | ·/˘·/˘· |
| Looking to-day across the space, | 8 | /˘··˘/·· |
| Beyond the flower-fringed track | 7 | ···/˘·· |
| Which once was road, the eye can trace | 8 | ········ |
| The outlines of a cellar-place, | 8 | ·/···/˘· |
| A half-burned chimney-back: | 6 | ···/˘· |
| They mark the ruins of a home | 8 | ···/˘··· |
| Now empty, cold, and black. | 6 | ·/˘··· |
| And here and there an old dame stands | 8 | ········ |
| Some farm-house window nigh, | 6 | ···/˘· |
| Or, dark against the pasture-lands, | 8 | ·····/˘· |
| A ploughman old, with trembling hands, | 8 | ·····/˘· |
| Checks his team suddenly, | 6 | ···/˘˘ |
| And turns a gray head to the road | 8 | ········ |
| To watch the passer-by. | 6 | ···/˘· |
| Above the empty village lies | 8 | ···/˘/˘· |
| One thickly peopled spot, | 6 | ·/˘/˘· |
| Where gray stones in gray silence rise, | 8 | ·····/˘· |
| And tell to sunset and sunrise | 8 | ···/··/· |
| Of past lives that are not,— | 6 | ······ |
| The lives that fought and strove and toiled | 8 | ········ |
| And builded. And for what? | 6 | ·/˘··· |
| ’Tis Nature’s law in everything. | 8 | ·/˘··/˘· |
| The river seeks the sea; | 6 | ·/˘··· |
| But not one droplet wandering | 8 | ···/˘/˘˘ |
| Goes ever back to feed the spring. | 8 | ·/˘····· |
| Such things are and must be. | 6 | ······ |
| The gone is gone, the lost is lost, | 8 | ········ |
| Fled irrevocably. | 6 | ·˘/˘˘˘ |
| Old village on the lonely hill, | 8 | ·/˘··/˘· |
| Deserted by your own, | 6 | ˘/˘··· |
| Your spended lifelike mountain rill | 8 | ·/˘/·/˘· |
| Has gone to swell the tide and fill | 8 | ········ |
| Some sea unseen, unknown. | 6 | ··˘/˘/ |
| Let this brave thought your comfort be, | 8 | ·····/˘· |
| As thus you die alone. | 6 | ····˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.