The Keys of Granada

Susan Coolidge (1835–1905) · 1889

iambic pentameter · ABABB · 35 lines · from A Few More Verses

’TIS centuries since they were torn away,Those sad-faced Moors from their belovèd Spain;In long procession to the wind-swept bay,With sobs and muttered curses, fierce with pain,They took their woful road and never came again.

Behind them lay the homes of their delight,The marble courtyards and cool palaces,Where fountains flashed and shimmered day and night’Neath dusk and silver blooms of blossoming trees.They closed the echoing doors, and bore away the keys.

Palace and pleasure-garden are forgot;The marble walls have crumbled long ago;Their site, their ownership, remembered not,And helpless wrath alike and hopeless woeAre cooled and comforted by Time’s all-healing flow.

But still the children of those exiled Moors,A sad transplanted stem on alien shore,Keep as their trust—and will while time endures—The rusty keys which their forefathers bore;The keys of those shut doors which ne’er shall open more.

The doors are dust, but yet the hope lives on;The walls are dust, but memories cannot die;And still each sad-faced father tells his sonOf the lost homes, the blue Granadian sky,The glory and the wrong of those old days gone by.

Ah, keys invisible of happy doorsWhich long ago our own hands fastened tight!We treasure them as do those hapless Moors,Though dust the palaces of our delight,Vacant and bodiless and vanished quite.

Keys of our dear, dead hopes, we prize them still,Wet them with tears, embalm with useless sighs;And at their sight and touch our pulses stillWaken and throb, and under alien skiesWe taste the airs of home and gaze in long-closed eyes.

Words in this poem

woful a.
Full of woe; sorrowful; distressed with grief or calamity; afflicted; wretched; unhappy; sad.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
hapless a.
Without hap or luck; luckless; unfortunate; unlucky; unhappy; as, hapless youth; hapless maid.
bodiless a.
Having no body.
waken v. i.
To wake; to cease to sleep; to be awakened. [OE. waknen, AS. wæcnan; akin to Goth. gawaknan. See Wake, v. i.]
throb v. i.
To beat, or pulsate, with more than usual force or rapidity; to beat in consequence of agitation; to palpitate; -- said of the heart, pulse, etc. [OE. ; of uncertain origin; cf. Russ. trepete a trembling, and E. trepidation.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Keys of Granada is in the public domain. This text is taken from A Few More Verses, Project Gutenberg ebook #49518; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Susan Coolidge, The Keys of Granada, in A Few More Verses (1889), text of Project Gutenberg ebook #49518, Laurel, https://laurelpoetry.com/poem/coolidge-few-more-verses/the-keys-of-granada.html, id L23455.

Form and metre

The Keys of Granada is 35 lines in 7 stanzas of 5 lines each. The rhyme scheme is ABABB, complete in 5 of its 7 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABB awayA · spainB · bayA · painB · againB
  2. 2 ABABB delightA · palacesB · nightA · treesB · keysB
  3. 3 ABABB forgotA · agoB · notA · woeB · flowB
  4. 4 ABABB moorsA · shoreB · enduresA · boreB · moreB
  5. 5 -A-AA on · dieA · son · skyA · byA
  6. 6 -A-AA doors · tightA · moors · delightA · quiteA
  7. 7 ABABB stillA · sighsB · stillA · skiesB · eyesB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
’TIS centuries since they were torn away,10·/˘˘····˘/
Those sad-faced Moors from their belovèd Spain;10···˘······
In long procession to the wind-swept bay,10··˘/˘·····
With sobs and muttered curses, fierce with pain,10···/˘/˘···
They took their woful road and never came again.11·······/·˘/
Behind them lay the homes of their delight,10········˘/
The marble courtyards and cool palaces,10·/˘/···/˘˘
Where fountains flashed and shimmered day and night10·/˘··/˘···
’Neath dusk and silver blooms of blossoming trees.10···/˘··/˘·
They closed the echoing doors, and bore away the keys.12···/˘···˘/··
Palace and pleasure-garden are forgot;10/˘·/˘/˘·˘/
The marble walls have crumbled long ago;10·/˘··/˘·˘/
Their site, their ownership, remembered not,10···/˘·˘/˘·
And helpless wrath alike and hopeless woe10·/˘·˘/·/˘·
Are cooled and comforted by Time’s all-healing flow.11···/˘···/˘·
But still the children of those exiled Moors,10···/˘··/··
A sad transplanted stem on alien shore,10··˘/˘··/˘·
Keep as their trust—and will while time endures—10········˘/
The rusty keys which their forefathers bore;10·/˘···/·˘·
The keys of those shut doors which ne’er shall open more.12·········/˘·
The doors are dust, but yet the hope lives on;10··········
The walls are dust, but memories cannot die;10·····/˘/˘·
And still each sad-faced father tells his son10·····/˘···
Of the lost homes, the blue Granadian sky,10··········
The glory and the wrong of those old days gone by.12·/˘·········
Ah, keys invisible of happy doors10··˘/˘˘·/˘·
Which long ago our own hands fastened tight!10··˘//··/˘·
We treasure them as do those hapless Moors,10·/˘····/˘·
Though dust the palaces of our delight,10···/˘˘·/˘/
Vacant and bodiless and vanished quite.10/˘·/˘˘·/˘·
Keys of our dear, dead hopes, we prize them still,10··/·······
Wet them with tears, embalm with useless sighs;10····˘/·/˘·
And at their sight and touch our pulses still10······//˘·
Waken and throb, and under alien skies10/˘·····/˘·
We taste the airs of home and gaze in long-closed eyes.12············

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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