Variations

William Collins (1721–1759) · 1746

iambic pentameter · heroic couplets · 66 lines · from Poetical Works

Ver.1. While, own'd by you, with smiles the Muse surveysThe expected triumph of her sweetest lays:While, stretch'd at ease, she boasts your guardian aid,Secure, and happy in her sylvan shade:Excuse her fears, who scarce a verse bestows,In just remembrance of the debt she owes;With conscious, &c.

Long slighted Fancy with a mother's careWept o'er his works, and felt the last despair:Torn from her head, she saw the roses fall,By all deserted, though admired by all:

near And "Oh!" she cried, "shall Science still resignWhate'er is Nature's, and whate'er is mine?to Shall Taste and Art but show a cold regard,22. And scornful Pride reject the unletter'd bard?Ye myrtled nymphs, who own my gentle reign,Tune the sweet lyre, and grace my airy train,If, where ye rove, your searching eyes have knownOne perfect mind, which judgment calls its own;There every breast its fondest hopes must bend,And every Muse with tears await her friend."'Twas then fair Isis from her stream arose,In kind compassion of her sister's woes.'Twas then she promised to the mourning maidThe immortal honours which thy hands have paid:"My best loved son," she said, "shall yet restoreThy ruin'd sweets, and Fancy weep no more."Each rising art by slow gradation moves;Toil builds, &c.

When Rome herself, her envied glories dead,No more imperial, stoop'd her conquer'd head;Luxuriant Florence chose a softer theme,While all was peace, by Arno's silver stream.With sweeter notes the Etrurian vales complain'd,And arts reviving told a Cosmo reign'd.Their wanton lyres the bards of Provence strung,Sweet flow'd the lays, but love was all they sung.The gay, &c.

O, blest in all that genius gives to charm,Whose morals mend us, and whose passions warm!Oft let my youth attend thy various page,Where rich invention rules the unbounded stage:There every scene the poet's warmth may raise,And melting music find the softest lays:O, might the Muse with equal ease persuadeExpressive Picture to adopt thine aid!Some powerful Raphael should again appear,And arts consenting fix their empire here.

Methinks e'en now I view some fair design,Where breathing Nature lives in every line;Chaste and subdued, the modest colours lie,In fair proportion to the approving eye:And see where Anthony lamenting stands,In fixt distress, and spreads his pleading hands:O'er the pale corse the warrior seems to bend,

A rage impatient, and a fiercer air?E'en now his thoughts with eager vengeance doomThe last sad ruin of ungrateful Rome.Till, slow advancing o'er the tented plain,In sable weeds, appear the kindred train:The frantic mother leads their wild despair,Beats her swoln breast, and rends her silver hair;And see, he yields! the tears unbidden start,And conscious nature claims the unwilling heart!O'er all the man conflicting passions rise;

Words in this poem

scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
admired a.
Regarded with wonder and delight; highly prized; as, an admired poem.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
await v. t.
To watch for; to look out for. [OF. awaitier, agaitier; (L. ad) + waitier, gaitier to watch, F. guetter. See Wait.]
isis n.
The principal goddess worshiped by the Egyptians. She was regarded as the mother of Horus, and the sister and wife of Osiris.
etrurian a.
Of or relating to ancient Etruria, in Italy.
methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
approving a.
Expressing approbation; commending; as, an approving smile.
corse n.
A living body or its bulk. [OF. cors, F. corps. See Corpse.]
ungrateful a.
Not grateful; not thankful for favors; making no returns, or making ill return for kindness, attention, etc.; ingrateful. South.
tented a.
Covered with tents.
sable n.
A carnivorous animal of the Weasel family (Mustela zibellina) native of the northern latitudes of Europe, Asia, and America, -- noted for its fine, soft, and valuable fur. [OF. sable, F. zibeline sable (in sense 4), LL. sabellum; cf. D. sabel, Dan. sabel, zobel, Sw. sabel, sobel, G. zobel; all fr. Russ. sóbole.]
swoln
Contraction of Swollen, p. p.
unbidden a.
Not bidden; not commanded.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Variations is in the public domain. This text is taken from The Poetical Works of William Collins; With a Memoir, Project Gutenberg ebook #29879; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Collins, Variations, in Poetical Works (1746), text of Project Gutenberg ebook #29879, Laurel, https://laurelpoetry.com/poem/collins-poems/variations-4.html, id L13359.

Form and metre

Variations is 66 lines in 7 verse paragraphs. It is in rhyming couplets, 88% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 91%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 9.8 syllables. 12% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -AABBCC- ver · surveysA · laysA · aidB · shadeB · bestowsC · owesC · —
  2. 2 AABB careA · despairA · fallB · allB
  3. 3 AABBCCDDEEFFGGHHII resignA · mineA · regardB · bardB · reignC · trainC · knownD · ownD · bendE · friendE · aroseF · woesF · maidG · paidG · restoreH · moreH · movesI · —
  4. 4 AABBCCDD- deadA · headA · themeB · streamB · complain'dC · reign'dC · strungD · sungD · —
  5. 5 AABBCCDDEE charmA · warmA · pageB · stageB · raiseC · laysC · persuadeD · aidD · appearE · hereE
  6. 6 AABBCC- designA · lineA · lieB · eyeB · standsC · handsC · bend
  7. 7 A--BBAACC- airA · doom · rome · plainB · trainB · despairA · hairA · startC · heartC · rise
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Ver.1·
1. While, own'd by you, with smiles the Muse surveys10········˘/
The expected triumph of her sweetest lays:11·˘/˘/˘··/˘·
While, stretch'd at ease, she boasts your guardian aid,10·······/˘·
Secure, and happy in her sylvan shade:10˘/·/˘··/˘·
Excuse her fears, who scarce a verse bestows,10˘/······˘/
In just remembrance of the debt she owes;10··˘/˘·····
With conscious, &c.4·/˘·
Long slighted Fancy with a mother's care10·/˘/˘··/˘·
Wept o'er his works, and felt the last despair:10········˘/
Torn from her head, she saw the roses fall,10·······/˘·
By all deserted, though admired by all:10··˘/˘·˘/··
near And "Oh!" she cried, "shall Science still resign11······/˘·˘/
Whate'er is Nature's, and whate'er is mine?12˘˘/·/˘·˘˘/··
to Shall Taste and Art but show a cold regard,11·········˘/
22. And scornful Pride reject the unletter'd bard?11·/˘·˘/·····
Ye myrtled nymphs, who own my gentle reign,10·/˘····/˘·
Tune the sweet lyre, and grace my airy train,10·······/˘·
If, where ye rove, your searching eyes have known10·····/˘···
One perfect mind, which judgment calls its own;10·/···/˘···
There every breast its fondest hopes must bend,10·/˘··/˘···
And every Muse with tears await her friend."10·/˘···˘/··
'Twas then fair Isis from her stream arose,10···/˘···˘/
In kind compassion of her sister's woes.10··˘/˘··/˘·
'Twas then she promised to the mourning maid10···/˘··/˘·
The immortal honours which thy hands have paid:11·˘/˘/˘·····
"My best loved son," she said, "shall yet restore10········˘/
Thy ruin'd sweets, and Fancy weep no more."10·/˘··/˘···
Each rising art by slow gradation moves;10·/˘···˘/˘·
Toil builds, &c.3···
When Rome herself, her envied glories dead,10··˘/·/˘/˘·
No more imperial, stoop'd her conquer'd head;10··˘/˘··/˘·
Luxuriant Florence chose a softer theme,10˘/˘/˘··/˘·
While all was peace, by Arno's silver stream.10·····/˘/˘·
With sweeter notes the Etrurian vales complain'd,12·/˘··˘/˘˘·˘/
And arts reviving told a Cosmo reign'd.10··˘/˘··/˘·
Their wanton lyres the bards of Provence strung,10·/˘····/˘·
Sweet flow'd the lays, but love was all they sung.10··········
The gay, &c.3···
O, blest in all that genius gives to charm,10·····/˘···
Whose morals mend us, and whose passions warm!10·/˘····/˘·
Oft let my youth attend thy various page,10····˘/·/˘·
Where rich invention rules the unbounded stage:11··˘/˘··˘/˘·
There every scene the poet's warmth may raise,10·/˘··/˘···
And melting music find the softest lays:10·/˘/˘··/˘·
O, might the Muse with equal ease persuade10·····/˘·˘/
Expressive Picture to adopt thine aid!10˘/˘/˘·˘/··
Some powerful Raphael should again appear,11·/˘/˘˘·˘/˘/
And arts consenting fix their empire here.10··˘/˘··/˘·
Methinks e'en now I view some fair design,10˘/······˘/
Where breathing Nature lives in every line;10·/˘/˘··/˘·
Chaste and subdued, the modest colours lie,10··˘/·/˘/˘·
In fair proportion to the approving eye:11··˘/˘··˘/˘·
And see where Anthony lamenting stands,10···/˘˘˘/˘·
In fixt distress, and spreads his pleading hands:10··˘/···/˘·
O'er the pale corse the warrior seems to bend,10·····/˘···
A rage impatient, and a fiercer air?10··˘/˘··/˘·
E'en now his thoughts with eager vengeance doom10·····/˘/˘·
The last sad ruin of ungrateful Rome.10···/˘·˘/˘·
Till, slow advancing o'er the tented plain,10··˘/˘··/˘·
In sable weeds, appear the kindred train:10·/˘·˘/·/˘·
The frantic mother leads their wild despair,10·/˘/˘···˘/
Beats her swoln breast, and rends her silver hair;10·······/˘·
And see, he yields! the tears unbidden start,10··········
And conscious nature claims the unwilling heart!11·/˘/˘··˘/˘·
O'er all the man conflicting passions rise;10····˘/˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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