Addressed to Sir Thomas Hanmer, on His Edition of Shakespeare's Works

William Collins (1721–1759) · 1746

iambic pentameter · heroic couplets · 148 lines · from Poetical Works

SIR,A patriot's hand protects a poet's lays,While nursed by you she sees her myrtles bloom,Green and unwither'd o'er his honour'd tomb;Excuse her doubts, if yet she fears to tellWhat secret transports in her bosom swell:With conscious awe she hears the critic's fame,And blushing hides her wreath at Shakespeare's name.Hard was the lot those injured strains endured,Unown'd by Science, and by years obscured:Fair Fancy wept; and echoing sighs confess'dA fix'd despair in every tuneful breast.Not with more grief the afflicted swains appear,When wintry winds deform the plenteous year;When lingering frosts the ruin'd seats invadeWhere Peace resorted, and the Graces play'd.

Each rising art by just gradation moves,Toil builds on toil, and age on age improves:The Muse alone unequal dealt her rage,And graced with noblest pomp her earliest stage.Preserved through time, the speaking scenes impartEach changeful wish of Phædra's tortured heart;Or paint the curse that mark'd the Theban's reign,A bed incestuous, and a father slain.With kind concern our pitying eyes o'erflow,Trace the sad tale, and own another's woe.

To Rome removed, with wit secure to please,The comic Sisters kept their native ease:With jealous fear, declining Greece beheldHer own Menander's art almost excell'd;But every Muse essay'd to raise in vainSome labour'd rival of her tragic strain:Ilissus' laurels, though transferr'd with toil,Droop'd their fair leaves, nor knew the unfriendly soil.As Arts expired, resistless Dulness rose;Goths, Priests, or Vandals,--all were Learning's foes.Till Julius first recall'd each exiled maid,And Cosmo own'd them in the Etrurian shade:Then, deeply skill'd in love's engaging theme,The soft Provençal pass'd to Arno's stream:With graceful ease the wanton lyre he strung;Sweet flow'd the lays--but love was all he sung.The gay description could not fail to move,For, led by nature, all are friends to love.

But Heaven, still various in its works, decreedThe perfect boast of time should last succeed.The beauteous union must appear at length,Of Tuscan fancy, and Athenian strength:One greater Muse Eliza's reign adorn,And e'en a Shakespeare to her fame be born!

Yet ah! so bright her morning's opening ray,In vain our Britain hoped an equal day!No second growth the western isle could bear,At once exhausted with too rich a year.Too nicely Jonson knew the critic's part;Nature in him was almost lost in art.Of softer mould the gentle Fletcher came,The next in order, as the next in name;With pleased attention, 'midst his scenes we findEach glowing thought that warms the female mind;Each melting sigh, and every tender tear;The lover's wishes, and the virgin's fear.His every strain the Smiles and Graces own;But stronger Shakespeare felt for man alone:Drawn by his pen, our ruder passions standThe unrival'd picture of his early hand.

With gradual steps and slow, exacter FranceSaw Art's fair empire o'er her shores advance:By length of toil a bright perfection knew,Correctly bold, and just in all she drew:Till late Corneille, with Lucan's spirit fired,Breathed the free strain, as Rome and he inspired:And classic judgment gain'd to sweet RacineThe temperate strength of Maro's chaster line.

But wilder far the British laurel spread,And wreaths less artful crown our poet's head.Yet he alone to every scene could giveThe historian's truth, and bid the manners live.Waked at his call I view, with glad surprise,Majestic forms of mighty monarchs rise.There Henry's trumpets spread their loud alarms,And laurel'd Conquest waits her hero's arms.Here gentler Edward claims a pitying sigh,Scarce born to honours, and so soon to die!Yet shall thy throne, unhappy infant, bringNo beam of comfort to the guilty king:The time shall come when Glo'ster's heart shall bleed,In life's last hours, with horror of the deed;When dreary visions shall at last presentThy vengeful image in the midnight tent:Thy hand unseen the secret death shall bear,Blunt the weak sword, and break the oppressive spear!

Where'er we turn, by Fancy charm'd, we findSome sweet illusion of the cheated mind.Oft, wild of wing, she calls the soul to roveWith humbler nature, in the rural grove;Where swains contented own the quiet scene,And twilight fairies tread the circled green:Dress'd by her hand, the woods and valleys smile,And Spring diffusive decks the enchanted isle.

O, more than all in powerful genius blest,Come, take thine empire o'er the willing breast!Whate'er the wounds this youthful heart shall feel,Thy songs support me, and thy morals heal!There every thought the poet's warmth may raise,There native music dwells in all the lays.O might some verse with happiest skill persuadeExpressive Picture to adopt thine aid!What wondrous draughts might rise from every page!What other Raphaels charm a distant age!

Methinks e'en now I view some free design,Where breathing Nature lives in every line:Chaste and subdued the modest lights decay,Steal into shades, and mildly melt away.And see where Anthony, in tears approved,Guards the pale relics of the chief he loved:O'er the cold corse the warrior seems to bend,Deep sunk in grief, and mourns his murder'd friend!Still as they press, he calls on all around,Lifts the torn robe, and points the bleeding wound.

But who is he, whose brows exalted bearA wrath impatient, and a fiercer air?Awake to all that injured worth can feel,On his own Rome he turns the avenging steel;Yet shall not war's insatiate fury fall(So heaven ordains it) on the destined wall.See the fond mother, 'midst the plaintive train,Hung on his knees, and prostrate on the plain!Touch'd to the soul, in vain he strives to hideThe son's affection, in the Roman's pride:O'er all the man conflicting passions rise;Rage grasps the sword, while Pity melts the eyes.

Thus generous Critic, as thy Bard inspires,The sister Arts shall nurse their drooping fires;Each from his scenes her stores alternate bring,Blend the fair tints, or wake the vocal string:Those sibyl leaves, the sport of every wind,(For poets ever were a careless kind,)By thee disposed, no farther toil demand,But, just to Nature, own thy forming hand.

So spread o'er Greece, the harmonious whole unknown,E'en Homer's numbers charm'd by parts alone.Their own Ulysses scarce had wander'd more,By winds and waters cast on every shore:When, raised by fate, some former Hanmer join'dEach beauteous image of the boundless mind;And bade, like thee, his Athens ever claimA fond alliance with the Poet's name.

Words in this poem 31
tuneful a.
Harmonious; melodious; musical; as, tuneful notes.
wintry a.
Suitable to winter; resembling winter, or what belongs to winter; brumal; hyemal; cold; stormy; wintery. [AS. wintrig.]
deform a.
Deformed; misshapen; shapeless; horrid. [L. deformis; de- + forma form: cf. OF. deforme, F. difforme. Cf. Difform.]
graced a.
Endowed with grace; beautiful; full of graces; honorable.
changeful a.
Full of change; mutable; inconstant; fickle; uncertain.
pitying a.
Expressing pity; as, a pitying eye, glance, or word.
resistless a.
Having no power to resist; making no opposition.
etrurian a.
Of or relating to ancient Etruria, in Italy.
beauteous a.
Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
mould n.
Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
fletcher n.
One who fletches of feathers arrows; a manufacturer of bows and arrows. Mortimer. [OF. flechier.]
classic a.
Of or relating to the first class or rank, especially in literature or art. [L. classicus relating to the classes of the Roman people, and especially to the frist class; hence, of the first rank, superior, from classis class: cf. F. clas]
artful a.
Performed with, or characterized by, art or skill. [From Art.]
trumpets n.
A plant (Sarracenia flava) with long, hollow leaves.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
dreary a.
Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
vengeful a.
Vindictive; retributive; revengeful.
unseen a.
Not seen or discovered.
humbler n.
One who, or that which, humbles some one.
circled a.
Having the form of a circle; round.
diffusive a.
Having the quality of diffusing; capable of spreading every way by flowing; spreading widely; widely reaching; copious; diffuse. [Cf. F. diffusif.]
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
wondrous adv.
In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
corse n.
A living body or its bulk. [OF. cors, F. corps. See Corpse.]
insatiate a.
Insatiable; as, insatiate thirst. [L. insatiatus.]
generous a.
Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
sibyl n.
A woman supposed to be endowed with a spirit of prophecy.
bade
A form of the pat tense of Bid.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Addressed to Sir Thomas Hanmer, on His Edition of Shakespeare's Works is in the public domain. This text is taken from The Poetical Works of William Collins; With a Memoir, Project Gutenberg ebook #29879; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Collins, Addressed to Sir Thomas Hanmer, on His Edition of Shakespeare's Works, in Poetical Works (1746), text of Project Gutenberg ebook #29879, Laurel, https://laurelpoetry.com/poem/collins-poems/addressed-to-sir-thomas-hanmer-on-his-edition-of-shakespeare.html, id L13358.

Form and metre

Addressed to Sir Thomas Hanmer, on His Edition of Shakespeare's Works is 148 lines in 13 verse paragraphs. It is in rhyming couplets, 96% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 3 lines end on an unstressed syllable, a feminine ending. 15% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AABBCCDDEEFFGG sir · lays · bloomA · tombA · tellB · swellB · fameC · nameC · enduredD · obscuredD · confess'dE · breastE · appearF · yearF · invadeG · play'dG
  2. 2 AABBCCDDEE movesA · improvesA · rageB · stageB · impartC · heartC · reignD · slainD · o'erflowE · woeE
  3. 3 AABBCCDDEEFFGGHHII pleaseA · easeA · beheldB · excell'dB · vainC · strainC · toilD · soilD · roseE · foesE · maidF · shadeF · themeG · streamG · strungH · sungH · moveI · loveI
  4. 4 AABBCC decreedA · succeedA · lengthB · strengthB · adornC · bornC
  5. 5 AABCDDEEFFBCGGHH rayA · dayA · bearB · yearC · partD · artD · cameE · nameE · findF · mindF · tearB · fearC · ownG · aloneG · standH · handH
  6. 6 AABBCCDD franceA · advanceA · knewB · drewB · firedC · inspiredC · racineD · lineD
  7. 7 AABBCCDDEEFFGGHHII spreadA · headA · giveB · liveB · surpriseC · riseC · alarmsD · armsD · sighE · dieE · bringF · kingF · bleedG · deedG · presentH · tentH · bearI · spearI
  8. 8 AABBCCDD findA · mindA · roveB · groveB · sceneC · greenC · smileD · isleD
  9. 9 AABBCCDDEE blestA · breastA · feelB · healB · raiseC · laysC · persuadeD · aidD · pageE · ageE
  10. 10 AABBCCDDEE designA · lineA · decayB · awayB · approvedC · lovedC · bendD · friendD · aroundE · woundE
  11. 11 AABBCCDDEEFF bearA · airA · feelB · steelB · fallC · wallC · trainD · plainD · hideE · prideE · riseF · eyesF
  12. 12 AABBCCDD inspiresA · firesA · bringB · stringB · windC · kindC · demandD · handD
  13. 13 AABBCCDD unknownA · aloneA · moreB · shoreB · join'dC · mindC · claimD · nameD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
SIR,1·
A patriot's hand protects a poet's lays,10·/˘·˘/·/˘·
While nursed by you she sees her myrtles bloom,10·······/˘·
Green and unwither'd o'er his honour'd tomb;10··········
Excuse her doubts, if yet she fears to tell10˘/········
What secret transports in her bosom swell:10·/˘/˘··/˘·
With conscious awe she hears the critic's fame,10·/˘····/˘·
And blushing hides her wreath at Shakespeare's name.10·/˘····/··
Hard was the lot those injured strains endured,10·····/˘·˘/
Unown'd by Science, and by years obscured:10···/˘···˘/
Fair Fancy wept; and echoing sighs confess'd10·/˘··/˘·˘/
A fix'd despair in every tuneful breast.10··˘/·/˘/˘·
Not with more grief the afflicted swains appear,11·····˘/˘·˘/
When wintry winds deform the plenteous year;11·/˘··/·/˘˘·
When lingering frosts the ruin'd seats invade10·/˘··/˘·˘/
Where Peace resorted, and the Graces play'd.10··˘/˘··/˘·
Each rising art by just gradation moves,10·/˘···˘/˘·
Toil builds on toil, and age on age improves:10········˘/
The Muse alone unequal dealt her rage,10··˘/˘/˘···
And graced with noblest pomp her earliest stage.10···/˘··/˘·
Preserved through time, the speaking scenes impart10˘/···/˘·˘/
Each changeful wish of Phædra's tortured heart;10·/˘····/˘·
Or paint the curse that mark'd the Theban's reign,10··········
A bed incestuous, and a father slain.10··˘/˘··/˘·
With kind concern our pitying eyes o'erflow,10··˘///˘···
Trace the sad tale, and own another's woe.10······˘/˘·
To Rome removed, with wit secure to please,10··˘/··˘/··
The comic Sisters kept their native ease:10·/˘/˘··/˘·
With jealous fear, declining Greece beheld10·/˘·˘/˘·˘/
Her own Menander's art almost excell'd;10······/·˘/
But every Muse essay'd to raise in vain10·/˘·······
Some labour'd rival of her tragic strain:10···/˘··/˘·
Ilissus' laurels, though transferr'd with toil,10···/˘·˘/··
Droop'd their fair leaves, nor knew the unfriendly soil.11·······˘/˘·
As Arts expired, resistless Dulness rose;10··˘/˘/˘···
Goths, Priests, or Vandals,--all were Learning's foes.10···/˘··/˘·
Till Julius first recall'd each exiled maid,10·/˘·˘/·/··
And Cosmo own'd them in the Etrurian shade:12·/˘····˘/˘˘·
Then, deeply skill'd in love's engaging theme,10·/˘···˘/˘·
The soft Provençal pass'd to Arno's stream:10·······/˘·
With graceful ease the wanton lyre he strung;10·/˘··/˘···
Sweet flow'd the lays--but love was all he sung.10··········
The gay description could not fail to move,10··˘/˘·····
For, led by nature, all are friends to love.10···/˘·····
But Heaven, still various in its works, decreed10·/·/˘···˘/
The perfect boast of time should last succeed.10·/······˘/
The beauteous union must appear at length,11·/˘˘/˘·˘/··
Of Tuscan fancy, and Athenian strength:10·/˘/˘·˘/˘·
One greater Muse Eliza's reign adorn,10·/˘·˘/˘·˘/
And e'en a Shakespeare to her fame be born!10···/······
Yet ah! so bright her morning's opening ray,10·····/˘/˘·
In vain our Britain hoped an equal day!10··//˘··/˘·
No second growth the western isle could bear,10·/˘··/˘···
At once exhausted with too rich a year.10··˘/˘·····
Too nicely Jonson knew the critic's part;10·/˘/˘··/˘·
Nature in him was almost lost in art.10/˘···/····
Of softer mould the gentle Fletcher came,10·/˘··/˘/˘·
The next in order, as the next in name;10···/˘·····
With pleased attention, 'midst his scenes we find10··˘/˘·····
Each glowing thought that warms the female mind;10·/˘····/··
Each melting sigh, and every tender tear;10·/˘··/˘/˘·
The lover's wishes, and the virgin's fear.10·/˘/˘··/˘·
His every strain the Smiles and Graces own;10·/˘····/˘·
But stronger Shakespeare felt for man alone:10·/˘/····˘/
Drawn by his pen, our ruder passions stand10····//˘/˘·
The unrival'd picture of his early hand.11·˘/˘/˘··/˘·
With gradual steps and slow, exacter France10·/˘···˘/˘·
Saw Art's fair empire o'er her shores advance:10···/˘···˘/
By length of toil a bright perfection knew,10······˘/˘·
Correctly bold, and just in all she drew:10˘/˘·······
Till late Corneille, with Lucan's spirit fired,11········//˘
Breathed the free strain, as Rome and he inspired:11········˘/˘
And classic judgment gain'd to sweet Racine10·/˘/˘···˘/
The temperate strength of Maro's chaster line.10·/˘··/˘···
But wilder far the British laurel spread,10·/˘··/˘/˘·
And wreaths less artful crown our poet's head.10···/˘·//˘·
Yet he alone to every scene could give10··˘/·/˘···
The historian's truth, and bid the manners live.11·˘/˘····/˘·
Waked at his call I view, with glad surprise,10········˘/
Majestic forms of mighty monarchs rise.10˘/˘··/˘/··
There Henry's trumpets spread their loud alarms,10·/˘/˘···˘/
And laurel'd Conquest waits her hero's arms.10···/˘··/˘·
Here gentler Edward claims a pitying sigh,10·/˘/˘··/˘·
Scarce born to honours, and so soon to die!10···/˘·····
Yet shall thy throne, unhappy infant, bring10····˘/˘/˘·
No beam of comfort to the guilty king:10···/˘··/˘·
The time shall come when Glo'ster's heart shall bleed,10·····/˘···
In life's last hours, with horror of the deed;10···/·/˘···
When dreary visions shall at last present10·/˘/˘···˘/
Thy vengeful image in the midnight tent:10·/˘/˘··/··
Thy hand unseen the secret death shall bear,10··˘/·/˘···
Blunt the weak sword, and break the oppressive spear!11·······˘/˘·
Where'er we turn, by Fancy charm'd, we find11˘˘/···/˘···
Some sweet illusion of the cheated mind.10··˘/˘··/˘·
Oft, wild of wing, she calls the soul to rove10··········
With humbler nature, in the rural grove;10·/˘/˘··/˘·
Where swains contented own the quiet scene,10··˘/˘··/˘·
And twilight fairies tread the circled green:10·/·/˘··/˘·
Dress'd by her hand, the woods and valleys smile,10·······/˘·
And Spring diffusive decks the enchanted isle.11··˘/˘··˘/˘·
O, more than all in powerful genius blest,10·····/˘/˘·
Come, take thine empire o'er the willing breast!10···/˘··/˘·
Whate'er the wounds this youthful heart shall feel,11˘˘/···/˘···
Thy songs support me, and thy morals heal!10··˘/···/˘·
There every thought the poet's warmth may raise,10·/˘··/˘···
There native music dwells in all the lays.10·/˘/˘·····
O might some verse with happiest skill persuade10·····/˘·˘/
Expressive Picture to adopt thine aid!10˘/˘/˘·˘/··
What wondrous draughts might rise from every page!10·/˘····/˘·
What other Raphaels charm a distant age!11·/˘·˘/··/˘·
Methinks e'en now I view some free design,10˘/······˘/
Where breathing Nature lives in every line:10·/˘/˘··/˘·
Chaste and subdued the modest lights decay,10··˘/·/˘·˘/
Steal into shades, and mildly melt away.10·····/˘·˘/
And see where Anthony, in tears approved,10···/˘˘··˘/
Guards the pale relics of the chief he loved:10···/˘·····
O'er the cold corse the warrior seems to bend,10·····/˘···
Deep sunk in grief, and mourns his murder'd friend!10·······/˘·
Still as they press, he calls on all around,10··········
Lifts the torn robe, and points the bleeding wound.10·······/˘·
But who is he, whose brows exalted bear10······˘/˘·
A wrath impatient, and a fiercer air?10··˘/˘··/˘·
Awake to all that injured worth can feel,10˘/···/˘···
On his own Rome he turns the avenging steel;11·······˘/˘·
Yet shall not war's insatiate fury fall11····˘/˘˘/˘·
(So heaven ordains it) on the destined wall.10·/˘/···/˘·
See the fond mother, 'midst the plaintive train,10···/˘··/˘·
Hung on his knees, and prostrate on the plain!10·····/˘···
Touch'd to the soul, in vain he strives to hide10··········
The son's affection, in the Roman's pride:10··˘/˘··/˘·
O'er all the man conflicting passions rise;10····˘/˘/˘·
Rage grasps the sword, while Pity melts the eyes.10·····/˘···
Thus generous Critic, as thy Bard inspires,10·/˘/˘···˘/
The sister Arts shall nurse their drooping fires;11·/˘····/˘/˘
Each from his scenes her stores alternate bring,10······/˘··
Blend the fair tints, or wake the vocal string:10·······/˘·
Those sibyl leaves, the sport of every wind,10·/˘····/˘·
(For poets ever were a careless kind,)10·/˘/˘··/˘·
By thee disposed, no farther toil demand,10··˘/·/˘·˘/
But, just to Nature, own thy forming hand.10···/˘··/˘·
So spread o'er Greece, the harmonious whole unknown,11·····˘/˘·˘/
E'en Homer's numbers charm'd by parts alone.10·/˘/˘···˘/
Their own Ulysses scarce had wander'd more,10··˘/˘··/˘·
By winds and waters cast on every shore:10···/˘··/˘·
When, raised by fate, some former Hanmer join'd10·····/˘/˘·
Each beauteous image of the boundless mind;11·/˘˘/˘··/˘·
And bade, like thee, his Athens ever claim10·····/˘/˘·
A fond alliance with the Poet's name.10··˘/˘··/˘·
Notes from the edition 8

Notes to the Poetical Works of William Collins, ed. W. C. Bronson (Project Gutenberg #29879).

  1. Stanza 2, line 7 The OEdipus of Sophocles.
  2. Stanza 3, line 11 Julius the Second, the immediate predecessor of Leo the Tenth.
  3. Stanza 5, line 13 Their characters are thus distinguished by Mr. Dryden.
  4. Stanza 6, line 1 About the time of Shakespeare, the poet Hardy was in great repute in France. He wrote, according to Fontenelle, six hundred plays. The French poets after him applied themselves in general to the correct improvement of the stage, which was almost totally disregarded by those of our own country, Jonson excepted.
  5. Stanza 6, line 5 The favourite author of the elder Corneille.
  6. Stanza 7, line 13 Turno tempus erit, magno cum optaverit emptum Intactum Pallanta, etc. VIRG.
  7. Stanza 10, line 5 See the tragedy of Julius Cæsar.
  8. Stanza 11, line 1 Coriolanus. See Mr. Spence's Dialogue on the Odyssey.

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