Love
All thoughts, all passions, all delights,Whatever stirs this mortal frame,All are but ministers of Love,And feed his sacred flame.
Oft in my waking dreams do ILive o'er again that happy hour,When midway on the mount I lay,Beside the ruined tower.
The moonshine, stealing o'er the sceneHad blended with the lights of eve;And she was there, my hope, my joy,My own dear Genevieve!
She leant against the armed man,The statue of the armed knight;She stood and listened to my lay,Amid the lingering light.
Few sorrows hath she of her own.My hope! my joy! my Genevieve!She loves me best, whene'er I singThe songs that make her grieve.
I played a soft and doleful air,I sang an old and moving story--An old rude song, that suited wellThat ruin wild and hoary.
She listened with a flitting blush,With downcast eyes and modest grace;For well she knew, I could not chooseBut gaze upon her face.
I told her of the Knight that woreUpon his shield a burning brand;And that for ten long years he wooedThe Lady of the Land.
I told her how he pined: and ah!The deep, the low, the pleading toneWith which I sang another's love,Interpreted my own.
She listened with a flitting blush,With downcast eyes, and modest grace;And she forgave me, that I gazedToo fondly on her face!
But when I told the cruel scornThat crazed that bold and lovely Knight,And that he crossed the mountain-woods,Nor rested day nor night;
That sometimes from the savage den,And sometimes from the darksome shade,And sometimes starting up at onceIn green and sunny glade,--
There came and looked him in the faceAn angel beautiful and bright;And that he knew it was a Fiend,This miserable Knight!
And that unknowing what he did,He leaped amid a murderous band,And saved from outrage worse than deathThe Lady of the Land!
And how she wept, and clasped his knees;And how she tended him in vain--And ever strove to expiateThe scorn that crazed his brain;--
And that she nursed him in a cave;And how his madness went away,When on the yellow forest-leavesA dying man he lay;--
His dying words-but when I reachedThat tenderest strain of all the ditty,My faltering voice and pausing harpDisturbed her soul with pity!
All impulses of soul and senseHad thrilled my guileless Genevieve;The music and the doleful tale,The rich and balmy eve;
And hopes, and fears that kindle hope,An undistinguishable throng,And gentle wishes long subdued,Subdued and cherished long!
She wept with pity and delight,She blushed with love, and virgin-shame;And like the murmur of a dream,I heard her breathe my name.
Her bosom heaved--she stepped aside,As conscious of my look she stepped--Then suddenly, with timorous eyeShe fled to me and wept.
She half enclosed me with her arms,She pressed me with a meek embrace;And bending back her head, looked up,And gazed upon my face.
'Twas partly love, and partly fear,And partly 'twas a bashful art,That I might rather feel, than see,The swelling of her heart.
I calmed her fears, and she was calm,And told her love with virgin pride;And so I won my Genevieve,My bright and beauteous Bride.
Words in this poem 16
- midway n.
- The middle of the way or distance; a middle way or course.
- moonshine n.
- The light of the moon.
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- hoary a.
- White or whitish."The hoary willows."
- flitting n.
- A flying with lightness and celerity; a fluttering.
- fondly adv.
- Foolishly. Verstegan (1673).
- darksome a.
- Dark; gloomy; obscure; shaded; cheerless.
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- glade n.
- An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
- went n.
- Course; way; path; journey; direction.
- ditty n.
- A saying or utterance; especially, one that is short and frequently repeated; a theme. [OE. dite, OF. ditié, fr. L. dictatum, p. p. neut. of dictare to say often, dictate, compose. See Dictate, v. t.]
- faltering a.
- Hesitating; trembling.
- guileless a.
- Free from guile; artless.
- balmy a.
- Having the qualities of balm; odoriferous; aromatic; assuaging; soothing; refreshing; mild.
- bashful a.
- Abashed; daunted; dismayed. [See Bash.]
- beauteous a.
- Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Love is in the public domain. This text is taken from Poems of Coleridge, Project Gutenberg ebook #8208; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Samuel Taylor Coleridge, Love, in Poems of Coleridge (1796–1817), text of Project Gutenberg ebook #8208, Laurel, https://laurelpoetry.com/poem/coleridge-poems/love.html, id L00310.
Form and metre
Love is 96 lines in 24 stanzas of 4 lines each. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 7.7 syllables. 6 lines end on an unstressed syllable, a feminine ending. 20% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A delights · frameA · love · flameA
- 2 -A-A i · hourA · lay · towerA
- 3 -A-A scene · eveA · joy · genevieveA
- 4 -A-A man · knightA · lay · lightA
- 5 -A-A own · genevieveA · sing · grieveA
- 6 -A-A air · storyA · well · hoaryA
- 7 -A-A blush · graceA · choose · faceA
- 8 -A-A wore · brandA · wooed · landA
- 9 -A-A ah · toneA · love · ownA
- 10 -A-A blush · graceA · gazed · faceA
- 11 -A-A scorn · knightA · woods · nightA
- 12 -A-A den · shadeA · once · gladeA
- 13 -A-A face · brightA · fiend · knightA
- 14 -A-A did · bandA · death · landA
- 15 -A-A knees · vainA · expiate · brainA
- 16 -A-A cave · awayA · leaves · layA
- 17 -A-A reached · dittyA · harp · pityA
- 18 -A-A sense · genevieveA · tale · eveA
- 19 -A-A hope · throngA · subdued · longA
- 20 -A-A delight · shameA · dream · nameA
- 21 -A-A aside · steppedA · eye · weptA
- 22 -A-A arms · embraceA · up · faceA
- 23 -A-A fear · artA · see · heartA
- 24 -A-A calm · prideA · genevieve · brideA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| All thoughts, all passions, all delights, | 8 | ···/˘·˘/ |
| Whatever stirs this mortal frame, | 8 | ·/˘··/˘· |
| All are but ministers of Love, | 8 | ···/˘˘·· |
| And feed his sacred flame. | 7 | ···/˘˘· |
| Oft in my waking dreams do I | 8 | ···/˘··· |
| Live o'er again that happy hour, | 9 | ··˘/·/˘/˘ |
| When midway on the mount I lay, | 8 | ·/······ |
| Beside the ruined tower. | 8 | ˘/·/˘˘/˘ |
| The moonshine, stealing o'er the scene | 8 | ·/·/˘··· |
| Had blended with the lights of eve; | 8 | ·/˘····· |
| And she was there, my hope, my joy, | 8 | ········ |
| My own dear Genevieve! | 6 | ···/˘· |
| She leant against the armed man, | 8 | ·/˘····· |
| The statue of the armed knight; | 8 | ·/····˘· |
| She stood and listened to my lay, | 8 | ···/˘··· |
| Amid the lingering light. | 7 | ˘/·/˘˘· |
| Few sorrows hath she of her own. | 8 | ·/˘····· |
| My hope! my joy! my Genevieve! | 8 | ·····/˘· |
| She loves me best, whene'er I sing | 9 | ········· |
| The songs that make her grieve. | 6 | ······ |
| I played a soft and doleful air, | 8 | ·····/˘· |
| I sang an old and moving story-- | 9 | ·····/˘/˘ |
| An old rude song, that suited well | 8 | ·····/˘· |
| That ruin wild and hoary. | 7 | ·/˘··/˘ |
| She listened with a flitting blush, | 8 | ·/˘··/˘· |
| With downcast eyes and modest grace; | 8 | ·/···/˘· |
| For well she knew, I could not choose | 8 | ········ |
| But gaze upon her face. | 6 | ······ |
| I told her of the Knight that wore | 8 | ········ |
| Upon his shield a burning brand; | 8 | ·····/˘· |
| And that for ten long years he wooed | 8 | ········ |
| The Lady of the Land. | 6 | ·/˘··· |
| I told her how he pined: and ah! | 8 | ········ |
| The deep, the low, the pleading tone | 8 | ·····/˘· |
| With which I sang another's love, | 8 | ····˘/˘· |
| Interpreted my own. | 6 | ˘/˘˘·· |
| She listened with a flitting blush, | 8 | ·/˘··/˘· |
| With downcast eyes, and modest grace; | 8 | ·/···/˘· |
| And she forgave me, that I gazed | 8 | ··˘/···· |
| Too fondly on her face! | 6 | ·/˘··· |
| But when I told the cruel scorn | 8 | ·····/˘· |
| That crazed that bold and lovely Knight, | 8 | ·····/˘· |
| And that he crossed the mountain-woods, | 8 | ·····/˘· |
| Nor rested day nor night; | 6 | ·/˘··· |
| That sometimes from the savage den, | 8 | ·/···/˘· |
| And sometimes from the darksome shade, | 8 | ·/···/˘· |
| And sometimes starting up at once | 8 | ·/·/˘··· |
| In green and sunny glade,-- | 6 | ···/˘· |
| There came and looked him in the face | 8 | ········ |
| An angel beautiful and bright; | 8 | ·/˘/˘˘·· |
| And that he knew it was a Fiend, | 8 | ········ |
| This miserable Knight! | 6 | ·/˘˘˘· |
| And that unknowing what he did, | 8 | ··˘/˘··· |
| He leaped amid a murderous band, | 8 | ··˘/·/˘· |
| And saved from outrage worse than death | 8 | ···/···· |
| The Lady of the Land! | 6 | ·/˘··· |
| And how she wept, and clasped his knees; | 8 | ········ |
| And how she tended him in vain-- | 8 | ···/˘··· |
| And ever strove to expiate | 8 | ·/˘··/˘· |
| The scorn that crazed his brain;-- | 7 | ····˘·· |
| And that she nursed him in a cave; | 8 | ········ |
| And how his madness went away, | 8 | ···/˘·˘/ |
| When on the yellow forest-leaves | 8 | ···/˘/˘· |
| A dying man he lay;-- | 6 | ·/˘··· |
| His dying words-but when I reached | 8 | ·/˘····· |
| That tenderest strain of all the ditty, | 9 | ·/˘····/˘ |
| My faltering voice and pausing harp | 8 | ·/˘··/˘· |
| Disturbed her soul with pity! | 8 | ˘/˘···/˘ |
| All impulses of soul and sense | 8 | ·˘/˘···· |
| Had thrilled my guileless Genevieve; | 8 | ···/˘/˘· |
| The music and the doleful tale, | 8 | ·/˘··/˘· |
| The rich and balmy eve; | 6 | ···/˘· |
| And hopes, and fears that kindle hope, | 8 | ·····/˘· |
| An undistinguishable throng, | 8 | ········ |
| And gentle wishes long subdued, | 8 | ·/˘/˘·˘/ |
| Subdued and cherished long! | 8 | ˘/˘·/˘˘· |
| She wept with pity and delight, | 8 | ···/˘·˘/ |
| She blushed with love, and virgin-shame; | 8 | ·····/˘· |
| And like the murmur of a dream, | 8 | ···/˘··· |
| I heard her breathe my name. | 6 | ······ |
| Her bosom heaved--she stepped aside, | 8 | ·/˘···˘/ |
| As conscious of my look she stepped-- | 8 | ·/˘····· |
| Then suddenly, with timorous eye | 8 | ·/˘·/˘˘· |
| She fled to me and wept. | 6 | ······ |
| She half enclosed me with her arms, | 8 | ··˘/···· |
| She pressed me with a meek embrace; | 8 | ······˘/ |
| And bending back her head, looked up, | 8 | ·/˘····· |
| And gazed upon my face. | 7 | ··˘···· |
| 'Twas partly love, and partly fear, | 8 | ·/˘··/˘· |
| And partly 'twas a bashful art, | 8 | ·/˘··/˘· |
| That I might rather feel, than see, | 8 | ···/˘··· |
| The swelling of her heart. | 6 | ·/˘··· |
| I calmed her fears, and she was calm, | 8 | ········ |
| And told her love with virgin pride; | 8 | ·····/˘· |
| And so I won my Genevieve, | 8 | ·····/˘· |
| My bright and beauteous Bride. | 7 | ···/˘˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.