Canto IV
Eastward, or Northward, or West? I wander and ask as I wander;Weary, yet eager and sure, Where shall I come to my love?Whitherward hasten to seek her? Ye daughters of Italy, tell me,Graceful and tender and dark, is she consorting with you?Thou that out-climbest the torrent, that tendest thy goats to the summit,Call to me, child of the Alp, has she been seen on the heights?Italy, farewell I bid thee! for whither she leads me, I follow.Farewell the vineyard! for I, where I but guess her, must go;Weariness welcome, and labour, wherever it be, if at last itBring me in mountain or plain into the sight of my love.
Gone from Florence; indeed! and that is truly provoking;--Gone to Milan, it seems; then I go also to Milan.Five days now departed; but they can travel but slowly;--I quicker far; and I know, as it happens, the home they will go to.--Why, what else should I do? Stay here and look at the pictures,Statues and churches? Alack, I am sick of the statues and pictures!--No, to Bologna, Parma, Piacenza, Lodi, and Milan,Off go we to-night,--and the Venus go to the Devil!
Gone to Como, they said; and I have posted to Como.There was a letter left; but the cameriere had lost it.Could it have been for me? They came, however, to Como,And from Como went by the boat,--perhaps to the Spluegen,--Or to the Stelvio, say, and the Tyrol; also it might beBy Porlezza across to Lugano, and so to the SimplonPossibly, or the St. Gothard,--or possibly, too, to Baveno,Orta, Turin, and elsewhere. Indeed, I am greatly bewildered.
I have been up the Spluegen, and on the Stelvio also:Neither of these can I find they have followed; in no one inn, andThis would be odd, have they written their names. I have been to Porlezza;There they have not been seen, and therefore not at Lugano.What shall I do? Go on through the Tyrol, Switzerland, Deutschland,Seeking, an inverse Saul, a kingdom to find only asses?There is a tide, at least, in the LOVE affairs of mortals,Which, when taken at flood, leads on to the happiest fortune,--Leads to the marriage-morn and the orange-flowers and the altar,And the long lawful line of crowned joys to crowned joys succeeding.--Ah, it has ebbed with me! Ye gods, and when it was flowing,Pitiful fool that I was, to stand fiddle-faddling in that way!
I have returned and found their names in the book at Como.Certain it is I was right, and yet I am also in error.Added in feminine hand, I read, By the boat to Bellaggio.--So to Bellaggio again, with the words of he writing to aid me.Yet at Bellaggio I find no trace, no sort of remembrance.So I am here, and wait, and know every hour will remove them.
I have but one chance left,--and that is going to Florence.But it is cruel to turn. The mountains seem to demand me,--Peak and valley from far to beckon and motion me onward.Somewhere amid their folds she passes whom fain I would follow;Somewhere amid those heights she haply calls me to seek her.Ah, could I hear her call! could I catch the glimpse of her raiment!Turn, however, I must, though it seem I turn to desert her;For the sense of the thing is simply to hurry to Florence,Where the certainty yet may be learnt, I suppose, from the Ropers.
Dear Miss Roper,--By this you are safely away, we are hoping,Many a league from Rome; ere long we trust we shall see you.How have you travelled? I wonder;--was Mr. Claude your companion?As for ourselves, we went from Como straight to Lugano;So by the Mount St. Gothard; we meant to go by Porlezza,Taking the steamer, and stopping, as you had advised, at Bellaggio,Two or three days or more; but this was suddenly altered,After we left the hotel, on the very way to the steamer.So we have seen, I fear, not one of the lakes in perfection.Well, he is not come, and now, I suppose, he will not come.What will you think, meantime? and yet I must really confess it;--What will you say? I wrote him a note. We left in a hurry,Went from Milan to Como, three days before we expected.But I thought, if he came all the way to Milan, he reallyOught not to be disappointed: and so I wrote three lines toSay I had heard he was coming, desirous of joining our party;--If so, then I said, we had started for Como, and meant toCross the St. Gothard, and stay, we believed, at Lucerne, for the summer.Was it wrong? and why, if it was, has it failed to bring him?Did he not think it worth while to come to Milan? He knew (youTold him) the house we should go to. Or may it, perhaps, have miscarried?Any way, now, I repent, and am heartily vexed that I wrote it.
There is a home on the shore of the Alpine sea, that upswellingHigh up the mountain-sides spreads in the hollow between;Wilderness, mountain, and snow from the land of the olive conceal it;Under Pilatus's hill low by the river it lies;Italy, utter the word, and the olive and vine will allure not,--Wilderness, forest, and snow will not the passage impede;Italy, unto thy cities receding, the clue to recover,Hither, recovered the clue, shall not the traveller haste?
Words in this poem 21
- northward a.
- Toward the north; nearer to the north than to the east or west point. [AS. noredhweard.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- whitherward adv.
- In what direction; toward what or which place. R. of Brunne.
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- vineyard n.
- An inclosure or yard for grapevines; a plantation of vines producing grapes. [For OE. winyard, AS. wingeard; influenced by E. vine. See Wine, and Yard an inclosure.]
- wherever adv.
- At or in whatever place; wheresoever.
- alack interj.
- An exclamation expressive of sorrow. [Prob. from ah! lack! OE. lak loss, failure, misfortune. See Lack.]
- bologna n.
- A city of Italy which has given its name to various objects.
- went n.
- Course; way; path; journey; direction.
- inverse a.
- Opposite in order, relation, or effect; reversed; inverted; reciprocal; -- opposed to direct. [L. inversus, p. p. of invertere: cf. F. inverse. See Invert.]
- beckon v. t.
- To make a significant sign to; hence, to summon, as by a motion of the hand.
- somewhere adv.
- In some place unknown or not specified; in one place or another.
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- fain v. t.
- To be glad ; to wish or desire.
- haply adv.
- By hap, chance, luck, or accident; perhaps; it may be.
- roper n.
- A maker of ropes. P. Plowman.
- wrote v. i.
- To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
- ought p. p.
- Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
- disappointed a.
- Defeated of expectation or hope; balked; as, a disappointed person or hope.
- repent a.
- Prostrate and rooting; -- said of stems. Gray. [L. repens, -entis, creeping, p. pr. of repere to creep.]
- clue n.
- A ball of thread, yarn, or cord; also, The thread itself. [OE. clewe, clowe, clue, AS. cleowen, cliwen, clywe ball of thread; akin to D. kluwen, OHG. chliwa, chliuwa, G. dim. kleuel, knäuel, and perch. to L. gluma hull,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Canto IV is in the public domain. This text is taken from Amours De Voyage, Project Gutenberg ebook #1393; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Arthur Hugh Clough, Canto IV, in Amours de Voyage (1858), text of Project Gutenberg ebook #1393, Laurel, https://laurelpoetry.com/poem/clough-amours/canto-iv.html, id L20531.
Form and metre
Canto IV is 83 lines in 8 stanzas. The metre is dactylic pentameter, measured from the stress the words themselves fix (confidence 73%). 76% of its stressed syllables fall where the metre puts the beat. The lines average 15.4 syllables. 3 lines end on an unstressed syllable, a feminine ending. 10% of the lines run on without a stop at the line end.
See other poems in dactylic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A--B---BA wander · loveA · me · you · summitB · heights · follow · go · itB · loveA
- 2 -A--BBA- provoking · milanA · slowly · to · picturesB · picturesB · milanA · devil
- 3 A-A----- comoA · it · comoA · spluegen · be · simplon · baveno · bewildered
- 6 A---B-BA- florenceA · me · onward · follow · herB · raiment · herB · florenceA · ropers
- 7 -A--------B---A-A--A-B hoping · youA · companion · lugano · porlezza · bellaggio · altered · steamer · perfection · come · itB · hurry · expected · really · toA · party · toA · summer · him · youA · miscarried · itB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against dactylic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Eastward, or Northward, or West? I wander and ask as I wander; | 16 | /˘·/˘···/˘····/˘ |
| Weary, yet eager and sure, Where shall I come to my love? | 14 | /˘·/˘········· |
| Whitherward hasten to seek her? Ye daughters of Italy, tell me, | 17 | /˘˘/˘····/˘·/˘˘·· |
| Graceful and tender and dark, is she consorting with you? | 14 | /˘·/˘····˘/˘·· |
| Thou that out-climbest the torrent, that tendest thy goats to the summit, | 17 | ···/˘·/˘·/˘····/˘ |
| Call to me, child of the Alp, has she been seen on the heights? | 14 | ·············· |
| Italy, farewell I bid thee! for whither she leads me, I follow. | 17 | /˘˘·/····/˘····/˘ |
| Farewell the vineyard! for I, where I but guess her, must go; | 14 | ·/·/˘········· |
| Weariness welcome, and labour, wherever it be, if at last it | 17 | /˘˘/˘·/·˘/˘······ |
| Bring me in mountain or plain into the sight of my love. | 14 | ···/˘········· |
| Gone from Florence; indeed! and that is truly provoking;-- | 14 | ··/˘˘/···/˘˘/˘ |
| Gone to Milan, it seems; then I go also to Milan. | 14 | ··˘/·····/˘·˘/ |
| Five days now departed; but they can travel but slowly;-- | 14 | ···˘/˘···/˘·/˘ |
| I quicker far; and I know, as it happens, the home they will go to.-- | 17 | ·/˘······/˘······ |
| Why, what else should I do? Stay here and look at the pictures, | 14 | ············/˘ |
| Statues and churches? Alack, I am sick of the statues and pictures!-- | 17 | /··/˘˘/·····/··/˘ |
| No, to Bologna, Parma, Piacenza, Lodi, and Milan, | 15 | ··˘/˘/˘···/˘·˘/ |
| Off go we to-night,--and the Venus go to the Devil! | 14 | ·······/˘···/˘ |
| Gone to Como, they said; and I have posted to Como. | 14 | ··/˘·····/˘·/˘ |
| There was a letter left; but the cameriere had lost it. | 14 | ···/˘········· |
| Could it have been for me? They came, however, to Como, | 14 | ·········/˘·/˘ |
| And from Como went by the boat,--perhaps to the Spluegen,-- | 14 | ··/˘····˘/···· |
| Or to the Stelvio, say, and the Tyrol; also it might be | 15 | ··········/˘··· |
| By Porlezza across to Lugano, and so to the Simplon | 16 | ····˘/·˘/˘······ |
| Possibly, or the St. Gothard,--or possibly, too, to Baveno, | 17 | /˘˘···/˘·/˘˘····· |
| Orta, Turin, and elsewhere. Indeed, I am greatly bewildered. | 16 | /˘/˘·/·˘/··/˘˘/˘ |
| I have been up the Spluegen, and on the Stelvio also: | 14 | ············/˘ |
| Neither of these can I find they have followed; in no one inn, and | 16 | /˘·······/˘····· |
| This would be odd, have they written their names. I have been to Porlezza; | 17 | ······/˘········· |
| There they have not been seen, and therefore not at Lugano. | 14 | ···········˘/˘ |
| What shall I do? Go on through the Tyrol, Switzerland, Deutschland, | 15 | ··········/˘˘/˘ |
| Seeking, an inverse Saul, a kingdom to find only asses? | 15 | /˘·˘/··/˘··/˘/˘ |
| There is a tide, at least, in the LOVE affairs of mortals, | 14 | ·········˘/·/˘ |
| Which, when taken at flood, leads on to the happiest fortune,-- | 15 | ··/˘······/˘˘/˘ |
| Leads to the marriage-morn and the orange-flowers and the altar, | 16 | ···/˘···/˘/˘··/˘ |
| And the long lawful line of crowned joys to crowned joys succeeding.-- | 15 | ···/˘·······˘/˘ |
| Ah, it has ebbed with me! Ye gods, and when it was flowing, | 15 | ···/˘········/˘ |
| Pitiful fool that I was, to stand fiddle-faddling in that way! | 16 | /˘˘······/˘····· |
| I have returned and found their names in the book at Como. | 14 | ··˘/········/˘ |
| Certain it is I was right, and yet I am also in error. | 16 | /˘·········/˘·/˘ |
| Added in feminine hand, I read, By the boat to Bellaggio.-- | 16 | /˘·/˘˘·········· |
| So to Bellaggio again, with the words of he writing to aid me. | 17 | ·····˘/·····/˘··· |
| Yet at Bellaggio I find no trace, no sort of remembrance. | 15 | ············˘/˘ |
| So I am here, and wait, and know every hour will remove them. | 17 | ········/˘˘/˘·˘/· |
| I have but one chance left,--and that is going to Florence. | 14 | ·········/˘·/˘ |
| But it is cruel to turn. The mountains seem to demand me,-- | 15 | ···/˘···/˘··˘/· |
| Peak and valley from far to beckon and motion me onward. | 15 | ··/˘···/˘·/˘·/˘ |
| Somewhere amid their folds she passes whom fain I would follow; | 15 | /·˘/···/˘····/˘ |
| Somewhere amid those heights she haply calls me to seek her. | 14 | /·˘/···/˘····· |
| Ah, could I hear her call! could I catch the glimpse of her raiment! | 15 | ·············/˘ |
| Turn, however, I must, though it seem I turn to desert her; | 15 | ··/˘········/˘· |
| For the sense of the thing is simply to hurry to Florence, | 15 | ·······/˘·/˘·/˘ |
| Where the certainty yet may be learnt, I suppose, from the Ropers. | 16 | ··/˘˘·····˘/··/˘ |
| Dear Miss Roper,--By this you are safely away, we are hoping, | 16 | ··/˘····/˘˘/··/˘ |
| Many a league from Rome; ere long we trust we shall see you. | 14 | /˘············ |
| How have you travelled? I wonder;--was Mr. Claude your companion? | 16 | ···/˘·/˘·/˘··˘/˘ |
| As for ourselves, we went from Como straight to Lugano; | 15 | ··˘˘/···/˘··˘/˘ |
| So by the Mount St. Gothard; we meant to go by Porlezza, | 15 | ·····/˘········ |
| Taking the steamer, and stopping, as you had advised, at Bellaggio, | 17 | /˘·/˘·/˘···˘/···· |
| Two or three days or more; but this was suddenly altered, | 14 | ·········/˘˘/˘ |
| After we left the hotel, on the very way to the steamer. | 16 | ·····˘/··/˘···/˘ |
| So we have seen, I fear, not one of the lakes in perfection. | 15 | ············˘/˘ |
| Well, he is not come, and now, I suppose, he will not come. | 14 | ········˘/···· |
| What will you think, meantime? and yet I must really confess it;-- | 15 | ····/·····/˘˘/· |
| What will you say? I wrote him a note. We left in a hurry, | 15 | ·············/˘ |
| Went from Milan to Como, three days before we expected. | 15 | ··˘/·/˘·····˘/˘ |
| But I thought, if he came all the way to Milan, he really | 15 | ··········˘/·/˘ |
| Ought not to be disappointed: and so I wrote three lines to | 15 | ·····˘/˘······· |
| Say I had heard he was coming, desirous of joining our party;-- | 18 | ······/˘˘/˘·/˘/˘/˘ |
| If so, then I said, we had started for Como, and meant to | 15 | ·······/˘·/˘··· |
| Cross the St. Gothard, and stay, we believed, at Lucerne, for the summer. | 17 | ···/˘···˘/·/˘··/˘ |
| Was it wrong? and why, if it was, has it failed to bring him? | 14 | ·············· |
| Did he not think it worth while to come to Milan? He knew (you | 15 | ··········˘/··· |
| Told him) the house we should go to. Or may it, perhaps, have miscarried? | 16 | ···········˘/··· |
| Any way, now, I repent, and am heartily vexed that I wrote it. | 17 | /˘···˘/··/˘˘····· |
| There is a home on the shore of the Alpine sea, that upswelling | 16 | ·········/······ |
| High up the mountain-sides spreads in the hollow between; | 13 | ···/˘····/˘·· |
| Wilderness, mountain, and snow from the land of the olive conceal it; | 17 | /˘˘/˘·······/˘˘/· |
| Under Pilatus's hill low by the river it lies; | 14 | ··˘/˘˘····/˘·· |
| Italy, utter the word, and the olive and vine will allure not,-- | 17 | /˘˘/˘····/˘···˘/· |
| Wilderness, forest, and snow will not the passage impede; | 14 | /˘˘/˘·····/˘˘/ |
| Italy, unto thy cities receding, the clue to recover, | 17 | /˘˘···/˘˘/˘···˘/˘ |
| Hither, recovered the clue, shall not the traveller haste? | 14 | /˘˘/˘·····/˘˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.